NBC Good News Of 1940 1939-11-23-Here Comes The Pilgrims

Summary

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Harold's Old Time Radio

Episode: NBC Good News Of 1940 (1939-11-23 – Here Come The Pilgrims)
Date: November 1, 2025
Host: Edward Arnold and ensemble
Special Guests: Walter Houston, Raymond Walburn
Featured Players: Fanny Brice, Hanley Stafford, Connie Boswell, Meredith Wilson, Warren Hull

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Main Theme and Purpose

This episode of NBC Good News of 1940 revisits a classic broadcast from November 23, 1939, blending star-studded comedy, heartfelt drama, and musical numbers with a Thanksgiving and early American theme. The show is a vibrant showcase of radio variety from the Golden Age, headlined by prominent entertainers, a Thanksgiving sketch lampooning Pilgrims and early settlers, as well as moving dramatic pieces and musical premieres meant for the whole family.

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Major Segments and Key Discussion Points

1. Festive Opening and Musical Interlude

[00:32-03:50]

• The episode opens with warm introductions and a special parody musical number, “Winter Underwear Wonderland”.
• Notable exchange: Humorous banter about Thanksgiving dinner at Edward Arnold's house, poking fun at dinner etiquette and guests (the “collie dogs” and lingering gravy).
• Song Feature: Connie Boswell and cast perform “Walking in a Winter Wonderland”.
• Quote:
  • Warren Hull: "It was awfully annoying to have them [the dogs] sitting there for half an hour licking my fingers." (05:08)
  • Edward Arnold: "Well, if you'd eat with a knife and a fork, you wouldn't be so friendly." (05:13)

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2. Variety Banter and Featured Song

[06:13-09:42]

• Song Feature: Connie Boswell sings “Scatterbrain,” demonstrating vocal prowess and 1930s musical style.
• Joking rivalry among cast members, with playful teasing about actors’ backgrounds and musical abilities.
• Quote:
  • Connie Boswell (to Meredith Wilson): "Well, Meredith, he's been in 400 fights. What's your excuse?" (05:50)

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3. “Baby Snooks” Comedy Sketch: Jury Duty

[11:41-18:17]

• Fanny Brice (as Baby Snooks) and Hanley Stafford (Daddy) perform a beloved segment about Daddy’s fate as a reluctant juror.
• Snooks’ persistent questioning creates increasingly convoluted and hilarious explanations about the justice system.
• Key Themes: Jury composition, legal terms (“subpoena”), and courtroom rituals, all through the lens of childhood misunderstanding.
• Memorable Dialogue:
  • Snooks: "You want to wear my Mickey Mouse suit, Snooks." (12:37)
  • Daddy: "If they were all ladies on the jury, what would I be doing there?" (13:58)
  • Snooks: "I want some Peanuts too." (15:03)
  • Daddy: "These briefs are just paper. These papers contain the evidence in the case." (16:31)
• Ends with a domestic “trial” over stolen cookies, quickly solved by Snooks’ confession.

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4. Sketch: Raymond Walburn’s Turkey Enterprise

[22:13-28:32]

• Character Spotlight: Raymond Walburn as “The Deacon,” a comical schemer.
• “Deacon” pitches a dubious turkey subscription business, satirizing investment scams.
• Fun with wordplay, investor naivety, and quick-witted refutation from other cast members.
• Quote:
  • Raymond Walburn: "By careful manipulation and diplomatic treatment, mind you, the turkey is persuaded to lay eggs." (24:29)
  • Edward Arnold: "As one crook to another, let me tip you off. There's nobody around here dumb enough to put money in your scheme." (25:16)
  • Walburn, selling “shares”: “For $300, I'm going to let you have 300 shares of stock in the spurious gold mine Incorporated.” (27:55)

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5. Music Spotlights

[29:18, 43:43]

• Meredith Wilson and orchestra present hits like “100 to 1” and “I Didn’t Know What Time It Was.”
• Showcases musical trends of the era, blending popular song with characterful performances.

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6. Dramatic Sketch: "Bright World" by Arch Oboler

[32:37-40:04]

• Walter Houston delivers a moving drama about a blind orphan boy, Ted, grappling with loss and the absence of laughter.
• An older man (Houston) encourages Ted to “see” with his mind and heart, rekindling hope and the joy of imagination.
• Emotional crescendo as the boy re-learns to laugh, guided by Houston’s wisdom and support.
• Notable Quotes:
  • Houston: "You'll see more clearly than you ever saw before. Oh, see, yes, but not with eyes— with heart." (35:45)
  • Houston: "You'll never be afraid again. Boy, you'll live with goodness and with courage. And you'll make the world a better place because of your life in it." (38:24)
  • Child: "It’s good to laugh, isn’t it? Yes. Yes, it’s good to laugh." (39:12)

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7. Thanksgiving Reflection and “Gettysburg Address”

[40:12-41:29]

• Meredith Wilson reminds listeners that Abraham Lincoln established Thanksgiving as a national holiday (in 1863), then reads the Gettysburg Address.
• Quote:
  • Lincoln (performed by Houston/Wilson): "That this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth." (41:41)

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8. Thanksgiving Day Sketch: "Here Come the Pilgrims"

[48:12-53:13]

• The entire cast participates in a comedic reimagining of the Pilgrims arriving on the Mayflower and their first Thanksgiving.
• Features parody, anachronistic jokes, and farcical action (e.g., Blackfoot vs. hot foot, Pilgrims negotiating with the “Indians,” and distributing the turkey by geographic origin).
• Memorable Moment:
  • Fanny Brice (as Snooks): "I want that rock!" (48:45)
• Surreal, zany group dynamics, ending with a “hot foot” prank and a tongue-in-cheek turkey feast.

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9. New American Music

[53:28-58:20]

• Premiere of Dana Suesse’s American Nocturne followed by the announcement of new American compositions for future episodes.
• Emphasizes the show’s support of contemporary talent and the arts.

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Notable Quotes by Timestamp

• Warren Hull: "It was awfully annoying to have them [the dogs] sitting there for half an hour licking my fingers." (05:08)
• Edward Arnold: "Well, if you'd eat with a knife and a fork, you wouldn't be so friendly." (05:13)
• Connie Boswell (to Meredith Wilson): "Well, Meredith, he's been in 400 fights. What's your excuse?" (05:50)
• Fanny Brice (as Snooks): "When you dance it's so delightful. When you talk it's so insane still it's yawning. Shadow Scatterbrain." (06:40)
• Daddy: "If they were all ladies on the jury, what would I be doing there?" (13:58)
• Snooks: "I want some Peanuts too." (15:03)
• Raymond Walburn: "By careful manipulation and diplomatic treatment, mind you, the turkey is persuaded to lay eggs." (24:29)
• Edward Arnold: "As one crook to another, let me tip you off. There's nobody around here dumb enough to put money in your scheme." (25:16)
• Walter Houston (Bright World): "You'll see more clearly than you ever saw before. Oh, see, yes, but not with eyes— with heart." (35:45)
• Lincoln (via Houston/Wilson): "That this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth." (41:41)
• Fanny Brice (Snooks): "I want that rock!" (48:45)

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Timestamps for Major Segments

• [00:32-03:50]: Musical opening and seasonal banter
• [06:13-09:42]: "Scatterbrain" by Connie Boswell
• [11:41-18:17]: "Baby Snooks" jury duty sketch
• [22:13-28:32]: Raymond Walburn’s turkey enterprise sketch
• [29:18, 43:43]: Musical performances
• [32:37-40:04]: "Bright World" dramatic sketch
• [40:12-41:29]: Gettysburg Address and Thanksgiving reflection
• [48:12-53:13]: Pilgrims/Thanksgiving comedy sketch

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Tone and Style

The tone balances light-hearted, quick-witted comedy with moments of genuine emotion and American idealism. Character-driven banter, musical interludes, and educational asides embody the communal, family-centric entertainment of classic radio. The playful spirit, quick repartee, and sentimentality stay true to the original performers, with timeless messages underpinning the laughs.

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Final Thoughts

This Good News of 1940 episode stands as a nostalgic, lively slice of radio history—evoking the Thanksgiving season, celebrating American resilience and humor, and reflecting the best of pre-war radio’s heartwarming and hilarious variety format. With famous voices, timeless sketches, and a blend of comedy, music, and inspiration, it is a compelling listen for fans of Golden Age radio and newcomers alike.

Transcript

[Connie Boswell]

Hey, this is Sarah. Look, I'm standing out front of a.m. p.m. Right now and, well, you're sweet and all, but I found something more fulfilling, even kind of cheesy. But I like it. Sure, you met some of my dietary needs, but they've just got it all. So farewell, oatmeal. So long, you strange soggy.

[Raymond Walburn (The Deacon)]

Break up with bland breakfast and taste AM PM's bacon, egg and cheese biscuit made with ktree eggs, smoked bacon and melty cheese on a buttery biscuit. AMPM Too much good stuff.

[Narrator/Announcer]

Maxwell House Coffee presents good news of 1940.

[Walter Houston]

Always and always I go on. The glory, the glory and wonder of you.

[Narrator/Announcer]

The makers of Maxwell House Coffee welcome you once again to an hour of entertainment brought to you each week from Hollywood and starring Fanny Bryce, Hanley Stafford, Connie Boswell and Meredith Wilson and his orchestra. Tonight's guests of honor are Walter Houston and one of the screen's foremost character comedians, Raymond Walburn. And here is your host for this hour of entertainment, Edward Arnold.

[Edward Arnold]

Good evening, everybody. I think we've got another grand show for you tonight. Our old friend Walter Houston and that amusing fellow, Raymond Walbran. And to start our program, Meredith Wilson has arranged a special opening number with some sort of seasonal flavor. What's the name of it?

[Meredith Wilson]

Meredith Winter Wonderland.

[Warren Hull]

Say, Eddie, I certainly enjoyed that Thanksgiving turkey at your house today, but I'd like to make a suggestion later.

[Edward Arnold]

Ladies and gentlemen, Meredith Wilson plays Winter Underwear Wonderland. Okay.

[Raymond Walburn (The Deacon)]

Playing.

[Connie Boswell]

Sam.

[Walter Houston]

Famous Noise Listen. What beautiful sight we're happy tonight. Walking in the winter wonderland. All the way is a blue bird in a skin New bird, he sings a love song as we go along. Walking in the winter wonderland. In the meadow we can build a snowman and pretend that he is Parson Brown. You say I am married with an old man. But you can do the job when you're in town later on. Feel conspired as we live by a fire and face unafraid the plans that we make. Walking in the winter wonderland.

[Edward Arnold]

That was fine, Meredith.

[Meredith Wilson]

Fine.

[Edward Arnold]

Now we continue with the Good News program.

[Warren Hull]

I enjoyed that party at your house, Eddie. But I'd like to make just one little criticism.

[Edward Arnold]

Sound of the matter with the turkey.

[Warren Hull]

No, no, the turkey was fine what there was of it.

[Meredith Wilson]

What?

[Warren Hull]

And there was plenty of it, such as it was.

[Hanley Stafford (Daddy)]

As a matter of fact, even if.

[Warren Hull]

It was no good, I wouldn't complain about it. I'm too well bred.

[Edward Arnold]

Yes, I can see that. But what is it that's rankling on your breast?

[Meredith Wilson]

Oh, that's gravy.

[Walter Houston]

But if I.

[Warren Hull]

If I thought you wouldn't take offense, I'd like to make just one suggestion.

[Edward Arnold]

Well, I'd be glad to have a suggestion.

[Walter Houston]

Go ahead.

[Meredith Wilson]

All right.

[Warren Hull]

It was in regards to. You're sure you won't mind?

[Edward Arnold]

Certainly not, old fellow.

[Meredith Wilson]

Go on.

[Warren Hull]

Well, just about the time the dinner was over, I. You know, Eddie, I think the reason I'm hesitating over this is that I have a cousin who's a fat lug too, and he's very touchy.

[Edward Arnold]

And. Do you ever give him suggestions?

[Meredith Wilson]

All the time.

[Warren Hull]

But I want to be sure you'll take what I'm going to say in the right spirit.

[Meredith Wilson]

Oh, absolutely.

[Warren Hull]

Well, what I was thinking was that at your party, right after the. Listen, Eddie, you're sure I won't hurt your feelings?

[Edward Arnold]

Come on, what is it?

[Warren Hull]

All right, you asked for it. I don't think it was right for you to have those collie dogs of yours in the dining room while we were eating dinner.

[Edward Arnold]

Well, I must say that's a very silly criticism. I have those dogs in the dining.

[Walter Houston]

Room with me every evening.

[Edward Arnold]

They're extremely well mannered.

[Warren Hull]

Well, maybe so, but it was awfully annoying to have them sitting there for half an hour licking my fingers.

[Edward Arnold]

Well, if you'd eat with a knife and a fork, you wouldn't be so friendly.

[Meredith Wilson]

Oh.

[Warren Hull]

I knew you'd lose your temper. I'll never make another suggestion to you again.

[Edward Arnold]

Now you're cooking with gas. All right, we'll go ahead with the program. Ladies and gentlemen, our guests of honor this evening are Walter Houston.

[Warren Hull]

Oh, I like him.

[Meredith Wilson]

Good.

[Edward Arnold]

And that amiable gentleman of the screen, Raymond Wahlberg.

[Warren Hull]

Well, that's a relief.

[Edward Arnold]

What do you mean, a relief?

[Warren Hull]

I was afraid you're gonna have that uncouth Rosenbloom again.

[Edward Arnold]

But what's the matter with him? I think he's very amusing and so does the public.

[Warren Hull]

Amusing nothing.

[Meredith Wilson]

He's a dope.

[Warren Hull]

Well, he's no actor.

[Meredith Wilson]

The guy is punch drunk.

[Connie Boswell]

Well, Meredith, he's been in 400 fights. What's your excuse?

[Edward Arnold]

Connor, you took the words right out of my mouth.

[Connie Boswell]

I couldn't hold back any longer, Eddie.

[Warren Hull]

Well, I'm sure I don't see what's so funny.

[Edward Arnold]

I don't care, Meredith.

[Meredith Wilson]

I really don't.

[Edward Arnold]

But after that remark, I think you'd better call up on that stand.

[Warren Hull]

Okay.

[Edward Arnold]

Ms. Boswell, will you favor us with a song?

[Connie Boswell]

I sure will, Eddie. And I'd like to say I enjoyed your party with no ifs, ands or buts.

[Edward Arnold]

Oh, What a girl, what a girl. Ladies and gentlemen, Connie Boswell sings one of the brightest of the new songs. Scatterbrain.

[Connie Boswell]

You're as pleasant as the morning and refreshing as the rain. Isn't it a pity that you're such a scattered brain? When you dance it's so delightful. When you talk it's so insane still it's yawning. Shadow Scatterbrain. I know I'll end up at the plenty but there's nothing I can do. It's just the same as being in a hurricane. And though my life will be too hectic. I am so in love with you Nothing else will matter. You're my darling cattle tr you're as to as new year party. You're as sweet as sugar cane. What a shame, what a shame that you're a cat scared scared of gray.

[Raymond Walburn (The Deacon)]

And Doug. Here we have the Limu emu in.

[Meredith Wilson]

Its natural habitat, helping people customize their car insurance and save hundreds with Liberty Mutual. Fascinating. It's accompanied by his natural ally, Doug.

[Hanley Stafford (Daddy)]

Limu is that guy with the binoculars watching us?

[Meredith Wilson]

Cut the camera. They see us.

[Hanley Stafford (Daddy)]

Only pay for what you [e-mail] Liberty Liberty Liberty. Liberty Savings Ferry Unwritten by Liberty Mutual Insurance Company and affiliates Excludes Massachusetts.

[Connie Boswell]

What do you think makes the perfect snack?

[Hanley Stafford (Daddy)]

Hmm, it's gotta be when I'm really craving it and it's convenient.

[Connie Boswell]

Could you be more specific?

[Hanley Stafford (Daddy)]

When it's cravinient.

[Edward Arnold]

Okay.

[Hanley Stafford (Daddy)]

Like a freshly baked cookie made with.

[Raymond Walburn (The Deacon)]

Real butter available right down the street at a.m. p.m. Or a savory breakfast.

[Hanley Stafford (Daddy)]

Sandwich I can grab in just a.

[Connie Boswell]

Second at a.m. p. M. I'm seeing a pattern here.

[Raymond Walburn (The Deacon)]

Well, yeah, we're talking about what I.

[Connie Boswell]

Crave, which is anything from AM PM.

[Hanley Stafford (Daddy)]

What more could you want?

[Narrator/Announcer]

Stop by AM PM where the snacks.

[Raymond Walburn (The Deacon)]

And drinks are perfectly craveable and convenient. That's cravenience AM PM Too much good stuff.

[Connie Boswell]

We dance. I think it's heaven Till about the third refrain. What a shame, what a shame that you're a scarec out of a brain. I'm much too athletic I'm up that well known tree. I've tried to understand your double talk in vain. Oh please forgive your critics. Cause you mean so much to me Nothing else can matter. My SC.

[Fanny Bryce (Baby Snooks)]

What a shame.

[Edward Arnold]

And here's Warren Hull all ready to.

[Meredith Wilson]

Set the next scene.

[Narrator/Announcer]

Thanks, Eddie. The scene is just outside the football stadium nearest your town and mine. It's just a few minutes before game time. The sky is gray, There's a real chill in the air. Say, I've never seen so many smiling faces. As we join the huddle of happy young people to our right we hear, say, Judy, pass that thermos of coffee over this way, will you, please?

[Connie Boswell]

Right, Bob. But go easy on us. We'll be frozen before the game is over unless we save some coffee for the half.

[Narrator/Announcer]

Okay, Judy, but say, next time let's bring more coffee. Football and Maxwell House coffee mean a big afternoon in any man's language. Yes, whether it's on the campus or in the kitchen there's nothing like the cheery stimulation and friendly warmth of a steaming, fragrant cup of Maxwell House coffee to set a man right with the world. You see, ever since it was Created more than 50 years ago by a man named Joel Cheek this famous coffee has been a favorite with thousands of men the country over. First, because we found a way to further enrich this famous coffee blend so wonderfully that now you get extra goodness, extra body and richness flavor you may never have known in coffee before. Second, there's the new radiant roast process which roasts each coffee bean evenly all the way through. No chance this way of weak coffee from under roasting or bitter coffee from parched coffee beans. And that's why today, more people are enjoying Maxwell House than ever before in its history. So if you haven't tried Maxwell House coffee lately, get upon tomorrow, won't you? We think your own enjoyment and satisfaction will tell you this new Maxwell House is now more than ever good to the last drop.

[Edward Arnold]

Now, ladies and gentlemen, here is Fanny Bryce's baby Snooks. Well, it had to happen sooner or later. Daddy, played by Hanley Stafford, has received a jury summons and must appear in court today. To make matters worse, this is Daddy's busy day at the office and as the scene opens, we find him dressing hurriedly and a none too pleasant mood.

[Meredith Wilson]

Listen, fine thing.

[Hanley Stafford (Daddy)]

5 million people in this city and they have to pick me for jury duty. I'll give the guy life.

[Fanny Bryce (Baby Snooks)]

Good morning, Daddy.

[Hanley Stafford (Daddy)]

What's good about it? Nothing. Look out, Snoke, I'm in a hurry.

[Fanny Bryce (Baby Snooks)]

There you go.

[Hanley Stafford (Daddy)]

I have to be in court in half an hour. Where's my pants?

[Fanny Bryce (Baby Snooks)]

You got them on.

[Hanley Stafford (Daddy)]

Oh, well, never mind. I'll look for it myself.

[Fanny Bryce (Baby Snooks)]

Where you going?

[Hanley Stafford (Daddy)]

Daddy, I told you, I have to go to court.

[Connie Boswell]

Why?

[Hanley Stafford (Daddy)]

I've been called for jury duty. I've got to appear in a suit.

[Fanny Bryce (Baby Snooks)]

What kind of suit?

[Hanley Stafford (Daddy)]

They didn't tell me. It can be any kind of a suit.

[Fanny Bryce (Baby Snooks)]

You want to wear my Mickey Mouse suit, Snooks.

[Hanley Stafford (Daddy)]

This has nothing to do with clothes. Someone is suing somebody else.

[Connie Boswell]

Why?

[Hanley Stafford (Daddy)]

I don't know. I'll find out when I get there.

[Fanny Bryce (Baby Snooks)]

Why do you have to go, Daddy?

[Hanley Stafford (Daddy)]

Because I'm going to be a member of the jury.

[Connie Boswell]

I want to join too.

[Hanley Stafford (Daddy)]

Now don't start any of that nonsense. In the first place, little girls don't serve on juries.

[Fanny Bryce (Baby Snooks)]

Why?

[Hanley Stafford (Daddy)]

Because that's the law. A jury is composed of 11 jurors and a foreman.

[Connie Boswell]

What? Four.

[Hanley Stafford (Daddy)]

He gives the verdict. All juries must have foreman.

[Fanny Bryce (Baby Snooks)]

You should have had 11.

[Hanley Stafford (Daddy)]

They have got 11. But they have four men.

[Fanny Bryce (Baby Snooks)]

Besides, they have 15 men.

[Hanley Stafford (Daddy)]

No, they only have 12. Yes, there's 11 men on juries. And where the foreman makes a 12?

[Fanny Bryce (Baby Snooks)]

11 and four is 12.

[Hanley Stafford (Daddy)]

No, 11 and four is 15. But the foreman in this case happens to be just one man and he's the foreman. Sometimes the jury has 12 jurymen and they're all ladies.

[Fanny Bryce (Baby Snooks)]

The foreman too.

[Hanley Stafford (Daddy)]

Exactly.

[Fanny Bryce (Baby Snooks)]

Do you feel all right then?

[Hanley Stafford (Daddy)]

Listen, Snooks, it doesn't make any difference how I feel. I still have to go to court and serve on that broken down jury. Understand?

[Connie Boswell]

Understand?

[Fanny Bryce (Baby Snooks)]

Watch the jury.

[Hanley Stafford (Daddy)]

What did I just get through telling you?

[Fanny Bryce (Baby Snooks)]

11 and 4 is 12 and all the men is ladies. That's what you're going. I didn't say anything of the kind.

[Hanley Stafford (Daddy)]

If they were all ladies on the jury, what would I be doing there?

[Fanny Bryce (Baby Snooks)]

I know.

[Hanley Stafford (Daddy)]

Now you stop that. Getting more like your mother every day. Now let me finish dressing.

[Fanny Bryce (Baby Snooks)]

I want to go with you, Daddy.

[Hanley Stafford (Daddy)]

You can't go with me. They don't allow children in court.

[Fanny Bryce (Baby Snooks)]

Why?

[Hanley Stafford (Daddy)]

Because it's a very serious thing. The only people present are the lawyers, the judge and jury. We have to decide whether the man is innocent or guilty.

[Connie Boswell]

Which man?

[Hanley Stafford (Daddy)]

The man that's being tried.

[Fanny Bryce (Baby Snooks)]

What's he trying to do, Daddy?

[Hanley Stafford (Daddy)]

He's trying to get free. Today he gets his hearing.

[Connie Boswell]

Is he deaf?

[Fanny Bryce (Baby Snooks)]

Is he a deaf man?

[Hanley Stafford (Daddy)]

No, he's not deaf.

[Fanny Bryce (Baby Snooks)]

You don't have to yell. I ain't deaf either.

[Hanley Stafford (Daddy)]

Well, then don't bother me with questions.

[Connie Boswell]

Why?

[Hanley Stafford (Daddy)]

Because I'm in a hurry. If I don't get to court on time, they'll hold me in contempt.

[Fanny Bryce (Baby Snooks)]

Where's that?

[Hanley Stafford (Daddy)]

It's no place. It's a breach of the law and I'll get a fine, don't worry.

[Connie Boswell]

Fine.

[Walter Houston]

Fine.

[Hanley Stafford (Daddy)]

Fine.

[Connie Boswell]

You like it, Daddy? No, I hate it.

[Hanley Stafford (Daddy)]

I have to go just the same. When people are called for jury beauty, they have to go because they receive subpoenas.

[Fanny Bryce (Baby Snooks)]

I want some Peanuts too.

[Hanley Stafford (Daddy)]

I didn't say subpoenas. I said subpoenas. Subpoenas.

[Fanny Bryce (Baby Snooks)]

What do you have to do there?

[Hanley Stafford (Daddy)]

Well, as soon as I get to court, I'm challenged by both lawyers.

[Fanny Bryce (Baby Snooks)]

I want to see you fight them.

[Hanley Stafford (Daddy)]

I don't fight them. They interrogate me.

[Connie Boswell]

Does it hurt?

[Hanley Stafford (Daddy)]

No, it doesn't hurt. It simply means the lawyers ask me a lot of questions before they swear me in.

[Connie Boswell]

Huh?

[Hanley Stafford (Daddy)]

I have to swear.

[Fanny Bryce (Baby Snooks)]

Do you make the lawyers mad?

[Connie Boswell]

Daddy, nobody makes me mad.

[Fanny Bryce (Baby Snooks)]

Why do you have to swear at him?

[Hanley Stafford (Daddy)]

I don't swear at the lawyers. I take an oath that I'll see justice served properly. Then the court is called to order. The lawyers come in with their briefs.

[Fanny Bryce (Baby Snooks)]

Is that all they wear?

[Hanley Stafford (Daddy)]

They don't wear their briefs. They hand them to the judge.

[Fanny Bryce (Baby Snooks)]

Ain't he got any of his own?

[Hanley Stafford (Daddy)]

Why no Limu Emu.

[Raymond Walburn (The Deacon)]

And Doug, here we have the Limu.

[Meredith Wilson]

Emu in its natural habit. Habitat helping people customize their car insurance and save hundreds with Liberty Mutual. Fascinating. It's accompanied by his natural ally, Doug.

[Hanley Stafford (Daddy)]

Limu is that guy with the binoculars watching us.

[Meredith Wilson]

Cut the camera. They see us.

[Hanley Stafford (Daddy)]

Only pay for what you [e-mail] Liberty Liberty.

[Connie Boswell]

Liberty.

[Hanley Stafford (Daddy)]

Liberty Savings. Very unwritten by Liberty Mutual Insurance Company affiliates. Excludes Massachusetts. The only briefs he's got are those he gets from the lawyers. And you know what he does?

[Connie Boswell]

He put them on snooks.

[Hanley Stafford (Daddy)]

These are not the kind of briefs people wear. These briefs are just paper Mommy got.

[Fanny Bryce (Baby Snooks)]

No.

[Hanley Stafford (Daddy)]

I don't care what money he's got. These papers contain the evidence in the case. That's how the lawyers present the bare facts. Is everything clear to you now?

[Connie Boswell]

Uh huh.

[Fanny Bryce (Baby Snooks)]

Nobody wears jacket.

[Hanley Stafford (Daddy)]

Everybody is fully dressed. The evidence is presented, the witnesses testify, the lawyers argue the case. And then the judge charges the jury how much? Doesn't charge the money. He places the case in the hands of the jury. We weigh the testimony and bring in the verdict.

[Fanny Bryce (Baby Snooks)]

I want to go see you do it.

[Warren Hull]

No.

[Hanley Stafford (Daddy)]

And I've got to leave right now.

[Fanny Bryce (Baby Snooks)]

Aw, take me with you, Ro.

[Hanley Stafford (Daddy)]

You'll what?

[Connie Boswell]

I'll shake my head till my head falls off.

[Hanley Stafford (Daddy)]

Please, no. Don't make any trouble now. I'll be late for court.

[Connie Boswell]

Me? We get no. Look here.

[Hanley Stafford (Daddy)]

I'll show you what happens there. Satisfied?

[Fanny Bryce (Baby Snooks)]

Satisfied.

[Warren Hull]

All right.

[Hanley Stafford (Daddy)]

You'll be the defendant and I'll be your lawyer. Now you take the stand.

[Fanny Bryce (Baby Snooks)]

Where shall I take it, Daddy?

[Connie Boswell]

Nowhere.

[Hanley Stafford (Daddy)]

Just sit in that chair and hurry. Now you were charged with. With stealing some cookies from the kitchen.

[Walter Houston]

Am I yes.

[Hanley Stafford (Daddy)]

First I have to sway you in repeat after me. I solemnly swear to tell the truth, the whole truth, nothing but the truth.

[Fanny Bryce (Baby Snooks)]

So help me, I suddenly swear to smell the fruit.

[Connie Boswell]

The whole fruit.

[Meredith Wilson]

Never mind.

[Connie Boswell]

Never mind.

[Hanley Stafford (Daddy)]

I'll just examine you.

[Fanny Bryce (Baby Snooks)]

Shall I stick up my tongue?

[Hanley Stafford (Daddy)]

No. No. I'm going to prove that you didn't take those cookies from that cookie jar.

[Connie Boswell]

You can't do it. Why not? Because I took them.

[Hanley Stafford (Daddy)]

Well, that's fine. You're convicted of state.

[Meredith Wilson]

Rest.

[Connie Boswell]

Goodbye.

[Fanny Bryce (Baby Snooks)]

Goodbye.

[Edward Arnold]

Well, ladies and gentlemen, Meredith Wilson's next number is so good I've got to break down and apologize for losing my temper with him a few moments ago. Meredith, I am truly sorry.

[Warren Hull]

Okay, Ed, possibly I was at fault.

[Edward Arnold]

Don't let's go into that. But honestly, here's another one of these arrangements in the South American rhythm that really does something to me. This time it's the moon was yellow and Ladies and gentlemen, it's marvelous.

[Connie Boswell]

Sam Smile brought us together and I.

[Walter Houston]

Was wondering whether we'd meet again someday. One more.

[Connie Boswell]

One and a song.

[Walter Houston]

One song. That vocal inspiration Gave me the inclination to give my heart away Here we are. Here's our allness to continue Will it be my luck to win you? May I look back? My love is well and my hopes are strong around that cupid below Behold the moon is yellow and the light is yellow My love is mellow.

[Meredith Wilson]

And.

[Walter Houston]

My hopes are around like you could tell Behold the moon is yellow and the light is your.

[Edward Arnold]

And now I want you to meet one of the most amusing and versatile comedians and character actors in Hollywood. On the screen, you know Raymond Walburn as a conniving gentleman with a blustering manner and a roving eye for the fair sex. Off the screen, he is quiet, reserved and almost monkish in his habits. Ladies and gentlemen, I give you the other side of Raymond Walburn, better known as the Deacon. All right, Raymond, come on out and say hello to the people.

[Meredith Wilson]

I'm afraid we've got the wrong side of Walgreens.

[Edward Arnold]

He's coming on here with three very lovely girls.

[Raymond Walburn (The Deacon)]

Now, now, Eddie, don't get me wrong. You know, these pretty little flowers are my nieces, the daughters of my only sister who resides in Denver.

[Edward Arnold]

Well, that's all right.

[Raymond Walburn (The Deacon)]

They have attended exclusive finishing schools in the East. But every winter they come out here to spend a little time with their old Uncle Raymond. You know, their lovely wedd. Well bred girl.

[Edward Arnold]

Yes, I'm sure of that.

[Hanley Stafford (Daddy)]

Now, girls, I'll.

[Raymond Walburn (The Deacon)]

I'll have to find some seats for you. How about those seats in the front row. Or would you rather sit on the stage?

[Fanny Bryce (Baby Snooks)]

We'll sit on the stage, mister.

[Edward Arnold]

Oh, yeah, your nieces.

[Raymond Walburn (The Deacon)]

Oh, yeah, they're. They're very formal children, Eddie. An old Chicago family.

[Edward Arnold]

I thought you said Denver.

[Raymond Walburn (The Deacon)]

Oh, I did say Denver. You're quite right, Edward, but. But I might just as well have said Schenectady. Why, my sister's third husband was a gypsum.

[Meredith Wilson]

Yeah.

[Raymond Walburn (The Deacon)]

They'Re. They're beautiful children, aren't they?

[Edward Arnold]

I should say so. Why, they could be in Earl Carol's show.

[Raymond Walburn (The Deacon)]

They are, Eddie. They are.

[Edward Arnold]

Well, Deacon, you've crossed me up here. I've been trying to show the public your offstage character and you walk in with a handful of chorus girls.

[Meredith Wilson]

Now, is that cricket?

[Raymond Walburn (The Deacon)]

No, Eddie, but it's more fun. However, Edward, you can put your mind at rest. These delicate creatures are business associates of mine. Yes, yes, they. They hold responsible positions in one of my holding company.

[Edward Arnold]

Hold on.

[Raymond Walburn (The Deacon)]

I'm holding.

[Edward Arnold]

This is most interesting, Deacon. Not many people know this, but I myself am behind a big corporation.

[Raymond Walburn (The Deacon)]

Well, I. I think everybody knows it, Eddie. I do, really. You know, this. This particular company of mine is known as Turkey Enterprises in incorporated. My corporation supplies turkeys to our client by subscription.

[Meredith Wilson]

Oh, how does it work?

[Raymond Walburn (The Deacon)]

I let my board of directors give you the standard sales talk.

[Fanny Bryce (Baby Snooks)]

Ladies, when do we eat?

[Raymond Walburn (The Deacon)]

That's the whole thing in a nutshell. But in order to make it a little clearer, Edward, I'll explain it myself. Now, in the month of March, I receive $400 in subscription money. Then I go out and purchase one turkey by the name of Sylvia for $3.

[Edward Arnold]

That's a pretty name for a turkey.

[Meredith Wilson]

Yes.

[Raymond Walburn (The Deacon)]

That leaves me a net profit of $397 so far. By careful manipulation and diplomatic treatment, mind you, the turkey is persuaded to lay eggs.

[Edward Arnold]

Oh, Sylvia lays eggs.

[Raymond Walburn (The Deacon)]

Yes, yes, at the rate of 5 and A.

[Edward Arnold]

Now, Deacon, I don't like that.

[Raymond Walburn (The Deacon)]

Well, the turkey don't like it either.

[Meredith Wilson]

Now.

[Raymond Walburn (The Deacon)]

Now, by the end of June, I have 400 turkeys and 900 eggs. Now, would you be interested in investing in this enterprise?

[Edward Arnold]

Now, listen here, Deacon. Did you come onto this program just to lay in. I mean, to sell turkeys.

[Raymond Walburn (The Deacon)]

I beg your pardon?

[Hanley Stafford (Daddy)]

Certainly not.

[Raymond Walburn (The Deacon)]

Certainly not. Eddie, I'm really trying to let my friends in on a good thing.

[Edward Arnold]

Yeah, well, I see. Now, maybe this will surprise you, Deacon, but I was once a confidence man myself.

[Raymond Walburn (The Deacon)]

That is an ugly term, Edward.

[Meredith Wilson]

Yes, I know.

[Edward Arnold]

But as one crook to another, let me tip you off. There's nobody around here dumb enough to put money in your scheme.

[Raymond Walburn (The Deacon)]

Oh, that's very discouraging, Eddie.

[Meredith Wilson]

Very scratchy. Now, wait a minute.

[Raymond Walburn (The Deacon)]

Wait a minute. What about that.

[Meredith Wilson]

Oh, that.

[Raymond Walburn (The Deacon)]

That rube over there with the hair.

[Meredith Wilson]

You don't say that.

[Edward Arnold]

That's Meredith Wilson. He's the mental type you're looking for, but I don't know.

[Meredith Wilson]

I'll. I'll bet he carries a change purse.

[Raymond Walburn (The Deacon)]

Introduce me to him.

[Edward Arnold]

Okay. Or, Meredith, I want you to meet Mr. Walburn. He's an investment counselor.

[Warren Hull]

Well, Mr. Walburn, it's an honor.

[Raymond Walburn (The Deacon)]

And these ladies here are my board of directors.

[Warren Hull]

Oh, It's a pleasure.

[Raymond Walburn (The Deacon)]

Mr. Wilson. You seem like a man of discernment. Do you know anything about turkeys?

[Warren Hull]

Do I? You might not think it to look at me, but I was raised on a farm.

[Raymond Walburn (The Deacon)]

Well, well, well, well, that just goes to show you can't judge a book by its cover. No. So you're familiar with raising turkeys, eh?

[Warren Hull]

I slept with turkeys till I was nine.

[Meredith Wilson]

Oh, you did?

[Warren Hull]

Yes, sir. My father raised turkeys.

[Edward Arnold]

Meredith was the oldest.

[Warren Hull]

Well, I know one thing. You can't make any money with turkeys.

[Raymond Walburn (The Deacon)]

Quite right, my boy. Quite right. Quite.

[Meredith Wilson]

Are.

[Raymond Walburn (The Deacon)]

Are you married?

[Warren Hull]

In a small way. Don't let that bother you, girls.

[Connie Boswell]

We won't.

[Raymond Walburn (The Deacon)]

Well, tell me, Mr. Wolfson.

[Warren Hull]

Wilson.

[Connie Boswell]

Two L's.

[Warren Hull]

Normandy, 2348. That's my office phone.

[Walter Houston]

You're.

[Warren Hull]

If anybody's interested.

[Edward Arnold]

I'll have to get my hunting license.

[Raymond Walburn (The Deacon)]

Tell me, Mr. Wilson, how are you going to remember your wife this Christmas?

[Warren Hull]

Well, how can I forget her? She'll be right there under the tree.

[Raymond Walburn (The Deacon)]

No, no, no, no, no, no.

[Meredith Wilson]

I'm.

[Raymond Walburn (The Deacon)]

I'm talking about a little gift to gladden her heart. Would you be interested in a fur coat slightly stolen?

[Warren Hull]

What's that?

[Narrator/Announcer]

Nothing. Nothing, nothing.

[Raymond Walburn (The Deacon)]

Mr. Williams, I can. I can. Wilson, I can get you a nice fur coat for Mrs. Williams. Very reasonably. A finest fur on the market.

[Warren Hull]

Will it stand the rain?

[Raymond Walburn (The Deacon)]

Did you ever see a skunk carry an umbrella? I. I can let you have this coat for. Oh, well, now, how much money did you say you had?

[Hanley Stafford (Daddy)]

$300.

[Walter Houston]

$300?

[Warren Hull]

Well, that's lucky, isn't it?

[Meredith Wilson]

Yes, sir.

[Edward Arnold]

Could you.

[Raymond Walburn (The Deacon)]

Could you get to the bank tomorrow morning and.

[Warren Hull]

Oh, I'm too smart for those banks, Mr. Walbourne. I carry the money right with me pinned to my undershirt.

[Raymond Walburn (The Deacon)]

You say you have $300 on your person at this very moment?

[Walter Houston]

Yes, sir.

[Meredith Wilson]

I see.

[Raymond Walburn (The Deacon)]

How would you like to come over to my house and Take a shower.

[Edward Arnold]

Ah, wait a minute, Deacon. Chisel it, don't steal it.

[Raymond Walburn (The Deacon)]

Okay, okay, okay. On second thought, my boy, on second that that fur coat would be not be a good investment for you. For $300, I'm going to let you have 300 shares of stock in the spurious gold mine Incorporated. That entitles you to all the privileges.

[Warren Hull]

Well, what does that mean?

[Raymond Walburn (The Deacon)]

That means you should be taken into the firm.

[Meredith Wilson]

Oh, boy.

[Warren Hull]

I always say, he who hesitates has lost. Here's the 300, Mr. Walbourn.

[Narrator/Announcer]

Thanks. Thanks.

[Raymond Walburn (The Deacon)]

You're a shrewd operator, my boy.

[Warren Hull]

Well, when will you take me in?

[Raymond Walburn (The Deacon)]

Ah, you've been taking it already. Ladies, a new addition to our board of directors.

[Fanny Bryce (Baby Snooks)]

When do we eat?

[Raymond Walburn (The Deacon)]

Right now.

[Walter Houston]

See you later, Eddie.

[Narrator/Announcer]

We return in just a moment when you will hear Walter Houston in a stirring drama and the entire cast in a comedy sketch. In the meantime, we pause briefly for station identification.

[Edward Arnold]

This is Edward Arnold again, and we continue our Maxwell House Good News program with the tune I first heard murders play several weeks before I was even a member of the Good News cast. It's one of the season's hits called 100 to 1. Be sure and listen for the counting in the second chorus. Meredith.

[Walter Houston]

It's a hundred to one I'm in love It's a hundred to two that it's you It's 100 to three what a lucky one I'll be When you're in my arms with all your love and charm it's 100 to 4 there, me more it's 100 to 5 long arise it's 106 and 7 that I'm on my way to heaven it's 100 to 15 in life 1, 2, 3, 4, 5, 6, 8, 9, 1, 11, 12.

[Meredith Wilson]

And Doug. Here we have the Limu Emu in its natural habitat, helping people customize their car insurance and save hundreds with Liberty Mutual. Fascinating. It's accompanied by his natural ally, Doug Limu.

[Hanley Stafford (Daddy)]

Is that guy with the binoculars watching us?

[Meredith Wilson]

Cut the camera. They see us.

[Hanley Stafford (Daddy)]

Only pay for what you [e-mail] Liberty.

[Walter Houston]

Liberty.

[Connie Boswell]

Liberty.

[Hanley Stafford (Daddy)]

Liberty Savings Vary underwritten by Liberty Mutual Insurance Co. Affiliates excludes Massachusetts.

[Walter Houston]

43, 24, 45, 46 plus 48 plus whoa. 51 2, 53, 44, 45 plus plus 58, 59. Wolf 12 plus 64, 656 plus 689 plus Wolf plus 1 plus 2 plus 3 plus 4 plus 5 plus 6 plus Buzz plus 8 plus 9 plus 9123 plus 56 plus 8889 plus 92, 93, 94, 95 plus 6 plus 98, 99, 4. It's 100 to 1. 91. It's 150. It's a sleep of fighting. And I'm on my way to find love.

[Edward Arnold]

And now I'm proud to present to you again. One of the most distinguished American actors. Our guest of honor, Walter Houston.

[Narrator/Announcer]

Tonight, Walter Houston will play an old part in a new play. A part, curiously enough, that he created years before the play was written. Bright World by Arch Ober. The scene is an orphan's picnic in a public park. The warm air sings with the happy voices of children on a long awaited holiday. But all the children are not at play. One small boy sits huddled on the grass, far apart from the others. Another small boy approaches him and hesitantly speaks to him.

[Walter Houston]

Oh, Ted.

[Connie Boswell]

What do you want? Well, I thought. Well, the fellas thought maybe like come over and be with us. We're having lots of fun. I don't wanna. Oh, but Ted, everybody's having so much fun. Well, the games we're playing. Even you could. Well I. Well, I mean you could. Lemme alone. Oh gosh, Ted. Everybody says if you only start laughing again, you'll feel better. Leave me alone. I said I don't want to laugh. I don't want nothing. But Ted. I said leave me alone. Go on, beat it. Okay, Ted, if that's what you want. Hurry up, Joe. Wait for us.

[Meredith Wilson]

Why don't you want to laugh, boy?

[Connie Boswell]

Huh?

[Meredith Wilson]

I said, why don't you want to laugh?

[Connie Boswell]

What's it to you?

[Meredith Wilson]

Well, I couldn't help overhearing the other boy. And it seems so strange that a boy shouldn't want to laugh.

[Connie Boswell]

Lemme alone.

[Meredith Wilson]

But why not talk with me? It's good to talk sometimes with someone strange to you. Now please tell me, boy. Why don't you want to laugh?

[Connie Boswell]

There's nothing to laugh about anymore.

[Meredith Wilson]

Why not? The sun still laughs. The water laughs. There's jokes and games and fun. The world is full of laughs after if you listen.

[Connie Boswell]

Not for me it isn't.

[Meredith Wilson]

But why?

[Connie Boswell]

Why? Why? Cuz I'm blind, see?

[Fanny Bryce (Baby Snooks)]

Blind. Blind.

[Meredith Wilson]

I knew that.

[Connie Boswell]

Then what you have to bother me for?

[Meredith Wilson]

Tell me, boy, when did it happen?

[Connie Boswell]

Fourth of July.

[Meredith Wilson]

Independence Day. To day strange divinity that shapes our ends.

[Connie Boswell]

What'd you say?

[Meredith Wilson]

It doesn't matter. But what does matter to me is what you've done with all those days since you've closed your eyes.

[Connie Boswell]

I sit and wait.

[Walter Houston]

You wait?

[Meredith Wilson]

For what?

[Connie Boswell]

For nothing.

[Meredith Wilson]

Mind if I talk to you?

[Connie Boswell]

A little longer talking. What good's talking?

[Meredith Wilson]

I know. Yes, I know. Ever since it happened, the good folks at the parsonage have they've tried to cheer you up with words. Words are empty, aren't they, when you sit in darkness?

[Connie Boswell]

Yeah.

[Meredith Wilson]

Yet if you listen, perhaps I can tell you words you never heard. Words that will make you want to laugh again.

[Connie Boswell]

Tell ya I'll never laugh again.

[Meredith Wilson]

And you think you'll never see again.

[Connie Boswell]

Never. They told me never.

[Meredith Wilson]

Yet you will. You'll see more clearly than you ever saw before. Oh, see, yes, but not with eyes. With heart.

[Connie Boswell]

I don't know what you mean.

[Meredith Wilson]

When boys and men see with their eyes, they just see as far as their eyes can see. A little world of kites and sleds and making money. But mind and heart is far more real, far more wonderful.

[Connie Boswell]

But how. How can I see? It's all so terrible. Dart.

[Meredith Wilson]

Now think of a ship. A great black pirate ship. The sails are white against a sky of blue. Think of it, boy. Think. Think how.

[Connie Boswell]

Yes. Yes, I'll try.

[Meredith Wilson]

The ship is bounding high against green waves that throw it here and there. A great black ship with sails of white. You see it, son? You must see it.

[Connie Boswell]

Yes. Yes, I see it. I see it.

[Meredith Wilson]

Now. That ship that's there inside your mind is a ship I never saw in life. I read about it in a book when I was just about as old as you are now. And yet I see it. And you see it just from words. Yes. Yes. Far better than if we saw with wide open eyes. Do you understand?

[Connie Boswell]

I. I think I do. Yes, I do.

[Walter Houston]

Ah, that's fine, boy. That's fine.

[Meredith Wilson]

Now you'll have a wonderful world of books. And yet not books, but living things. You see them in your mind. They live, they'll breathe, they'll be. No, no, wait, boy. Why do you turn your face away? But.

[Connie Boswell]

But I'll never be able to do anything.

[Meredith Wilson]

Oh, yes, you will. Yes, you will. You'll find new things to do. But.

[Connie Boswell]

But I can hardly walk. I run into things so dark, mister.

[Meredith Wilson]

Yes, but now that you know the darkness really isn't there. It's just a great white canvas on which to paint the pictures that the words of books and friends will bring you. And if there is no dark, why be afraid, boy? Why be afraid?

[Connie Boswell]

I. I'm not afraid. No, I'm not afraid.

[Meredith Wilson]

And being unafraid, you'll try to do things, won't you, boy?

[Connie Boswell]

Yes. Yes, I will.

[Meredith Wilson]

Yes, I know you will. You'll never be afraid again. Boy, you'll live with goodness and with courage. And you'll make the world a better place because of your life in it.

[Fanny Bryce (Baby Snooks)]

Will I, mister?

[Meredith Wilson]

Now, now you see why you can laugh, boy. For you thought you'd nothing left, and yet you've got the whole world of air and sun and rain to feel. A world of all the great minds left to understand. A world of friends to love and share life with you.

[Fanny Bryce (Baby Snooks)]

Gee, I've got so much left, haven't I?

[Meredith Wilson]

Oh, come on, boy, laugh. Lift your face and laugh. The joke's on you. You've got the world. Laugh, I tell you. Laugh.

[Fanny Bryce (Baby Snooks)]

It's good to laugh, isn't it? Yes. Yes, it's good to laugh.

[Connie Boswell]

Gee, Ted, you'll be all right now. Yeah, I'm all right, but why you laughing? Why him? Ask him. Him? Yeah.

[Fanny Bryce (Baby Snooks)]

He showed me how to laugh again.

[Hanley Stafford (Daddy)]

He did it.

[Connie Boswell]

He. Ted, who you talking about?

[Fanny Bryce (Baby Snooks)]

This man here, the one that's standing next to me.

[Connie Boswell]

Man?

[Fanny Bryce (Baby Snooks)]

Yes, here, here, here. Right next to me.

[Warren Hull]

Gosh.

[Connie Boswell]

Tennis. Nobody here. Nobody but that statue of Abraham Lincoln.

[Edward Arnold]

Yes, it was an old part in a new play for Walter Houston will be remembered perhaps best. Best of all, in the character of Abraham Lincoln.

[Meredith Wilson]

There's a real reason for honoring Lincoln tonight. A double reason. This is the beginning of Thanksgiving week, and Abraham Lincoln is the father of Thanksgiving. He proclaimed Thanksgiving Day as a national holiday in 1863. But there's another reason, too, for remembering Lincoln at this time. Just 76 years ago this week, on the battlefield of Gettysburg, some great and resounding speeches were made. When they were all done, a tall and lonely man stood up and said a few words that were scarcely heard. Some men today say that he wasn't speaking to the people who stood in the battlefield at Gettysburg, but to us, the living, the Americans that live today, and to the Americans that will live all. And as long as his words remain in the hearts of men, there will be democracy and freedom. Words to remember. Four score and seven years ago, our fathers brought forth on this continent a new nation conceived in liberty and dedicated to the proposition that all men are created equal.

[Walter Houston]

Equal.

[Meredith Wilson]

Now we are engaged in a great civil war testing whether that nation or any nation so conceived and so dedicated can long endure. We are met on a great battlefield of that war. We have come to dedicate a portion of that field as a final resting place for those who here gave their lives at that nation might live. It is altogether fitting and proper that we should do this. But in a larger sense, we cannot dedicate. We cannot consecrate, we cannot hallow this ground. The brave men, living and dead, who struggle here have consecrated it far above our poor power to add or detract. The world will little note nor long remember what we say here, but it can never forget what they did here. It is for us, the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us, that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion. That we here highly resolve that these dead shall not have died in vain. That this nation, under God, shall have a new birth of freedom and that government of the people, by the people, for the people, shall not perish from the earth.

[Edward Arnold]

And now, from 181963 back to 1939, Connie Boswell sings one of this season's hit ballads. And it's from the new Rogers and Hart musical comedy Too Many Girls. And it's called I Didn't Know what Time It Was.

[Connie Boswell]

I didn't know what time it was then I met you oh, what a lovely time it was how sublime it was too didn't know what day it was you held my hand one like the month of May it was and I'll say it was there.

[Fanny Bryce (Baby Snooks)]

Grant who.

[Connie Boswell]

Be alive to be unto to be mad, to be yours alone.

[Fanny Bryce (Baby Snooks)]

Run to.

[Connie Boswell]

See your face, feel your touch hear your voice say I'm all your own I didn't know what year it was was why was no pride I wanted love and here it was shining out of your eyes I was and I know what time it is now.

[Walter Houston]

To be alive, to be young, to be mad to be yours alone to see.

[Connie Boswell]

Your face, feel the touch hear your voice say I love you I didn't know what year it was Life was no trouble I, I wanted love and here it was shining out of your eyes I'm wise and I know what.

[Fanny Bryce (Baby Snooks)]

Time.

[Walter Houston]

Now I know what I mean.

[Edward Arnold]

And here's Warren Howell, who has introduced many of you to Maxwell House Coffee with some very sound advice for those who have not yet discovered it.

[Narrator/Announcer]

Thanks, Eddie. Just remember, with Maxwell House, you're getting coffee that's not just days fresh, but roaster fresh. And no coffee can be fresher than that.

[Edward Arnold]

Well, ladies and gentlemen, last week we presented a football sketch because football was in the air. Tonight, our whole cast will present another one, but it won't be about football. I suppose all of you think we're not going to do it. Thanksgiving Day sketch, huh? Because you've heard so many already.

[Meredith Wilson]

But you're wrong.

[Edward Arnold]

It's entitled Here come the pilgrims. 99 and 4400% puritan. However, it doesn't float, does it sink? Now you're getting warm, Deacon. It's the year 1620. The folks have just got off the Mayflower, and they're milling around on the edge of the American continent.

[Meredith Wilson]

Well, here we are at last. We're here. Yes, sir. Indeed.

[Raymond Walburn (The Deacon)]

We're really here.

[Edward Arnold]

By this time, folks, you know they're here. Now get on with the story.

[Fanny Bryce (Baby Snooks)]

Sorry.

[Hanley Stafford (Daddy)]

What is it, Snooks?

[Fanny Bryce (Baby Snooks)]

What's that big thing over there sticking out of the water?

[Hanley Stafford (Daddy)]

That's Plymouth Rock.

[Connie Boswell]

I want it.

[Hanley Stafford (Daddy)]

You can't have it. Why, that pesky kid will be the.

[Raymond Walburn (The Deacon)]

Death of us yet. Yesterday I caught her boring holes in the Mayflower.

[Fanny Bryce (Baby Snooks)]

I want that rock.

[Hanley Stafford (Daddy)]

I'll give it to you later.

[Raymond Walburn (The Deacon)]

Say, do any of you Pilgrims know where we are?

[Hanley Stafford (Daddy)]

This is Massachusetts, brother. Why Massachusetts?

[Fanny Bryce (Baby Snooks)]

Hey, Daddy, stop it.

[Hanley Stafford (Daddy)]

Oh, leave me alone. Go. Go and find a pumpkin pie. It's Thanksgiving.

[Fanny Bryce (Baby Snooks)]

Look at Daddy. Look at the funny man with feathers. They're barefoot all over.

[Meredith Wilson]

Good heavens.

[Connie Boswell]

Indians.

[Hanley Stafford (Daddy)]

The Indians are coming.

[Meredith Wilson]

Let's put up the collapsible fort.

[Walter Houston]

Come on.

[Hanley Stafford (Daddy)]

Make with that fort.

[Meredith Wilson]

We'll all be scouts.

[Fanny Bryce (Baby Snooks)]

I want to play with the Indians, Daddy.

[Raymond Walburn (The Deacon)]

All finished, Captain Houston.

[Hanley Stafford (Daddy)]

Ah, we're safe.

[Meredith Wilson]

Those savages will never penetrate this Sears Roebuck fort.

[Hanley Stafford (Daddy)]

Wait a minute, Captain. What if the Indians blockade the stockade?

[Meredith Wilson]

Jeepers, I never thought of that.

[Hanley Stafford (Daddy)]

We already have a shortage of food.

[Meredith Wilson]

Yes, and there's a shortage of water.

[Hanley Stafford (Daddy)]

Are all the women safe?

[Connie Boswell]

Yep, I'm here.

[Raymond Walburn (The Deacon)]

Holy smoke, we're shot. A woman, too.

[Hanley Stafford (Daddy)]

Hey, Captain, look out.

[Meredith Wilson]

Here comes the lookout.

[Warren Hull]

Warren Hull, the people's choice.

[Hanley Stafford (Daddy)]

I'm supposed to be an Indian, but.

[Warren Hull]

I couldn't resist it so long.

[Hanley Stafford (Daddy)]

The Indians.

[Narrator/Announcer]

The Indians have kidnapped Mr. Stafford's little daughter.

[Hanley Stafford (Daddy)]

Snooks.

[Connie Boswell]

Oh, no, no.

[Hanley Stafford (Daddy)]

We must rescue the child.

[Meredith Wilson]

I'll call for volunteers.

[Narrator/Announcer]

I'll go.

[Raymond Walburn (The Deacon)]

I'll go.

[Connie Boswell]

I'll go.

[Raymond Walburn (The Deacon)]

I'll go, too.

[Meredith Wilson]

How about you, Daddy?

[Hanley Stafford (Daddy)]

I can't understand how Northwestern could lose less inhuman beast.

[Meredith Wilson]

You won't help but rescue your own daughter? Have you no pity?

[Hanley Stafford (Daddy)]

Only for the Indians. Wait till they've had her for half an hour.

[Meredith Wilson]

Where's the lookout?

[Walter Houston]

Here.

[Meredith Wilson]

Here, take a peep. Take a peep, hall, and tell the people what's in the peephole. Make it snappy, Jack.

[Narrator/Announcer]

I'm Peeping Tom.

[Raymond Walburn (The Deacon)]

Tell us the worst.

[Connie Boswell]

Look out.

[Narrator/Announcer]

The Indians are coming back and they'll bring you stories.

[Hanley Stafford (Daddy)]

That's the worst.

[Narrator/Announcer]

They're waving a flag of truce.

[Warren Hull]

Stafford.

[Meredith Wilson]

Stafford, you go out there and make a par.

[Hanley Stafford (Daddy)]

Okay, Captain. Peace at any price. Open the door carefully. But as soon as I'm outside. Shut it.

[Meredith Wilson]

Quick.

[Raymond Walburn (The Deacon)]

Hey, what happened to the collapsible fort?

[Meredith Wilson]

It's collapsed. Let's listen to the poly holiday.

[Fanny Bryce (Baby Snooks)]

Look what I brought you. A big fat Indian.

[Hanley Stafford (Daddy)]

Why, Snooks.

[Connie Boswell]

Snooks.

[Hanley Stafford (Daddy)]

Let go of that Indian's fantasy or scalp you now.

[Fanny Bryce (Baby Snooks)]

He won't. He liked me.

[Hanley Stafford (Daddy)]

Well, I don't know how to talk to this muzzler. Now, what's new, Tonto?

[Fanny Bryce (Baby Snooks)]

That ain't his name, Daddy.

[Hanley Stafford (Daddy)]

Oh, excuse me. Do you know his name?

[Warren Hull]

Snooks.

[Connie Boswell]

Huh?

[Meredith Wilson]

Are you sure?

[Connie Boswell]

Huh?

[Hanley Stafford (Daddy)]

Well, what is it?

[Connie Boswell]

I know.

[Hanley Stafford (Daddy)]

He'S trying to say something. Snooks. What on mind, Chief? We want them only peace.

[Connie Boswell]

How?

[Fanny Bryce (Baby Snooks)]

Why.

[Meredith Wilson]

Tonk?

[Connie Boswell]

Ah.

[Hanley Stafford (Daddy)]

Oh, don't argue with him, Snooks. Now listen, brother, we only came here to start a little subdivision, make a few dollars. Why don't you call off the tribe? We'll all celebrate Thanksgiving.

[Warren Hull]

Oh, Clay me very friendly.

[Fanny Bryce (Baby Snooks)]

He's got a cakey daddy.

[Hanley Stafford (Daddy)]

Oh, you have?

[Warren Hull]

Sure. I gots turkey. You want them celebrate?

[Meredith Wilson]

Sure.

[Edward Arnold]

You better hurry up or he'll be doing greet next.

[Hanley Stafford (Daddy)]

Snooks, we made peace for the Indians and we're gonna have a turkey dinner. Call everybody together.

[Fanny Bryce (Baby Snooks)]

All right. Come on, get your turkey. Sit down, everybody.

[Hanley Stafford (Daddy)]

All right, now, everybody squat down Indian fashion. In honor of Chief Tonto, we're going to divide the turkey in the traditional manner of the Blackfeet tract.

[Fanny Bryce (Baby Snooks)]

Give me the Blackfoot, Daddy.

[Meredith Wilson]

No.

[Hanley Stafford (Daddy)]

The turkey is to be divided according to where the people come from.

[Meredith Wilson]

Oh, good, good.

[Hanley Stafford (Daddy)]

Captain Houston, where are you from?

[Meredith Wilson]

I'm from the north.

[Edward Arnold]

The north.

[Hanley Stafford (Daddy)]

You get the neck, Mr.

[Meredith Wilson]

Hull.

[Warren Hull]

I'm a westerner.

[Hanley Stafford (Daddy)]

All right, sir, so you get the west wing. I'm from the east, so I'll take the east wing. Connie, where are you from?

[Connie Boswell]

I'm from the south and I don't like turkey.

[Meredith Wilson]

Oh, big kill him on Pale Face.

[Raymond Walburn (The Deacon)]

Connie, you insulted him. He'll have us all scalped.

[Meredith Wilson]

Yes, he's mad at Connie.

[Fanny Bryce (Baby Snooks)]

No, he ain't.

[Hanley Stafford (Daddy)]

Snokes, did you have anything to do with this?

[Connie Boswell]

Uh huh.

[Raymond Walburn (The Deacon)]

What did you do?

[Fanny Bryce (Baby Snooks)]

I gave the Black Foot the hot foot.

[Hanley Stafford (Daddy)]

What a Thanksgiving.

[Edward Arnold]

Nine weeks ago, when Meredith Wilson began the Present Concert Hall Series. He hoped that American composers were capable of writing the kind of beautiful music that men of all nations would remember and love always. Now Meredith believes more than ever that they can. The music of four fine American composers, all of them men, has been acclaimed with great enthusiasm in the past four weeks. Tonight's composer is a woman, the celebrated Dana Suisse, whose American Nocturne, written especially for this series, will now be given its world premiere. All right, Meredith. Ms. Dana Suisse's American Nocturne. That was beautiful, Meredith. All of us here at the Concert hall join in sending our compliments to Ms. Dana Suisse for her American Nocturne. Next week, Meredith will introduce the sixth of our new American compositions. A Song Without Words by Vernon Duke. And now, Meredith Wilson has another commission to make for the Concert hall series. An American baccarol. Whom have you selected to write it, Meredith?

[Warren Hull]

Everyone knows him, Eddie. Among many other things, he's famous for this beautiful composition. Of course, it's Harry Warren, one of our best loved and finest popular composers. I hereby commission you, Harry Warren, to write an American barker roll to be introduced on Good News soon. Good luck to you, Harry, and we all know you'll do a fine job.

[Edward Arnold]

I don't like to be too optimistic, ladies and gentlemen, but next week looks like a very fine program. In addition to Fanny Bryce, his baby Snooks and her daddy, Henley Stafford, Connie Boswell, Meredith Wilson and his orchestra, we have as our special guest one of my favorite comedians, Lou Holtz. And, of course, I'll be tagging along, too. So this is Edward Arnold hoping to see you again next week and bidding you now good night.

[Narrator/Announcer]

This is Warren Hull reminding you that the easy to follow directions for making Maxwell House coffee are printed right on the can. By following them, you're sure to get the full flavor and goodness of Maxwell House in the most economical way. And now, good night and good luck from the makers of Maxwell House, the coffee that's now more than ever good to the last drop.

[Edward Arnold]

This is the national broadcast.