
Lux Radio Theatre - It Started with Eve
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Narrator/Announcer
Lux PRESENTS Hollywood. The lux radio theater brings you it started with eve, starring charles lawton, nick powell and susanna foster. Ladies and gentlemen, your producer, Mr. Cecil v. Demille.
Narrator/Storyteller
Greetings from Hollywood, ladies and gentlemen, when in the early months of June, our troops stormed ashore in Normandy and after bitter fighting established their positions, they later returned behind the lines and saw the first American motion picture to follow the invasion into France. It was universal feature comedy. It started with Eve, tonight's play on the Lux Radio Theater. What it meant to our battle weary troops in relaxation and diversion, and what it meant to French civilians after four harsh years of German occupation was summed up in a cable to Charles Lawton, ending with the words they loved it. I think you'll understand why when you hear tonight's play. It's a rollicking story of a young man caught between two sweethearts and a much too energetic father who insists on complicating matters. We star Charles Lawton in his original screen role, and Susanna Foster, the lovely Universal singing star, and also that versatile gentleman of screen and radio, Dick Powell. Of course, good entertainment isn't the only thing that will follow our invading armies into France. Soon, such simple luxuries as lux flakes will be back again to help thrifty Parisians keep up their tradition of good grooming. Meanwhile, the Office of War Information permits me to reveal that luxury flakes are doing something else to brighten the lives of French civilians. They're bringing in the same fine radio entertainment that you enjoy because the OWI is recording and broadcasting many of these plays in French as a friendly gesture from the people of America. Now here's the curtain for the first act of It Started With Eve, starring Charles Lawton as Jonathan Reynolds, Susanna Foster as Anne, and Dick Powell as Johnny. Up New York's Fifth Avenue, a taxicab speeds through the damp and foggy night, swerves into a spacious driveway and comes to a grinding halt in front of a towering mansion. The shiny wet walk reflects a splinter of light from a second story window. It's a dim light, for in the room beyond the window, the fabulous Jonathan Reynolds is dying. A young man dashes out of the taxi cab, brushes by a huddle of newspaper reporters and bounds up the broad staircase to the second floor.
Johnny Reynolds
I came as fast as I could. How is he, Doctor?
Dr. Harvey
Not so good, Johnny.
Johnny Reynolds
Well, he has a chance, hasn't he?
Dr. Harvey
Your father's had a rich, full life, man. Couldn't ask for more.
Johnny Reynolds
I had no idea it was this serious.
Dr. Harvey
Come on, we'll go to his.
Johnny Reynolds
Hello, dad. Well, Dad, I. I made it. Johnny, that's a fine thing. I go to Mexico for a few weeks and you fold up on me.
Jonathan Reynolds (Father)
I knew you'd come, Johnny.
Johnny Reynolds
And I'm going right back as soon as you're up again. And you're coming with me, Johnny. Dr. Harvey told me you'll be as good as new in a week.
Jonathan Reynolds (Father)
Johnny, tell me about her.
Johnny Reynolds
Her?
Jonathan Reynolds (Father)
The girl you're going to marry.
Johnny Reynolds
Oh, well, Gloria's wonderful, dad. She and her mother were in Mexico too.
Jonathan Reynolds (Father)
Why didn't you bring her here?
Johnny Reynolds
Well, I left him at the hotel. I. I figured that.
Jonathan Reynolds (Father)
I want to see her.
Johnny Reynolds
Well, of course, dad. First thing in the morning.
Jonathan Reynolds (Father)
No, bring her to me now.
Johnny Reynolds
Well, sure, dad. Sure. I'll get her right away.
Jonathan Reynolds (Father)
Might be too late in the morning.
Dr. Harvey
He's right, Johnny. I'm afraid it's a matter of hours. She will come over, won't she? Your fiance?
Johnny Reynolds
Of course. I'll rush over to the hotel right away.
Dr. Harvey
Hurry, Johnny. Hur.
Johnny Reynolds
But there's no answer on the house. Why don't you try again, please? I'm terribly sorry, Mr. Reynolds, but Ms.
Dr. Harvey
Pennington must be out.
Johnny Reynolds
Well, maybe she's in her mother's room.
Dr. Harvey
We've already rung there, sir. Would you like me to have her paid?
Johnny Reynolds
Oh, yes, yes, please.
Butler/Assistant
Please.
Johnny Reynolds
I've got to find her. My father's. Oh, it's very important.
Dr. Harvey
Front.
Jonathan Reynolds (Father)
Yes, sir?
Johnny Reynolds
Page Ms. Gloria Pennington and hurry, please. Here.
Butler/Assistant
Yes, sir.
Narrator/Storyteller
Thank you, sir.
Johnny Reynolds
Oh, I'll look around the lobby.
Anne Terry / Ms. Gloria Pennington
Check your coat, sir.
Narrator/Storyteller
Coat?
Johnny Reynolds
What did you say?
Anne Terry / Ms. Gloria Pennington
Check your coat.
Johnny Reynolds
No, no, no, no, thanks. I was just looking for someone. I thought if I stood near the entrance. Here.
Anne Terry / Ms. Gloria Pennington
Make yourself at home.
Butler/Assistant
Oh, Mr. Reynolds. Yes?
Johnny Reynolds
Sorry, sir, but I've tried everywhere. Well, isn't there someplace else? I've got to find her. Well, if you want to wait here,
Narrator/Storyteller
sir, I'll keep on trying.
Anne Terry / Ms. Gloria Pennington
Fin. Stood up, mister?
Johnny Reynolds
No, no, nothing like that. It's just that I. Oh, look, miss, I wonder if you'd do Me? A favor. A tremendous favor.
Anne Terry / Ms. Gloria Pennington
I'm sorry, but I just got relieved. I'm going home.
Johnny Reynolds
Well, it's fine and you can do it. I've got to get a hold of a girl.
Anne Terry / Ms. Gloria Pennington
Now, just a minute.
Johnny Reynolds
Now, please don't misunderstand. I've got to bring a girl home. Any girl will do. I'll give you $50.
Mrs. Pennington / Gloria's Mother
What?
Johnny Reynolds
Well, don't you see? My father's dying. I'll explain everything on the way and I'll give you anything. Only please come now.
Anne Terry / Ms. Gloria Pennington
Please. Well, I can't.
Johnny Reynolds
Well, thanks. Thanks. Here she is, dad. Mrs. Gloria.
Anne Terry / Ms. Gloria Pennington
How. How do you do?
Jonathan Reynolds (Father)
Come here, child. I. I had to see you. I've been worried what kind of a girl Johnny would marry. Well, yes. Yes, I believe he's finally picked the right one. Johnny is a good boy. I've spoiled him, of course. Don't you spoil him, too, dad.
Johnny Reynolds
Why don't you rest?
Jonathan Reynolds (Father)
Watch out for him for me, Gloria, won't you? Promise?
Anne Terry / Ms. Gloria Pennington
I. I promise.
Jonathan Reynolds (Father)
My butcher. Pretty.
Anne Terry / Ms. Gloria Pennington
Thank you.
Jonathan Reynolds (Father)
You know, there's nothing to be said about nothing. I've had a good life.
Johnny Reynolds
Dad, the doctor said we could stay only a minute. Yes, and the nurse will call me if there's anything you want. We better go now.
Jonathan Reynolds (Father)
Thank you for coming, Gloria.
Anne Terry / Ms. Gloria Pennington
He seems such a wonderful man.
Johnny Reynolds
Well, he is a wonderful man. Oh, if only I'd been a better son to him.
Butler/Assistant
Mr. Johnson, Ms. Gloria Pennington's on the phone. Will you take it here, sir.
Johnny Reynolds
Thanks.
Anne Terry / Ms. Gloria Pennington
Well, I. I guess I'll go along.
Johnny Reynolds
Well, I'll just be a minute. I'll get our chauffeur for you. Oh, hello, Gloria. Oh, that's all right. No, no, Father wanted to see you. Well, it's a little late now. No, no, no, no. Just about the same. I'll give her my love. You too, darling. Bye. Bye. That was the girl I was looking for in the hotel. Oh, I want to thank you for what you did for me.
Anne Terry / Ms. Gloria Pennington
Oh, that's all right. I'm glad I was able to help.
Johnny Reynolds
Well, wait. I offered you some money. How much was it?
Anne Terry / Ms. Gloria Pennington
Well, you said $50. I. I feel awful taking money for something like this.
Johnny Reynolds
No, you mustn't say that.
Anne Terry / Ms. Gloria Pennington
Here, I wouldn't take it, except I haven't seen my folks before so long. Most of the money I make goes for singing lessons, but this will just about do it. I can get the first train in
Johnny Reynolds
the morning was fine. Where are you from?
Anne Terry / Ms. Gloria Pennington
Shelbyville, Ohio.
Johnny Reynolds
Well, it was a very nice thing you did for me tonight. Thanks again. Well, good morning, Dr. Harvey.
Dr. Harvey
Morning, Johnny.
Johnny Reynolds
Breakfast?
Dr. Harvey
Thanks, just. Just some hot water and a little lemon juice.
Johnny Reynolds
No coffee?
Dr. Harvey
Oh, no, no, no, no. My nerves shot to pieces.
Johnny Reynolds
Dad used to drink six cups of coffee for breakfast.
Dr. Harvey
Incredible man. I. I simply don't understand what's keeping him alive.
Johnny Reynolds
I stayed in his room last night. He slept quite soundly.
Dr. Harvey
Yes, he's still sleeping.
Johnny Reynolds
I guess I should hope that he. He never wakes up. He won't suffer then.
Dr. Harvey
I'm afraid that's the most we can hope for, son.
Johnny Reynolds
I told Ms. Demnoggin to call us the second he.
Anne Terry / Ms. Gloria Pennington
Doctor, where are you?
Dr. Harvey
It's happened. That's the nurse. Ms. Dimnaggin.
Mrs. Pennington / Gloria's Mother
Doctor, you must come upstairs immediately.
Narrator/Storyteller
Nurse?
Mrs. Pennington / Gloria's Mother
You mean Mr. Reynolds just.
Anne Terry / Ms. Gloria Pennington
Just pinched me?
Dr. Harvey
He's delirious. He's out of his mind.
Anne Terry / Ms. Gloria Pennington
He leered at me. Then he said he wanted some breakfast.
Dr. Harvey
I never heard of such a thing.
Anne Terry / Ms. Gloria Pennington
And then Dr. Harvey, he struck me with a hot water bottle.
Mrs. Pennington / Gloria's Mother
Why?
Dr. Harvey
Why, Jonathan, how do you feel?
Johnny Reynolds
Well, good morning, dad.
Jonathan Reynolds (Father)
Morning. I want my breakfast.
Dr. Harvey
Why of course, Jonathan. A nice thin slice of toast and 2 inches of lukewarm milk.
Jonathan Reynolds (Father)
Who are you feeding me or the pussycat?
Dr. Harvey
Now, Jonathan, steak.
Jonathan Reynolds (Father)
I want a steak and a cigar.
Dr. Harvey
Now, now, Jonathan, you're a very sick man.
Mrs. Pennington / Gloria's Mother
Just think.
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Jonathan Reynolds (Father)
All new drinks are now at McDonald's with refreshers like the Strawberry Watermelon refresher and the Mango Pineapple refresher with popping boba. To crafted sodas like the Sprite Berry Blast with berry flavors and cold foam. Who knew ice cold drinks could be so fire six? All new drinks are here now at McDonald's.
Johnny Reynolds
Refreshers contain caffeine.
Mrs. Pennington / Gloria's Mother
A big bowl of nice warm toasty.
Jonathan Reynolds (Father)
I want some nice hot steaky. Where's Gloria?
Johnny Reynolds
Well, at the hotel. Oh, oh, I don't exactly know where she is.
Jonathan Reynolds (Father)
She can have breakfast with me. Call her on the phone.
Johnny Reynolds
No, no, no, that's not necessary. I'll go get Gloria while you're eating. Unless you'd rather see her later.
Jonathan Reynolds (Father)
No, I want to see her now.
Mrs. Pennington / Gloria's Mother
Jonathan.
Dr. Harvey
Jonathan, no excitement, please.
Jonathan Reynolds (Father)
Johnny's fault.
Johnny Reynolds
Doctor, would you mind stepping out in the hall?
Dr. Harvey
Very well. Now, lie still, Jonathan. I'll be right back.
Jonathan Reynolds (Father)
If I die now, it'll be from starvation.
Johnny Reynolds
Oh, what am I going to do?
Dr. Harvey
Do? Go to the hotel and get your fiance.
Johnny Reynolds
But she's not my fiance. I never saw her before in my life.
Dr. Harvey
Johnny, I'm in no mood for nonsense.
Johnny Reynolds
Well, I couldn't find Gloria. I thought it was a matter of minutes and I wanted him to die happy.
Dr. Harvey
You mean that girl who was here?
Johnny Reynolds
I picked her up in the hotel lobby.
Dr. Harvey
Well, go pick her up again. Well, I can't.
Johnny Reynolds
She's leaving town. Doctor, quick, quick. What's a town in Ohio?
Dr. Harvey
Toledo?
Johnny Reynolds
No, no, no. A small town. I can't remember. It starts with a.
Jonathan Reynolds (Father)
That's it.
Johnny Reynolds
Shelbyville. Shelbyville.
Anne Terry / Ms. Gloria Pennington
You. You.
Dr. Harvey
You can't go to Shelbyville, and neither can she.
Johnny Reynolds
I'm going to the station, Doctor. Maybe I can find her before the train leaves.
Anne Terry / Ms. Gloria Pennington
Do you realize what you've done? That was my train. You made me miss my train.
Johnny Reynolds
Thank goodness I did.
Anne Terry / Ms. Gloria Pennington
I never heard of such a thing in my life.
Johnny Reynolds
Look, I've explained it to you a dozen times. My father's better. He insists on seeing you again. And I'll pay you another $50.
Anne Terry / Ms. Gloria Pennington
No, I won't do it. Let me go. I want to go home.
Johnny Reynolds
That's just where you're going, young lady.
Dr. Harvey
Home.
Anne Terry / Ms. Gloria Pennington
Now, wait. Don't rush me. I've got to think.
Johnny Reynolds
But it's too late to think. Here. Here's my father's room. Now, let's go.
Anne Terry / Ms. Gloria Pennington
But your butler just said. The bishop's in there, too.
Johnny Reynolds
Oh, my goodness, that's right.
Anne Terry / Ms. Gloria Pennington
Are you sure there's nothing more I should know about myself? I mean, the girl I'm supposed to be.
Narrator/Storyteller
Well.
Jonathan Reynolds (Father)
Well, look, if.
Johnny Reynolds
If they ask you a question you're not sure of, just smile. Like this. You can smile your way out of anything. Now, go on, try it.
Mrs. Pennington / Gloria's Mother
Like this?
Johnny Reynolds
Well, that's fine. Ready?
Anne Terry / Ms. Gloria Pennington
Sure, I'm ready.
Jonathan Reynolds (Father)
Now that you've met everybody, my dear, how about your breakfast?
Johnny Reynolds
Oh, she's had breakfast, Dad.
Anne Terry / Ms. Gloria Pennington
I had my breakfast.
Jonathan Reynolds (Father)
You wouldn't like a nice little steak now, would you?
Anne Terry / Ms. Gloria Pennington
No, thank you.
Jonathan Reynolds (Father)
You could eat it here when everybody's gone.
Dr. Harvey
And she wouldn't like a nice cigar either, which she could smoke when everybody's gone.
Bishop Maxwell
It just won't do, Jonathan. Now, Ms. Pennington, how did you find Mexico?
Johnny Reynolds
Yes.
Anne Terry / Ms. Gloria Pennington
Oh, yes.
Bishop Maxwell
I've spent a Good deal of time in Mexico.
Johnny Reynolds
Oh, but there's nothing like New York, is there? New York is a great place.
Bishop Maxwell
I lived there for two years. Charming language. Ah, senorita. Elodioma Alamanas perilous caballeros. El frances paralos andresia la espanol. Perales. Maharis.
Anne Terry / Ms. Gloria Pennington
Why, is it he, Bishop?
Narrator/Announcer
Yes, yes.
Bishop Maxwell
Yo digu que los espanol estan en lo siato no es verdad.
Anne Terry / Ms. Gloria Pennington
Why, Bishop Maxwell.
Bishop Maxwell
Well, you'll forgive me, my dear, but that's what they say.
Johnny Reynolds
Well, perhaps we shouldn't discuss it any further.
Bishop Maxwell
Well, I was just that I. I hoped that I didn't.
Jonathan Reynolds (Father)
Gloria, I want you to do something for me. Gloria.
Narrator/Storyteller
Gloria.
Anne Terry / Ms. Gloria Pennington
Oh. Oh, yes.
Jonathan Reynolds (Father)
I'd like you to go over to that wall and take the picture down.
Anne Terry / Ms. Gloria Pennington
Take the picture down?
Jonathan Reynolds (Father)
That's right. Now, you'll find a little brass button.
Narrator/Storyteller
Push it.
Anne Terry / Ms. Gloria Pennington
Sit.
Jonathan Reynolds (Father)
Yes, go on, push it. Oh, now, you see that large black box?
Johnny Reynolds
Father. Father, please, this is hardly that.
Jonathan Reynolds (Father)
Don't be an idiot, Father.
Anne Terry / Ms. Gloria Pennington
You.
Johnny Reynolds
You just don't realize.
Jonathan Reynolds (Father)
Bring it to me, my dear. The box.
Johnny Reynolds
Father, I wouldn't do this if I were you. I mean, this necklace, it's rather.
Bishop Maxwell
Well, if it will put everyone more at ease, I'll be happy to step outside the room.
Jonathan Reynolds (Father)
Charlie, what's the matter with you?
Johnny Reynolds
I didn't mean you, Bishop.
Anne Terry / Ms. Gloria Pennington
I see.
Mrs. Pennington / Gloria's Mother
Well, well, I'll leave the room at once.
Jonathan Reynolds (Father)
Now look what you've done. You've hurt Miss Dimnoggins feelings.
Johnny Reynolds
Well, you just can't be too careful.
Anne Terry / Ms. Gloria Pennington
Here's the box, Mr. Reynolds.
Jonathan Reynolds (Father)
Open it.
Dr. Harvey
All right, now you've seen it.
Johnny Reynolds
Come on, close the box. Put it away. Come on. Come on.
Jonathan Reynolds (Father)
What's the matter with you? This necklace was my mother's, dear. Then my darling wife's, and now it's
Anne Terry / Ms. Gloria Pennington
yours, Father, or I've never seen anything like it in my life.
Johnny Reynolds
Let's put it back in the safe, shall we, Johnny?
Jonathan Reynolds (Father)
What are you so nervous about? Do you want to wear it yourself?
Bishop Maxwell
Well, I shall be running along. I shall be disappointed, Mr. Reynolds, if I don't see you in your pew for Easter service.
Jonathan Reynolds (Father)
I'll be there, Johnny. Show the bishop, Johnny.
Johnny Reynolds
Oh, yes, yes.
Bishop Maxwell
Goodbye, Young lady, I hope you decide on an early wedding. I always say, Marian, spring and the angels sing.
Anne Terry / Ms. Gloria Pennington
Yes, I always say that, too. Goodbye.
Johnny Reynolds
Oh, Doctor, while I'm gone, would you mind keeping an eye on dad? This way, Bishop.
Anne Terry / Ms. Gloria Pennington
Oh, Mr. Reynolds, could I put it on just for a minute?
Jonathan Reynolds (Father)
Don't ask me, my dear. Belongs to You.
Bishop Maxwell
Oh, most attractive young lady, John. Most attractive. Yes, yes, I've married a lot of beautiful girls in my day. Oh, professionally, of course. But I have never seen any more lovely.
Butler/Assistant
Mr. John, sir.
Johnny Reynolds
Yes, Robert?
Butler/Assistant
There's been a telephone call, sir. Your fiance?
Johnny Reynolds
No.
Jonathan Reynolds (Father)
Oh.
Johnny Reynolds
Oh, well, call Mr. Fiance right back.
Narrator/Announcer
Tell him to hold the wire.
Butler/Assistant
You don't understand, Sir. Your fiance, Ms. Pennington.
Bishop Maxwell
John. Dear me.
Johnny Reynolds
But.
Bishop Maxwell
But, Bishop, you're not obliged to explain your actions to anyone.
Johnny Reynolds
Well, I want to explain. You see that girl inside, She's.
Jonathan Reynolds (Father)
Well, she's.
Bishop Maxwell
Oh, I'm disappointed in you, my son. Deeply disappointed. Robert, you may show me to the door.
Butler/Assistant
Yes, Mr. John. About Miss Pennington, sir.
Johnny Reynolds
Goodbye, Bishop. See you in church. Oh, I. I mean, I'll. I'll see you in church.
Dr. Harvey
Johnny, where are you?
Johnny Reynolds
I'm here.
Dr. Harvey
Well, Johnny, I want you to apologize to Ms. Dimnaggin right away. She's crying. I. I told her you were just a little overwrought.
Jonathan Reynolds (Father)
A little overwrought?
Johnny Reynolds
I'm going crazy. The Bishop thinks I'm terrible. Gloria probably thinks I'm terrible.
Dr. Harvey
I think this is all ridiculous.
Johnny Reynolds
Exactly. I'm going to dad right now and tell him the truth. The necklace. What happened to the necklace?
Dr. Harvey
He's just putting it back in the safe.
Johnny Reynolds
Oh, well, well. Well, anyway, I. I'm. I'm going to tell dad.
Dr. Harvey
Oh, you are? Well, you certainly are not.
Johnny Reynolds
I. What do you mean I'm not? I certainly am.
Dr. Harvey
You want your father to get better, don't you?
Johnny Reynolds
Now, that's a fine thing to say.
Dr. Harvey
And he's certainly not going to suffer a shock now, if I can help it. He's crazy about that girl.
Johnny Reynolds
Well, I'm sorry. I'll think of something to tell Gloria. Something.
Dr. Harvey
Tell her the truth. What kind of a girl is she?
Johnny Reynolds
She's a wonderful girl.
Dr. Harvey
Of course.
Johnny Reynolds
Certainly. Yes. Yes, I'll tell her. She'll understand. Yeah, I'll just tell her. That's what I'll do. Who are my kitten? She'll never understand.
Butler/Assistant
Mr. John, sir.
Johnny Reynolds
I told you to call Ms. Pennington.
Butler/Assistant
I've been trying to tell you, sir. She didn't call. Here is a message from Ms. Pennington.
Johnny Reynolds
Yes?
Butler/Assistant
Ms. Pennington and her mother are coming here. They'll arrive any moment, sir.
Johnny Reynolds
Dr. Harvey?
Dr. Harvey
Yes?
Johnny Reynolds
Might I trouble you for a shot in the arm?
Narrator/Announcer
And now, while our curtain is down between Acts 1 and 2 of it started with Eve, may I present a new kind of quiz. We have here tonight three service wives.
Mrs. Pennington / Gloria's Mother
My husband's in the Army. Her mind's a marine. My Bob's in the Navy.
Narrator/Announcer
And you're all keeping house and taking care of the family while your husbands are away.
Anne Terry / Ms. Gloria Pennington
Yes.
Mrs. Pennington / Gloria's Mother
Right.
Narrator/Announcer
Now, our quiz tonight is a peeve quiz on a subject you ladies know all about. Dishwashing. I gather most women don't like it too much. But what I want to know is just why. What's your pet peeve about this daily chore, Mrs. A?
Mrs. Pennington / Gloria's Mother
Oh, it's so boring that I don't like the way my hands and nails look afterwards. But Mr. Kennedy.
Narrator/Announcer
Just a moment, Mrs. C. What don't you like about dishwashing, Mrs. B?
Mrs. Pennington / Gloria's Mother
Well, here's something that irritates me. Big lumps of undissolved soap in the dishwater. They gum up the drain and leave dishes streaky and hard to rinse. Now, why do some soaps act like that?
Jonathan Reynolds (Father)
But my dear Mrs. C, you seem
Narrator/Announcer
to have something on your mind.
Anne Terry / Ms. Gloria Pennington
Well, I was just going to say
Mrs. Pennington / Gloria's Mother
I never have those troubles.
Narrator/Announcer
How's that?
Mrs. Pennington / Gloria's Mother
Well, I was going to tell these girls it's because I use Lux Flakes for dishes.
Narrator/Announcer
Well, I can see for myself how nice it leaves your hands.
Mrs. Pennington / Gloria's Mother
It certainly does. The difference it makes and the way your hands look and feel is honestly amazing. I know because I used to use one of those strong soaps myself. And Lux dissolves completely, never lumps up.
Narrator/Announcer
Thank you, Mrs. C. Two good reasons for washing dishes with Lux. And here's another. Lux goes further. Does up to twice as many dishes ounce for ounce as other soaps tested. In other words, Lux is thrifty. Why not try Lux Flakes for dishes tomorrow? We pause now for station identification. This is cbs, the Columbia Broadcasting System.
Narrator/Storyteller
Act two of it started with Eve, starring Charles Lawton as Jonathan Reynolds, Dick Powell as Johnny and Susanna Foster as Anne.
Mrs. Pennington / Gloria's Mother
Hey everybody.
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Narrator/Storyteller
hour later in the master bedroom of the Reynolds mansion. Old Jonathan Reynolds, enchanted with the girl he thinks is going to be his new daughter in law, refuses to let her leave. And downstairs in the drawing room, his unhappy son Johnny is making a valiant effort to explain the situation to his fiance and her mother.
Johnny Reynolds
And so I rushed down to the station this morning and brought her back here again. I just don't know how to apologize to you, gloria. And you, Mrs. Pennington.
Mrs. Pennington / Gloria's Mother
Well, I'm sure it's all very peculiar. Johnny, dear, this girl, just who is she, darling?
Johnny Reynolds
I don't know. I don't even know her name.
Mrs. Pennington / Gloria's Mother
Well, what on earth do you call her?
Johnny Reynolds
Gloria. Oh, she was a hatchet girl at the hotel.
Mrs. Pennington / Gloria's Mother
And to think your poor dying father believes she's Gloria. Johnny, how long do you think this nonsense can go on?
Johnny Reynolds
Well, it's just temporary, Gloria.
Mrs. Pennington / Gloria's Mother
But suppose your dear father doesn't die in a few days. By the way, he's still improving.
Johnny Reynolds
Well, he's getting better so fast that Dr. Harvey is ready to collapse. It's incredible. And as soon as it won't be too much of a shock, we'll let him meet Gloria.
Anne Terry / Ms. Gloria Pennington
A shock?
Mrs. Pennington / Gloria's Mother
You think meeting my daughter's a shock? Oh, Mother, please. I'm sure Johnny is trying to do what he thinks is best.
Johnny Reynolds
What I think is best? What would you have done?
Mrs. Pennington / Gloria's Mother
I'm sure I don't know.
Johnny Reynolds
Well, I think maybe we'd better leave now. And as soon as Dad's up and around, you'll come over and get acquainted. And we won't have to hide down here.
Mrs. Pennington / Gloria's Mother
I refuse to permit Gloria to set foot in this house again until that that girl is gone.
Johnny Reynolds
Well, don't worry. I'll get rid of her some way.
Mrs. Pennington / Gloria's Mother
Of course you will, darling.
Johnny Reynolds
Well, I guess I'd better drive you back to the hotel and leave her
Mrs. Pennington / Gloria's Mother
alone upstairs with him.
Johnny Reynolds
It's all right. He's probably sound asleep by now. Oh, he must be very weak. Very weak.
Jonathan Reynolds (Father)
Now, look here, young woman. Are you calling me a liar for one teeny little puff.
Mrs. Pennington / Gloria's Mother
Now, you look here.
Anne Terry / Ms. Gloria Pennington
I got you that cigar on one condition.
Mrs. Pennington / Gloria's Mother
You could have 10 puffs.
Anne Terry / Ms. Gloria Pennington
10 and no more.
Jonathan Reynolds (Father)
Exactly. And I've just puffed my seventh puff.
Anne Terry / Ms. Gloria Pennington
It was the eighth puff.
Jonathan Reynolds (Father)
Simmons, where did you ever go to school?
Anne Terry / Ms. Gloria Pennington
Hurry up. The doctor's bound to come in any minute.
Jonathan Reynolds (Father)
Instead of the last two puffs, I'll just keep the cigar in my mouth. It tastes good.
Anne Terry / Ms. Gloria Pennington
Nothing doing. And if you don't Mr. Reynolds. He's coming. Dr. Harvey.
Jonathan Reynolds (Father)
Well, what'll I do with this? Here, you take it.
Anne Terry / Ms. Gloria Pennington
It's me. What'll I do with it?
Jonathan Reynolds (Father)
Never mind. I'll hide it under the blankets. There we. That's better.
Anne Terry / Ms. Gloria Pennington
You'll burn the house down here and give it to me.
Dr. Harvey
34 telegrams. Everybody in the world seems concerned about you.
Jonathan Reynolds (Father)
Read them to me later.
Dr. Harvey
The governor from General Appleby. Another from the whole staff of the symphony.
Jonathan Reynolds (Father)
Why don't you run downtown now? I have them all framed.
Dr. Harvey
A beautiful message from the Coral Society. And Jonathan.
Narrator/Announcer
What?
Dr. Harvey
I smell something.
Jonathan Reynolds (Father)
Get out of your mind.
Dr. Harvey
A very distinct odor, too.
Jonathan Reynolds (Father)
Oh, that? It's the oil furnace. The fumes come up through the ventilator. Go down and have them fix it.
Dr. Harvey
Well, I certainly will. Oh, and a very long wire from your friend Rodolfo Schrager, the impresario. And he wants to know if he can see you next Saturday.
Jonathan Reynolds (Father)
I wish you'd go down and see about that furnace. The fumes are killing me.
Narrator/Storyteller
Well.
Dr. Harvey
Well, if it's that bad, I. Jonathan, what's that? That smoke?
Jonathan Reynolds (Father)
Oh, steam. My feet. I've got hot feet.
Dr. Harvey
Let me see your feet. Fumes from the old phrenite. Fumes from a smelling old cigar.
Jonathan Reynolds (Father)
Don't you dare throw that away. That's a two dollar special.
Dr. Harvey
And just where did you get it?
Jonathan Reynolds (Father)
The bishop gave it to me. Fine old gentleman. You know, the trouble with being sick is that you have to associate with doctors.
Dr. Harvey
Yes? Oh, miss.
Anne Terry / Ms. Gloria Pennington
Yes?
Dr. Harvey
Would you mind watching this ridiculous creature for a few more minutes? I've got to make some phone calls. Of course, Johnny's disappeared somewhere, but Robert says he'll be right back. And if you need help, which I don't doubt for one moment, Ms. Dimnaggins rescue in her room.
Jonathan Reynolds (Father)
Oh, go and smoke my cigar. Go on.
Dr. Harvey
And if you don't get some rest, I'll give you something that'll make you sleep.
Anne Terry / Ms. Gloria Pennington
Mr. Reynolds.
Jonathan Reynolds (Father)
What? Me. There.
Anne Terry / Ms. Gloria Pennington
Do you suppose? I mean. I mean, would it be asking too much if. Well, could I sing for him?
Jonathan Reynolds (Father)
Sing? For that decrepit old pill roller? He never listens to anything without a stethoscope.
Anne Terry / Ms. Gloria Pennington
I don't mean Dr. Harvey. I mean Rudolph Schrager. I've studied singing for years.
Jonathan Reynolds (Father)
I don't doubt it. But Schrager comes here for pleasure.
Anne Terry / Ms. Gloria Pennington
Maybe it would be a pleasure. Is there a piano downstairs?
Jonathan Reynolds (Father)
No, and it needs tuning anyway.
Anne Terry / Ms. Gloria Pennington
Where is it?
Jonathan Reynolds (Father)
I don't remember.
Anne Terry / Ms. Gloria Pennington
Could you hear me from way down there?
Jonathan Reynolds (Father)
Impossible.
Anne Terry / Ms. Gloria Pennington
I'll try it Anyway.
Jonathan Reynolds (Father)
Oh, please don't, sick man.
Anne Terry / Ms. Gloria Pennington
Don't get excited.
Mrs. Pennington / Gloria's Mother
I'll leave your door open.
Anne Terry / Ms. Gloria Pennington
Mr. Reynolds, could you hear that?
Jonathan Reynolds (Father)
Of course not. And what are you, a piano player or a singer?
Anne Terry / Ms. Gloria Pennington
You'll find out. The hot tip.
Jonathan Reynolds (Father)
Go ahead, break every chandelier in the house.
Anne Terry / Ms. Gloria Pennington
Quiet now. Sam.
Jonathan Reynolds (Father)
Every
Anne Terry / Ms. Gloria Pennington
night. Above. Sam.
Mrs. Pennington / Gloria's Mother
And the Russian.
Jonathan Reynolds (Father)
Well, that's lovely. It's a lovely, lovely voice.
Dr. Harvey
That wasn't the radio, was it?
Jonathan Reynolds (Father)
No, it wasn't. She was singing, that's why.
Dr. Harvey
She's delightful. Oh, is the old man resting?
Narrator/Storyteller
What?
Dr. Harvey
Yes, he was. Jonathan, what are you doing sitting on the stairs? You get back to bed this instant. You can't do this to me, Jonathan.
Jonathan Reynolds (Father)
You know I'm not a well man.
Anne Terry / Ms. Gloria Pennington
I'm sorry, doctor. I didn't mean to upset him.
Jonathan Reynolds (Father)
I'm the one who should apologize. My dear, you can sing for Schrager and anybody else you want to. And you will, just as soon as I'm up and about.
Butler/Assistant
Oh, Mr. Reynolds, you really shouldn't have come downstairs, sir.
Jonathan Reynolds (Father)
Whose downstairs is this?
Butler/Assistant
But, Mr. Reynolds, it's only a week since Dr. Harvey gave you up.
Jonathan Reynolds (Father)
I wish I could give Dr. Harvey up that quickly. Roberts. Roberts, I've been robbed.
Dr. Harvey
Robbed?
Jonathan Reynolds (Father)
Robbed. My waistline's gone. I've been tampered with. Look at these trousers. I used to have the finest waistline in town. Biggest, anyway.
Butler/Assistant
May I call your tailor, sir?
Jonathan Reynolds (Father)
Call my butcher. A few steaks will fix this up. And some lamb chops. It's incredible. Can't do this to me. Where is that witch doctor?
Butler/Assistant
I believe the doctor stopped off at the doctor's. He's had a touch of nervous indigestion.
Anne Terry / Ms. Gloria Pennington
Good.
Butler/Assistant
He'll be right back, sir, and I'm warning you.
Jonathan Reynolds (Father)
What do you mean by scaring me like that?
Mrs. Pennington / Gloria's Mother
How dare you.
Dr. Harvey
Jonathan. How did you get down here?
Jonathan Reynolds (Father)
Slid down the banister.
Dr. Harvey
And where's your nurse? Where is she?
Jonathan Reynolds (Father)
Never mind that. Where have you been?
Dr. Harvey
I've been to the doctor's, that's where I've been. I'm a sick man, Jonathan, and it's all your fault.
Mrs. Pennington / Gloria's Mother
There you are, you terrible old man.
Jonathan Reynolds (Father)
Madam, where have you been hiding? Sneaking off somewhere, no doubt, to telephone Your Boogie
Dr. Harvey
by Ms. Jimnoggin.
Anne Terry / Ms. Gloria Pennington
Dr. Hockey. He kept me waiting up there for 20 minutes before I discovered the bathroom had another door. Dad.
Johnny Reynolds
Dad, you're downstairs. But this is wonderful.
Dr. Harvey
Just awful. Come along now, Jonathan, stop pushing me.
Jonathan Reynolds (Father)
Where's Gloria?
Narrator/Storyteller
Gloria?
Johnny Reynolds
Oh, well, I. I'm just gonna pick her up in a few minutes.
Jonathan Reynolds (Father)
What A girl? I've, I, I've never seen anybody so excited in my life.
Johnny Reynolds
Excited? What's Gloria excited about?
Jonathan Reynolds (Father)
The party I'm giving her. A party?
Johnny Reynolds
You're giving Gloria a party?
Jonathan Reynolds (Father)
She wants to sing for all my musical friends and she's going to Saturday night.
Dr. Harvey
Oh no she's not.
Jonathan Reynolds (Father)
Oh yes she is. And since you don't know who's coming, you can't very well cancel the invitation, can you?
Mrs. Pennington / Gloria's Mother
Mr. Reynolds, you're going to your room
Jonathan Reynolds (Father)
this instant and then shut them with their lady. Give me your arm, please.
Johnny Reynolds
Oh, oh, Doctor, Doctor, this is awful.
Dr. Harvey
Saturday night.
Johnny Reynolds
I'm talking about the girl.
Narrator/Storyteller
Oh, Gloria.
Johnny Reynolds
Oh, not Gloria. The girl he thinks is Gloria. Well, there's only one thing to do. I'll go see her right away and get her out of town.
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Johnny Reynolds
Oh, hello.
Mrs. Pennington / Gloria's Mother
Oh, hello.
Anne Terry / Ms. Gloria Pennington
Won't you come in?
Johnny Reynolds
Thanks. Oh, by the way, what's Your name?
Anne Terry / Ms. Gloria Pennington
I'm Ms. Gloria Pennington.
Mrs. Pennington / Gloria's Mother
I come from.
Johnny Reynolds
I mean your real name.
Anne Terry / Ms. Gloria Pennington
Oh, and Terry, your chauffeur usually picks me up a little later. But I guess you want me to go back home with you, huh?
Johnny Reynolds
Well, no, no, Ms. Terry, not to come to the house anymore. Now I'll just write your name in on this check and you'll be free to go back to Ohio today.
Anne Terry / Ms. Gloria Pennington
But, but your father. The shock.
Johnny Reynolds
Oh, I'll just tell him we've had a quarrel and you broke the engagement. And then I'll introduce Gloria to him as a friend of Dr. Harvey's. And in time. Well, you know.
Anne Terry / Ms. Gloria Pennington
I see. Look, your father was giving me a party Saturday night so some people could hear me sing it. It's really so important to me.
Johnny Reynolds
Now, really, Ms. Terry, I. I tried
Anne Terry / Ms. Gloria Pennington
for a whole year to have someone important hear me sing, and. And. And I wound up checking hat.
Johnny Reynolds
Well, I. I could write some letters of introduction if you'd like. Assuming, of course, you can sing.
Anne Terry / Ms. Gloria Pennington
Then. Sit down. I'll sing for you right now.
Johnny Reynolds
All right, I'd be glad to. Holy mackerel, look at the time. Oh, I'm terribly sorry, but I promised I'd take Gloria and her mother to lunch. I. I'll tell you what you do.
Butler/Assistant
You.
Johnny Reynolds
You write me your address from Ohio and I'll send the letters to you from there. And thanks again and. Well, goodbye.
Anne Terry / Ms. Gloria Pennington
Goodbye.
Johnny Reynolds
And I debated all afternoon whether to tell you or not. Oh, it must be quite a blow to you, Dad.
Jonathan Reynolds (Father)
I just can't believe it, Johnny.
Johnny Reynolds
I thought she was crazy about me. What a temper.
Jonathan Reynolds (Father)
She seemed so mild and gentle.
Bishop Maxwell
Gentle?
Narrator/Announcer
Look.
Johnny Reynolds
Look where she slugged me. And for no reason either. Oh, I'm all broken up about it, slugger. Well, I guess it's all for the best. I'll fall in love again and then this will only be a bitter memory. Oh, Dr. Harvey mentioned something about bringing a couple of his friends over tonight. They'll probably be here in a minute. Mrs. Smith and her daughter.
Jonathan Reynolds (Father)
Why didn't she telephone me or something before she left town? She liked me. I know she liked me.
Johnny Reynolds
Dad, I hate telling you this, but you know what she called you? The pompous, self indulgent, overbearing imitation of a dictator.
Narrator/Announcer
Oh, dear me.
Jonathan Reynolds (Father)
Pompous, overbearing? Yeah.
Johnny Reynolds
Oh, well, this must be Dr. Harvey and his friends now. I met them, dad. Wonderful people.
Anne Terry / Ms. Gloria Pennington
Johnny.
Jonathan Reynolds (Father)
Johnny, look, it's Gloria. She didn't go away.
Anne Terry / Ms. Gloria Pennington
Please forgive me, Johnny. I'm such a silly girl. Oh, I know I don't deserve any happiness. You. You shouldn't take me back.
Jonathan Reynolds (Father)
No, no, no, no, no. There's no need for tears.
Anne Terry / Ms. Gloria Pennington
Oh, it'll never happen again. It was all my fault. Johnny was a lamb. A perfect lamb. Johnny. Johnny, please say that you forgive me. Please.
Jonathan Reynolds (Father)
Well, say something.
Johnny Reynolds
You're darn right I'll say something. Dad, this girl here, dad, this girl.
Jonathan Reynolds (Father)
Fair heavens, she shake. Say you forgive her.
Anne Terry / Ms. Gloria Pennington
Oh, Mr. Reynolds, your condition. Say it, dad.
Johnny Reynolds
Now, dad, dad, don't get excited. Oh, I'll forgive her. I'll forgive her.
Narrator/Announcer
It's better.
Johnny Reynolds
Oh, dad. Oh, dad, are you all right?
Jonathan Reynolds (Father)
Anything so, young lady?
Anne Terry / Ms. Gloria Pennington
Yes, Mr. Van.
Jonathan Reynolds (Father)
You slugged my son.
Anne Terry / Ms. Gloria Pennington
I what?
Jonathan Reynolds (Father)
It's all right. I like a girl with spirit. And what was it you called me a pompous, self indulgent imitation of a dictator. Yes, that's right. And it's. That's me all over. And if you don't watch out, Johnny, you'll grow up to be just like me. Now, go on, make it up with her. Kiss her.
Johnny Reynolds
Kiss her.
Jonathan Reynolds (Father)
Are you deaf? Certainly. Kiss her.
Johnny Reynolds
Come here.
Anne Terry / Ms. Gloria Pennington
If you were really like your father, you wouldn't have to be told.
Johnny Reynolds
Why wouldn't?
Narrator/Announcer
Would I?
Johnny Reynolds
There.
Jonathan Reynolds (Father)
That's a horrible kiss. All right, I'll go. But kiss her good. When you're through making up, I want to see you both. Oh, where did Dr. Harvey hide my cigars, my dear? Oh, yes, and did you hide them from Dr. Harvey? Good. I think I'll go and smoke one.
Johnny Reynolds
You. Oh, you in great.
Anne Terry / Ms. Gloria Pennington
Keep away from me.
Johnny Reynolds
I told you to get out of town.
Anne Terry / Ms. Gloria Pennington
I was asked to sing Saturday Night and I'm going to.
Johnny Reynolds
Over my dead body you are.
Anne Terry / Ms. Gloria Pennington
And I'll tell your father the truth. But after Saturday night. And then you can have your Gloria for good.
Johnny Reynolds
Oh, thanks. After you've been introduced to half of New York as my fiance. Thanks a lot.
Anne Terry / Ms. Gloria Pennington
All I want is this one chance.
Johnny Reynolds
Just wait till I get my hands on you.
Anne Terry / Ms. Gloria Pennington
You have to check. Catch me first. Keep away, house. Don't you dare.
Jonathan Reynolds (Father)
Well, how was it?
Anne Terry / Ms. Gloria Pennington
Oh, fine, fine.
Johnny Reynolds
Yes, yes, it was fine.
Jonathan Reynolds (Father)
About Saturday night, my dear. Look, here's a list of the people who'll be here.
Anne Terry / Ms. Gloria Pennington
But. But this is wonderful. I never dreamed I'd be singing.
Dr. Harvey
Jonathan.
Jonathan Reynolds (Father)
Now what?
Dr. Harvey
Jonathan, I want you to meet two old friends of mine. Mrs. Smith and her daughter, Ms. Rul.
Mrs. Pennington / Gloria's Mother
How do you do?
Jonathan Reynolds (Father)
How do you do? Won't you sit down, Johnny?
Dr. Harvey
I didn't know your father already had a visitor.
Johnny Reynolds
Well, I know, but.
Jonathan Reynolds (Father)
Visitor? You old chest. Trumper. This is Ms. Gloria Pennington. Ladies, my son's fiance.
Mrs. Pennington / Gloria's Mother
I'm very pleased to meet you, Ms. Gloria Pennington. Well, we really can't stay. We just dropped in to say hello.
Jonathan Reynolds (Father)
Hello.
Mrs. Pennington / Gloria's Mother
We were. We were just on our way to a.
Anne Terry / Ms. Gloria Pennington
To a horse show.
Jonathan Reynolds (Father)
Horse show? What horse show?
Dr. Harvey
Oh, it's a private horse show, Jonathan, at a. At a friend's house.
Jonathan Reynolds (Father)
I'm afraid we can't offer you anything as entertaining as that.
Mrs. Pennington / Gloria's Mother
Mother simply adores horses. So nice to have met you. Come along, dear.
Johnny Reynolds
Let me see you to your car. Ms. Smith.
Jonathan Reynolds (Father)
Come again, ladies. Please do.
Mrs. Pennington / Gloria's Mother
Johnny, you promised me. You promised me that girl would be gone.
Johnny Reynolds
Well, she was gone, but she came back.
Mrs. Pennington / Gloria's Mother
Have you got a handkerchief?
Johnny Reynolds
Oh, here. Oh, now, please, don't cry, Gloria.
Mrs. Pennington / Gloria's Mother
Don't worry, I won't. If that lipstick on your face.
Johnny Reynolds
Oh, well, I could explain that, Gloria.
Mrs. Pennington / Gloria's Mother
Well, I'm listening.
Johnny Reynolds
Well, I. I'm sitting here with dad, waiting for you to arrive.
Anne Terry / Ms. Gloria Pennington
Johnny.
Dr. Harvey
What?
Johnny Reynolds
Where's my father?
Anne Terry / Ms. Gloria Pennington
He just went upstairs.
Johnny Reynolds
Oh. What happened?
Anne Terry / Ms. Gloria Pennington
Oh, nothing. I. I started to tell him the truth, but. But I just couldn't. I didn't have the heart.
Johnny Reynolds
Well, at least you'll admit you put me in a terrible spot.
Anne Terry / Ms. Gloria Pennington
Oh, yes, yes.
Johnny Reynolds
Oh, well, I. I can understand what prompted you. You. You want a career and everything.
Anne Terry / Ms. Gloria Pennington
Did you fix things up with Ms. Pennington?
Johnny Reynolds
No, she finally forgave me.
Anne Terry / Ms. Gloria Pennington
She's behaving wonderfully.
Johnny Reynolds
She is, like.
Mrs. Pennington / Gloria's Mother
Well, it's.
Johnny Reynolds
It's been tough on her. I don't blame her much. It's her mother mostly.
Anne Terry / Ms. Gloria Pennington
Sure.
Johnny Reynolds
It's certainly been funny. I bring you here by accident and my father likes you so much, we can't tell him the truth.
Anne Terry / Ms. Gloria Pennington
Oh, he'd have liked anybody you brought.
Johnny Reynolds
Oh, no. You should have seen the looks he gave some of the girls I brought home.
Anne Terry / Ms. Gloria Pennington
Oh, did you bring home a great many.
Johnny Reynolds
Just friends, you know. Oh, he certainly likes you.
Anne Terry / Ms. Gloria Pennington
Well, don't worry. I'll figure out some way to get out of the party.
Johnny Reynolds
It's not for two days yet, huh?
Anne Terry / Ms. Gloria Pennington
Well, I. I guess I'll get on home. I'll telephone you tomorrow.
Johnny Reynolds
Thanks. Thanks for everything.
Anne Terry / Ms. Gloria Pennington
You said that once before.
Johnny Reynolds
It still goes.
Anne Terry / Ms. Gloria Pennington
Well, good night and goodbye.
Johnny Reynolds
Goodbye.
Anne Terry / Ms. Gloria Pennington
Of course.
Johnny Reynolds
Oh, wait a second. You don't think that we.
Anne Terry / Ms. Gloria Pennington
What don't I think?
Johnny Reynolds
Oh, nothing. Goodbye.
Anne Terry / Ms. Gloria Pennington
And goodbye, Johnny.
Narrator/Announcer
In a few moments, Mr. DeMille announced stars will return in Act 3 of It Started with Eve. Now, here's Mrs. Jones cleaning up the breakfast dishes.
Mrs. Pennington / Gloria's Mother
And there's such a little bit of grease in this pan. Yes, I'll just scrub it out. No, I won't either. I read yesterday that the government still needs tons of used fat. So I'll just run this through the strainer and put it in my salvage tin.
Narrator/Announcer
Yes, Mrs. Jones is doing a fine job for her country. She and millions of other women like her made it possible to salvage just Last month alone £16 million of vitally needed fat. But do be sure to strain it. Much good fat is wasted if you don't.
Mrs. Pennington / Gloria's Mother
And even though the war news is good, the government says it's still necessary to save every drop.
Narrator/Announcer
Yes, and here's why. Winning victories increases our fat shortage problem Victories are costly. They demand more and more explosives, synthetic rubber, medicines and Other war materials, used kitchen fats, help make all of the.
Mrs. Pennington / Gloria's Mother
But won't the territory we're now winning back from the Japs help?
Narrator/Announcer
Not for a long time. It'll take at least a year after the war to get our eastern sources of oils and fats started back to pre war production. We ourselves must now make up the billion pounds a year that we used to import from the Far East.
Mrs. Pennington / Gloria's Mother
I guess no woman wants to feel responsible in the slightest way for holding up any of the supplies that are needed by our boys.
Narrator/Announcer
Those supplies must keep going out in a steady stream. And it's your used cooking fats that will help bring victory sooner. So keep right on saving every drop. But please strain it first to take out bits of food or flour. Or cool and skim clear fat off the top.
Mrs. Pennington / Gloria's Mother
And we still get two free red ration points and 4 cents for every pound.
Narrator/Announcer
That's right. That's how important your government thinks it is to save those fats and turn them in promptly to your butcher. Remember, strain and save every drop. Here's a simple daily job that every American woman can do to help that boy down the street who's risking his life for all of us. And now Mr. DeMille returns to the microphone.
Narrator/Storyteller
After the play, we'll be a little personal and delve into the private lives of our three stars. Now here's act three of it Started with Eve, starring Charles Lawton as Jonathan Reynolds, Susanna Foster as Anne and Dick Powell as Johnny. Old Jonathan Reynolds is a happy man. Saturday night has arrived, and once again his home is filled with guests, music and good food. Surrounded by his friends and a platter of hors d', oeuvre, Jonathan hasn't had a chance to become too concerned over the fact that a certain young lady has not yet arrived at the party.
Narrator/Announcer
Unbelievable.
Jonathan Reynolds (Father)
Jonathan, you look simply wonderful.
Anne Terry / Ms. Gloria Pennington
And perfectly streamlined. How do you do it?
Bishop Maxwell
That was a terrible scare you gave us, Jonathan.
Narrator/Storyteller
Terrible.
Jonathan Reynolds (Father)
That was propaganda spread by Dr. Harvey. I'm never going to die.
Dr. Harvey
Jonathan.
Jonathan Reynolds (Father)
What do you want?
Dr. Harvey
I have a very pleasant surprise for you.
Jonathan Reynolds (Father)
And how long will you be gone?
Dr. Harvey
They've just phoned and they're going to be here. Those two ladies you met the other night.
Johnny Reynolds
You remember, dad. Mrs. Smith and her daughter.
Jonathan Reynolds (Father)
No, I'm sorry that I don't. I mean, I'm glad that I don't.
Butler/Assistant
Mr. Reynolds, the telephone, sir.
Jonathan Reynolds (Father)
What is it?
Butler/Assistant
Miss Pennington, sir.
Johnny Reynolds
Well, it's about time she called. I wonder what could have happened.
Jonathan Reynolds (Father)
Happened to her where? Nothing's happened to her. Come along, Johnny, we've got to talk to her. Where are you, my dear? What's wrong?
Anne Terry / Ms. Gloria Pennington
I. I have a splitting headache. Mr. Reynolds, I'm very sorry, but. But I can't come to the party.
Jonathan Reynolds (Father)
The party's for you. I mean, all these people. I want them to meet you.
Anne Terry / Ms. Gloria Pennington
I know, and. And I feel just awful about it.
Jonathan Reynolds (Father)
I can send the car right over.
Johnny Reynolds
Dad, I wouldn't force her.
Jonathan Reynolds (Father)
Better, I'll come over and pick you up myself.
Johnny Reynolds
Oh, no.
Anne Terry / Ms. Gloria Pennington
Oh, please don't do that. I'd rather be alone, really.
Jonathan Reynolds (Father)
When I was ill, you came to me. It's the least I can do.
Johnny Reynolds
But, dad, you're having a party. You've got the guests in there.
Anne Terry / Ms. Gloria Pennington
Go away with me, please. If I should feel better later, I'll come over in a cab.
Jonathan Reynolds (Father)
Oh, dear me. Don't you. Don't you want to see me?
Anne Terry / Ms. Gloria Pennington
No, I don't. I don't ever want to see you again. Goodbye, Mr. Reynolds.
Jonathan Reynolds (Father)
Johnny. She said she didn't want to see me again. She doesn't want to see me again.
Johnny Reynolds
Well, doctor. Dr. Harvey.
Dr. Harvey
Yes, Johnny?
Johnny Reynolds
Have you seen my dad? Gloria and her mother just got here.
Dr. Harvey
He must be inside there.
Johnny Reynolds
Well, but he isn't inside there. I just looked and he isn't in his room either.
Dr. Harvey
What? Well, you must be around somewhere.
Johnny Reynolds
Then you find him. I've looked everywhere.
Narrator/Announcer
Oh, Robert.
Butler/Assistant
Yes, sir?
Johnny Reynolds
Where's my father? Have you seen him?
Butler/Assistant
Why, yes. He ordered the car a few minutes ago. Said he felt like taking a little ride.
Jonathan Reynolds (Father)
The so far I knew the address. Well, here I am.
Anne Terry / Ms. Gloria Pennington
But why did you come?
Jonathan Reynolds (Father)
I was afraid that you meant what you said on the phone. Are those your grips? Are you leaving town tonight?
Anne Terry / Ms. Gloria Pennington
11:30.
Jonathan Reynolds (Father)
Oh, it's not a very nice way for old friends to part, is it? We are old friends, aren't we?
Anne Terry / Ms. Gloria Pennington
Yes.
Jonathan Reynolds (Father)
And you were going to leave without even saying goodbye?
Anne Terry / Ms. Gloria Pennington
They'll be missing you at the party. Don't you think you should go back?
Jonathan Reynolds (Father)
I'm terribly fond of you, you know. You don't mind my saying that, do you? When you're as old as I am, you haven't got much time, you say. Just say things right out. Anne Terry. That is your name, isn't it?
Narrator/Announcer
Anne?
Jonathan Reynolds (Father)
I like it a lot better than Gloria.
Anne Terry / Ms. Gloria Pennington
How long have you known?
Jonathan Reynolds (Father)
Only a few days. But that isn't important now. Without even saying goodbye. What's that song there on the piano? It's a song I like very much. Would you. Would you sing it for me?
Anne Terry / Ms. Gloria Pennington
I can't know.
Jonathan Reynolds (Father)
Not even that Anne. What have I done to you?
Anne Terry / Ms. Gloria Pennington
Oh, I'll sing it. In those bell. Turn from your weary time. Hear them ring While my mother dies. Night has begun. Weary to. Sa.
Jonathan Reynolds (Father)
Thank you. Thank you and what? You could get a train in the morning.
Anne Terry / Ms. Gloria Pennington
No, I can't go to the party. I promised I wouldn't.
Jonathan Reynolds (Father)
I know all about that too. I'm a very smart old man. I got big ears too. But I didn't mean the party. We two should go out somewhere and say goodbye properly.
Anne Terry / Ms. Gloria Pennington
People would recognize you and. And that wouldn't be fair.
Jonathan Reynolds (Father)
I know a nice quiet little place where nobody knows me.
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Jonathan Reynolds (Father)
Please.
Anne Terry / Ms. Gloria Pennington
All right. For a few minutes.
Jonathan Reynolds (Father)
Ah, good evening, Mr. Reynolds. Good evening, Henry.
Anne Terry / Ms. Gloria Pennington
Well, look who's here.
Mrs. Pennington / Gloria's Mother
Mr. Reynolds.
Jonathan Reynolds (Father)
Hello, Peggy. Thank you, Reynolds. Lost a little weights, haven't you? Yeah, it's ridiculous, isn't it?
Anne Terry / Ms. Gloria Pennington
A nice quiet place where no one knows you.
Jonathan Reynolds (Father)
I never been here before in my life. So nice having you with us again, Mr. Reynolds. I have your table already. Oh, thank you. And Thomas. Yes, Mr. Reynolds? I forgot to tell my son where I was going. Oh, would you telephone my house? He may want to join us.
Johnny Reynolds
Of course, sir.
Anne Terry / Ms. Gloria Pennington
Immediately. Just what was all that about?
Jonathan Reynolds (Father)
Oh, sorry, I was just ordering a bag to eat.
Dr. Harvey
You are Mr. Reynolds. A Reynolds special.
Jonathan Reynolds (Father)
Oh, thank you.
Johnny Reynolds
A cocktail for Madame?
Anne Terry / Ms. Gloria Pennington
Oh, nothing, thanks. Mr. Reynolds. Why did you bring me here?
Jonathan Reynolds (Father)
Oh, it's the best place in town. You know, music and dancing.
Anne Terry / Ms. Gloria Pennington
Everybody knows you.
Jonathan Reynolds (Father)
Well, yes. People see you with me, they'll tell other people. You know, there are people here who could open doors for. I support the opera, you're seen with me and it makes a difference, you know. All right, hold it, Mr. Reynolds, hold it. Smile, please. There, that's it.
Dr. Harvey
Thanks a lot.
Jonathan Reynolds (Father)
Well, that sort of thing helps too. Tomorrow morning our picture will be in the newspaper.
Anne Terry / Ms. Gloria Pennington
Oh, oh, please don't let him do that.
Jonathan Reynolds (Father)
Why not?
Anne Terry / Ms. Gloria Pennington
Because it isn't right. It's not fair.
Jonathan Reynolds (Father)
To whom, Johnny?
Anne Terry / Ms. Gloria Pennington
Oh, won't you do something? Ask him to destroy it.
Jonathan Reynolds (Father)
Please. Well, I'll see what I can do. Oh, a young man. Yes, Mr. Reynolds?
Johnny Reynolds
Yes, sir.
Jonathan Reynolds (Father)
Her name is. Is Ann Terry. And spell it right. T, E, R, R, Y. She's my son's fiance. Oh, yes, sir.
Johnny Reynolds
Thanks a lot.
Jonathan Reynolds (Father)
Not at all. Thomas, come here. Did you reach my son? You'll be right over, sir. Good, good. Anne. Well, I told him. All right. You can forget about that picture.
Anne Terry / Ms. Gloria Pennington
Thanks. Would you. Would you mind getting the check?
Jonathan Reynolds (Father)
Now, what about my drink?
Anne Terry / Ms. Gloria Pennington
What is that thing?
Jonathan Reynolds (Father)
Well, that's a Reynolds special. Coconut milk and vegetable juices. Dr. Harvey orders it for me.
Dr. Harvey
Terrible.
Anne Terry / Ms. Gloria Pennington
Why do you drink it?
Jonathan Reynolds (Father)
Because it reminds me of Dr. Harvey. Makes me hate him. And when I hate him, I feel good. Do you want a. Want a taste of it?
Anne Terry / Ms. Gloria Pennington
There isn't any.
Jonathan Reynolds (Father)
Oh, no, no, no, no, of course not. Here you are.
Mrs. Pennington / Gloria's Mother
Oh, that's awful.
Anne Terry / Ms. Gloria Pennington
Do you drink this often?
Jonathan Reynolds (Father)
Always.
Narrator/Storyteller
I have to.
Anne Terry / Ms. Gloria Pennington
Gee, it's warm in here, isn't it? I. I better slip my coat off. Yeah. This is silly. So warm my eyes.
Jonathan Reynolds (Father)
Now, now, now, now, now, watch this. Yes. You're in love with him, aren't you? You're in love with my son.
Anne Terry / Ms. Gloria Pennington
Handkerchief, please.
Jonathan Reynolds (Father)
Handkerchief? Certainly. Of course you can. I've got some somewhere. Hello. What's this? It's a lamb chop. I remember now. I stole it out of my kitchen. What do I do with it? Wait up. This lamb chop. I didn't order a lamb chop.
Johnny Reynolds
Lamb chop?
Dr. Harvey
I brought you this.
Jonathan Reynolds (Father)
Well, you don't think I carry lamb chops around in my pocket, do you?
Johnny Reynolds
Oh, no, sir.
Dr. Harvey
I just can't understand it.
Jonathan Reynolds (Father)
Well, as long as you brought it, I'll eat it later. And would you like to dance?
Anne Terry / Ms. Gloria Pennington
Dance?
Jonathan Reynolds (Father)
I can't figure out what that means music is, but I'll try to keep time.
Anne Terry / Ms. Gloria Pennington
It's la conga.
Jonathan Reynolds (Father)
La conga? What's that?
Anne Terry / Ms. Gloria Pennington
Oh, it's very simple. Stand up.
Jonathan Reynolds (Father)
Yes, that's it.
Anne Terry / Ms. Gloria Pennington
Now, you do like this. One, two, three, kick. One, two, three, kick. Come on, try it.
Jonathan Reynolds (Father)
All right. One, two, three. That's right.
Anne Terry / Ms. Gloria Pennington
Come on, we'll try on the dad's floor. Now we got to get. Oh, you're wonderful, Mr. Reynolds. Look, they're all watching us.
Jonathan Reynolds (Father)
Watch this.
Anne Terry / Ms. Gloria Pennington
Three weeks ago, they gave him up for dance.
Jonathan Reynolds (Father)
Dad, for heaven's sake, look at me, boy. I'm dancing.
Anne Terry / Ms. Gloria Pennington
Stop it. Stop it, please. Dancing.
Johnny Reynolds
Will you stop that music?
Jonathan Reynolds (Father)
Hello, Johnny. Hello, Doctor.
Dr. Harvey
Jonathan. Jonathan, you can't do this to me.
Mrs. Pennington / Gloria's Mother
I'm not a young man.
Dr. Harvey
This is terrible.
Johnny Reynolds
How did you two get in here? Johnny, I. Oh, what's the difference? We're making a scene. Come On. We're getting out of here.
Dr. Harvey
Jonathan, I'm gonna put you straight to bed.
Jonathan Reynolds (Father)
One, two, three, kick.
Johnny Reynolds
You talked my father into coming here, didn't you?
Anne Terry / Ms. Gloria Pennington
I certainly did not.
Jonathan Reynolds (Father)
You give it to him good, dear.
Johnny Reynolds
You drag him out on the dance floor and make a fool out of him. Then you have someone phone me at the house just to make sure you bring up the party. Well, I hope you're satisfied.
Anne Terry / Ms. Gloria Pennington
Have you finished?
Johnny Reynolds
Yes, and I hope you're finished, too. You've done plenty. Now, would you please get out of here?
Anne Terry / Ms. Gloria Pennington
First, you let me tell you something. To begin with, I. Oh, what's the use?
Johnny Reynolds
What do you mean, what's the use? Hey, come back here.
Jonathan Reynolds (Father)
Where is she going?
Butler/Assistant
Anne.
Jonathan Reynolds (Father)
Anne, come back here. Come back with you.
Johnny Reynolds
Ann.
Jonathan Reynolds (Father)
Ann, wait a minute.
Mrs. Pennington / Gloria's Mother
Ann.
Johnny Reynolds
Get off that train.
Bishop Maxwell
Hurry.
Anne Terry / Ms. Gloria Pennington
Don't you dare come near me.
Johnny Reynolds
It's dad again.
Anne Terry / Ms. Gloria Pennington
Oh, no.
Johnny Reynolds
No, You've got to come now. Here. Get off those steps.
Anne Terry / Ms. Gloria Pennington
Take your hands off me.
Bishop Maxwell
No.
Johnny Reynolds
There's no time to argue that now. He's had another attack.
Anne Terry / Ms. Gloria Pennington
Let me alone. I'm going home. Oh, I. I could.
Johnny Reynolds
You're coming with me. Don't you understand? He needs you.
Jonathan Reynolds (Father)
Where are you? Getting on or you're getting off? Make up your mind, lady.
Anne Terry / Ms. Gloria Pennington
Make up my mind? Nobody gives me a chance to make up my mind. I get pushed around like a medicine ball.
Johnny Reynolds
Okay, okay, but hurry. Hurry. We'd better go right up. It's probably the end this time.
Anne Terry / Ms. Gloria Pennington
Wait a minute. Here's the nurse.
Johnny Reynolds
Well, Ms. Demnaggin, how is he?
Anne Terry / Ms. Gloria Pennington
Is there a chance?
Mrs. Pennington / Gloria's Mother
He's very low. We've just given him an injection. He'll pull through all right.
Johnny Reynolds
We can go up. Can we?
Mrs. Pennington / Gloria's Mother
I think so.
Anne Terry / Ms. Gloria Pennington
But don't you want to see your father first?
Johnny Reynolds
My father? What do you mean, my father? Who's up there?
Anne Terry / Ms. Gloria Pennington
Who's up there? Why, Dr. Harvey.
Jonathan Reynolds (Father)
Hello, Father.
Johnny Reynolds
But I saw you collapse. I saw you.
Jonathan Reynolds (Father)
Of course I did. But when Harvey saw I was just faking, he fluttered to the floor like an autumn leaf.
Johnny Reynolds
I better sit down before I start fluttering.
Jonathan Reynolds (Father)
And look. The morning paper. Our pictures in it.
Anne Terry / Ms. Gloria Pennington
You told me you had it destroyed.
Jonathan Reynolds (Father)
I couldn't do that. And if I had, they wouldn't have seen it.
Johnny Reynolds
They? You mean Gloria? Her mother?
Jonathan Reynolds (Father)
Yes. I just phoned them. They're taking the first train back to Mexico. I suggested the plane much quicker.
Johnny Reynolds
Dad, what are you trying to do, marry us off?
Jonathan Reynolds (Father)
That's ridiculous. Don't even care for each other?
Anne Terry / Ms. Gloria Pennington
Certainly not.
Johnny Reynolds
Of course not.
Anne Terry / Ms. Gloria Pennington
How could I care For a jellyfish.
Narrator/Storyteller
Oh, yeah?
Johnny Reynolds
Well, how about that night you came here and put on that crummy act? Oh, please forgive me, Johnny. I don't deserve any happiness. Oh, brother. What ham.
Anne Terry / Ms. Gloria Pennington
I had to do that because I wanted to sing.
Johnny Reynolds
Oh, well, I promised to write you some letters, didn't I? Don't worry, I will.
Anne Terry / Ms. Gloria Pennington
Never mind. I certainly don't want to be obligated to you. For that matter, I don't even want to see you again.
Johnny Reynolds
Anne, you don't really mean that, do you?
Anne Terry / Ms. Gloria Pennington
I should say I. I. Well, maybe not.
Johnny Reynolds
Oh, boy, am I a lughead.
Jonathan Reynolds (Father)
You?
Anne Terry / Ms. Gloria Pennington
You're just about the most wonderful lughead in the world.
Johnny Reynolds
Anne, come here.
Anne Terry / Ms. Gloria Pennington
Yes?
Johnny Reynolds
Put your arms around me like this. Uh huh.
Jonathan Reynolds (Father)
Ann. And
Anne Terry / Ms. Gloria Pennington
yes.
Jonathan Reynolds (Father)
Where did you hide my cigar? Return for a curtain call.
Narrator/Announcer
Let's drop into our department store for a minute. That's Jane over there at the counter looking at some slips.
Mrs. Pennington / Gloria's Mother
Oh, this one's pretty. I think I'll take it. How about you, Betty? Do you want one? Well, it's nice but. Well, do you think it's practical? Oh, well, mine always wear out fast anyway. Okay, I'll take a 34. You know, Betty, I don't think you wash yours right. Oh, pooh. Washing can't make a difference. I'm just unlucky. Tell you what, Betty, here's a bet. Wash your slip your way and I'll wash mine the Lux way. Bet you a new one, mine'll stay nice longer. It's a deal.
Narrator/Announcer
So sometime later, Betty was spending the night with Jane.
Mrs. Pennington / Gloria's Mother
Say, Jane, remember those slips we both bought? Well, look, I've got mine on. I've only worn it 10 times and it's faded already. I told you so. Goodness, let me get mine out. Hey, yours looks well and it's been luxed. I kept track 30 times, honestly. And it still looks divine. That luxe care for you.
Narrator/Announcer
Yes, lux care keeps undies color fresh and lovely looking three times longer. Actual washing test. And saves you from frayed shoulder straps pulled out seams too. So don't risk strong soaps, hot water or rough handling. Undies lead a long life when they lead a luxe life. Now Mr. DeMille returns to the microphone.
Narrator/Storyteller
Now we invite our stars, Charles Lawton, Dick Powell and Susanna Foster to come to the footlights for their curtain call. It may have started with Eve, but it certainly ends with orchids for all three of them.
Jonathan Reynolds (Father)
That's very nice of you, CB but you gave us a very amusing situation interview.
Anne Terry / Ms. Gloria Pennington
But I don't understand the title. It started with eve. So far as I can figure out, it started with Mr. Lawton.
Jonathan Reynolds (Father)
All I did was live susanna. And you can't blame me for that, can you?
Johnny Reynolds
Tell you, what business have you got living when you're drawing good money from metro golden mayor as a ghost?
Jonathan Reynolds (Father)
Well, in the canterville ghost, I'm not the real thing, you know.
Johnny Reynolds
Not even a real ghost.
Jonathan Reynolds (Father)
No, no, I'm just a humorous ghost.
Narrator/Storyteller
You mean. You mean instead of scaring people to death, they. They die laughing?
Jonathan Reynolds (Father)
I mean that I ooze through keyholes and things like that.
Narrator/Storyteller
See?
Johnny Reynolds
You ooze through keyholes with that waistline.
Jonathan Reynolds (Father)
Susanna, you have a lovely voice.
Narrator/Storyteller
You aren't changing the subject, are you, charles?
Jonathan Reynolds (Father)
I'm trying to put it on a loftier plane.
Anne Terry / Ms. Gloria Pennington
Well, my voice isn't as high as it used to be, Mr. Lawton. When I was 14, I used to be able to sing b above high c. Now I'm down to g. Good grief.
Johnny Reynolds
She'll be singing bass before she's 30.
Jonathan Reynolds (Father)
What do you have for the lux radio theater next week?
Narrator/Storyteller
CB Next Monday night, our scene moves to louisiana to the dark, mysterious swamplands which create the mood for that gripping drama of the screen dark waters. It's the lovely story of a young girl haunted by the past and trapped by the present. And a man who risks his life to save her. Our stars are preston foster and in their original screen roles, Merle oberon and thomas mitchell.
Jonathan Reynolds (Father)
It's a very thrilling place. Congratulations and good night.
Anne Terry / Ms. Gloria Pennington
Good night.
Johnny Reynolds
Good night.
Narrator/Storyteller
Good night. Good night. I hope you get an extra slice of turkey on thanksgiving. In a few days, all america will join in giving thanks that the torch of liberty burns brighter than in many years. And in this hour of thanksgiving, let us remember that this freedom has been dearly won. The victory ahead of us imposes a new obligation that never again shall the forces of tyranny be loosed upon the world. And one way to make sure of this is is to buy more war bonds and give thanks that you are in america. Our sponsors, the makers of lux flakes, join me in inviting you to be with us again next Monday night when the lux radio theater presents Preston foster, merle oberon and thomas mitchell in dark waters. This is cecil b. Demille saying good night to you from hollywood.
Narrator/Announcer
It started with eve was presented through the courtesy of universal pictures, producers of the current feature bowery to broadway, starring susanna foster. Dick powell will soon be seen in RKO's Farewell, My Lovely and can be heard every Sunday night on the Fitch bandwagon. Heard in tonight's play were Arthur Q. Brian, Charles Seal, Eddie Mar Griff Barnett, Norman Field, Noreen Gamil, Verna Felton, Dora Singleton, Joe Forte and Franklin Parker. Our music was directed by Lewis Silvers. This program is broadcast to our fighting forces overseas through cooperation with the Armed Forces Radio Service. Our Lux Radio Theater product of It Started With Eve, starring Charles Lawton, Dick Powell and Susanna Foster, has come to you with the good wishes of the makers of Luxe Flakes. And this is your announcer, John M. Kennedy, reminding you to tune in again next Monday night to hear Dark Waters with Merle Oberon, Preston Foster and Thomas Mitchell.
Mrs. Pennington / Gloria's Mother
Thanksgiving is the day to try Priscilla's Deep Dish Apple Pie.
Narrator/Announcer
It's a brand new pie, bound to be a hit.
Narrator/Storyteller
Smooth cream trickling through spicy, fragrant apples
Johnny Reynolds
snuggled under a tender, flaky spry crust.
Narrator/Announcer
Look for Priscilla's Deep Dish Apple Pie recipe.
Johnny Reynolds
See the spry ad in newspapers and
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Podcast Summary: Harold's Old Time Radio — Lux Radio Theatre: "It Started with Eve" (July 5, 2026)
This episode features a full broadcast of the classic Lux Radio Theatre presentation "It Started with Eve" (originally broadcast in the 1940s), starring Charles Laughton, Dick Powell, and Susanna Foster. Harold's Old Time Radio revisits this Golden Age classic, showcasing a lively romantic comedy about mistaken identities, filial duty, and unexpected romance. The performance exemplifies the family-centric, theatrical storytelling that defined the pre-television era, inviting listeners to relive the era when nightly radio drama was a centerpiece of American home life.
Host/Narrator Introduction:
The show is introduced by legendary producer Cecil B. DeMille, who ties the episode's original broadcast to its significance for WWII troops and liberated Europeans, noting its value as a source of American morale and culture during wartime.
"What it meant to our battle weary troops in relaxation and diversion... was summed up... 'they loved it.' I think you'll understand why..." — Cecil B. DeMille (01:09)
Setting the Scene:
The play opens with Johnny Reynolds rushing home because his wealthy, high-spirited father, Jonathan Reynolds, is on his deathbed and wants to meet Johnny’s fiancee, Gloria Pennington.
A Desperate Switcheroo (03:45–07:36)
Johnny can't find Gloria at the hotel, so—under pressure—he enlists Anne Terry, a hat-check girl, to impersonate his fiancee.
"I've got to bring a girl home. Any girl will do. I'll give you $50... My father's dying." — Johnny Reynolds to Anne Terry (05:31)
Jonathan Meets "Gloria"
Anne charms the old man, who perks up, believing he has met his future daughter-in-law.
"I've been worried what kind of a girl Johnny would marry. Yes, I believe he's finally picked the right one." — Jonathan Reynolds, Sr. (05:56)
Farce and Fumbling
Johnny and Anne improvise to keep the act going, causing confusion for household staff and Dr. Harvey.
"But she's not my fiance. I never saw her before in my life." — Johnny (10:43)
Escalating Comedy of Errors
Anne/Gloria’s continued presence revives Jonathan, who insists she stay. Johnny’s real fiance and her mother are exasperated by Anne’s role.
"Your poor dying father believes she's Gloria. Johnny, how long do you think this nonsense can go on?" — Mrs. Pennington (20:13)
Quick Wit and Banter
Anne proves charming, holding her own with Jonathan:
"You could eat it here when everybody's gone." — Jonathan "No, thank you." — Anne (12:25)
Musical Interlude
Anne (Susanna Foster) demonstrates her singing talent, impressing Jonathan and Dr. Harvey— a nod to the original film’s operatic themes.
"Mr. Reynolds, could you hear that?"
"Of course not. And what are you, a piano player or a singer?" — Anne & Jonathan (24:16–24:21)
The Secret Unravels and a Near-Confession
Johnny tries to end the ruse, but the truth stalls as Jonathan plans a party to showcase Anne’s talent, believing she's his future daughter-in-law. Anne and Johnny’s mutual vulnerability begins to surface.
“I tried for a whole year to have someone important hear me sing... and I wound up checking hat.” — Anne (32:17)
Climactic Party and Mistaken Identities
Jonathan throws a gala for Anne, not knowing he’s inviting the wrong woman. Anne tries to bow out, feigning a headache and intending to leave town.
"I have a splitting headache... I can't come to the party." — Anne (42:13) "When I was ill, you came to me. It's the least I can do." — Jonathan (42:36)
Jonathan’s Heartfelt Confrontation
Jonathan visits Anne to say goodbye, revealing he knows her true identity.
"Anne Terry. That is your name, isn't it?... I like it a lot better than Gloria." — Jonathan (44:28)
Dancing and Reconciliation
They end up at a nightclub, drawing attention. Anne and Jonathan dance, causing a humorous scene when his health is dramatically “endangered,” prompting family drama and a chase to prevent Anne from leaving town.
"Look at me, boy! I’m dancing." — Jonathan (52:59) "Three weeks ago, they gave him up for dead!" — Anne (52:56)
Resolution: The Truth Emerges, Love Triumphs
The truth comes out. Jonathan reveals he knew the truth, and Anne and Johnny realize their feelings. Original fiance Gloria bows out gracefully.
"You're just about the most wonderful lughead in the world." — Anne (56:00)
| Segment | Timestamp | |------------------------------------------------|-------------------| | Introduction and context | 00:31–02:00 | | Johnny recruits Anne to pose as Gloria | 05:01–06:46 | | Jonathan is revived by "Gloria's" presence | 06:47–07:56 | | Comedy escalates: Fraud extended | 10:19–15:17 | | Anne's musical audition / singing sequence | 24:16–27:52 | | Johnny debates ending the deception | 32:00–36:04 | | Party planning & Anne's dilemma | 36:04–39:04 | | Jonathan’s party, Anne withdraws | 41:30–42:46 | | Jonathan and Anne part at her apartment | 43:29–48:02 | | Nightclub finale and mistaken identity | 49:10–53:36 | | Resolution: truths revealed, couple united | 54:32–56:28 |
Curtain Call & Banter (57:50–59:28) The cast is congratulated; playful remarks about the plot’s absurdities and in-jokes about Charles Laughton's comedic talents are exchanged.
"You ooze through keyholes with that waistline." — Dick Powell ribs Charles Laughton (58:32)
Preview of Next Week’s Play
DeMille teases the following week’s drama, "Dark Waters," with the original screen cast.
For Listeners:
This episode artfully re-creates the wit, warmth, and entertainment of the classic Golden Age of American radio. With a brisk pace, engaging performances, and musical flourishes, "It Started with Eve" showcases both the accidental charm of mistaken identity farce and the enduring comfort of old-time radio storytelling.