Max Carrados Mysteries 19xx.xx.xx The Eyes Of Max Carrados

Summary

Podcast Summary: Max Carrados Mysteries 19xx.xx.xx – The Eyes of Max Carrados

Podcast Information:

• Title: Harold's Old Time Radio
• Host/Author: Harolds Old Time Radio
• Episode: Max Carrados Mysteries 19xx.xx.xx – The Eyes of Max Carrados
• Release Date: August 6, 2025

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Overview

In this riveting episode of Max Carrados Mysteries, listeners are transported to a bygone era filled with intrigue, family secrets, and a masterful detective unraveling a complex web of deceit. The story centers around the enigmatic Max Carrados as he delves into the mysterious circumstances surrounding the death of the Whitmarsh patriarch.

Key Characters

• Max Carrados: The astute detective protagonist.
• William Whitmarsh: Eldest son of the Whitmarsh family.
• Frank Whitmarsh: Younger son with a contentious relationship with his brother.
• Madeleine Whitmarsh: The tenacious daughter seeking the truth about her father's death.
• Parkinson (Botchinson): Carrados’s associate, assisting in the investigation.

Plot Synopsis

The Mysterious Incident ([01:33] – [03:26])

The episode opens with Max Carrados arriving at the Whitmarsh estate under unusual circumstances. Immediately, tensions surface as Carrados confronts the Whitmarsh sons, William and Frank, amidst a heated discussion about their late father's will and the division of family lands.

Max Carrados ([02:12]): "Personally, I don't entirely go along with it."

Carrados senses underlying conflicts and suspects foul play beyond the apparent family feud.

Unveiling the Evidence ([12:04] – [22:17])

Madeleine Whitmarsh approaches Carrados with concerns that her father did not commit suicide but was coerced by her brother Frank. She presents a newspaper clipping detailing the incident, raising questions about the number of gunshots heard and the condition of Frank's watch.

Madeleine Whitmarsh ([14:04]): "I know that my father wouldn't have done this. I know it."

Carrados meticulously examines the evidence, including the unique cigarette paper found at the scene, leading him to question the official narrative.

Max Carrados ([23:05]): "And what is the ceiling made of?"

This segment highlights Carrados's methodical approach, piecing together inconsistencies that suggest a staged scene.

Confronting Frank Whitmarsh ([29:09] – [33:25])

In a pivotal scene, Carrados meets Frank at the Bridge Inn. The interaction is tense, with Frank initially defensive but gradually revealing the true nature of his relationship with Madeleine and the motives behind the supposed altercation.

Frank Whitmarsh ([32:19]): "You didn't try to argue the point."

Through their dialogue, the layers of family betrayal and Frank’s desperation for his inheritance come to light.

The Climax ([34:03] – [36:17])

Back at the Whitmarsh estate, Carrados confronts Madeleine with his deductions. He reveals that Madeleine orchestrated the planting of evidence to frame Frank, utilizing her knowledge of the family's affairs and her brother's weaknesses.

Max Carrados ([35:04]): "You don't need the income from the duck chutes. But look, it could be make or break for me."

This revelation exposes Madeleine's manipulative tactics, aiming to preserve her family's legacy at any cost.

Resolution ([39:17] – [43:22])

In the final act, Carrados ties together all the threads, proving Madeleine's culpability. She confesses, overwhelmed by guilt and the unraveling of her plans.

Madeleine Whitmarsh ([40:56]): "I was a fool to set my cleverness against yours."

Carrados reflects on the case, noting the complexities of human emotions and the lengths individuals will go to protect their interests.

Max Carrados ([42:13]): "She kept her face hidden behind her scarf. But, curiously, I wasn't in the least afraid of him."

Notable Quotes with Timestamps

• Max Carrados ([02:12]): "Personally, I don't entirely go along with it."
• Madeleine Whitmarsh ([14:04]): "I know that my father wouldn't have done this. I know it."
• Frank Whitmarsh ([32:19]): "You didn't try to argue the point."
• Max Carrados ([35:04]): "You don't need the income from the duck chutes. But look, it could be make or break for me."
• Madeleine Whitmarsh ([40:56]): "I was a fool to set my cleverness against yours."

Insights and Themes

• Family Conflict: The Whitmarsh family's internal disputes over inheritance and land highlight the destructive nature of greed and sibling rivalry.
• Perception vs. Reality: Carrados's investigation underscores the theme that things are not always as they seem, emphasizing the importance of scrutinizing appearances.
• Justice and Morality: The episode delves into the complexities of justice, questioning whether the ends justify the means in the pursuit of truth.

Conclusion

The Eyes of Max Carrados offers a compelling narrative that combines classic detective work with deep psychological insights into its characters. Max Carrados's unwavering determination and keen intellect unveil the truth beneath layers of deceit, delivering a satisfying conclusion that resonates with listeners who appreciate intricate mysteries and rich storytelling.

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Production Credits:

• Narration and Voice Acting:
  • Max Carrados – Simon Callow
  • Parkinson – Lionel Jeffries
  • Madeleine Whitmarsh – Theresa Gallagher
  • William Whitmarsh – Matthew Marsh
  • Frank Whitmarsh – Philip Glenister
  • Additional Characters – Various Voice Actors
• Music: Robert Rigby
• Adaptation: Bert Coulls
• Producers: Stuart Richards and Michael Cameron
• Director: Alan Drury
• Production Company: Mr. Punch Production

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Note: This summary excludes advertisement segments, introductions, and outros, focusing solely on the narrative content of the episode.

Transcript

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[Max Carrados]

What's it? Who's there? Put the damn lights back on. Who's there? You shouldn't be here. To be or not to be what? That is the question.

[Parkinson]

What?

[William Whitmarsh]

Hamlet, Act 3C1.

[Max Carrados]

Thank you, Parkinson. Who are ya? Put the lights on.

[Parkinson]

Ow.

[Max Carrados]

This is black as you get knocker in here. Well, it is nobler in the mind to suffer. That's certainly one school of thought. Personally, I don't entirely go along with it. On the other hand, though.

[Parkinson]

What the hell you doing?

[Max Carrados]

Obvious, I'd have thought. But I'd be happy to demonstrate some more if you'd like. No, no, there's really no need to be so scared. You know I've no intention of hitting you. Isn't that right, Parkinson?

[William Whitmarsh]

Very sight, sir.

[Max Carrados]

Now you got a hell.

[Parkinson]

Hey.

[Max Carrados]

That shot hit the wall exactly 2ft and 6 inches to your left.

[Madeleine Whitmarsh]

How'd you know that?

[Max Carrados]

And now I'm pointing the gun directly at your heart. If you duck, I'll know it. If you move, I'll know it. I'm not going to move.

[William Whitmarsh]

Good idea.

[Max Carrados]

Now, I want you to walk towards the sound of my voice. Very slowly. Oh, before you start.

[Madeleine Whitmarsh]

What?

[Max Carrados]

It's a tedious detail, but I suppose I should tell you that I know every particular of your sordid little scheme. The Duchess's diamonds have been recovered. Your plot to frame the butler.

[William Whitmarsh]

No imagination. Some people, sir, collapsed.

[Max Carrados]

And your pathetic assistant is currently enjoying the tea and buns at Scotland Yard. And you did all that? Oh yes, my friend, I did all that with a little help. Now over here, if you please.

[Frank Whitmarsh]

Now.

[Max Carrados]

Stop.

[Madeleine Whitmarsh]

Excellent.

[Max Carrados]

Parkinson, the candle. My God, it's you. I've heard about you. I'm flattered But I didn't believe a word of it. Well, experience is a wonderful teacher. Next time, if you don't want to advertise your position, try stopping your heart beating. It was perfectly audible.

[Frank Whitmarsh]

Bloody hell.

[Max Carrados]

There's nothing strange about it. Lose one sense and the others touch, taste, smell, hearing. Improve with a little dedicated training. My card. Parkinson assures me that the typeface is highly tasteful. You can whine away that I'm in prison by admiring it. Max Carados at your service.

[Narrator]

The EYES OF Max Carados by Ernest Brahmer Dramatized by Bert Coulls With Simon Callow as Max Caridos and Lionel Jeffries as Parkinson.

[Max Carrados]

Why did you come to me, Ms. Whitmarsh?

[Madeleine Whitmarsh]

I'd heard of your wonderful powers. Shall I tell you? How? Does it matter?

[Max Carrados]

Not in the least.

[Madeleine Whitmarsh]

I felt sure that you were the right man. But. But I really don't know where to start.

[Lawyer]

And now to the final provision.

[Frank Whitmarsh]

About kind patience, brother.

[Max Carrados]

Not that you've anything to wait for. You gentlemen, please. Thank you. Final provision.

[Lawyer]

And now to the passing on of the ancient Whitmarsh heritage, the lands that have been farmed by our family since the 15th century. To my firstborn son, William Jun.

[Frank Whitmarsh]

Please, sir.

[Lawyer]

I bequeath exactly half of the family lands and holdings. And to my second son, Frank, the same. The two new estates to be maintained and run completely independently.

[Max Carrados]

He promised it to me. All of it. This is your doing.

[Frank Whitmarsh]

Me? Since when could I change the old man's mind about anything?

[Lawyer]

The division to be made according to the attached maps.

[Max Carrados]

Give me that.

[Frank Whitmarsh]

Don't be such a bad loser, Will. The old man always said he'd treat us equally.

[Max Carrados]

That's so funny.

[William Whitmarsh]

Everything.

[Max Carrados]

Pa's idea of equality wasn't exactly the same as yours.

[Frank Whitmarsh]

Show me.

[William Whitmarsh]

No.

[Frank Whitmarsh]

Can he do this?

[Lawyer]

Well, is there some difficulty?

[Max Carrados]

None in the world. I get all the good farmland. Brother Frank gets the marsh and the scrubs. No difficulty there. Damn the man. Damn you too.

[Frank Whitmarsh]

Well, let's see if you're still smiling this time next year.

[Max Carrados]

What do you mean?

[Frank Whitmarsh]

Lets see how your precious farmlands cope when they're next door to my mines and my machinery.

[Max Carrados]

You're going to mine the land?

[Frank Whitmarsh]

Those coal seams are worth 10 times your Wheatfield's, brother.

[Max Carrados]

You can't do it.

[Frank Whitmarsh]

You can't stop me.

[Max Carrados]

Yes, he can.

[Frank Whitmarsh]

What?

[Max Carrados]

Yes, he can.

[Frank Whitmarsh]

I thought you'd finish.

[Max Carrados]

Shut up. How can I stop him?

[Frank Whitmarsh]

Yes, How?

[Lawyer]

This is your late father's final stipulation. Neither of you may do anything to exploit his share of the lands, either.

[Max Carrados]

For minerals or development.

[Lawyer]

Without the full and complete consent of the other. He can stop you with a single word.

[Frank Whitmarsh]

No.

[Madeleine Whitmarsh]

That was in 1882. Or was it three? Three. Three, I'm sure.

[Max Carrados]

No, Father.

[Madeleine Whitmarsh]

After nearly 40 years.

[Max Carrados]

It could be a hundred. Wouldn't make any difference.

[Madeleine Whitmarsh]

Father, why did you hate him so much? He was your brother.

[Max Carrados]

Half brother.

[Madeleine Whitmarsh]

And that's the reason he had such a terrible life.

[Max Carrados]

Immature and certain. Hope of the resurrection to eternal life soon come. Amen. Amen. No, Uncle William. Have you inherited your father's stupidity? No, never. Not while I'm alive. What do you all call me?

[Madeleine Whitmarsh]

That.

[Frank Whitmarsh]

Dunder man. To Helen Bucket.

[Madeleine Whitmarsh]

I'm sorry he made you angry.

[Frank Whitmarsh]

And I'll get you one of these.

[Madeleine Whitmarsh]

What is it?

[Frank Whitmarsh]

Whiskey. Seeing the old man off in style?

[Madeleine Whitmarsh]

Well, no, thank you.

[Frank Whitmarsh]

What's that you got there?

[Madeleine Whitmarsh]

Lemonade.

[Frank Whitmarsh]

Good God. How old are you, anyway?

[Madeleine Whitmarsh]

15.

[William Whitmarsh]

Good God.

[Madeleine Whitmarsh]

What did you say to Daddy?

[Frank Whitmarsh]

I asked him for permission to mine my land. My land.

[Madeleine Whitmarsh]

You surely didn't expect him to say yes.

[Frank Whitmarsh]

I thought it might be worth a try. Cigarette?

[Madeleine Whitmarsh]

No.

[Frank Whitmarsh]

Well, you're perfectly safe, dear. Daddy's taken himself off somewhere. Back to his rolling pastures, most like. Away from the poor peasants. Go on. I want. For God's sake, live a little.

[Madeleine Whitmarsh]

Daddy hated cigarettes. Wouldn't allow them in the house. That was three years ago. Now. I have to tell you about last Thursday. Last Thursday?

[Frank Whitmarsh]

Good afternoon, Mr. Frank. No. So I'm not completely forgotten, then.

[Madeleine Whitmarsh]

What do you want, sir?

[Frank Whitmarsh]

I've come to see Uncle William.

[Parkinson]

Was he expecting you, sir?

[Frank Whitmarsh]

Hardly.

[Parkinson]

I'm afraid he's not here.

[Frank Whitmarsh]

Where is he?

[Parkinson]

Out on the estate, sir, with the head keeper.

[Frank Whitmarsh]

The head keeper? Out on the estate with the head keeper. Oh, wait. Come on. Come on. Damn the man.

[Parkinson]

Mr. Frank, sir.

[Frank Whitmarsh]

I've got better things to do with my time. Tell Uncle William I'll be back this evening.

[Parkinson]

Can I inform him what your business is, sir?

[Frank Whitmarsh]

No, but you can inform him of this. I mean to have things out with him once and for all.

[Madeleine Whitmarsh]

No, no. I don't know why he came. Oh, God, why did he have to.

[Frank Whitmarsh]

Well, the year this time.

[Parkinson]

Yes, sir, but I don't think he'll see you.

[Madeleine Whitmarsh]

He'll see me, sir.

[Parkinson]

Sir, please. Oh, Mr. Whitmarsh.

[Max Carrados]

I'm sorry. That's all right, Mrs. Lawrence. You may go.

[Madeleine Whitmarsh]

Sir.

[Max Carrados]

Well, come in.

[Madeleine Whitmarsh]

Sounds well. Yes, of course. Oh, you mean before that. No, not really. It's an old house. The walls are very thick, but not so thick. I Couldn't hear. I couldn't hear when it happened.

[Parkinson]

Sir?

[Madeleine Whitmarsh]

Mister.

[Parkinson]

We are. Sir, I need.

[Madeleine Whitmarsh]

Frank was lying just inside the door. Daddy. My father was slumped across his desk. The gun was at his feet. His head was. Huh.

[Max Carrados]

I understand.

[Madeleine Whitmarsh]

I'm so sorry.

[Max Carrados]

Why are you carrying a newspaper, Ms. Whitmarsh?

[Madeleine Whitmarsh]

What?

[Parkinson]

I'm sorry.

[Max Carrados]

Two things were immediately apparent as you walked into this room. You're dressed in mourning and you're carrying a newspaper. I assume that it has something to do with this business.

[Madeleine Whitmarsh]

Yes. Yes, it does.

[Max Carrados]

May I have it, please?

[Madeleine Whitmarsh]

But surely.

[Max Carrados]

If you please.

[Madeleine Whitmarsh]

Of course. Yes.

[Max Carrados]

Thank you.

[Frank Whitmarsh]

Ah.

[Max Carrados]

This is not a national at the grade of paper.

[Madeleine Whitmarsh]

It's The Dinbridge Herald, Mr. Carados.

[Max Carrados]

Banner headlines are always slightly raised from the page. It's no great feat to feel the letters with one's fingers. Ah, so it's front page news. Mysterious tragedy at Tilling Shore.

[Madeleine Whitmarsh]

That's amazing.

[Max Carrados]

By no means. Beyond the headlines, things do become rather trickier. Suicide follows attempted murder. Attempted murder? Ms. Whitmarsh?

[Madeleine Whitmarsh]

Yes. I was. I was just about to tell you.

[Parkinson]

God save us. God leave us. God have mercy. He's alive?

[Frank Whitmarsh]

Yes.

[Parkinson]

Sir. Don't try to move.

[Frank Whitmarsh]

No.

[Madeleine Whitmarsh]

All right, all right.

[Parkinson]

Look, there's no blood. Your father must have missed him.

[Frank Whitmarsh]

No, no. I felt the shot.

[Parkinson]

Then how in the world.

[Frank Whitmarsh]

I don't know. Lord, surely not. Help me to sit up.

[Parkinson]

Here you are, sir.

[Frank Whitmarsh]

Now, let's see.

[Max Carrados]

What happened to your watch.

[Parkinson]

Mind the glass, sir.

[Frank Whitmarsh]

I just want to see if I can open it. Yes. Will you take a look at that?

[Madeleine Whitmarsh]

Heaven defend us. It's a miracle.

[Frank Whitmarsh]

Good old watch, eh? Who'd have thought it?

[Madeleine Whitmarsh]

The bullet was inside the works. The back was all dented, but it hadn't gone right through.

[Max Carrados]

A miracle, indeed. Not exactly in my line, you know, investigating miracles.

[Madeleine Whitmarsh]

I know, of course. But I also know this, Mr. Carados. Everyone's saying the same thing. Daddy tried to kill Frank and then shot himself. But how do they know? How can they know?

[Max Carrados]

What does your cousin Frank have to say?

[Madeleine Whitmarsh]

Exactly the same.

[Max Carrados]

Then forgive me for asking, but what reason do you have for suggesting otherwise?

[Madeleine Whitmarsh]

That's the terrible part of it. I knew you'd ask me for proof, and I don't have any. But, Mr. Carados, I know that my father wouldn't have done this. I know it. I just know it. I have very little money, only a few pounds. And I'm not a child, Mr. Carrados. I know that clever men require large fees.

[Max Carrados]

Not invariably.

[Madeleine Whitmarsh]

Then you'll help me.

[Max Carrados]

But even Clever men need more to work with than you've given me so far.

[Madeleine Whitmarsh]

All the details are in that newspaper story.

[Max Carrados]

I need more than the public facts, Ms. Whitmarsh. Can't you give me anything that supports your belief?

[Madeleine Whitmarsh]

Sir, there are things that you can't explain. There are things that you simply know. Please say you'll help my father. Everyone's condemning him and he can't defend himself.

[Parkinson]

It's so unfair.

[Madeleine Whitmarsh]

He couldn't even have had that done.

[Max Carrados]

What do you mean?

[Madeleine Whitmarsh]

That? Mean what?

[Max Carrados]

About the gun. Are you saying it wasn't his?

[Madeleine Whitmarsh]

The gun? Oh, no, it was his. He kept it in his desk. But I noticed it was gone that afternoon. How? I was dusting.

[Max Carrados]

You were dusting? And you, what? Opened a drawer.

[Madeleine Whitmarsh]

You have to, to clean them properly. And I saw that the gun wasn't there.

[Max Carrados]

Perhaps your father took it with him.

[Parkinson]

No.

[Madeleine Whitmarsh]

It was there just after he left. I started cleaning as soon as he'd gone, and I saw it then earlier.

[Max Carrados]

You cleaned the desk twice in the same day.

[Madeleine Whitmarsh]

I was interrupted. I had to stop. Does all this really matter?

[Max Carrados]

How were you interrupted by Frank's visit.

[Madeleine Whitmarsh]

He wanted to wait in the study, so I had to go. I finished off after he left.

[Max Carrados]

And by then the gun had disappeared.

[Madeleine Whitmarsh]

Yes.

[Max Carrados]

Ms. Whitmarsh, don't you realize what you're saying?

[Madeleine Whitmarsh]

What do you mean? I'm sorry. I'm really not thinking very well just at the moment.

[Max Carrados]

Excuse me. One more question. You are quite certain that you heard two gunshots, not one?

[Madeleine Whitmarsh]

Well, yes. There were definitely two.

[Max Carrados]

You're quite certain?

[Madeleine Whitmarsh]

Oh, yes. Because the second one wasn't nearly so loud as the first.

[Max Carrados]

My dear Miss Whitmarsh.

[Madeleine Whitmarsh]

What?

[William Whitmarsh]

You rang, sir?

[Max Carrados]

A cab for Miss Whitmarsh. Parkinson. You're dismissing me and the traveling bags? For us?

[Madeleine Whitmarsh]

You'll come.

[Parkinson]

You'll clear my father's name?

[Max Carrados]

I'll certainly come. Beyond that. Who shall prophesy? Give me the map, Dan. Know that we have divided in three our kingdoms.

[William Whitmarsh]

Oh, seemly a right one. Sing one.

[Max Carrados]

And is our fast intent to shake all cares and business from our age, conferring them on younger strengths, while we, unburdened, crawl towards death. Their business ended in tears, too. There's a lesson there. Parking.

[William Whitmarsh]

I shall endeavor to take it to Hodson.

[Max Carrados]

Evidently not. Theatre girls. The Fitzmarsh family. A suicide who couldn't have had the weapon. A victim who's miraculously preserved by a pocket watch and two shots from the same pistol that differ in volume. I don't suppose You've ever had occasion to fire a gun at a pocket watch, have you, Botchinson?

[William Whitmarsh]

It's not the sort of dust that crops up all that often, huh?

[Max Carrados]

What about before you entered my employ?

[William Whitmarsh]

The people I associated with back then didn't tend to have themselves.

[Max Carrados]

Guns, Pocket watches. Two shots. The first one loud, the second softer.

[William Whitmarsh]

If I might be, sir. Boldshot.

[Max Carrados]

One live bullet. And one black.

[William Whitmarsh]

Exactly, sir.

[Max Carrados]

And a bullet already planted in the watch before the meeting ever took place. Frank shoots William, lets off the blank.

[William Whitmarsh]

Plants the gun by the dead man's.

[Max Carrados]

Hand and has just enough time to take up his position on the floor before the household come a running.

[William Whitmarsh]

Was that the young lady, Siri?

[Frank Whitmarsh]

Sir?

[Max Carrados]

The young lady is in no state to formulate theories, Parkinson.

[Frank Whitmarsh]

No, sir.

[Max Carrados]

And no more am I, son. Not yet. It is a capital mistake to theorize before you have all the evidence.

[William Whitmarsh]

I'm sorry, sir. I don't recognize that one.

[Max Carrados]

Some old detective story.

[William Whitmarsh]

Oh, I'll never read that.

[Max Carrados]

Parkinson.

[William Whitmarsh]

Gray stone building. Very plain, very square. Three stories. Some of the windows have been bricked up. Secret room, sir.

[Max Carrados]

Tax evasion, Parkinson. The more glass you had, the more you paid.

[William Whitmarsh]

It's got the right sort of atmosphere for a murder.

[Max Carrados]

Now, now. No one knows the connection between environment and crime. We get murders in brand new suburban villas, merry making in moated granges. Sum up the place in one word, damn sure. Ring the bell, Parkinson. Someone's on their way.

[William Whitmarsh]

We should start. They've got.

[Max Carrados]

Those are not the footsteps of a servant. Good evening, Ms. Whitmart.

[Madeleine Whitmarsh]

How in the world did you know it was me? By my footsteps.

[Max Carrados]

Indeed. So as distinctive as fingerprints and much less messy. How are you?

[Madeleine Whitmarsh]

I'm trying so hard to cope, Mr. Carrados. It's. It's not easy.

[Max Carrados]

You're being extremely brave, Ms. Whitbush.

[Madeleine Whitmarsh]

Thank you, sir.

[Parkinson]

Won't you come in?

[Madeleine Whitmarsh]

Did you find Ian all right?

[William Whitmarsh]

Oh, yes. Thank him. It's very comforting.

[Madeleine Whitmarsh]

Good, good. And did you. Did you do as I requested?

[Max Carrados]

I am Mr. Franklin Guildenstern, a distant acquaintance of your late father.

[Madeleine Whitmarsh]

Thank you. I was sorry to have to ask, but. Well, this is a small village. There's always talk. You understand.

[Max Carrados]

Of course.

[Madeleine Whitmarsh]

I'm so glad you've come. The police are here.

[William Whitmarsh]

Indeed?

[Max Carrados]

Why? To collect this. Is that the gun? Why wasn't it taken away straight after the incident?

[Lawyer]

May I inquire as to your name, Sir?

[William Whitmarsh]

This is Mr. Franklin Guildenstern.

[Lawyer]

Guildenstern. Might that be a German name, sir?

[Max Carrados]

Danish. My card.

[Lawyer]

Danish. And your business here, Mr. Guildenstern.

[Max Carrados]

I had some dealings once with the late Mr. Whitmarsh. I called to pay my respects.

[Lawyer]

Sergeant Brewster, Stynbridge Constabulary.

[Max Carrados]

Sergeant, you must forgive my curiosity about the guns.

[Lawyer]

Not at all, sir. Very understandable, I'm sure.

[Max Carrados]

I asked because I was once involved in a similar affair myself.

[Lawyer]

Were you indeed, sir?

[Max Carrados]

Yes. Long time ago, mind you, before my sight failed me. May I see the gun, sir? Just put it into my hand, if you would. Well, I can't see that it'll do any harm.

[Lawyer]

A bit out of date, but it's in good order. I rather suspect that it's foreign.

[Max Carrados]

Early French. Probably made by Le Faucher. Is that a fact? Oh, yes. Two have the cartridges. They're safe. Yes, sir. Four live bullets?

[Lawyer]

Obviously, sir.

[Max Carrados]

Two having been fired and accounted for. Yes, of course. Have you looked for anything else? Such as what? I was just wondering if you happened to find a wad of paper lying about anywhere.

[Madeleine Whitmarsh]

What sort of Wad of paper, Mr. Gildenson?

[Lawyer]

Don't trouble yourself about it, miss.

[Frank Whitmarsh]

Sir.

[Lawyer]

Mr. Guildenstern, revolver bullets don't have such things. Only a shotgun leaves wads of paper behind after it's fired.

[Frank Whitmarsh]

Oh.

[Max Carrados]

Oh, really? Well, that settles it. Of course.

[Lawyer]

Yes, sir, I rather think it does.

[Max Carrados]

Quickly. We've only a couple of minutes while she shows him out. Is the light good enough?

[William Whitmarsh]

Oh, yes. Just there's no wad in sight.

[Max Carrados]

Look behind the furniture. All right. If you find it, don't disturb it.

[William Whitmarsh]

Nothing?

[Max Carrados]

No, no.

[William Whitmarsh]

Hang on.

[Max Carrados]

Yeah, behind the couch.

[William Whitmarsh]

Behind the couch, sir. Right up against the wall. Very good.

[Max Carrados]

Bring it here, please, sir.

[William Whitmarsh]

There you are.

[Max Carrados]

Excellent. Now. Hmm. Thin paper. Glossy here, but not here. One edge more ragged than the rest. Ah, yes. What do you make of it, Parkinson?

[William Whitmarsh]

Cigarette paper, sir.

[Max Carrados]

Yes, but with two distinct textures.

[William Whitmarsh]

A strip down one edge is smoother than the rest. Yes, sir. Odd color, too. Amber.

[Max Carrados]

Is it blackened at all? Charred.

[William Whitmarsh]

It is a burned brown in places.

[Max Carrados]

And what is the ceiling made of?

[William Whitmarsh]

Oak board, sir. With heavy cross beams.

[Max Carrados]

Indeed. Are there any plaster figures in the room?

[William Whitmarsh]

No, sir.

[Max Carrados]

Or anything that's whitewashed?

[William Whitmarsh]

No, sir.

[Max Carrados]

Thank you. This is a fascinating piece of paper. Parkinson.

[William Whitmarsh]

Yes, sir.

[Madeleine Whitmarsh]

I'm sorry I had to leave you. Mrs. Lawrence is out.

[William Whitmarsh]

Oh, don't mention it.

[Max Carrados]

We've not been idle. I came from London to pick up a scrap of paper lying on the floor of this room. Well, here it is.

[Madeleine Whitmarsh]

The paper.

[Parkinson]

What?

[Max Carrados]

Exactly.

[Madeleine Whitmarsh]

But the sergeant said only shotguns leave.

[Max Carrados]

These behind if you're firing live bullets. That's quite correct.

[Parkinson]

I don't understand.

[Madeleine Whitmarsh]

What other sort of bullets are there?

[William Whitmarsh]

Blank ones, miss. Just a charge of powder and a bit of paper to keep it in place. All you get is a bang.

[Max Carrados]

But not as loud as the real thing.

[Madeleine Whitmarsh]

But that's what I heard.

[Parkinson]

That's what we all heard, Mr. Carados. You've proved it.

[Max Carrados]

Proved what?

[Parkinson]

Well, you've proved that only one real shot was fired.

[Max Carrados]

And.

[Parkinson]

And that Frank must have.

[Madeleine Whitmarsh]

Well, he must. Oh, I don't know.

[Max Carrados]

Then I shall tell you. I'm afraid that all I've proved is that behind your couch we found a small packet of singed paper.

[Madeleine Whitmarsh]

Surely.

[William Whitmarsh]

Pray not, miss. That's the only thing that'd stand up in court.

[Madeleine Whitmarsh]

I was so pleased.

[Parkinson]

Now I'm really disappointed.

[Max Carrados]

Perhaps better now than later. Does your cousin Frank smoke cigarettes?

[Madeleine Whitmarsh]

I don't know.

[Max Carrados]

You don't meet him socially? No. Or go to his estate?

[Madeleine Whitmarsh]

No, certainly not. Daddy never allowed it.

[Max Carrados]

So he was essentially a stranger to you?

[Madeleine Whitmarsh]

Yes.

[Parkinson]

Yes. Yes, I told you. Oh.

[Madeleine Whitmarsh]

Oh, God. I'm so sorry. My nerves have completely gone to pieces.

[Max Carrados]

A common experience in such circumstances. Are you up to answering one more question. Then we'll leave you for tonight.

[Madeleine Whitmarsh]

I'll try. You must think me very weak and stupid.

[Max Carrados]

By no means.

[Madeleine Whitmarsh]

Thank you. What's the question?

[Max Carrados]

Now that your father is dead, what happens to the mining agreement? Does the power of consent descend to you?

[Madeleine Whitmarsh]

No, no, not to me. To my brother. He's abroad. Canada. The police have sent word.

[Max Carrados]

And will your brother allow Frank to mine his land?

[Madeleine Whitmarsh]

I think he will allow the mining, yes.

[Max Carrados]

And your cousin Frank would have known this?

[Madeleine Whitmarsh]

I said I hardly know him. But I suppose he might. Yes, he might indeed. Mr. Carados?

[Max Carrados]

Yes.

[Madeleine Whitmarsh]

The inquest is on Monday. I hope so much you'd be able.

[Max Carrados]

To Able vindicate your father.

[Madeleine Whitmarsh]

Yes.

[Max Carrados]

The verdict of a coroner's jury means nothing, Miss Whitmarsh. It's the merest formality.

[Parkinson]

Not to me.

[Madeleine Whitmarsh]

If they say that my father's guilty.

[Parkinson]

I'll never be able to raise my head again.

[Max Carrados]

Good night to you, Miss Whitmarsh. We shall meet again tomorrow.

[Madeleine Whitmarsh]

Good night, Mr. Carados. I owe you so much more than I can ever say. You've been so wonderfully kind.

[Max Carrados]

Good night. A strange case. Instructive.

[William Whitmarsh]

Yes, sir.

[Max Carrados]

But I more than half wish I'd never heard of it.

[William Whitmarsh]

The young lady seems very grateful, sir.

[Max Carrados]

Parkinson, the young lady is the case. Stop the car, please.

[William Whitmarsh]

Sir.

[Max Carrados]

I believe we're on the fringes of the outbuildings. Is that correct?

[William Whitmarsh]

What answer is that?

[Max Carrados]

Light Enough to see.

[William Whitmarsh]

I got the torch, sir.

[Max Carrados]

No, that's too risky. How's the moon?

[William Whitmarsh]

Almost full. Not a cloud in the sky.

[Madeleine Whitmarsh]

Excellent.

[William Whitmarsh]

You'll pardon my asking, sir, but what.

[Max Carrados]

Are we looking for? Whitewash.

[William Whitmarsh]

Well? It's black, sir.

[Max Carrados]

No moonlight getting in? None. Then we can safely assume that no torch light will get out.

[William Whitmarsh]

Very good, sir. Looks like a disused barn.

[Max Carrados]

Excellent. Now, just one moment. That wall, sir. What color is it?

[William Whitmarsh]

White, sir.

[Max Carrados]

Yes.

[Frank Whitmarsh]

Ah.

[Max Carrados]

We don't have to look any further.

[William Whitmarsh]

I didn't think it would be as bad as this.

[Max Carrados]

He got the poorer half of the estate, remember?

[William Whitmarsh]

Oh, begging your pardon, sir.

[Max Carrados]

This isn't just poor land.

[William Whitmarsh]

This is close to a desert.

[Max Carrados]

The land's been starved. Did you read that piece in the local paper?

[William Whitmarsh]

I did, sir.

[Max Carrados]

What about between the Lines?

[William Whitmarsh]

Old Frank drank himself to death.

[Max Carrados]

You mean. Exactly. The thirsty owner of the Hungry Lamb. They couldn't both be fed. Is there anyone around?

[William Whitmarsh]

No, sir.

[Max Carrados]

Then we'll announce ourselves at the house.

[Parkinson]

That noise.

[William Whitmarsh]

Is Mr. Frank Whitmarsh @ a.

[Frank Whitmarsh]

What is it? Oh, morning.

[Max Carrados]

Good morning.

[Frank Whitmarsh]

Do I know yet?

[William Whitmarsh]

No, you don't.

[Max Carrados]

But I'm staying at the Bridge Inn and I heard about your wonderful escape from death last Thursday. I've taken the liberty of coming to congratulate you on it.

[Frank Whitmarsh]

Ah, well, you better come in. You'll find us a bit rough. I'm afraid. We weren't expecting visitors.

[Max Carrados]

And I hesitated to come because I thought you'd be surrounded by troops of friends.

[Frank Whitmarsh]

Shut up, Mother. Don't take any notice of her. Fact is, we whipmarshes aren't too popular in these parts. And taken as the boiling, the whipmasters deserve it. It's good of you to call, Mr. Rosencrantz.

[Max Carrados]

William Rosencrantz. My card.

[Frank Whitmarsh]

Thank you.

[Max Carrados]

And this is Parkinson, my man.

[William Whitmarsh]

Sir.

[Max Carrados]

Madam.

[Parkinson]

Yes.

[Max Carrados]

Well, providence certainly seems to be on your side just now, Mr. Whitmarsh. May I offer you a cigarette?

[Frank Whitmarsh]

Thanks, I don't mind for once. In a way.

[Max Carrados]

They're Turkish. Quite innocuous.

[Frank Whitmarsh]

Oh no, it isn't that. I have to be careful of the paper. Some sort of allergy. It can affect my lips. Sure. Thanks.

[Max Carrados]

Allergic to cigarette paper. Do you know, I've never come across such a thing. No cure?

[Frank Whitmarsh]

It's no great problem. I make my own with special paper.

[William Whitmarsh]

Good for you.

[Max Carrados]

Might I try one?

[Frank Whitmarsh]

Sure. Here.

[Max Carrados]

You'll have to put it into my hand, I'm afraid.

[Frank Whitmarsh]

Oh yes, of course. Here.

[Max Carrados]

Thank you. Interesting. Amber coloured paper.

[Frank Whitmarsh]

How the devil do you know that?

[Max Carrados]

Thank You. Damnably refreshing. You know, Mr. Whitmarsh, this business of yours caused quite a stir in London.

[Frank Whitmarsh]

Is that a fact?

[Madeleine Whitmarsh]

Oh, yes.

[Frank Whitmarsh]

What exactly are they saying?

[Max Carrados]

Well, the main interest seems to be what you're going to testify at the inquest as to the cause of the quarrel.

[Parkinson]

What did I tell you?

[Frank Whitmarsh]

Be quiet, Mother. There's no mystery to that, Mr. Rosenkrantz. There's a lake between the two estates. We've been arguing for years over who owns the duck shooting rights.

[Max Carrados]

Duck shooting?

[Frank Whitmarsh]

Yes.

[Max Carrados]

Frankly, it hardly seems a good enough reason to cause such a climax.

[Parkinson]

What did I say? Didn't I say they'd never believe it?

[Frank Whitmarsh]

That's because you didn't know dear Uncle William. Listen, I'll give you a good idea just what he was like.

[Max Carrados]

Well, I've agreed to this meeting. Don't waste my time.

[Frank Whitmarsh]

I've not come to waste your time, Uncle.

[Max Carrados]

Then get on with it.

[Frank Whitmarsh]

At least have the courtesy to look at me, sir.

[William Whitmarsh]

I agree to listen to you, sir.

[Frank Whitmarsh]

No more.

[Max Carrados]

Right.

[Frank Whitmarsh]

You know perfectly well that you don't need the income from the duck chutes. But look, it could be make or break for me.

[Max Carrados]

Put that damn cigarette out.

[Frank Whitmarsh]

What?

[Max Carrados]

Put it out, sir? Put it out now. This instant.

[Frank Whitmarsh]

All right, you're right. I'm sorry. There, it's gone now. May I continue? Think yourself lucky I don't have any thrown out on your ear. Damn filthy habit.

[Max Carrados]

Well, go on, go on, get on with it. This was last Thursday. The fatal meeting?

[Frank Whitmarsh]

Yes. How does it strike you? For one of your own family, eh?

[Max Carrados]

Unreasonable. You didn't try to argue the point.

[Frank Whitmarsh]

I just threw the thing into the grate.

[Max Carrados]

Probably the wisest course. I say, you're not suggesting that he shot at you over a cigarette, surely? No, no.

[Frank Whitmarsh]

Mind you, it was a close run thing. He didn't see him. Sorry.

[Max Carrados]

Not a bit of it. So it was this row over the shooting rights that led him to it.

[Frank Whitmarsh]

Sounds crazy, doesn't it? But that was it.

[Max Carrados]

And why did he shoot himself?

[Frank Whitmarsh]

He thought he'd killed me.

[Max Carrados]

Ah, so the force of the bullets knocked you down, did it?

[Frank Whitmarsh]

Yes, exactly.

[Max Carrados]

Hadn't.

[Frank Whitmarsh]

Well, he was a proud man, my uncle. I suppose he saw what he'd done, realized that he'd be hanged for it.

[Max Carrados]

And took the easy way out. Yes, that certainly seems reasonable enough. Might I handle the famous watch?

[Frank Whitmarsh]

Of course. Excuse me. I've knocked out the broken glass, so you'll be all right here.

[Max Carrados]

Thank you. Oh, the hands are gone. Yes, but the shaft is still there. How exceedingly interesting. Well, I must thank you, Mr. Whitmarsh. You too, ma'.

[Parkinson]

Am.

[Max Carrados]

Quite a story.

[Frank Whitmarsh]

Any time, Mr. Rosenkrantz.

[Parkinson]

Think you get off, Mother.

[Max Carrados]

What did you say?

[Parkinson]

You think he'll get off?

[Frank Whitmarsh]

She has this crazy idea that the inquest is a trial and it's going to be me in the dock.

[Max Carrados]

Has she, indeed?

[Frank Whitmarsh]

Frankly, she's. She's not altogether right, if you understand me. Isn't that true, Mother?

[Parkinson]

There's nothing wrong with me. Well?

[Madeleine Whitmarsh]

Kill him.

[Max Carrados]

Kill.

[Parkinson]

Get off.

[Max Carrados]

I don't see any reason to anticipate trouble. Unless, of course, some clever lawyer is brought in. He could suggest that there was more to the quarrel than there really was.

[Frank Whitmarsh]

Oh, yes.

[Madeleine Whitmarsh]

They can make you say anything.

[Frank Whitmarsh]

No, they can't. Not me. Besides, he's gonna call in a lawyer.

[Max Carrados]

The family of the dead man.

[Frank Whitmarsh]

His son's abroad. Can't get back in time.

[Max Carrados]

I'd heard there was a daughter.

[Frank Whitmarsh]

Little Missy Madeleine. That's the last thing she'd want.

[Madeleine Whitmarsh]

Mr. Caridos.

[Max Carrados]

Ms. Whitmarsh.

[Madeleine Whitmarsh]

Where is Parkinson?

[Max Carrados]

Waiting outside.

[Madeleine Whitmarsh]

Oh, do you. Do you have some news?

[Max Carrados]

Only this. There's nothing to be done. I'm returning to town tonight.

[Madeleine Whitmarsh]

Oh, but I thought it. I thought it.

[Max Carrados]

Your cousin did not steal the gun when he was here on Thursday. He did not fire a bullet into his own watch. He did not deliberately shoot your father and then fire off a blank charge.

[Madeleine Whitmarsh]

Mr. Carados.

[Max Carrados]

The whole fabric, so delicately suggested by inference and innuendo, falls to pieces.

[Madeleine Whitmarsh]

Then you detest me.

[Max Carrados]

I've seen the watch that saved Frank Whitmarsh's life. If you accuse him of murder, it would save his life again. The shots were fired at 9:10 precisely.

[Madeleine Whitmarsh]

How do you know that?

[Max Carrados]

You told me. Or, to be strictly accurate, you told the admirable Sergeant Brewster, who in turn told the Stinbridge Herald. Which you were kind enough to give to me.

[Madeleine Whitmarsh]

Oh, yes, yes, of course.

[Max Carrados]

9:10 precisely. You said so. The housekeeper said so. The entire staff said so. And Frank Whitmarsh's watch was stopped at that exact time.

[Madeleine Whitmarsh]

I thought. I thought the hands were missing.

[Max Carrados]

So they are. But the shaft remains. The hands fit in one position and one only.

[Madeleine Whitmarsh]

He could have altered the time afterwards.

[Max Carrados]

The bullet that shattered the works also froze them solid. Fate can be curiously systematic, Miss Whitmarsh.

[Madeleine Whitmarsh]

I don't understand.

[Max Carrados]

It isn't hard. The story that everybody believes is the true story. Your father shot Frank Whitmarsh and the bullet was stopped by his watch.

[Madeleine Whitmarsh]

No.

[Max Carrados]

And then your father turned his gun on himself.

[Parkinson]

You can't be sure.

[Max Carrados]

Yes, I can. Because of this.

[Madeleine Whitmarsh]

The paper wad.

[Max Carrados]

The paper wad, so carefully fashioned from one of Frank Whitmarsh's unique cigarette papers. The paper wad retrieved from the old barn where the blank charge was fired against the whitewashed wall. The paper wad planted in the study for me to find. The paper wad fashioned, fired, retrieved and planted by you, Miss Whitmarsh.

[Madeleine Whitmarsh]

I was a fool to set my cleverness against yours.

[Max Carrados]

Yes, you were. But I congratulate you on the speed of your thinking. You must have worked fast once you found Frank's discarded cigarette in the grave.

[Madeleine Whitmarsh]

Yes, I worked fast, and it was all useless. And now I suppose you're going to hand me over to justice. Well, why don't you say something?

[Max Carrados]

Justice. Do you know, people frequently put me into this embarrassing position?

[Madeleine Whitmarsh]

Do they really?

[Max Carrados]

A number of years ago, a large and stately building was set up in London. And it had a beautiful name, the Royal palace of Justice. But very soon, people got into the habit of calling it the law courts. Today, if you ask a Londoner to direct you to the palace of justice, he sets you down as a religious maniac. You see my difficulty. If I'd been successful in doing what you wanted, Frank Whitmarsh would have gone to the gallows.

[Frank Whitmarsh]

Yes.

[Max Carrados]

He didn't kill your father.

[Madeleine Whitmarsh]

Not according to your law courts. Maybe.

[Max Carrados]

But what of the palace of Justice?

[Madeleine Whitmarsh]

When I told you I hardly knew Frank, that was a lie.

[Max Carrados]

Yes, I know.

[Madeleine Whitmarsh]

Of course you do.

[Frank Whitmarsh]

He certainly developed a taste for those. Cost them me a fortune.

[William Whitmarsh]

John.

[Madeleine Whitmarsh]

We met at his father's funeral. I hadn't seen Frank since I was a child. I thought he was. Well, it seemed a very romantic thing to meet him in secret. It was like Romeo and Juliet. We used to put letters for each other in special hiding places. And then I found out. Or it was gradually at first, but then more and more.

[Parkinson]

No. No.

[Madeleine Whitmarsh]

Finally, one night I knew with a sort of terrible certainty.

[Parkinson]

No.

[Max Carrados]

Little. Little.

[Madeleine Whitmarsh]

I knew that my ideas of romance weren't the same as his. I believe it's called a lucky escape.

[Max Carrados]

I think you should tell me the rest.

[Madeleine Whitmarsh]

You see, I was right. You are very clever. Frank left me alone after that until a few months ago. He came here when Daddy was out and he showed me. He showed me a packet of papers.

[Max Carrados]

Your letters to him?

[Madeleine Whitmarsh]

Yes. Oh, they were innocent and childish and they meant nothing. But he did something horrible.

[Max Carrados]

He read out parts and made them sound very far from innocent.

[Madeleine Whitmarsh]

He said that other People would take them the same way.

[Parkinson]

Other people. I would have been ruined.

[Max Carrados]

Blackmail. What was his price for the letters?

[Madeleine Whitmarsh]

At first, he said he wanted to marry me.

[Max Carrados]

In order to inherit the rich half of the estate.

[Madeleine Whitmarsh]

That's what I thought. I don't think it was me he was interested in.

[Max Carrados]

You said at first.

[Madeleine Whitmarsh]

Last Thursday, when he came here, he had a different idea.

[Frank Whitmarsh]

You heard me. Why should I have to wait around for the old fool to drop dead? I've got a fortune just waiting to be dug up. All I need is Daddy's say so. And these ought to persuade him, don't you think?

[Madeleine Whitmarsh]

You can't.

[Frank Whitmarsh]

And who's gonna stop me?

[Madeleine Whitmarsh]

That was the real reason for the row. For everything. Frank must have read out the letters and proposed a bargain. And Daddy, who was a proud and honorable man, shot him. Or so he thought. Then, in shame and despair at what he'd done, he took his own life. So don't you dare tell me that Frank Whitmarsh isn't responsible for my father's death.

[Max Carrados]

Does Frank still have the letters?

[Madeleine Whitmarsh]

Oh, yes. To hold over my head for the rest of my life. No, Mr. Caradot. You were to be my judge.

[Max Carrados]

Your mission successfully carried out, sir. No problems?

[William Whitmarsh]

Hardly, sir.

[Max Carrados]

Of course not.

[Frank Whitmarsh]

Sorry, sir.

[Max Carrados]

Very good. Now you can make the delivery and then home.

[William Whitmarsh]

Sir.

[Max Carrados]

Parkinson says sir. Well done.

[William Whitmarsh]

The morning's post, sir.

[Max Carrados]

Anything interesting?

[William Whitmarsh]

Usual range. Couple of invitations. Note from the Yard and one from Tilling. Shorter.

[Max Carrados]

That one first, I think.

[William Whitmarsh]

Dear Mr. Carados.

[Madeleine Whitmarsh]

Some time after you left me last Sunday evening, a man came to the door. He was a large man and powerful. And he kept his face hidden behind his scarf. But, curiously, I wasn't in the least afraid of him. He put a packet into my hands and left without saying a word. It was a warm night, as you may recall. But it was a fine and cheering fire I lit in my father's study that evening. I wonder who else in the world would have done so much for a forlorn creature who just flashed across a few days of his busy life. I wonder who else could your compassion, your forgiveness, have shown me, taught me so much. Thank you for saving me from my own folly. Thank you for saving me from my blindness.

[Max Carrados]

Thank you, Parkinson. And the rest of the post.

[Narrator]

In the eyes of Max Carrados by Ernest Bramah. Simon Callow was Max Carrados and Larry Lionel Jefferies Parkinson. Madeleine was played by Theresa Gallagher. William by Matthew Marsh. And both Franks by Philip Glenister. Marion Morley was Mrs. Lawrence and Mrs. Whitmarsh. Michael Byndt, the policeman and the lawyer, and David Bannerman, the vicar and the villain. The music was composed by Robert Rigby. The story was dramatized for radio by Bert Coulls. The producers were Stuart Richards and Michael Cameron and the director was Alan Drury. The Eyes of Max carados was a Mr. Punch production.