
Mysterious Traveler 44-01-30 (009) The House of Death
Loading summary
Louise Abbott
Oh.
Martha Abbott
Oh. Oh. O'Reilly.
O'Reilly Veriscan
Check engine light on. Take the guesswork out of your check engine light with O'Reilly Veriscan. It's free and provides a report with solutions based on over 650 million vehicle scans verified by ASE certified master technicians. And if you need help, we can recommend a shop for you. Ask for O'Reilly Veriscan.
Roger Abbott
Today.
Louise Abbott
Auto Parts.
The Mysterious Traveler
The Mysterious traveler.
Narrator
Another journey into the realm of the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves. Where are we going? You'll find out when we get there. I hope it's not making you nervous, being alone with me here in the dark. Darkness stirs strange terrors in some minds, for the things that happen at night are sometimes most upsetting. Things such as cats that vanish or die, as in the tale of the House of Death.
Martha Abbott
Do you hate living out in a country this way, Louise? We're so isolated from everyone.
Louise Abbott
Yes, Martha. It was much nicer when we lived in our own house in the village.
Martha Abbott
Even if Roger and Hester are our nephew and niece, we should never have let them persuade us to move out here with. Oh, doesn't that wind ever stop blowing?
Louise Abbott
Martha, Roger and Hester are coming. I just saw the car turn into the drive.
Martha Abbott
Hope they've brought a maid. What's the matter with Toby and Queen Mother's little darling? Hungry. Even Toby and Queenie don't like living here.
Louise Abbott
Yes, they do seem unhappy, but Toby hasn't been eating well at all.
Martha Abbott
Louise, it's very foolish out living here with Roger and Hester. I think we should move back to our house in the village where we can really be happy.
Louise Abbott
Oh, Martha, could we?
Martha Abbott
I see no reason why we can't. There's so much nonsense about our being invalids and too old to live alone.
Roger Abbott
Hello, Aunt Martha. Aunt Louise.
Louise Abbott
Oh, Roger, were you able to get a maid for it?
Roger Abbott
Oh, I'm sorry about that, Aunt Louise. I tried, but it's just impossible to get a maid these days.
Martha Abbott
But, Roger, you know we need someone to push Louise around in her wheelchair. It's too much for me.
Roger Abbott
Well, I'm sure Hester will do anything you ask.
Louise Abbott
How are you, Aunt Louise? Aunt Martha, I brought you some good hot tea and some biscuits. Thank you, dear.
Martha Abbott
Roger, Louise and I have been talking things over. Now, it is very kind of Hester and you to invite us to live with you, but we've a much happier living in the village. And Would like to go back to our house.
Narrator
What?
Roger Abbott
But, Aunt Martha, it's much better for you here.
Louise Abbott
Why, of course. You're homesick, that's all.
Narrator
Why, certainly.
Roger Abbott
In time, you'll come to love this.
Martha Abbott
Place as we do now.
Louise Abbott
We don't want to hear another word about your leaving. We couldn't be happy thinking of the two of you living alone in that house in the village. Come along, Roger. Let them drink their tea.
Roger Abbott
Yes, Hester. Well, see you both later.
Louise Abbott
They're really so good to us, Martha. But I do wish they'd let us return to our own house.
Martha Abbott
Tea tastes strange. You got it yet? The ways?
Louise Abbott
No. Well, yes, you're right. It does taste funny.
Martha Abbott
Probably the water they use. Nothing out here seems as good as it was home. You better not drink any more of it.
Louise Abbott
Oh, do you remember the little teas we used to give when we lived in the village? Mary Thompson came over every afternoon. It was so nice.
Martha Abbott
There's no reason why we can't move back to our house and have those teas again.
Louise Abbott
But you heard what Roger and Hefta said. Our health isn't so good and we need someone to look after us.
Martha Abbott
Well, what of it? All that money father left us, we can afford a dozen servants. Yes, Louise, I think we'd better plan to return home. The mail car on site, Louise?
Louise Abbott
No, Martha, not yet.
Martha Abbott
You know, I've been thinking quite a bit these past 24 hours about returning home. And I think we'll leave here in a few days.
Louise Abbott
Oh, Martha, that would be wonderful. Look, here comes George Gibson now with.
Martha Abbott
A meal and a time, too. How would that Toby and beautiful Queenie like to go back to their own little home?
Louise Abbott
Oh, Martha, they understand perfectly what you're saying. Look how happy they are. Of course they do, Aunt Martha.
Roger Abbott
Louise, George Gibson just delivered the Sentinel. Oh, here you are.
Louise Abbott
Thank you, Roger. We've been waiting all day for him.
Roger Abbott
Oh, that's all right, Aunt Louise. Hester will soon bring you your supper.
Martha Abbott
Now, let's see.
Louise Abbott
Oh, Martha, let's look at the obituary notices first.
Martha Abbott
That's just what I was turning to. To be. Ah, here we are.
Louise Abbott
Did anybody we know die?
Martha Abbott
Now, let me see.
Louise Abbott
Oh, yes, yes.
Martha Abbott
You remember Amos Wilson, don't you? He died two days ago.
Louise Abbott
Poor Amy. He was about your age, wasn't he, Martha?
Martha Abbott
Certainly not. He was a good deal older.
Louise Abbott
Martha, look at this. Why, it says that Mary Thompson is entering the home for the infirm.
Martha Abbott
The poor house. Oh, no, it can't be.
Louise Abbott
Oh, the dreadful place. I'd sooner be dead than in that home.
Martha Abbott
Poor Mary. Oh, shudder every time I think of that horrible place. The poorhouse.
Louise Abbott
Martha, after we move back to the village, can't we have Mary come to live with us? Yes, of course.
Martha Abbott
Going to the poorhouse would be the death of her.
Louise Abbott
Huh.
Martha Abbott
Louise, what are you staring at in this paper?
Louise Abbott
No, no, it can't be.
Martha Abbott
What can't be?
Louise Abbott
Read what it says in the real estate column. The old Abbott mansion, owned by the Mrs. Martha and Louise Abbott, has been put up for sale by their nephew, Roger Abbott. What mistake?
Martha Abbott
We never told Roger to sell our house. I wouldn't dream of it.
Louise Abbott
Well, Martha, it's been in the family for almost a century. How could Roger do such a thing?
Martha Abbott
I'll soon find out.
Louise Abbott
Roger. Roger. Now, Martha, you mustn't get excited.
Martha Abbott
Why should he want to sell our house?
Roger Abbott
Are you calling me up, Martha?
Martha Abbott
Yes, Roger. What's this in the Sentinel about our house being for sale?
Roger Abbott
Oh, is it in the Sentinel? Oh, I'm sorry.
Louise Abbott
It is a mistake, isn't it, Roger?
Roger Abbott
No, Aunt Louise. You see, as co trustee of grandfather's estate, I thought it would be a good idea to sell the house. Prices are high these days and the house is rather old.
Louise Abbott
But you have no right to put.
Martha Abbott
The house up for sale without telling me. I won't hear of the house being sold.
Roger Abbott
Oh, you mustn't get excited, Aunt Martha. If you don't want the house sold, I'll remove it from the market.
Martha Abbott
Oh, please do. We couldn't live in the house if.
Louise Abbott
It was sold, could we, Louise?
Roger Abbott
All right, I'll take care of everything. Everything's going to be all right now.
Martha Abbott
I don't like it, Louise. I don't like it at all. Why did he try to sell it without telling us?
Louise Abbott
It does seem strange, Louise.
Martha Abbott
We must get in touch with Judge Smith.
Louise Abbott
Yes.
Martha Abbott
He's the administrator of father's estate and he'll take care of everything for us in the way we want it. Jason said, I don't trust Roger, but you must recall the scrapes he was in when he attended college. His conversation after that. And then there was the matter. That bad check Roger gave. It hadn't been for his dear father. He was.
Louise Abbott
Someone's coming. Martha, I have your supper for you. Now, please eat them before they get cold. Yes, Sister. There you are. Just call me if there's anything else you want.
Martha Abbott
Does mother's beautiful Queenie want something to eat?
Louise Abbott
I don't see Toby any place around.
Martha Abbott
Well, he's probably in the kitchen. Now, say pretty please. Queenie and Mother give you this nice piece of me. That's Mother's darling.
Louise Abbott
Here you are.
Martha Abbott
Oh, isn't she lovely, Louise?
Louise Abbott
Oh, yes. Queenie has such wonderful manners. We'd better eat our soup before it gets cold, Martha.
Martha Abbott
Yes, and as I was saying, Louise, I don't care for Roger's attitude at all. Ask me, he's been behaving very strangely.
Louise Abbott
Yes. Martha. Martha, Martha, that. That piece of meat you gave Queenie doesn't seem to have agreed with her. She looks ill.
Martha Abbott
Yes, you're right, Queenie. What's the matter with Mother's little darling Martha?
Louise Abbott
She's in agony.
Martha Abbott
What can we do?
Louise Abbott
Oh, Roger. Roger, come quickly. Oh, poor Queen Roger, suffering so. Oh, Roger, do something.
Martha Abbott
We must help poor Queenie.
Louise Abbott
Oh, Roger, look.
Roger Abbott
I'm afraid it's too late, Aunt Martha. She's dead.
Louise Abbott
Dead? But she can't be. She was all right just a few minutes ago. Things like this will happen, Aunt Martha. She was old. She probably had. Roger, you better take Queenie out of here.
Roger Abbott
All right, dear.
Louise Abbott
Poor Queenie. We've had her ever since she was a little kitten. 12 years now. There, there, Aunt Louise. You mustn't cry. You still have Toby.
Martha Abbott
Now, why don't you eat your supper?
Louise Abbott
You'll feel much better if you do.
Martha Abbott
Hessa, how can you speak of food at a time like this? With poor Queenie's body not even cold?
Louise Abbott
I'm sorry, Aunt Martha. If you want me, just go. Martha, it won't be the same without Queenie. I simply can't understand it. One minute Queenie was perfectly well. Then after you gave her the meat, she became ill.
Martha Abbott
Yes, she was perfectly well until she ate the leech. Louise, the meat.
Narrator
That's it.
Louise Abbott
Don't understand, Martha.
Martha Abbott
The meat, it was poisoned.
Louise Abbott
Poisoned?
Martha Abbott
Louise, that poisoned meat was meant for Martha.
Louise Abbott
You don't mean that. Roger and Hester. Oh, no.
Martha Abbott
Yes, Louise. They're after our money.
Louise Abbott
Oh, what are we going to do? We. We can't. Get at the phone, Doctor.
Martha Abbott
Get in touch with Judge Smith. Our lives depend upon it.
Narrator
The two old ladies stared at each other, terror in their eyes. The minutes dragged into hours, and each hour was a nightmare as they waited for the time to come when they could make the one contact between themselves and the outside world.
Louise Abbott
Do you see Georgie Gibson's car yet, Martha?
Martha Abbott
No, Louise, but he should be in sight any minute now.
Louise Abbott
Oh, what if Hester or Roger come home before he gets here? Then we won't be able to talk to him about our message to Judge Smith.
Martha Abbott
Now, Louise, you know Roger isn't due home from work for another hour.
Louise Abbott
Yes, yes, but what about Hester? She's over at the Miller's farm and she's liable to return any minute.
Martha Abbott
I see George Gibson's car. He's just turning.
Louise Abbott
Hurry. Hurry, Martha. Hurry.
Martha Abbott
All right, hurry. Hurrah. The window. Martha.
Louise Abbott
Martha called to him. Quick, before he gets away. George. George Gibson.
Roger Abbott
Hello.
Martha Abbott
Who's calling? Look over this way. George, it's Martha Abbott. I want to see you.
Louise Abbott
Oh, it's you, Martha.
Martha Abbott
Well, howdy.
Narrator
Have a coward.
Martha Abbott
He's got a Louisiana here. And now we'll be able to get.
Louise Abbott
In touch with Judge Smith.
Narrator
But after George Gibson left the Abbott sisters, he met Hester a half mile up the road. The two conversed for a minute, then George Gibson continued on his way. Hester stared after him as he drove away, her face tense and white. Then, as if suddenly understanding the implication of his words, she turned and ran towards her home, her heart pounding with fear.
Louise Abbott
Roger. Roger, I just met George Gibson and he told me that when he delivered the mail here, Aunt Martha and Aunt Louise called him into the house.
Roger Abbott
Called him into the house?
Louise Abbott
Yes, they asked him to get Judge Smith for them at once.
Roger Abbott
I told you it wasn't safe to leave them alone. Even with the phone locked in our room. All our plans may have been for nothing.
Louise Abbott
Oh, Roger, do you think they suspect?
Roger Abbott
I don't know. I do know it was a mistake letting them talk to George Gibson after all our careful work. We can't let everything be spoiled now.
Louise Abbott
Oh, Martha, these past 24 hours have been endless. Where can George be?
Martha Abbott
Probably delayed somewhere.
Louise Abbott
Oh, Martha, Martha. There. George is coming. He just turned into the drive.
Martha Abbott
I told you he wouldn't fail us.
Louise Abbott
Oh, but Roger and Hester are in the house now. What if they don't let George see it?
Martha Abbott
Nonsense. And George has a message to deliver. He delivers it. Roger's just gone out to get the mail back. Louise.
Louise Abbott
What is it? Martha, what's wrong?
Martha Abbott
That isn't George Gibson driving the mail car.
Louise Abbott
What?
Martha Abbott
The man driving? It's only a youngster. Now he's leaving.
Louise Abbott
Martha, what does it mean?
Martha Abbott
I don't know. I don't understand.
Louise Abbott
Perhaps George is ill and he couldn't come today.
Roger Abbott
Hello, I'm Martha. Louise. This magazine just came in the mail. Thought you might like to see it.
Louise Abbott
Thank you.
Martha Abbott
Roger, why didn't George Gibson deliver the mail?
Roger Abbott
Oh, so you noticed there was a new driver today.
Martha Abbott
Yes, yes.
Roger Abbott
I'm sorry. To tell you this, but poor George Gibson was killed last night.
Martha Abbott
Killed?
Louise Abbott
Oh, no.
Roger Abbott
He had an accident as he was returning to the village.
Martha Abbott
An accident?
Narrator
Yes.
Roger Abbott
I don't want to speak any more about it. It'll just upset you. Pastor will bring you your supper soon.
Louise Abbott
Poor George.
Martha Abbott
That means Judge Smith never got our message.
Louise Abbott
Oh, my.
G
When you start your college career at Heritage University, you're opening the door to something big. To of new experiences, to personal growth and academic discovery, to friendships that will last your entire life and the future you've always dreamed of. You're opening the door to your best life. And the best part is, it won't stop here. Heritage University Operation Best Life. Learn more at Heritage. Edu. Bestlife.
Louise Abbott
Do we?
Martha Abbott
Don't you see? It wasn't an accident.
Louise Abbott
But Roger said it wasn't.
Martha Abbott
George was deliberately killed to keep him from going to judgement.
Louise Abbott
Martha, you don't mean that. Roger and Hester, we won't stop at.
Martha Abbott
Anything to get our money.
Louise Abbott
Oh, Martha, I'm so frightened.
Martha Abbott
Let's have curry. So we're lost.
Louise Abbott
But if we can't get word to the outside. And they're poisoning our food. Well, we haven't eaten a thing since poor Queenie died. We can't go on throwing food away or we'll starve.
Martha Abbott
Only one thing to do, Louise. If we're not to starve, Toby must sample our food before we eat it.
Louise Abbott
You mean to see if it's poisoned?
Martha Abbott
Yes. Oh, I know it's dreadful risking poor Toby's life like that. But it's the only thing to do. And meanwhile, we must get in touch with Judge Smith. We must. You are Toby. A nice piece of meat for mother. Little darling.
Louise Abbott
Aunt Martha, why are you feeding Toby?
Roger Abbott
He gets plenty to eat in the kitchen.
Martha Abbott
Of course, I've always fed Toby for my own plate. He expects it.
Roger Abbott
But, Aunt Martha, if you feed that meat to the cat, there won't be enough for you.
Martha Abbott
Yes, if you're to get well, you.
Louise Abbott
Need all that food.
Martha Abbott
Now. I don't want you feeding Toby any more of it.
Roger Abbott
You told me. Come along, boy. Come on out to the kitchen while Aunt Martha and Louise eat their supper.
Louise Abbott
How are you, Aunt Martha? Louise, I've brought you your lunch. Doesn't it look good? Yes, Esther, it's very nice.
Martha Abbott
Lunch, eh? Here, Toby.
Louise Abbott
Here, kitty, kitty, kitty.
Martha Abbott
Esther, have you seen Toby?
Louise Abbott
No, Aunt Martha, I haven't. But where could he be? Toby's always on time for meals. He's probably someplace around the house. Now, eat your lunch before it gets Cold, Martha, where can he be?
Martha Abbott
Toby will be along in a few minutes. We won't touch a bit of this food until he's tried it first.
Louise Abbott
Oh, I do wish he were here. I'm sorry. So hungry.
Martha Abbott
Please don't touch a thing on that tray. It isn't safe.
Louise Abbott
Oh, here, Toby. Here, kitty, kitty, kitty, kitty.
Roger Abbott
Good evening, Aunt Martha. Louise. How are you?
Martha Abbott
Good evening, Roger.
Louise Abbott
I have your supper here for you, too, Martha. Neither of you ate your lunch. What's wrong? We. We weren't hungry.
Martha Abbott
Hester, have you found Toby yet?
Louise Abbott
No. I've looked everywhere for him, but he seems to have disappeared. Oh, no.
Roger Abbott
Now, you mustn't worry. I'm sure he'll turn up.
Louise Abbott
Yes. Aunt Martha, you and Louise can't afford to miss meals in your state of health.
Roger Abbott
Why, certainly not. Now, we want you to eat everything that Hester has brought you.
Louise Abbott
Yes. You'll make us very, very unhappy if you don't. Now, eat it while it's hot. Come along, Roger.
Martha Abbott
I'll get you your supper.
Roger Abbott
All right, dear.
Martha Abbott
Did you hear what she said about Toby, Louise?
Louise Abbott
Yes, he's vanished.
Martha Abbott
Nonsense. They've killed him. You saw how angry they were last night when we fed Toby from our plates. They've killed him so he won't spoil their plans.
Louise Abbott
Martha, what are we going to do? I'm so hungry.
Martha Abbott
Got to get word to Judge Smith before it's too late.
Louise Abbott
But how?
Martha Abbott
Tomorrow I'm going to go out to the road and try to get to the village.
Louise Abbott
But, Martha, it's two miles to the village, and you know you can't walk more than a few yards. You're not strong enough, Louise.
Martha Abbott
With either starvation or poisoning staring us in the face, we haven't any choice. I must try to reach the village.
Narrator
The next morning, after Roger had left for the village and Hester had gone to the Miller farm, Martha dressed as quickly as her shaking hands would permit. Louise watched nervously as her sister quietly opened the door and started on her long, painful way to the village.
Louise Abbott
Hello, Aunt Louise. Oh, right. Where's Aunt Martha? Aunt Martha? She's someplace around the house. But I've just been through the house fire. Closet is open and her hat and coat are missing. Aunt Louise, did Martha leave this house? Why. Why, yes. She. She said she wanted to go for a walk. Go for a walk? With her age and in weather like this? Well, it'll be the death of her. Did she start out toward the village? Answer me. Yes, Hester. I'll phone Roger at his office. She must be.
Narrator
20 minutes later, as Roger drove along the road leading to his home, he saw a small figure in the distance. It was Aunt Martha. There was a weary, painful look on her face as she hobbled towards the village. In spite of her determined resistance, he put her in his car and drove rapidly on home. One thought was uppermost in his mind. He must make sure that this could never be repeated.
Louise Abbott
Oh, Martha, I'm so hungry.
Martha Abbott
Yes, Louise, I know. So am I.
Louise Abbott
We've gone three days now without eating. We left them our money and our wills. Why must they kill us?
Martha Abbott
They're nothing, the common murderers.
Louise Abbott
Oh, if there was only some way to get word to the village.
Martha Abbott
Louise, I've got an idea.
Louise Abbott
What is it, Martha?
Martha Abbott
If we were to set fire to the house, they'd see it in the village.
Louise Abbott
Yes, and then the fire company would come out.
Martha Abbott
Then we'd be able to tell them we'd be saved.
Louise Abbott
Oh, but Martha, Hester and Roger would put out the fire before it could get big enough.
Martha Abbott
Louise, I know a way we can prevent them from putting out the fire.
Louise Abbott
You do?
Martha Abbott
Yes. And we can save ourselves, Louise. We can save ourselves. Here, Toby.
Louise Abbott
Aunt Martha, why are you looking down the cellar? You should be in your room.
Roger Abbott
Yes, it's drafty out here in the hall. Now, come on. Close the cellar door and go back to your room.
Martha Abbott
But I heard Toby crying. He's down in the cellar. And I won't go to my room until I get here.
Louise Abbott
Just to put Aunt Martha's mind at ease, why don't you go down to the cellar and see if Toby is.
Roger Abbott
Oh, all right. If you ask me, it's just a waste of time.
Martha Abbott
Please help him look for Toby, Hester. You'll find him so much quicker if you both look for him.
Louise Abbott
Oh, very well. But you go back to your room so you won't catch cold. Roger, do you see him?
Roger Abbott
He doesn't seem to be any place here in the cellar.
Martha Abbott
Now we'll see just how smart you are trying to poison us there. He won't stop us from escaping. Now I must get Louise. Louise. Louise. Louise. It worked, Martha.
Louise Abbott
You mean you. You were able to lock them in the cellar?
Martha Abbott
Yes, and with the door locked, he can't get out.
Roger Abbott
Aunt Martha, unlock this door.
Louise Abbott
Let us go. Oh, they found out they're locked in.
Martha Abbott
Don't you worry about it, Louise. I'll take care of everything.
Louise Abbott
Martha.
Roger Abbott
Aunt Martha.
Louise Abbott
Martha, what are you doing with that kerosene lamp?
Martha Abbott
I'm pouring the kerosene around the room so that it'll Burn. Are you ready to leave, Louise?
Louise Abbott
Yes, Martha.
Martha Abbott
Then I'll strike a match and start the fire.
Louise Abbott
Please open the door. Oh. Oh, how quickly it's starting to spread.
Martha Abbott
Yes, we better leave. I'll push your wheelchair, Louise, and you try to help by rolling the wheels. Yes, Louise. Yeah. Yes, we're coming along nicely.
Louise Abbott
Oh, Martha, I hate to do this.
Martha Abbott
Louise, you mustn't waste any pity on them. Even if they are our niece and nephew. They're nothing but common murderers.
Louise Abbott
Yes, I suppose you're right.
Martha Abbott
Now I'll just open the front door and we'll be free. Roll the wheels a bit, Louise. Yes, I am. Just a few feet. No way.
Louise Abbott
There, there, there.
Martha Abbott
Far enough away from the house to be perfectly safe.
Louise Abbott
Oh, my. The whole house is on fire now.
Martha Abbott
Yes, lovely fire, isn't it? I don't feel cold at all.
Louise Abbott
Oh, do you think they can see it in the village by now, Martha?
Martha Abbott
I'm sure they do. Remember, Louise, when the fire company gets here, we don't know what happened to Roger and Hester. We just managed to get out ourselves.
Louise Abbott
Yes, Martha.
Martha Abbott
If we told them what we were forced to do, to escape, we'd have to reveal that our own niece and nephew were poisonous, murderous. We don't want to disgrace the family name, Louise.
Louise Abbott
Oh, no, Martha, of course not. Oh, look. Look, Martha. Look. The roof is beginning to.
Narrator
A few minutes later, the fire company arrived to find Martha and Louise in the garden, staring at the roaring fire which had been their home. It was too late to save the other occupants of the house, so the men were forced to stand by helplessly and watch it burn.
Martha Abbott
Good morning, Judge Smith.
Narrator
Good morning, Miss Marcer. Miss Louise. I trust you're well after that terrible ordeal last night.
Louise Abbott
We're much better, thank you, Judge.
Narrator
Well, now that your niece and nephew are gone, we must plan for your future.
Martha Abbott
You don't have to bother, Judge. All we want to do is move back to our old house, hire a few servants and live as we used to. Oh, and I was wondering if you could arrange to have Mary Thompson come live with us. I won't hear of her going to that dreadful home for the infirm.
Louise Abbott
Oh, no. It would be the death of her ladies.
Narrator
I hoped I'd never have to reveal the truth to you, but now it appears I must.
Martha Abbott
I don't understand, Judge.
Narrator
Last month, the bonds in the trust fund your father left you became utterly worthless. Your nephew and niece were afraid the shock of learning you were penniless would kill you. So it was decided to keep the news from you. That's why the three of us persuaded you to move in with them. Your house here in the village had to be sold to meet debts of the estate.
Martha Abbott
Can't be. Father left us so much.
Narrator
It's all worthless now. Perhaps I should have told you this a month ago, but your niece and nephew wouldn't hear of it. Spite of the fact that they had only Roger's salary to live on. They were determined to prevent you from ever learning of your misfortune.
Louise Abbott
But the. The deaths of poor Queenie and Toby. Of George Gibson.
Narrator
George Gibson?
Louise Abbott
Yes.
Narrator
I'm afraid I don't understand. Surely you heard. He was killed a few days ago when a tire on his car blew out and it overturned.
Martha Abbott
You mean he wasn't murdered?
Narrator
Certainly not. Are you feeling well? Has my news been too much for you?
Martha Abbott
No. No.
Narrator
Well, now that your niece and nephew are gone and there's no one to support you, I'm afraid there's only one thing left.
Martha Abbott
One thing left? What's that?
Narrator
I'm sorry to say, the home for the infirm. The poorhouse. This is the Mysterious Traveler again. Have you enjoyed our little trip? Too bad about the Abbott sisters. Such nice old ladies. But then, how were they to know that poor Queenie died of cramps, not poison. After all, you can't beat too careful, can you? Would you care for a sandwich? They're very delicious. I make them myself. Oh. You're getting off at the next stop. I'm sorry. Perhaps you'll join me again soon. I take this same train every week.
The Mysterious Traveler
You've just heard chapter nine of the Mysterious Traveler. A series of dramas of the strange and unusual brought to you each week by Station WO R. In tonight's program, the House of Death, Irene Hubbard played Martha Abbott and Elizabeth Morgan played Louise Abbott. The Mysterious Traveler, written by Robert Arthur and David Cogan, is directed by Jock McGregor. Original music was played by Doc Whipple. Listen next week to a tale titled.
Narrator
The man who Knew Too Much.
The Mysterious Traveler
Another tale of the mysterious Traveler. The Mysterious Traveler is Presented by Wobble are mutual every Sunday at 7 over most of these stations. This is Mutual.
Podcast Summary: "Mysterious Traveler 44-01-30 (009) The House of Death"
Podcast Information:
In this gripping episode of "The Mysterious Traveler", listeners are transported into a chilling tale titled "The House of Death." Set against the backdrop of isolation in the countryside, the story delves into themes of familial discord, greed, and deception. Through masterful storytelling and atmospheric soundscapes, the episode captivates its audience, drawing them into the suspenseful lives of the Abbott sisters.
The narrative unfolds in a rural setting where the Abbott sisters have relocated from their village home to live with their nephew and niece. The isolation of country living becomes a significant factor influencing the characters' interactions and motivations.
The story begins with Martha and Louise Abbott expressing deep dissatisfaction with their new country residence, yearning for the familiarity and comfort of their village home.
The sisters grapple with feelings of loneliness and the strain of relying on their nephew Roger and niece Hester for assistance. Roger promises to help by providing a maid, but complications arise when securing one proves impossible.
As days pass, Martha and Louise become increasingly suspicious of Roger and Hester's intentions, especially regarding the sudden listing of the Abbott mansion for sale—a move they were neither consulted on nor agreed to.
Their fears materialize when beloved pet Queenie dies under mysterious circumstances after consuming what they believe to be poisoned meat, leading them to suspect foul play aimed at seizing their inheritance.
In a frantic attempt to reach out for help, Martha contacts local mailman George Gibson, seeking assistance from Judge Smith to protect themselves from their relatives' malevolent plans.
Despite their efforts, George Gibson meets an untimely death, thwarting their plan to contact Judge Smith. Left with dwindling options, Martha devises a desperate plan to burn down the house, believing it to be their only means of escape from Roger and Hester.
As Roger and Hester attempt to subdue them, Martha manages to lock them in the cellar before igniting the house. The resulting fire consumes the residence, leaving Martha and Louise as the sole survivors.
In the aftermath, Martha and Louise meet with Judge Smith, who unveils a devastating truth: the Abbott sisters' trust fund has been depleted, and Roger and Hester orchestrated the move and subsequent betrayal to inherit what remained. The episode culminates with the sisters being forced into the poorhouse, their plight a somber reflection on trust and betrayal within family dynamics.
The narrator closes the story with a poignant remark on the tragic fate of the Abbott sisters, emphasizing the unintended consequences of their desperate actions.
Martha Abbott: "Do you hate living out in a country this way, Louise? We're so isolated from everyone." ([00:23])
Louise Abbott: "The old Abbott mansion... has been put up for sale by their nephew, Roger Abbott. What mistake?" ([06:25])
Martha Abbott: "The meat, it was poisoned. Poisoned?" ([10:43])
Martha Abbott: "If we were to set fire to the house, they'd see it in the village." ([21:14])
Judge Smith: "Last month, the bonds in the trust fund your father left you became utterly worthless... they were determined to prevent you from ever learning of your misfortune." ([26:05])
"The House of Death" masterfully weaves a tale of suspense and tragedy, highlighting how desperation can lead to catastrophic decisions. Through the voices of the Abbott sisters, listeners experience a profound sense of loss and betrayal, making this episode a standout installment in "The Mysterious Traveler" series. The inclusion of authentic dialogue and strategic use of sound effects further immerses the audience, ensuring a memorable and thought-provoking listening experience.