My Name is Adam Kane 73-xx-xx (xxx) Death Dance

Summary

Podcast Summary: "My Name is Adam Kane 73-xx-xx (xxx) Death Dance"

Release Date: June 10, 2025
Podcast: Harold's Old Time Radio
Host: Harold's Old Time Radio
Episode Title: Death Dance

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Overview

"My Name is Adam Kane: Death Dance" transports listeners back to the thrilling era of the Golden Age of Radio, weaving a complex tale of espionage, betrayal, and intrigue within the glamorous world of ballet. Set against the backdrop of a prestigious ballet company preparing for an international tour to Moscow, the episode delves into the covert operations of Russian spies embedded within the troupe. The protagonist, Adam Kane, finds himself entangled in a web of deception after the mysterious death of a fellow dancer, Camilla Ward.

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Main Characters

• Adam Kane: The protagonist, a stage manager with a hidden past as a secret state policeman.
• Belinda Graham: A fellow member of the ballet company with ties to espionage.
• Maestro (Sergey Fedorovich V.): A Russian agent posing as a ballet director.
• Walter King: A suspicious figure within the company, later revealed to have deeper connections.

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Plot Summary

Introduction to the Ballet Company

The episode opens with Adam Kane and Belinda Graham preparing for a ballet performance. Tension arises when a key dancer, Camilla Ward, is revealed to have been killed during the final rehearsal. Belinda Graham ([03:21]) explains, “She’s dead. They killed her this afternoon at the final rehearsal,” setting the stage for the ensuing mystery.

Espionage Unveiled

As Adam investigates Camilla's death, it becomes apparent that a Russian spy has infiltrated the company. Belinda Graham ([03:30]) reveals, “Not sure yet,” referring to the identity of the spy, which heightens the suspense. Adam discovers that Camilla was poisoned using a sophisticated device, a "needle gun," likening it to a "curare type thing" ([04:26]).

Conflict with the Russian Maestro

The plot thickens with the introduction of the Maestro, Sergey Fedorovich V., who confronts Adam about his true identity. At [07:01], Sergey asserts, “You are a policeman, my friends. A secret state policeman. You may fool the rest of the company, but you will not fool an old Russian.” This confrontation escalates the tension, revealing the depth of the espionage within the company.

Preparation for the Moscow Tour

The company is set to leave for Moscow, but Adam's cover is blown, leading to heightened security and paranoia. Belinda Graham ([08:03]) emphasizes the urgency, “If we don't get our spies soon, we're going to lose them forever. Very embarrassing.”

Encounters with Suspicious Characters

Upon boarding the plane, Adam encounters Sergey V. ([10:02]), who continues to taunt him about his true identity. Their interactions are filled with veiled threats and psychological warfare, culminating in a tense showdown ([22:15]).

Climactic Resolution

The climax unfolds backstage after a performance. Adam confronts the Maestro and Walter King about their roles in the conspiracy. A pivotal moment occurs when Adam declares, “Sorry Harry died tonight. We all are,” ([23:36]) revealing that Walter King was inadvertently killed. The tension peaks as Adam exposes the Maestro's involvement in the assassination attempts.

Conclusion and Setup for Future Episodes

The episode concludes with unresolved tensions, hinting at further conflicts and investigations in future installments. Adam reflects on the night's events, pondering the true motives behind the espionage and the safety of his allies.

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Notable Quotes

• Belinda Graham ([03:28]):

  “She killed her with a gadget invented by the KGB.”

• Maestro ([07:01]):

  “You are a policeman, my friends. A secret state policeman. You may fool the rest of the company, but you will not fool an old Russian.”

• Adam Kane ([13:01]):

  “It was a long walk across the concourse. To the chattering ballet company... I was on my own again, and I wasn't happy.”

• Adam Kane ([22:15]):

  “My hands are deadly weapons.”

• Maestro ([24:05]):

  “That is my baton you have in your hand.”

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Themes and Insights

• Espionage and Deception: The episode masterfully explores the theme of hidden identities and the lengths individuals will go to protect national interests.

• Trust and Betrayal: As Adam navigates the intricate web of relationships within the ballet company, the listener is kept on edge, questioning who can be trusted.

• The Dual Life: Adam Kane embodies the struggle of maintaining a double life, balancing his responsibilities as a stage manager with his covert operations.

• Psychological Tension: The interactions between Adam and the Maestro are laden with psychological tension, emphasizing the cat-and-mouse dynamic inherent in spy narratives.

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Production Notes

• Sound Design: The episode employs authentic soundscapes reminiscent of old-time radio, including the hustle of theater rehearsals, the subtle sounds of espionage tools, and the grandeur of ballet performances.

• Character Development: Through sharp dialogues and strategic revelations, characters are meticulously developed, offering depth and complexity to each role.

• Narrative Structure: The story progresses seamlessly, blending suspense with moments of introspection, keeping listeners engaged and invested in the outcome.

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Conclusion

"My Name is Adam Kane: Death Dance" is a compelling addition to Harold's Old Time Radio series, offering a rich tapestry of suspense, drama, and intrigue. Through its well-crafted narrative and immersive sound design, the episode captures the essence of classic radio thrillers while introducing fresh elements that resonate with contemporary audiences. Whether you're a long-time fan or new to the series, "Death Dance" promises an enthralling listening experience that keeps you on the edge of your seat.

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Enjoy more episodes of Harold's Old Time Radio to dive deeper into Adam Kane's adventures and uncover the secrets that lie within the shadows of the ballet world!

Transcript

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[Maestro]

Gentlemen, gentlemen, ladies, please.

[Adam Kane]

Thank.

[Maestro]

Now, if you are all ready, we.

[Adam Kane]

Are commencing from letter A in the score.

[Maestro]

People of the company, you are ready for letter A.

[Adam Kane]

Such manners.

[Maestro]

It used to be as my bro.

[Adam Kane]

No, Maestro.

[Maestro]

Whatever you say, Maestro. Now it is only ratty. Very well, Mr. Fowler.

[Adam Kane]

You will remember that you enter the.

[Maestro]

Moment the curtain rises. You do not hear the orchestra, yet you carry in the girl in a high extended lift.

[Adam Kane]

And when we see this, we are.

[Maestro]

Ready to start with the music.

[Adam Kane]

Do you understand? Yes.

[Maestro]

Very well. Lower the curtain, please to stand by, gentlemen. On my signal, take up the curtain.

[Adam Kane]

What has happened?

[Maestro]

Howler, where are you?

[Adam Kane]

Here.

[Belinda Graham]

Here, Maestro.

[Maestro]

Why you do not carry her on as I ask?

[Adam Kane]

I can't.

[Belinda Graham]

Maest, he said.

[Adam Kane]

Adam Payne in Death Dance.

[Belinda Graham]

Adam, this way.

[Adam Kane]

Well, well, well. A box. We are stepping out of it, aren't we?

[Belinda Graham]

The ministry paid for it.

[Adam Kane]

Oh, you didn't have to tell me that.

[Belinda Graham]

Close the door behind you, Adam. We're the only two in him.

[Adam Kane]

Well, not complaining or anything. I don't mind a night at the ballet, especially when the boss is paying for it.

[Belinda Graham]

But you think there's an ulterior motive?

[Adam Kane]

Vanity.

[Belinda Graham]

Quite right.

[Adam Kane]

There go the lights.

[Belinda Graham]

They're about to start. Look, the captain's going straight up. What happens to the overture?

[Adam Kane]

This bally doesn't have one. The boy carries the girl on and then the music starts.

[Belinda Graham]

Goodness, you're right. Here they come now.

[Adam Kane]

And there's your music. Funny.

[Belinda Graham]

What is?

[Adam Kane]

I saw this one last week. The girls usually. Camilla Ward. I wonder what happened to her.

[Belinda Graham]

I can tell you that one. She's dead. You hurt? They killed her this afternoon at the final rehearsal.

[Adam Kane]

Who did?

[Belinda Graham]

Not sure yet.

[Adam Kane]

What's going on, mate?

[Belinda Graham]

We put an agent into the company a couple of months ago.

[Adam Kane]

Why?

[Belinda Graham]

Simple, Adam. There's a Russian spy working from the company. I needed to know who it was.

[Adam Kane]

Blimey, nothing sacred, is it? You found out yet? No. Why? Not your blokes had a couple of months, you said.

[Belinda Graham]

Not bloke, Adam. It was a girl.

[Adam Kane]

Was?

[Belinda Graham]

Yes, it was Camilla Ward.

[Adam Kane]

Poor girl.

[Belinda Graham]

That's the one. Adam. Have a look at her.

[Adam Kane]

Have I got to?

[Belinda Graham]

The doctors can't.

[Adam Kane]

Tell me how she died and I might be able to.

[Belinda Graham]

You're an expert on the Russians. Nasty little tricks, you see. No, there isn't a mark on her.

[Adam Kane]

She could have had an heart attack or something.

[Belinda Graham]

She didn't.

[Adam Kane]

No, mate, you're right, she didn't.

[Belinda Graham]

Have you found something?

[Adam Kane]

Yeah, it's the needle gun.

[Belinda Graham]

The what?

[Adam Kane]

Little blowpipe thing. Works off a compressed air cylinder. Fires a tiny needle.

[Belinda Graham]

Poison.

[Adam Kane]

Yeah, well, one of those curare type things. Kills you faster than a bullet.

[Belinda Graham]

Charming.

[Adam Kane]

So it looks like you'll have to find another tame ballet dancer. Who's the new sucker gonna be, Father?

[Belinda Graham]

You haven't guessed that already? Adam.

[Adam Kane]

I don't like looking at dead people much. Especially a pretty girl like Camilla Ward. The poison hadn't made much difference to the beauty. She looked like a statue. The room was ice cold. I had my back to Viv when he fired that last remark and it sent the little ears on the back of my neck into a spasm.

[Belinda Graham]

You're a ballet? Funny, aren't you? Quite natural.

[Adam Kane]

I'm not a downturn.

[Belinda Graham]

That's all right. You're going to be a stage manager. They need a new one for the tour.

[Adam Kane]

Tour? Where to?

[Belinda Graham]

Oh, that is the major problem. If we don't get our spies soon, we're going to lose them forever. Very embarrassing.

[Adam Kane]

I don't get that.

[Belinda Graham]

It's quite simple. The company leaves on Saturday for Moscow.

[Adam Kane]

That's right, Mr. D. North side.

[Maestro]

No, no. First you flat, then fly.

[Belinda Graham]

That will be your.

[Adam Kane]

Of course, when you understand the sense. Yeah. Look, I wondered if we could talk about that.

[Maestro]

Of course, my friend. Hey, there are the skips in the palace.

[Belinda Graham]

Mr. D. Let you all go back to the party.

[Maestro]

You will never finish it this way.

[Belinda Graham]

Right, Mr. D, come on.

[Adam Kane]

Look, I was wondering. Yes, yes, we will sit here.

[Maestro]

Now, what is it you wish to know?

[Adam Kane]

Well, the job. You know just what it entails.

[Maestro]

Where were you before this?

[Adam Kane]

Oh, here, as a stage director. Come on the town. You are a poor liar, Mr. King. Now, look here.

[Maestro]

You are a policeman, my friends. A secret state policeman. You may fool the rest of the company, but you will not fool an old Russian. I have learned to tell a policeman.

[Adam Kane]

At a hundred yards in Russia. It is a game you learn to play very well indeed.

[Maestro]

It Becomes a part of your life. Or death, as the case may be. I knew who you were the moment you walked through that door.

[Adam Kane]

I see. Well, then, we don't have to play games, do we? You know why I'm here.

[Maestro]

To investigate the death of Ms. Ward, I expect.

[Adam Kane]

And now you're the one who's slipping. You've already told me I'm a secret state policeman. We don't use that sort of copper to investigate murders in this country.

[Maestro]

Not even the murder of a slave.

[Adam Kane]

You don't miss a lot, do you?

[Maestro]

On Saturday, we go to Moscow for the Arts fair. We are going back to my home. Mr. King, you must understand that I am a very frightened man.

[Adam Kane]

In spite of the Kremlin's assurance that I will in no way be persecuted for my defection to be true.

[Maestro]

Because I am frightened.

[Adam Kane]

I am very careful. That's a good way to be. I am very glad, my friend, that you understand me.

[Maestro]

It will take a great deal of.

[Adam Kane]

Skill to survive this tour. You or me? Might both of us, my friend.

[Belinda Graham]

Adam, shouldn't you be over there with the ballet company, I mean.

[Adam Kane]

Yeah. And you shouldn't be here at all.

[Belinda Graham]

Nonsense. They don't know who I am. They have to see you off safely.

[Adam Kane]

Maybe they don't know who you are, but he does.

[Belinda Graham]

Who?

[Adam Kane]

Over there, talking to the press.

[Belinda Graham]

I don't see him. Oh, dear. What's he doing here?

[Adam Kane]

Special cultural attache from the Russian Embassy. He's traveling with us.

[Maestro]

Sergey Fedorovich V. Right.

[Adam Kane]

A Russian nasty man. Number one.

[Belinda Graham]

Not only kgb. They tell me he's a rising star in the third force.

[Adam Kane]

Wish me luck as you wave me goodbye.

[Belinda Graham]

Adam, you can't let them get away with this one. We'll never live it down. You've got to find that spy and make quite sure they don't go over.

[Adam Kane]

It's not going to be easy.

[Belinda Graham]

Nobody's pretending that it is. Off you go, lad.

[Adam Kane]

It was a long walk across the concourse. To the chattering ballet company. Vultik watched me all the way. He didn't actually turn and look at me. But he was watching me, all right. I looked back at Viv, but he'd scarfed. I was on my own again, and I wasn't happy.

[Walter King]

Look, give me a hand, will you?

[Adam Kane]

What?

[Walter King]

They've lost my bag. The plane's going in a minute. It's got all my shoes in it.

[Adam Kane]

The plane is my bag.

[Walter King]

I can't dance without shoes.

[Adam Kane]

Oh, yeah? Yeah. All right. I'll turn on Belinda. Here's your Bag with a little rest of your junk.

[Walter King]

Oh, that's all right. Thanks for all the things.

[Adam Kane]

Pleasure.

[Walter King]

I haven't met you yet.

[Adam Kane]

Adam Kane. I'm on the safe side.

[Walter King]

I know what you do. I saw you the day you arrived at the theater.

[Adam Kane]

Yeah.

[Walter King]

I'm glad you're coming with us. We can have a lot of fun.

[Adam Kane]

Put him down, darling. You don't know where he's been.

[Walter King]

Oh, don't be feline, David.

[Adam Kane]

You're Kane, aren't you? Yeah, I'm part of the stage stuff.

[Belinda Graham]

Don't you think you ought to be doing something?

[Adam Kane]

Like what, mate? Like working, mate. Those are our bags. You can get them to Customs for us. And then again, maybe you can get them there yourself. If you can carry ballerinas over your head. A couple of cases shouldn't give you a double onion. That's not going to help, Ken. You might just have an unhappy time in Moscow.

[Walter King]

Oh, come on, David.

[Maestro]

They're calling us.

[Walter King]

Bye, Mr. King.

[Adam Kane]

See you soon.

[Maestro]

Have you seen him?

[Adam Kane]

How old you over there in the dark coat? Yeah, I've seen him.

[Maestro]

I know Vultik. He has a very interesting hobby, Mr. Kane.

[Adam Kane]

Oh, yeah? He kills people. So we trooped out onto the Heathrow tarmac and filed into the big plane. The company was a brightly colored crocodile of giggling dancers. Three of us brought up the rear. Each pretended like mad that the other two weren't there. First Sasha Daodol slouched in a camel air coat, nervously wiping the long strands of silver air out of his eyes. Then me. And right behind me, I could hear the jaunty little steps of the other Russian, the killer from the kgb, Sergei Theodorovich Volpe. I risked a little wave as we took off, just in case Zed was still there. I didn't want him to think I was down Hardy. I was about to unclip the safety belt, light a fag and order a double scotch when he plumped down in the empty seat next to me.

[Maestro]

You don't mind?

[Adam Kane]

What do you want?

[Belinda Graham]

Baltic?

[Maestro]

A little talk, Kane.

[Adam Kane]

What about?

[Maestro]

How do we diplomats put it in your language? Subjects of mutual interest.

[Adam Kane]

You can talk if you want to. I don't have to listen.

[Maestro]

It will do you much good to cooperate, Kane. Do not forget that in Moscow your intrepid mic cannot come to your aid.

[Adam Kane]

I'm a Bally States manager.

[Maestro]

And I'm a prima balevina. We would normally declare you a prohibited immigrant. Cane you and the defector Diodorf. Unfortunately, in terms of the Arch Festival constitution, we must welcome. You do not think this means we will not be watching you every minute of the day? You had a confused idea about their being a spy in this company. A Russian spy, yes.

[Adam Kane]

No. I just fancied a dancer.

[Maestro]

There is no such spy. I should know, Kane. The girl who was killed was not killed by us. If you wish to stay alive, Kane, you should seek elsewhere.

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[Hannah]

For Tobacco Free Kids Action Fund.

[Adam Kane]

You get me an extra nothing. Or do we pay you?

[Maestro]

What a pity. Kane, I have great respect for you. The Third Force knows your capabilities. You should accept what I tell you in good faith. Never forget that we have placed a price on your head.

[Adam Kane]

Half a million rubles in it.

[Maestro]

And the fact that you are with the English Ballet Company will not prevent us honoring our obligation should anyone succeed in killing you.

[Adam Kane]

It wasn't going the way I planned it. My cover had been blown all over the place. And I wasn't sure just who had picked up the pieces. If Sasha Diodolf hadn't been fooled, there might be others just as bright. And someone in the company had killed Camilla Ward. Killed her with a gadget invented by the kgb. In talking of those gentlemen, they were there in force to meet us. There were festival officials, press interist guides, hotel receptionists. Each one of them a professional. And each one of them with that knowing smile that said, I know who you are, Adam Kane. I think I wanted to go home. It was December and it was cold. Who is it?

[Belinda Graham]

Belinda.

[Walter King]

Can I come in?

[Adam Kane]

Your Belinda?

[Walter King]

Oh, sorry. I thought you knew. Belinda Graham at the airport in London. Remember?

[Adam Kane]

The girl without any shoes.

[Walter King]

Your room is much bigger than ours.

[Adam Kane]

Ours?

[Walter King]

We've all got to share. It's a terrible nuisance.

[Adam Kane]

I suppose they must be.

[Walter King]

Do it. If I feel cramped, I can always come and talk to you, can't I?

[Adam Kane]

If you choose your moments carefully.

[Walter King]

Is it true that the room's above?

[Adam Kane]

Probably. It's an old Russian game.

[Walter King]

Have you got some paper?

[Adam Kane]

Over there.

[Walter King]

Thanks. I want to write a letter home. And there isn't a scrap in our room. Haven't got a lot of spare time, have we? I mean, we've got to rehearse every day and perform at night on Earth. Are we going to see the sights of Moscow? I'm going to see everything. I mean, I've never been out of England before. Except for a trip to Dieppe once. Thanks for the paper. See you at theatre tonight.

[Adam Kane]

And so saying she swept out, leaving a Mr. Perfume, a confused cane and a scribbled note on the desk. I walked over and looked at it clean it said 3:30. The Katasov memorial. Navinsky Prospect, south side, near the lake. For a girl who'd never been further than JF she knew a lot about Moscow.

[Maestro]

Are you planning to go out, Mr. Kane?

[Adam Kane]

Yeah, why not? I thought I'd take a little stroll.

[Maestro]

I don't think I have an interest guide to spare at the moment.

[Adam Kane]

That's okay. I know me way around, so I shall accompany you.

[Maestro]

I have a car outside.

[Adam Kane]

You don't give a bloke a chance to feel lonely, do you?

[Maestro]

This way, Mr. Kane. Walking in winter is not pleasant, Mr. Kane.

[Adam Kane]

You can catch a lot of fatal things in a KGB Volga as well.

[Maestro]

You will not die in my company insides.

[Adam Kane]

Hey, you didn't ask me where I wanted to go.

[Maestro]

I am a mind reader, Mr. Kane. I think. I think that you have a burning desire to see the Kotasov memorial from the south side near the lake.

[Adam Kane]

When things get out of hand, I usually sit tight and wait for a bit of light to break through. Things were right out of hand. But it wasn't much light in Moscow that afternoon. It wasn't snowing, but the clouds were dark and heavy. And I sat there staring gloomily out of window as the driver dawdled over the slippery streets. Baltic was having a lot of fun, but he was the only one.

[Maestro]

The pretty little dancer. She is a member of your department?

[Adam Kane]

Yes, she is a member of my department.

[Maestro]

No, she's not very clever. The television camera in your room has a telephoto lens.

[Adam Kane]

What do I do? Clap?

[Maestro]

Do we continue this far, Skane?

[Adam Kane]

Not much point, I suppose. Why not come home for a cup of tea?

[Maestro]

Ah, yes, that is a good idea. You would not like the Kutasov memorial much. It was built by desire. It is particularly decadent. Besides, the lake is frozen.

[Adam Kane]

Bye, Minnie.

[Walter King]

Hey, just a minute.

[Adam Kane]

Yeah?

[Walter King]

Where were you on any froze to death?

[Adam Kane]

I lost my wife.

[Walter King]

Oh, well, never mind.

[Adam Kane]

Can I see often my place or yours?

[Walter King]

Oh, yours is much nicer.

[Adam Kane]

You could even get to be a telescope. What? Nevermind. See you later. I mean, if Voltic wants a show, who am I to disappoint him?

[Belinda Graham]

Oh, Curtin. Just a minute.

[Adam Kane]

Yeah? Oh, hello, Harry. What's the trouble?

[Belinda Graham]

You had a look at the flies?

[Adam Kane]

Yeah, I've been up there.

[Belinda Graham]

Think you can handle them for me?

[Adam Kane]

Yeah, I suppose so.

[Belinda Graham]

Oh, there's no trouble. They counterweighted after a fashion. I'll send the cues from a handset. Can't go wrong. Look, come over here. I've got a script.

[Adam Kane]

We can.

[Maestro]

Just a second.

[Belinda Graham]

I think it's around here. Yeah, I left it over near your URL. Baby.

[Adam Kane]

All right, look.

[Belinda Graham]

Sorry.

[Maestro]

Right, let's.

[Adam Kane]

Harry. Harry. What's the matter? What did you do to Harry?

[Belinda Graham]

He.

[Adam Kane]

Hey, where are you?

[Maestro]

Where did he go?

[Belinda Graham]

The kid must have done something to him. Don't let him get away.

[Adam Kane]

Hey.

[Belinda Graham]

Rapes.

[Adam Kane]

He's terrible. Terrible.

[Maestro]

He was killed. Murdered.

[Adam Kane]

Yeah, I know, but why? It was a mistake. Mistake? You mean. I mean, he got in the way at the wrong moment. Whoever shot that dart was trying to kill me. Outside, the snow had started falling and crowds were filing into the Bolshoi for the performance. The KGB goons were clustered around all the exits and backstage we had a frightened company, a dead body and a murderer who might or might not be a Russian spy. Somehow I had to sort it all out. I found a little corner in the fly gallery and sat on a pile of ropes to think. I took all the pieces and started putting them together. And no matter how hard I tried, they wouldn't fit. I stopped, closed my eyes, took a deep breath, and suddenly they all fell together with a thump. I could see the old picture and it was ugly.

[Walter King]

Adam.

[Adam Kane]

What are you doing up here?

[Walter King]

I'm not on for ages. I've got to talk to you.

[Adam Kane]

Not now, darling. I'm trying to work.

[Walter King]

I know my way around. I won't get in your way. I knew the last stage manager. He worked the flight. Used to spend a lot of time up here.

[Adam Kane]

You've been with her company a long time, Belinda?

[Walter King]

Not long. Just before Camilla joined me.

[Adam Kane]

You like to do me a favor?

[Maestro]

What?

[Adam Kane]

There might be a spot above her. After the show. I'm gonna need someone on my side.

[Belinda Graham]

Walter King.

[Adam Kane]

Come and see.

[Maestro]

You must not do that, Kane. My reaction was curved in time, but yeah.

[Adam Kane]

My hands are deadly weapons. Tell me, you like working for the Third Force?

[Maestro]

Yes, Kaylie, it is very satisfying. We employ only the finest agents, so naturally, one is flattered to be part of such an Apparatus.

[Adam Kane]

And all the time you've been trying to do me an amateur.

[Maestro]

You have been extremely lucky.

[Adam Kane]

Yeah. You could have shot me in the car, you know.

[Maestro]

Do not be ridiculous. You are the guest of my government. If you were killed by one of us, there would be a test. Terrible.

[Adam Kane]

That's it, isn't it, Voltic? One of us?

[Maestro]

You are most obscure, Kane. Besides, I'm a busy man. The show has ended.

[Adam Kane]

No worry, mate. I've got something to show you on the stage.

[Maestro]

Are you are going to suffer for this case?

[Adam Kane]

Yeah. I thought that little dart was supposed to kill you before you know what had happened.

[Maestro]

If you do not release me, one of my men.

[Adam Kane]

Do what? Take a shot at us and tell us both. Roll. Listen up. Stop here. Shut up.

[Maestro]

Yes, Kane.

[Adam Kane]

Who have you?

[Maestro]

Walter King?

[Adam Kane]

Yeah, that's right. He was slivering around backstage. I thought he ought to see this.

[Maestro]

See what?

[Adam Kane]

The end of the story. You've called him all down, have you?

[Maestro]

That is correct. We have to discuss Harry's death.

[Adam Kane]

Quite right. Now, here they come.

[Belinda Graham]

Hello, Ken. If you think you're going to get.

[Adam Kane]

Away with what you did to Harry.

[Walter King]

David, you know it wasn't Adam.

[Belinda Graham]

I don't know anything of the sort.

[Adam Kane]

Company, ladies and gentlemen.

[Maestro]

Very well. We have something to talk about. Mr. Kane, you had better carry on.

[Adam Kane]

Right. All right, I've got it. Now then. I'm sorry Harry died tonight. We all are. What you ought to know is that it was an accident. Accident? That's right, David. I've already told Sasha, haven't I? Old Faith.

[Maestro]

That is right, Mr. Kane. That is my baton you have in your hand.

[Adam Kane]

I can.

[Maestro]

I would.

[Adam Kane]

Great. Brilliant, Sasha. I'm not going to do anything with it.

[Belinda Graham]

Here.

[Maestro]

No, no, don't point it at me like Harry.

[Adam Kane]

Sorry about that, Sasha. All right, all right. That wasn't an accident. Thank you. Was it, Voltic? And what's the matter, mate? Don't you like losing again? Gandalf wanted to come home, didn't he? He was the spy in the company. But he'd been a bad boy. And you said he could only come home if he did something special for you. Something none of your third four supermen have managed to do to date. Namely kill me. He gave him a new conductor's baton with a needle gun inside, didn't you?

[Maestro]

This is not the end of the story, Kane. Simply the end of another chapter.

[Adam Kane]

That's very rude. He could have said goodbye or something. My Name Is Adam Kane is broadcast each week at this time with Don McL as Adam Kane.

[Hannah]

Nearly 90% of kids who vape say flavors are why they do it.

[Teen Advocate]

A lot of the flavors I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, I tried this once. It won't be that much of a problem. But then eventually it becomes a problem.

[Hannah]

It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to pass Senate Bill 702Ame take action at flavorshookoregonkids. Org paid for by the Campaign for Tobacco Free Kids Action Fund.