Make Believe Town Hollywood 1948-08-08 A Very Important Appointment

Summary

Podcast Summary: Harold's Old Time Radio

Episode: Make Believe Town Hollywood 1948-08-08: A Very Important Appointment
Release Date: April 18, 2025
Host: Harolds Old Time Radio
Featured Performers: Lorene Tuttle (Evelyn Dennis), Howard Culver (Lee Lawrence), Virginia Bruce (Narrator)

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Introduction

Make Believe Town Hollywood transports listeners back to the Golden Age of Radio, capturing the essence of 1940s Hollywood glamour and romance. This episode, titled "A Very Important Appointment," weaves a compelling tale of love, ambition, and destiny set against the backdrop of a bustling Hollywood soundstage.

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Act 1: The Final Scene and an Unexpected Proposal

The episode opens on a Hollywood soundstage nearing the end of a day's shooting.

• Richard Evans (Director):
  "[02:42] This is scene 390, take four."

• Evelyn Dennis (Star Actress):
  "[02:45] Don't be a fool. I'm sick of being a cop wife... I'm sick of it."
  Her character expresses frustration with her role, hinting at a desire for more substantial parts.

• After concluding the scene, Richard approaches Evelyn with an unexpected proposition.
  Richard:
  "[03:28] How would you like to play the lead in 'Dark Alibi'? The studio's assigned it to me and I'd like to suggest you for the part."
  Evelyn:
  "[04:00] Evelyn, I've been in Hollywood for six years... I want to play comedy. I want to play vital lassie women."

Richard warns her about the risks of stepping away from her established typecast, emphasizing the precarious nature of Hollywood careers.

• Richard:
  "[04:09] ...Nobody's throwing money around. All you need is one real flop and they'll all be too scared to take another chance on you. You'll be finished."

Despite the warning, Evelyn contemplates the offer but reveals she has a personal commitment—a date she has been eagerly anticipating for a decade.

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Act 2: A Decade-Long Promise

Evelyn reminisces about a promise made ten years prior, setting the stage for a pivotal reunion.

• Evelyn:
  "[04:38] I'm supposed to see Sam McGrath for lunch tomorrow. We're going to talk over the script. I don't know what to do."

As the conversation unfolds, it's clear that Evelyn's "appointment" is more than just a date; it's a cornerstone of her personal life and career decisions.

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Act 3: The Beach Encounter

Later, Evelyn seeks solace at her favorite beach spot, a place she frequented in her youth. Here, she unexpectedly encounters Richard.

• Evelyn (mistaking Richard for Sam):
  "[08:27] I'm going to be good. They're going to like me. I know it."

Their interaction becomes a poignant exchange about dreams, unfulfilled potential, and the passage of time.

• Richard:
  "[12:18] ...Maybe I want to get you out of it before it hurts you too much."

Evelyn confesses her loneliness and her deliberate decision to approach Richard, hoping for a connection.

• Evelyn:
  "[12:34] You mean people didn't care for you either?"

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Act 4: The Unraveling Pact

Their decade-old pact comes under scrutiny as Evelyn grapples with her feelings and Richard's new life.

• Evelyn:
  "[20:17] Please. I know it's a big difference now, but remember that pact we made?"

Tensions rise as Richard reveals his current marital status, leading to a heartfelt and emotional confrontation.

• Evelyn:
  "[20:30] ...I'll never love anyone like I love you. Wait for me to grow up."

---

Act 5: Revelations and Resolutions

In the climax, Evelyn confronts Richard about their past and the choices they've made.

• Richard:
  "[24:40] ...Sometimes the guy starts out with big ideals. He wants to do something he knows he can't do. Then maybe he gets scared..."

Evelyn realizes that Richard's absence was driven by fear and practicality, not lack of affection.

• Evelyn:
  "[26:36] What's come over you? You weren't so positive an hour ago."

The episode concludes with a reflection on the nature of promises, dreams, and the intricate dance between personal aspirations and life's unpredictable turns.

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Key Themes and Insights

1. The Perils of Typecasting in Hollywood:
   Evelyn's struggle to break free from a repetitive role highlights the challenges actors face in seeking diverse opportunities.

2. Promises and the Passage of Time:
   The decade-long promise between Evelyn and Richard serves as a central motif, exploring how time can both solidify and strain relationships.

3. Unfulfilled Dreams and Regrets:
   Both characters grapple with what could have been, shedding light on the human tendency to ponder alternate life paths.

4. The Intersection of Personal and Professional Life:
   The episode delves into how personal commitments can profoundly impact career decisions and vice versa.

---

Notable Quotes

• Evelyn Dennis:
  "[04:12] ...I have a date at seven. Someone special." (04:12)

• Richard Evans:
  "[12:18] Maybe I want to get you out of it before it hurts you too much." (12:18)

• Evelyn Dennis:
  "[20:30] I'll never love anyone like I love you. Wait for me to grow up." (20:30)

• Richard Evans:
  "[24:40] Sometimes the guy starts out with big ideals. He wants to do something he knows he can't do." (24:40)

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Conclusion

"A Very Important Appointment" masterfully captures the essence of romantic drama intertwined with the intricacies of Hollywood life in the late 1940s. Through its rich dialogue and emotional depth, the episode offers listeners a nostalgic yet timeless exploration of love, ambition, and the unforeseen paths that life often takes.

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Stay Tuned:
Join us tomorrow for another engaging episode, where a boy meets girl in a story that subverts typical Hollywood tropes, as Virginia Bruce introduces more tales from Make Believe Town Hollywood.

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This summary was crafted to provide an in-depth overview of the episode for those who haven't listened, highlighting key plot points, themes, and memorable quotes to ensure a comprehensive understanding of the story.

Transcript

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[Richard Evans]

No purchase necessary. VGW Group void where prohibited by law 21/ Terms and Conditions apply by transcription. Quiet, please. We're rolling. Speed. Camera. Action. It's make believe town Hollywood. Welcome to Make Believe Town, Hollywood. And another romantic story of the people to whom all the world's but a silver screen. Here to introduce Act 1 of today's story. Is one of Movieland's loveliest, most talented stars, Virginia Bruce.

[Evelyn Dennis]

Hello, everyone, and thanks for being with us again in make believe town. Well, today marks the beginning of the second week of this new dramatic series. And I think I can promise you some unusual and exciting stories during the coming days. Stories about the people to whom, as Johnny Jacobs, our announcer, puts it, all the world is a silver screen. With apologies to Shakespeare. I think that pretty well explains the kind of stories we dramatize on this program. Like the one about Evelyn Dennis. That's not her real name, but you know her well through having seen her so often in pictures. Her private life, her struggles, her career. Have been written up in every movie magazine. In fact, there isn't very much about Evelyn Dennis that everyone doesn't know. Except possibly something that happened a long time ago. Ten years ago, before she became a famous star. It seemed a little thing at the time. One of those silly dates that young people sometimes make far in the future. But as it happened, that date turned out to be a very important appointment. The scene is a Hollywood soundstage. It's the end of the day's shooting. Just one more scene and the lights will dim. The cameras will stop rolling. Until tomorrow. But right now, Richard Evans, the director, is shooting that last scene with Evelyn Dennis, the star.

[Richard Evans]

This is scene 390, take four.

[Evelyn Dennis]

Don't be a fool. I'm sick of being a cop wife. I'm sick of scraping and bargaining and doing without. I'm sick of waiting night after night for you to come home Praying that you haven't stopped a bullet or got your throat slit in an alley. I'm sick of it. Wren.

[Richard Evans]

God. Ren. Is. That was a good shot, Evelyn.

[Evelyn Dennis]

Thanks, Richard. We're not Working anymore tonight, are we? I've got an appointment at 7.

[Richard Evans]

No, no, I think that last take did it. Evelyn, are you in a great rush? I did want to speak to you for a minute.

[Evelyn Dennis]

Oh, I think I can spare a minute. Come into my dressing room. I've got to take my makeup off, and you can talk to me while I'm doing it. Now, what's on your mind?

[Richard Evans]

How would you like to play the lead in Dark Alibi? The studio's assigned it to me and I'd like to suggest you for the part.

[Evelyn Dennis]

Oh, that's very kind of you, Richard.

[Richard Evans]

Well, I think you're a darn good actress.

[Evelyn Dennis]

Evelyn, I've been in Hollywood for six years and I played the same part in every picture. The wistful kid who gets involved in the murder. I need a change of pace. I'm tight. I want to play comedy. I want to play vital lassie women.

[Richard Evans]

Yeah, like Catherine in the Taming of the Shrew, for example.

[Evelyn Dennis]

Oh, you heard about that?

[Richard Evans]

Yeah. Yeah, I met Sam McGrath in the commissary yesterday. Evelyn, you'd be crazy to do it. The public wouldn't accept you in comedy or in Shakespeare. The combination of both might kiddie.

[Evelyn Dennis]

At the box office it might. But on the other hand, it might.

[Richard Evans]

Make me look, is it worth the gamble, Evelyn? Now, you've worked hard. You've built yourself a career. But you know the situation in Hollywood. Now, nobody's throwing money around. All you need is one real flop and they'll all be too scared to take another chance on you. You'll be finished.

[Evelyn Dennis]

That's true. Oh, Richard, I wish you hadn't spoken to me about this tonight. I'm supposed to see Sam McGrath for lunch tomorrow. We're going to talk over the script. I don't know what to do.

[Richard Evans]

Why don't you call him right now and tell him it's off? Do Dark Alibi with me, Evelyn. It's a sure thing.

[Evelyn Dennis]

No, I want to think it over. Besides, I haven't time. I've. I've got a date at seven.

[Richard Evans]

Oh. Someone special.

[Evelyn Dennis]

Someone very special. The main reason I have worked so hard. Richard, everything worthwhile I've ever done has been for him. For our appointment tonight so I could say, see, I haven't forgotten. I promised I'd come back and I did.

[Richard Evans]

Well, he'll be very proud when he meets you.

[Evelyn Dennis]

No, he won't meet me. He won't be there.

[Richard Evans]

Won't be there? I don't understand. Why not?

[Evelyn Dennis]

Evelyn, would you remember a date you made with a little girl 10 years ago. Richard, you did tell my secretary to bring the car around to the side entrance, didn't you?

[Richard Evans]

Relax, Evelyn. Wear yourself out. Yeah. There's your car.

[Evelyn Dennis]

Where's this Robinson?

[Richard Evans]

She's around the other side looking under the hood. Is there something wrong with the car, Miss Robinson?

[Evelyn Dennis]

Nothing, except that it won't stop, Mr. Evans. I've got an appointment I must keep. I'm afraid you're going to have to take a cab, Ms. Dennis. I certainly can't wait around till the car's sick. Oh, there's a taxi at the end of the alley. Taxi.

[Richard Evans]

Let's see.

[Evelyn Dennis]

Now, don't worry about the calm, Ms. Dennis. I'll get a tow home.

[Richard Evans]

Evelyn, you'll be all right, won't you? You don't need an escort?

[Evelyn Dennis]

No, no. I've got to go along, Richard. Thanks.

[Richard Evans]

Well, okay, Evelyn. Say, look, I'll go to your house with Ms. Robinson and stick around till you come back. Good luck, kid.

[Evelyn Dennis]

Thanks, Richard. All right.

[Richard Evans]

Where to, miss?

[Evelyn Dennis]

I want to go out to Venice. There's an amusement park facing the ocean.

[Richard Evans]

That park's been closed up for years, miss.

[Evelyn Dennis]

Yes, I know, but there's a cottage across the street from the Ferris wheel.

[Richard Evans]

That section's kind of run down. You sure you want to go there?

[Evelyn Dennis]

Yes. Must I explain it to you two? I've got an appointment. An appointment? Why kid yourself? She was just being nice to you then because you were 14 and scrawny and always alone. Because you were Eva Deutsch and your mother ran a Venice butcher shop ten years ago. Ten years. Hello, Ma. Hello, Charlotte. Hello, Anita. I put these rib chaps on the dills, Anita. Hi, Eva. Hi. You want me to make any deliveries, Mama? Then I finish with my customers. Patience, please. Here's your change for the chopped meat, Charlotte. Thanks, Mrs. George. Come on, Anita. Tell me you three girls are in the same class. No. That's right, Mrs. Deutsche. You don't feel more of each other. Well, you see, we live a few blocks away and you know it makes a difference. And Eva's got your cottage to take care of. She doesn't have much time for us, but in a month will be vacation. Do me a favor. Come over and take her nose out of her book once in a while. Mama, please. The girls are right. I don't have much time. Well, goodbye. Bye, Mrs. Deutsch. See you in school tomorrow, Eva. Goodbye, girls. Come again. Mama, what's the matter with you? What was I doing now? Trying to force me on those Girls. Can't you see they just don't like me? Well, maybe if you tried acting nicer to them, they would act nicer to you. Oh, they don't have a brain in their heads. All they think about is boys. All you think about is books. One extreme's as bad as the other. They're not just any books, Ma. They're plays. Shakespeare and Eugene O'Neill. If I'm going to be an actress, I've got to study them, don't I? Your eyes, I bet.

[Richard Evans]

No.

[Evelyn Dennis]

Oh, Mama. If you'll give me the deliveries, I may be able to get in a swim before dark. And this going to the beach so late. 3:00 in the afternoon is the time for that not seeing. Oh, Ma, this is the only time I like the beach. It's sundown when it's empty. When the gulls come back and the water gets purple and the sun looks like a torch. My daughter, the poet. Now, please give me the deliveries. And if you want me, I'll be at the beach. Out, damn spot. Out, I say. One, two. Why, then. Tis time to do it. Ale is murky. Fie, my lord, fie. A soldier here.

[Richard Evans]

Well, well. Lady Macbeth in the middle of the Pacific. As I live and breathe, this isn't.

[Evelyn Dennis]

The middle of the Pacific. It's the edge.

[Richard Evans]

I stand corrected. And besides, you're right. I should have minded my own business.

[Evelyn Dennis]

Oh, I'm sorry. Don't go away. I ought to be used to it.

[Richard Evans]

To what?

[Evelyn Dennis]

Being laughed at?

[Richard Evans]

Huh? Look. Mind if I float alongside you?

[Evelyn Dennis]

No, of course not. Isn't it queer how the sea and the gulls and the bell boys sound like silence?

[Richard Evans]

Is that why you always swim here alone without your friends? Because they disturb the silence?

[Evelyn Dennis]

Well, no, I don't have any friends.

[Richard Evans]

Oh, I see.

[Evelyn Dennis]

All the kids my age are babies or else they're boy crazy. They never read anything that's not required at school.

[Richard Evans]

I bet you read a lot.

[Evelyn Dennis]

Yes, I do. I have to wear glasses.

[Richard Evans]

You bring home good report cards all the time.

[Evelyn Dennis]

Oh, sure.

[Richard Evans]

And the boys don't like you terribly.

[Evelyn Dennis]

No, not that I care. I don't have time for them anyway.

[Richard Evans]

Of course you don't. Look, youngster, if you ever find that just by chance you have got a few extra minutes, come and talk to me, huh? I'll either be here or in that first cottage there off the beach. You see, I get lonely too, sometimes.

[Evelyn Dennis]

Hello.

[Richard Evans]

Well, hello there. Go on.

[Evelyn Dennis]

I. I stepped on a nail on the sand and figured maybe you had some iodine I could put on it.

[Richard Evans]

Oh, sure, of course. For a moment, I flattered myself that you wanted to talk to me.

[Evelyn Dennis]

Well, I did, but I wasn't sure you'd care to waste your time with child.

[Richard Evans]

Now hold still. I told you I'd be glad to see you, didn't I?

[Evelyn Dennis]

Yes. Maybe you were just being kind.

[Richard Evans]

Now, what makes you think that?

[Evelyn Dennis]

Well, nobody's ever really wanted me around before.

[Richard Evans]

I see.

[Evelyn Dennis]

And I thought if I hurt my foot, somehow I'd have a real excuse to stop in. And if you didn't want me here, I'd feel it and go away.

[Richard Evans]

So you waited till you hurt your foot.

[Evelyn Dennis]

No, I didn't wait. You'd be surprised how hard it is to step on even a little nail deliberately.

[Richard Evans]

Are you crazy, kid?

[Evelyn Dennis]

It was worse. Now I'm sure you like me. I can't understand why. But I guess you don't question miracles.

[Richard Evans]

Look, funny face, I like you because. I don't know exactly. Maybe because I was so much like you when I was a kid. Lonely and defiant and living within myself. Maybe I want to get you out of it before it hurts you too much.

[Evelyn Dennis]

You mean people didn't care for you either?

[Richard Evans]

I thought they didn't. I never went halfway to find out.

[Evelyn Dennis]

But how could they help? You're so nice and your fastest mug I like. I don't have anything to recommend me.

[Richard Evans]

No, no. Nothing but a good brain and a cute little pixie face.

[Evelyn Dennis]

But I wear glasses.

[Richard Evans]

If you weren't so conscious of them, no one else would be.

[Evelyn Dennis]

You think not?

[Richard Evans]

Look, try forgetting you've got them on. And see, you've got lots of assets, youngster. Wait till you grow up. You'll knock the boys silly.

[Evelyn Dennis]

Oh, you're not just kidding me, are you?

[Richard Evans]

No, I mean every word of it.

[Evelyn Dennis]

Maybe I'll even get to be an actress. Did you ever want to do something very, very much that nobody believed you could do?

[Richard Evans]

I guess I'm still going through that stage. See this book?

[Evelyn Dennis]

The Mechanics of Flight?

[Richard Evans]

Learning all I can about aviation. I got a friend at the Burbank airport. I get down there about twice a week and watch him take those ships apart. Someday I'll get into one of those babies and tag with a seagull's right over your head. Funny Face.

[Evelyn Dennis]

You're going to be a pirate.

[Richard Evans]

I want to be one.

[Evelyn Dennis]

But your family doesn't believe in you, huh?

[Richard Evans]

I guess that's about it.

[Evelyn Dennis]

Never mind. Someday you're going to be a great flyer and I'll be a Great actor.

[Richard Evans]

And we'll come back here 10 years from today and see how each other's doing.

[Evelyn Dennis]

Why, that's a wonderful idea.

[Richard Evans]

What?

[Evelyn Dennis]

Why not? It'll give us both more incentive to work. Because we'll have had to accomplish something by definite date. Don't you see? Oh, please. Let's make a pass. No matter what happens, we'll meet here. June 1st, 1949.

[Richard Evans]

Well, all right. Will pencil do? Let's see. I, Lee Lawrence promised to meet.

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[Richard Evans]

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[Evelyn Dennis]

Eva Dyche.

[Richard Evans]

You Eva. How do you spell it?

[Evelyn Dennis]

D E U T S C H.

[Richard Evans]

S c h f 5 South Venice Boulevard on June 1, 1949 at 7:00pm okay, now you sign it and it's a deal. Shall I make a copy for you?

[Evelyn Dennis]

I don't need any. I couldn't forget.

[Richard Evans]

A lot can happen in 10 years, Eva.

[Evelyn Dennis]

Doesn't matter. I'll be back. I promise.

[Richard Evans]

We'll return to make believe down Hollywood and Virginia. Bruce in just a moment was been.

[Evelyn Dennis]

Responsible for her success. Turn down this street robber. I'd like to go along Venice block.

[Richard Evans]

It's smoother down Washington, Miss.

[Evelyn Dennis]

Yes, I know. But I want to see if the trolley cars are still rattly in old fashioned.

[Richard Evans]

There hasn't been a change in them since 1887, miss.

[Evelyn Dennis]

I haven't been back in years. Everything looks smaller.

[Richard Evans]

That's just because you grew up, I suppose.

[Evelyn Dennis]

There's my old school. I wonder if Ms. Megas is still there. Could always be. I went to see her the very next day. After Leonard made our pact. Yes, Eva, what did you want to see me about? Well, Ms. Mason, I know all the big parts with the class they have been filled. But if you've got any little ones, I'm available. You like acting, Eva? Oh yes. But you. You've never joined the dramatic society. I Went down there in my freshman year. They couldn't find any role they thought would fit me. Oh, so you never went back? No, ma'am. I figured maybe they just didn't want me. Oh, Eva, you are a foolish little girl. Even if that were so, why let it stop you? What could I have done? Tried out in every single production until they got so tired of seeing you, they gave you a role. You need more than talent in this world, you know. You've got to have lots of stuff to plug. Well, now, let me see.

[Richard Evans]

Eva.

[Evelyn Dennis]

Suppose you do Eleanora's sister. Oh, thanks, Ms. Mason. Oh, and Eva, you might understudy Eleanora, too. Maybe something will happen to keep Doris Warner from playing the lead. One never knows, does one?

[Richard Evans]

Oh, hello, funny face. You been waiting long?

[Evelyn Dennis]

No, about five minutes.

[Richard Evans]

Well, I've got the tickets, so come along.

[Evelyn Dennis]

Eva.

[Richard Evans]

Oh, Eva, you know those two girls, Funny Face. They're calling you.

[Evelyn Dennis]

I think we want to speak to you. Eva. They're not class. I told you that. Why are they so friendly all of a sudden? Why didn't you mention you were coming here tonight? Eva. Yes. We're awfully pleased to see you. Charlotte Adams, Anita Wagner. This is a friend of mine, Lee Lott.

[Richard Evans]

How do you do, lady?

[Evelyn Dennis]

Hello. Hello, Lee. Why don't you two join us and make it for some?

[Richard Evans]

Well, of course, that's up to Eva.

[Evelyn Dennis]

He's so good, love. Oh, I'm sure Eva wouldn't mind. We've always been such charms. We have? Well, we've tried to be, but you're so busy all the time, and now I can understand why. Oh, say, the crowd's giving a beach party next Thursday, Eva. Would you both like to come? The crowd?

[Richard Evans]

Why, we'd love to.

[Evelyn Dennis]

Oh, it's wonderful of you to accept Leash.

[Richard Evans]

Of course, I may not be able to get away from my stocks and bonds, but I can assure you evil will be there. And now may I treat all you lovely women to a rousing ride on the carousel?

[Evelyn Dennis]

Oh, gosh. I looked down on the beach for you.

[Richard Evans]

It was so cold and cloudy, I didn't think you'd be down there.

[Evelyn Dennis]

What's biting you?

[Richard Evans]

Funny.

[Evelyn Dennis]

You'll never guess. You'll never guess. Doris warned his parents have to go to Connecticut, and there's nowhere to look after Doris. So they asked Ms. Mason if they could take her out of school a week ahead of time. And she said yes.

[Richard Evans]

Which makes you.

[Evelyn Dennis]

Which makes me. Ellen. Nola, the lead in the play. Well, Charlotte and Anita were almost as excited as I Am. They're going to tell the whole crowd about it. Our whole job, they said, Minnie. With me included. They wanted me to come along, but. But I. Come on. I had a date with you. I wasn't really a lie.

[Richard Evans]

Why, of course not. After all, you are my steady girl, aren't you? Hey, are you blushing?

[Evelyn Dennis]

Well, you never put your arm around me before.

[Richard Evans]

Why, Eva, I didn't know you cared.

[Evelyn Dennis]

Oh, please don't laugh at me.

[Richard Evans]

Oh, I'm sorry, youngster. That's just. Well, that's what you are to me, you know, A youngster.

[Evelyn Dennis]

I won't be 14 all my life.

[Richard Evans]

And I won't be 23.

[Evelyn Dennis]

Please. I know it's a big difference now, but remember that pact we made? In 10 years, I'll be a grown up 4 minutes and you won't even be in the prime of life yet.

[Richard Evans]

And if you don't stop twisting that button on my jacket, it's going to come off. See you.

[Evelyn Dennis]

Don't interrupt. I'll never get it said if I don't say it now. I love you. I'll never love anyone like I love you. Wait for me to grow up. Please, Lee. Ten years isn't so long. And they'll try awfully hard to become pretty for you. You wouldn't regret waiting, I promise you. Oh, please, mate. Please.

[Richard Evans]

Well, here we are, lady. Dennis. Oh.

[Evelyn Dennis]

Oh, thank you.

[Richard Evans]

Driver doesn't look as if anyone's around.

[Evelyn Dennis]

He might be in the cottage. You don't see the window from here. The hedges are too high. Funny, that's the only change. Hedges are thicker. I wonder if he's in there.

[Richard Evans]

Why don't you just go in and get it over with?

[Evelyn Dennis]

I look all right, don't I?

[Richard Evans]

You look beautiful. Want me to go with you?

[Evelyn Dennis]

No, I'll go by myself. Lee, please. I've waited so long to show you what you did for me to thank you. Please leave. Lee. Lee.

[Richard Evans]

Maybe. Maybe he's just late.

[Evelyn Dennis]

No, no, he forgot. I knew he'd forget.

[Richard Evans]

You want me to take you home now?

[Evelyn Dennis]

Yes, I know. I live at 10 Stone Canyon Drive in Bel Air. Well, how could you exist anything else? Don't take it so hard, you fool. You were a nice kid to Emanco. Remember the last day of school? Remember what happened after the class played? You still never let yourself think of it doing, do you? Was I really goodly?

[Richard Evans]

Bernhardt would have paled by comparison.

[Evelyn Dennis]

Ms. Nathan looked kind of funny as was, didn't she? I mean, Eva. But she was very happy.

[Richard Evans]

The light's on in my cottage. Wonder who's there.

[Evelyn Dennis]

Oh. Hey, wait for me. Lee.

[Richard Evans]

Anna May.

[Evelyn Dennis]

Hello, Lee. Did you miss me? Oh, honey, I wasn't ever gonna come back to you. Honest. You and your notions of flying. But the doc says sea air is good for babies.

[Richard Evans]

Anna May. Oh. Oh, honey. I want you to meet my best little girlfriend. Eva. This is my wife.

[Evelyn Dennis]

How'd you do? Oh, no. Oh, no. You never told me. And you promised you'd wait. We had a pact. You didn't mean to come back at all, did you?

[Richard Evans]

Yes, I did, Eva. I still do. But I know you'll be over me by then. And my being married won't matter.

[Evelyn Dennis]

Don't touch me. Let me tell you.

[Richard Evans]

We'Re nearly to your home, miss. You better fix your face.

[Evelyn Dennis]

My face? Oh, I didn't realize that I was crying.

[Richard Evans]

Guy that would stand you up. He's not worth crying about.

[Evelyn Dennis]

He didn't stand me up. He forgot.

[Richard Evans]

Maybe he didn't forget either. Maybe he just didn't want you to see what became of him.

[Evelyn Dennis]

No, he wouldn't have changed.

[Richard Evans]

You can't tell. Sometimes the guy starts out with big ideals. He wants to do something he knows he can't do. Then maybe he gets scared to take the. So he takes the sure thing instead. And for the rest of his life he feels cheated. And he did it.

[Evelyn Dennis]

He.

[Richard Evans]

He can't blame anyone else. He couldn't come back if he was a failure. Not with you, a famous movie star.

[Evelyn Dennis]

But he wouldn't know that.

[Richard Evans]

Maybe he saw your pictures. Maybe recognize you. Kid doesn't change so much in 10 years.

[Evelyn Dennis]

How did you know it was 10 years? How did you know it was 10years?

[Richard Evans]

Look, there's your house. How did you know? That's where you wanted to go, isn't it? Why don't you get out?

[Evelyn Dennis]

Look at me. Don't turn your head like that. Now look at me.

[Richard Evans]

Will you quit holding on to my door? I gotta pick up another fare. I got a wife and two kids to support. I got no time to waste standing here. Oh, please. Please go away.

[Evelyn Dennis]

I haven't paid to this.

[Richard Evans]

Forget it. You don't owe me anything. Just go away.

[Evelyn Dennis]

I owe you a lot. And I won't forget it. Ever. Goodbye.

[Richard Evans]

Goodbye, funny face. Evelyn.

[Evelyn Dennis]

Yes?

[Richard Evans]

Oh, Evelyn. You are all right, aren't you? Your secretary just told me the truth. That cabby cajoled her into saying your car was out of order. He told Ms. Robinson that he simply wanted to drive you around. That he was a fan of yours.

[Evelyn Dennis]

A fan of mine.

[Richard Evans]

Well, I was afraid something might have happened to you.

[Evelyn Dennis]

Something did happen to me, Richard. I've made up my mind. I'm doing the Taming of the Shrewd.

[Richard Evans]

It'll be a mistake. Ever.

[Evelyn Dennis]

No, it won't. Because I'm going to be good. They're going to like me. I know it.

[Richard Evans]

What's come over you? You weren't so positive an hour ago. You're ready to forget the whole thing when you step into that cab.

[Evelyn Dennis]

That was before I talked to him. He's right, Richard. I would feel cheated if I didn't take the chance.

[Richard Evans]

He the cab driver? Oh, no, no, of course not. Your guy. He met you?

[Evelyn Dennis]

Yes. Yes, he met.

[Richard Evans]

Tell me, has he changed much?

[Evelyn Dennis]

He's tired now and his dreams are all gone. But he had the compassion to remember and the courage to return. No, Richard, he hasn't changed. He hasn't changed. Well, that's the story of an appointment and how it affected Evelyn's life. I'm looking forward to seeing her in Shakespeare, and I have a hunch that she'll be very, very good. Our story tomorrow is a boy meets girl story. But it's quite different from the usual thing. Generally in Hollywood, at least, when boy meets girl, girl wants to become a picture star and boy either helps her in her career or marries her and prevents it. But in D'Amalo's story, it's the girl who helps the boy in his picture career. And strangely enough, the boy doesn't want a picture career. He has very little to say about it, though, because the girl happens to be his wife. I hope you'll be listening tomorrow. At the same time to Halloran is Home another dramatic story about our town and the people who work in pictures. Until then, this is Virginia Bruce reminding you that there are as many exciting stories behind the scene as those that find their way to the screen in Make Believe Town Hollywood, the glamour capital of the world.

[Richard Evans]

Today's story featured Lorene Tuttle as Evelyn and Howard Culver as Lee. Music was by Ivan Ditmars. The script by Betty Julius was produced and directed by Ralph Rose. This is John Jacobs speaking and inviting you to be with us again tomorrow at the same time when Virginia Bruce will return to introduce another story from Make Believe Town Hollywood.

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[Richard Evans]

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