Marx Brothers 35-xx-xx Hollywood Agents and Time Marxes On

Summary

Podcast Summary: "Marx Brothers 35-xx-xx Hollywood Agents and Time Marxes On" Harold's Old Time Radio – Released January 24, 2025

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Introduction

In the January 24, 2025 episode of Harold's Old Time Radio, titled "Marx Brothers 35-xx-xx Hollywood Agents and Time Marxes On," listeners are transported back to the Golden Age of Radio. This episode spotlights the legendary Marx Brothers—Groucho, Chico, and Harpo—portraying Hollywood agents navigating the comedic chaos of the motion picture industry. Through sharp wit and timeless humor, the episode offers both nostalgia and insight into the bygone era when families gathered around their radios to enjoy shows like The Shadow, Abbott & Costello, and Dragnet.

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Episode Content Overview

The episode unfolds with Groucho Marx introducing himself and Chico as representatives of the Square Deal Amusement Company, a mock Hollywood agency responsible for "sellers of sensational stars." The brothers humorously depict the challenges of running a talent agency, highlighting the ineptitude and absurdities often found within Hollywood.

Key Segments:

1. Establishing the Agency (00:19 - 03:54):

   • Groucho sets the scene by lamenting the lack of clientele for their agency.
   • Chico’s comedic mishaps, such as misplacing signage and the secretary being "out to lunch in October," underscore their incompetence.

2. Defining Their Role (03:42 - 06:58):

   • Groucho attempts to explain their responsibilities as agents, leading to humorous misunderstandings.
   • The duo's strategy for recruiting talent, such as "carrying a roast beef sandwich down the street," showcases their unconventional methods.

3. Encounter with Sadie Thompson (06:50 - 07:56):

   • A comical interaction with a potential client, Sadie Thompson, who sarcastically offers praise while critiquing their agency’s effectiveness.
   • Groucho’s witty retorts emphasize the brothers’ characteristic banter.

4. Dealing with Mr. Johnson (07:27 - 10:31):

   • The brothers meet a prospective agent, Mr. Johnson, leading to a farcical contract negotiation.
   • Groucho's skepticism and Chico’s nonsensical additions to the contract (e.g., deductions for "underwear" and "overcoats") highlight their comedic disarray.

5. Groucho’s Monologue (10:31 - 13:10):

   • Groucho delivers a humorous and exaggerated war story, blending absurdity with satire.
   • His reflections on home and family segue back to the comedic dynamics with Chico.

6. Promoting Ms. Hollis Shaw (13:10 - 19:23):

   • The brothers introduce their protege, Ms. Hollis Shaw, performing a mock promotional segment.
   • Chico demonstrates rudimentary directing skills, while Groucho provides a playful narration.

7. Satirical News Segment (19:23 - 26:25):

   • The episode shifts to a parody of contemporary news broadcasts, featuring fictional reviews of the Marx Brothers' films.
   • Harpo narrates, maintaining the silent comic tradition while Chico and Groucho deliver punchy critiques.

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Notable Quotes

• Groucho Marx (00:19):
  "Look at the stars they've made. Take us, for instance. Who made us what we are today?"
  (00:19)

• Chico Marx (03:20):
  "Yeah, but I couldn't find a sign that said Marks. The nearest thing I could get was a sign that said Mumps."
  (03:20)

• Groucho Marx (05:07):
  "We take 10% of everything an actress gets."
  (05:07)

• Chico Marx (05:11):
  "Don't we have to do anything for the money?"
  (05:11)

• Groucho Marx (08:07):
  "I read in a paper the other day just about an agent who committed suicide by jumping off a roof. Oh, don't pay any attention to that. Why not? That was me. It was a publicity stunt."
  (08:07)

• Chico Marx (12:40):
  "Was your watch gone too?"
  (12:40)

• Groucho Marx (13:10):
  "So when you hear it, honor. Thank you."
  (13:10)

• Chico Marx (25:02):
  "In my opinion, if anything is better."
  (25:02)

• Groucho Marx (26:09):
  "I got a message from the man on the moon for you."
  (26:09)

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Insights and Themes

1. Satire of Hollywood and Talent Agencies:

   • The brothers lampoon the often superficial and chaotic nature of Hollywood agencies, highlighting the disconnect between agents and genuine talent.

2. Comedy Through Character Dynamics:

   • Groucho’s sharp wit and sarcasm contrast with Chico’s bumbling innocence, creating a dynamic interplay that drives the humor.
   • Harpo’s silent participation adds a layer of physical comedy, staying true to his traditional role.

3. Absurdity and Wordplay:

   • The episode is rich with puns, wordplay, and nonsensical dialogues that satirize business practices and contractual agreements in the entertainment industry.

4. Nostalgia for the Golden Age of Radio:

   • By emulating the style of classic radio shows, the episode evokes a sense of nostalgia, celebrating the era's unique entertainment style and the timeless appeal of the Marx Brothers.

5. Critique of Commercialism:

   • Through exaggerated scenarios, the episode critiques the commercialization within Hollywood, suggesting that profit often trumps genuine artistic pursuit.

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Conclusion

The "Marx Brothers 35-xx-xx Hollywood Agents and Time Marxes On" episode of Harold's Old Time Radio masterfully intertwines classic Marx Brothers humor with a satirical take on the Hollywood film industry. By portraying Groucho, Chico, and Harpo as inept Hollywood agents, the episode not only entertains but also offers a humorous critique of the entertainment business's inner workings. Notable for its clever dialogue, memorable quotes, and faithful replication of the Golden Age radio format, this episode serves as a delightful homage to one of comedy's greatest trios while providing insightful reflections on fame, talent, and the pursuit of success in Hollywood.

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Listening Recommendation: For fans of classic comedy and vintage radio shows, this episode is a must-listen. Its rich humor, engaging characters, and nostalgic ambiance make it both an entertaining and enlightening experience for those looking to reminisce or discover the charm of old-time radio.

Transcript

[Groucho Marx]

From Hollywood, California, the Hotchkiss Packing Company presents the Marx Brothers. Good evening, ladies and gentlemen. This is Groucho Marx speaking. And already it's not such a good evening. Tonight, Chico and myself, with the help of that grand musical director, Raymond Page, bring you a slice of life in that crazy world they call Hollywood. As we drop into your home every Friday night, we're going to try to show you the unsung heroes of the motion picture business. The Hollywood agents, those theatrical representatives who get jobs for actors and actresses in the movie studios. It's about time these agents were recognized. Look at the stars they've made. Take us, for instance. Who made us what we are today? Who helped us when we were in need? Who loaned us money when we didn't have a dime? The Weston Loan Company. Have one of our bonded representatives call at your house next Monday night. And take their house away while you're having dinner. So on with the show and let the jokes have no age limit. And while Ray Page sets the scene. While Ray Page sets the scene, we'll get the theatrical office ready for our new business as Hollywood agents where everything is 10% off, including the agen. It's. And here's the office of the Square Deal Amusement Company operated by Groucho and Chico Marx, representatives of talent for the stream, sellers of sensational stars. Also headquarters for slot machines, pinball games, turkey raffles and marked cards. Here they are, Checo and Groucho. Very irksome. Very irksome. I can't understand it. We have a business. We've got a marvelous office here, but nobody comes in. I wonder why they stay away. Chico, did you put up that sign on the door?

[Chico Marx]

Yeah, but I couldn't find a sign that said Marks. The nearest thing I could get was a sign that said Mumps.

[Groucho Marx]

Fine office. Where's my secretary?

[Chico Marx]

Out to lunch.

[Groucho Marx]

What time did she leave?

[Chico Marx]

October.

[Groucho Marx]

If she's not back by next March, I'll give her two weeks notice. A fine office. Or did I say that? Chico, why don't you go out and drum up some business?

[Chico Marx]

I would, only I don't know what business we're in.

[Groucho Marx]

Why? We're Hollywood agents. We get people, jobs and pictures.

[Chico Marx]

Do we?

[Groucho Marx]

Don't change the subject.

[Chico Marx]

But why do we want to get our people jobs and pictures?

[Groucho Marx]

Well, we get 10% of their salaries.

[Chico Marx]

Don't we have to do anything for the money?

[Groucho Marx]

No, we're agents.

[Chico Marx]

I know, but what do we do?

[Groucho Marx]

Nothing. We're agents.

[Chico Marx]

Say, I've been an agent for years.

[Groucho Marx]

Of course, you should be great as a picture agent. You've never been able to get yourself a job in pictures.

[Chico Marx]

Well, I nearly got a job one time in a picture called the Human Race.

[Groucho Marx]

Yeah? What happened?

[Chico Marx]

Oh, they said I wasn't the type.

[Groucho Marx]

Well, then you certainly make a fine agent.

[Chico Marx]

All right. Where do you get of these people you put into pictures? How do you find actors?

[Groucho Marx]

Just carry a roast beef sandwich down the street and sign up anybody who snaps at her. Now, go out and sign up some stars.

[Chico Marx]

Say, I got a great idea. I'll get a Jean Hollow up to the office and sign her up.

[Groucho Marx]

Wait a minute. Jean Hollow has an agent?

[Chico Marx]

Yeah, but it'll be a lot of fun getting her up in the office. Say, boss, do we charge of the ladies the same 10% commission?

[Groucho Marx]

We take 10% of everything an actress gets.

[Chico Marx]

You know, I'm only afraid of one thing.

[Groucho Marx]

What's that?

[Chico Marx]

Twins.

[Groucho Marx]

Chico, you're a dreamer. Come on, I'll try you out as an agent. For example, if you walked into a producer's office, how would you sell them? Kate Smith. I don't know why you'd say, this little lady can sing, play the piano and in an emergency. Move it.

[Chico Marx]

I got the idea. Come on, try me again.

[Harpo Marx]

All right.

[Groucho Marx]

Suppose the studio calls up and wants a leading man like Clark Gable. What would you do?

[Chico Marx]

Well, you say this little lady can sing, play the piano in an emergency movie.

[Groucho Marx]

The trouble with you is you can't get your mind off Gene Harlow.

[Sadie Thompson]

Pardon me. Are you the Mumps Brothers?

[Groucho Marx]

Chico, you don't have to answer that.

[Sadie Thompson]

You needn't be afraid of me. I've had the mumps.

[Chico Marx]

Yeah, but you haven't had the Monks Brothers.

[Groucho Marx]

Away with false modesty. What's your name, Adam?

[Sadie Thompson]

Sadie Thompson.

[Chico Marx]

Hey, what's your racket, Ms. Thompson?

[Sadie Thompson]

I was in the California Company of Rain.

[Groucho Marx]

I don't remember that. What was it called?

[Sadie Thompson]

Local showers.

[Groucho Marx]

Enough of this pitter patter. Tell me, my little blood orange, what do you do?

[Sadie Thompson]

Well, you see, I can sing, play.

[Groucho Marx]

The piano and in an emergency movie. Ms. Thompson, you're wasting our valuable time and jokes. Would you like to sign up with us?

[Sadie Thompson]

I should say not. Don't you remember I was in here a month ago? I gave you my name and address, but you never got me a job. What are you going to do about it?

[Groucho Marx]

I'll give you back your name and address.

[Sadie Thompson]

Oh, gee, thanks very much. See, I think you're swell.

[Harpo Marx]

Oh, we're not swell.

[Sadie Thompson]

You're just being swell. I'll never forget you for this. I think you're both swell.

[Chico Marx]

Yeah, we think you're swell too.

[Groucho Marx]

I don't think we're nearly as swell as she is. You are, but I certainly am not.

[Chico Marx]

It's certainly swell of you to say that.

[Sadie Thompson]

Well, goodbye. It was swell seeing you.

[Groucho Marx]

Well, it was swell seeing you too. Swell up and see us again sometime. This is a fine location with the type of people we're getting here. Our main entrance must be on an alley. Hello, fellas. Ahren, actor. It does my nose this evening.

[Chico Marx]

Say, this guy looks a swell too.

[Groucho Marx]

No, that's not swell. It's the past tense. Swollen fighting with Cookie Johnson. Oh, another piano move. Or is it just a piano? What do you do for a living? If you call that living. I'm a radio comedian. Oh, a radio comic, eh? Well, you came to the right place. There's gonna be fireworks around here and we'll need a punk like you. Are you the man who gets people jobs and pictures? No, I'm a Hollywood agent. But this is no time for the truth. Tell me, why do you want to leave the radio to go into pictures? Well, pictures is high class. Yes, isn't they? Oh, you like that, eh?

[Chico Marx]

No.

[Groucho Marx]

Who's that? Oh, this is my partner, Chico Marks. Any relation to laundry marks? Chico, put on your brass knuckles and shake hands with Mr. Johnson.

[Chico Marx]

How do you do? Your name is familiar, but I don't know how to do with your face.

[Groucho Marx]

I got a couple of suggestions. I don't know if I want you guys for my agents. I don't know if I want an agent. You can't depend on them. I read in a paper the other day just about an agent who committed suicide by jumping off a roof. Oh, don't pay any attention to that. Why not? That was me. It was a publicity stunt. I'm getting out of here. Quick, Chick. I'll lock the door. Hey, wait a minute. One of you agents charge for commission?

[Chico Marx]

Well, 10% is our fee.

[Groucho Marx]

Well, if it's fee, why do you charge 10%? Quick, Chico, open the door.

[Chico Marx]

You know, I don't like him.

[Groucho Marx]

Another thing. How much salary will you guarantee me? Chico, get a contract ready and write in the salary we'll guarantee him.

[Chico Marx]

Okay. How do you spell coffee and cake?

[Groucho Marx]

Hey, if I'm gonna sign anything, it's got to be a legal contract. You can trust us, Mr. Johnson. We're an old established firm. We've been in this location since a quarter past seven. Here, I'll draw up the contract. How's this? Whereas you think You're a comedian. And. Whereas we think we're agents and we think we can get you a job in movies. Of course, we're not sure. Whereas for this. For this consideration, you as claimant.

[Chico Marx]

Whereas.

[Groucho Marx]

Waive retainer thereof. Whereas.

[Chico Marx]

What's the trouble with this country? Too many foreigners.

[Groucho Marx]

Let me see that contract. Hey, what do I pay you this 10% for?

[Chico Marx]

That's for overhead.

[Groucho Marx]

Yeah, but what's this other 10% for?

[Chico Marx]

That's for underwear.

[Groucho Marx]

See here. Haven't you guys got any underwear? Yes, but, you know, we live in a changing world. Now, let's get this straight right now, Mr. Marks. How much commission do you want? How much money do you need to live? Hey, wait. Here's another 10%.

[Chico Marx]

Yeah, that's a for overcoats.

[Groucho Marx]

Well, I'm not gonna sign this. Listen, Tubba Butta, when you say that, smile.

[Chico Marx]

Yeah. You know what happened to the last guy who didn't sign with us?

[Groucho Marx]

No, what? He's now a star at mgm. I'll tell you what I'll do. You get me a job for $5,000 a week, and I'll give you $50.

[Chico Marx]

You get us a job for $5,000 A week, and we give you $100.

[Groucho Marx]

Well, that seems fair enough. Fine. Sign here and we'll take you right over. We'll take you right over to Mr. Pincus's office at the Miracle Studios and get you started in a picture called Strike Me Pinkus. Okay, but you got to put a clause in the contract guaranteeing me work. All right, how's this? Whereas if we don't get you a job in four consecutive months for four consecutive jobs in one consecutive month, you're an old maid. Now sign. Now, wait a minute. Take it easy. I can't sign right away with you. You're strangers.

[Chico Marx]

Strangers? You're crazy. I've known Groucho for years.

[Groucho Marx]

Well, that's different. I'll sign. Where's your pen? Alcatraz. He doesn't. Not your home. He has a pen. He means. Here you are. Thanks. Wait. There's no pinpoint in the pen. That doesn't matter. I can't write. Then we're even. We can't read. The first time I fell in love. Then came the Depression. You know, once I built a railroad. Then I ran out of blocks. It was just before the crash. I was eating my last chicken dinner. I was the kid with the drumstick.

[Harpo Marx]

Then came the.

[Groucho Marx]

Well, the war wasn't quite that horrible. Yes, the war. And I fought and I fought, but I Had to go anyway. Before I knew it, I was in the thick of battle. And then we ran out of ammunition. All we have is some peas. So we shelled them. I'll never forget how surprised I was the day the general stood before me. He said, private Marks, I've had my eye on you for a long time. I've seen you all through your preliminary training in Groundway. And I want you to leave my wife alone. Of course I was taken aback. I was taken aback to the guard house. And when I woke up, I had a black eye. How proud I was. My face decoration. But I found they had stripped me of everything. My pride was gone, my honor was gone.

[Chico Marx]

Was your watch gone too?

[Groucho Marx]

No, but it was going. Then the armistice was declared and I crawled out of a haystack, packed up my needle and returned home. I walked into my little grey cottage and there was my w. Let me give you a rough idea of what kind of home library page has. Ah, home. I can see it now. A little rose covered cottage. And there's my wife standing at the door.

[Chico Marx]

Yeah, how do you know she's standing?

[Groucho Marx]

I sold the furniture before I left, stupid. Ah, home. What is home without a mother? Chico, I ask you, what is home without a mother?

[Chico Marx]

An incubator.

[Groucho Marx]

So when you hear it, honor. Thank you. Thank you, ladies and gentlemen. That was Ms. Hollis Shaw, Chico and myself rendering one voice in two counterfeit courses of pennies from heaven. Accompanied by Raymond Page at the mighty cash register. And now, in all fairness to our real singing star, I think Ms. Hollischer should have an opportunity of winning your approval. Chico, take over.

[Chico Marx]

Look, everybody, listen. All of you people at the banquet tonight are in the picture business. You're always looking for new talent, and yet for right here under your nose is a great singer. Come on, give her a break and listen to her. And I tell you what I'm going to do. I'm going to help a Raymond Page direct. And I show you how I would present her. This will start very soft, like a.

[Groucho Marx]

Summer night in maple. Ah.

[Chico Marx]

And then suddenly we hear the fountains in the garden. That's the violin. Then the nightingale joins with you that's.

[Groucho Marx]

The fruit.

[Chico Marx]

And the wind in the.

[Groucho Marx]

Trees that's of a clarinet. Have a sea.

[Chico Marx]

Bright moon.

[Groucho Marx]

And soon.

[Chico Marx]

The whole night is singing with you.

[Groucho Marx]

Time may I hid in between what has been this past forgetting when the moon sets.

[Chico Marx]

The nightingale sleeps.

[Groucho Marx]

Ladies and gentlemen, this is Groucho Marx hoping that you like the program. We'd also like to have you know that Ms. Hollis Shore is in actuality our protege. Both Chico and I feel sure that she has a great future as a singing star. We want you to know too, that we intend in all seriousness to do everything in our power to further her career. And so, my friends, for Raymond Page and myself, I say good night. Say goodnight, Chico.

[Chico Marx]

Good night, Chico.

[Groucho Marx]

Remember that the Hotchkiss Packing Company will not be responsible for any comedians left after 30 days.

[Chico Marx]

This is the Columbia Broadcasting Network. Leo is on the air.

[Harpo Marx]

Metro Golden Mayor presents hilarious highlights from and about the picture. A Day at the Races, Music, Romance. I'm crazy about you and I love you so, sweetheart. Comedy.

[Groucho Marx]

Henry, who was that lady I seen.

[Chico Marx]

You with last night?

[Harpo Marx]

Mother.

[Groucho Marx]

That wasn't old lady. That was my wife.

[Harpo Marx]

Time box is on. Time Marx is on with the Marx Brothers. Groucho, Tipo, Harpo. And a courteous bow to the producers of the famous radio feature the March of Time. Into the new swim last week with a resounding splash. Pop one Hugo Z. Hack and Hackinbush. Small town quack who recently nabbed the number one medical chair of the famed Standish Sanitarium. Hackenbush's triumph in plucking this juicy profession of plum brought forth not but a mixed chorus of boos and cheers. Said the anti Hackenbush faction.

[Groucho Marx]

Boos.

[Harpo Marx]

Said the pro Hackenbush element. Hooray. Woody, Unmindful of the hubbub, clever, hurt, cute Hugo Z. Hackenbush last week at his spacious officers bravely defended himself against vicious verbal attacks by medical meanies.

[Groucho Marx]

Tell me, Dr. Hackenbush, just what was your medical background? Medically?

[Harpo Marx]

Yes.

[Chico Marx]

Well, at the age of 15 I.

[Groucho Marx]

Got a job in a drugstore filling prescriptions. Don't you have to be 21 to fill prescriptions? Well, that's for grown ups.

[Harpo Marx]

I just fill them for children.

[Groucho Marx]

No, no, doctor. I mean, where did you get your experience as a physician?

[Harpo Marx]

Well, to begin with, I took four.

[Groucho Marx]

Years at Vasa NASA.

[Harpo Marx]

But that's a girls college.

[Groucho Marx]

I found that out at third year.

[Harpo Marx]

I'd have been there yet, but I.

[Groucho Marx]

Went out for the swimming team. The doctor seems reluctant to discuss his medical experiences. Well, medically, my experiences have been most unexciting. Except during the flu epidemic. And what happened? I got the flu.

[Harpo Marx]

Hi Marks the lawn. That Hollywood is the manufacturing center of the nation's music is a fact which can no longer be denied. The birth of radio broke the back of the phonograph record industry and the chief revenue source of the Sharps and Flat Brigade. When Hollywood found its voice, it set the cue for the first strains of the swan song of Tin Pan Alley. Songwriters suddenly awakened to one cold fact. Go Hollywood or go broke. Go over the Rockies to California or over the hill to the poor house. So to the music making motion picture mecca marched the Doremi Faso, Latito Voice, the Gershwins, the Weichmanns, the Berlins, the Porters. To turn out such hit musicals as Born to Dance, the Great Ziegfeld and Broadway Melody. Hollywood now supplies America with 90% of the total volume of song hits. No secret is the fact that funny man Harpo Marx has never in his celebrated stage in screen career uttered a solitary word for public consumption. Nary a syllable has he spake. Proof indeed that silence indeed is indeed golden. Last week, however, came the millennium as Harpo broke a tradition of years and agreed to speak over the radio. A thrilled audience sat tense and nervous as Harpo and his interviewer approached the microphone in the studios of XKBYRV tv. In the control room, a red light flash. History in the making. Harpo on the air.

[Chico Marx]

Mr. Marks, this is a great occasion for me. Never in your career have you uttered one word from sty your screen. And just think now I, who all the boys used to call stink, am to be the first person to interview you. First I'd like you to tell our great unseen audience something about your new picture, a diaphragis.

[Harpo Marx]

We're waiting, Mr. Marks.

[Chico Marx]

Thank you, Mr. Marx.

[Harpo Marx]

Thank you, Mr. Interviewer. And as Harpo Marx is out. Time marks. And on throughout American key cities during the coming fortnight, loud hazanas will greet the initial showing of A Day at the Races. Thrilled audiences will chuckle to flee at the superb comedy of the brothers. Marks applaud enthusiastically at the singing of Alan Jones Crystal in amazement at lavish production numbers as patrons sated with entertainment emerged from a famous Hollywood theater after witnessing a preview of the Marx brothers opus. They were the subjects of radio's newest broadcasting stunt. The roving reporter with the lapel microphone picking patrons of Random reporter Elias Substation X, K V Y R V TD buttonholes and for opinions of musical pictures.

[Groucho Marx]

Good evening, ma'am. Would you mind telling us in a.

[Harpo Marx]

Few words what you thought of a.

[Groucho Marx]

Day at the races? Yo CRE?

[Sadie Thompson]

O que la telicula de Hermanos Marx.

[Harpo Marx]

Un dian las carveras et la mas comica que 10 ido gusto de ver? Mmm, very interesting, I hope. And you, sir, may we have your opinion? Quite true, quite true. And the young lady with a little dog, will you say a few words? About the picture. Okay, lady, okay, no offense meant. Ah, here's my old friend, Mr. Christophoulos Papadopoulos. How about a little statement for us, Pop?

[Chico Marx]

I thought it was magnificent entertainment.

[Harpo Marx]

Beautifully conceived, handsomely produced, intelligently presented and fairly sparkling with the most effective comedy since the last election.

[Chico Marx]

In my opinion, if anything is better.

[Harpo Marx]

Than A Night at the Opera, it.

[Chico Marx]

Is Groucho, Chico, Oppo, Alan Jones and.

[Harpo Marx]

Maureen O'Sullivan in A Day at the Races. Thank you, Mr. Papadopoulos. Time Marx is on this program. In addition to the gnashing of the teeth of the producers of the justly famous March of Time, you have heard the Marx Brothers, Groucho Chico Harpo and the music of the Metro Golden Mayor Orchestra under the direction of Franz Watson.

[Chico Marx]

And a blue fun mix in the water together.

[Harpo Marx]

Well, Hidey Heidi.

[Chico Marx]

Hi, Gary. Fruitsy ice cream.

[Groucho Marx]

I got a message from the man.

[Harpo Marx]

On the moon for you. Just you Time Mark Salon Leave the setting Monster.

[Groucho Marx]

Sa.