Paradise Restaurant 38-06-13 (01)

Summary

Podcast Summary: Harold's Old Time Radio - "Paradise Restaurant 38-06-13 (01)"

Release Date: January 20, 2025
Host: Harold's Old Time Radio
Episode Title: Paradise Restaurant 38-06-13 (01)

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Harold's Old Time Radio transports listeners back to the Golden Age of Radio with the episode titled "Paradise Restaurant 38-06-13 (01)." This episode features a vibrant live performance from the iconic Glenn Miller's band, set in the elegant Paradise Restaurant in New York City. Hosted by Harold, the show showcases a blend of lively tunes and heartfelt ballads performed by talented vocalists Gail Reese, Ray Eberly, and Tex Benecke, accompanied by the masterful trombone skills of the maestro. Below is a detailed summary of the episode's key segments and performances.

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1. Opening Performance: "The Butcher Boy"

Timestamp: 01:10 - 05:01

The episode opens with an introduction by the announcer, setting the scene with Glenn Miller's signature muted brass and ensemble clarinet. The audience is greeted by the smooth sounds of Glenn Miller, Gail Reese, Ray Eberly, Tex Benecke, and the maestro on trombone.

Gail Reese takes the spotlight with a charming rendition of "The Butcher Boy." Her soothing voice narrates a whimsical tale of young love:

"Mama dear, come over here and see who's looking through my window. It's the Butcher Boy. And oh, he's got a bundle in his hand..."
(02:19)

Ray Eberly complements Gail's performance with a heartfelt plea:

"Marie, I got a poor child. Marie, I got a job. Marie, you want to marry me? Marie."
(02:53)

The duo's harmonious voices create a nostalgic atmosphere, evoking the innocence and simplicity of romance in the radio era.

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2. Ballad Performance: "Don't Wake Up My Heart"

Timestamp: 05:01 - 08:33

Transitioning from upbeat tunes, the maestro signals a shift to a more reflective mood. Ray Eberly steps forward to deliver the poignant ballad "Don't Wake Up My Heart." His deep, emotive voice captures the sorrow of unrequited love:

"Don't wake up my heart
Let it keep on sleeping.
Don't wake up my heart
It will start in weeping long ago..."
(06:42)

The song's melancholic melody and heartfelt lyrics resonate deeply, showcasing Ray's ability to convey complex emotions through song.

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3. Novelty Song: "Cowboy from Brooklyn" by Tex Benecke

Timestamp: 08:33 - 11:58

In a delightful departure from traditional ballads, Tex Benecke delivers a humorous and spirited novelty song titled "Cowboy from Brooklyn." Engaging in a playful back-and-forth with the announcer, Tex shares his quirky story:

"Y'all have got me wrong. You're barking up the wrong tree. I was born and raised in Brooklyn. Yes siree, that's me."
(10:12)

Tex's vibrant Southern drawl juxtaposed with his Brooklyn roots creates a memorable and entertaining narrative:

"Well I'm a fixin to tell you if you'll just give me time. When I was just a little shaver down in Brooklyn..."
(10:27)

His storytelling highlights the cultural blend and personal journey of a Brooklyn native dreaming of the cowboy life, only to find his true passion lies in jazz music.

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4. Emotional Goodbye: "My Best Wishes"

Timestamp: 11:58 - 14:35

Returning to a more sentimental tone, Ray Eberly performs "My Best Wishes," a tear-jerking farewell song:

"Wishes I hope you will be happy
My best wishes although I'm losing you..."
(13:31)

Ray's powerful delivery underscores the pain of parting ways, making the track a standout moment of emotional depth in the episode.

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5. Heartfelt Melody: "On the Sentimental Side"

Timestamp: 14:35 - 20:46

Ray Eberly continues to enchant listeners with "On the Sentimental Side," a song that delves into the complexities of lingering feelings and unspoken emotions:

"If you wonder why I'm near you
Even though I've been denied..."
(18:35)

His rendition captures the essence of vulnerability and the struggle to move forward, resonating with anyone who has faced similar emotional challenges.

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6. Classic Tune: "On the Alamo"

Timestamp: 20:46 - 24:02

The episode culminates with a charming performance of "On the Alamo" by Gail Reese and Ray Eberly. Gail's lyrical storytelling paints a picturesque scene:

"When the moon swings low on the Alamo
In a garden there where roses..."
(22:37)

Ray Eberly harmonizes beautifully, enhancing the romantic ambiance:

"Grow..."
(22:53)

Their combined voices create a timeless quality, perfectly encapsulating the elegance and romance synonymous with the Golden Age of Radio.

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7. Closing Notes: "Dipsy Doodle"

Timestamp: 24:02 - 27:48

As the show nears its end, the maestro invites Glenn Miller to take control of the trombone for a lively rendition of "Dipsy Doodle." This upbeat instrumental piece serves as a joyful conclusion to an evening filled with diverse musical genres and heartfelt performances.

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Notable Quotes:

• Gail Reese (02:19):
  "Mother, mother, I'm in love and he's in love and love is grand."

• Ray Eberly (06:42):
  "Don't wake up my heart it will start in weeping long ago."

• Tex Benecke (10:27):
  "I belong in Brooklyn hanging round the jazz bands blowing on my tender all day."

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Conclusion

"Paradise Restaurant 38-06-13 (01)" is a captivating episode that transports listeners to a bygone era of live radio performances. Through a seamless blend of upbeat novelty songs, soulful ballads, and lively instrumentals, Harold's Old Time Radio delivers an authentic and engaging listening experience. The talented ensemble, led by Glenn Miller's band, brings each performance to life, making this episode a must-listen for enthusiasts of classic radio entertainment.

Transcript

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[Announcer]

That bit of muted brass and ensemble clarinet is here to tell you that Glenn Miller's on the air. Glenn Miller's music as he plays in the Paradise Restaurant in New York City. Glenn and Gail Reese and Ray Eberly and Tex Benecke and the maestro with his trombone specialty are here to entertain you. So here's Glenn Miller's music. Pretty Gale Reese steps forward to give you the words of a ditty about the Butcher Boy.

[Gail Reese]

Mama dear, come over here and see who's looking through my window. It's the Butcher Boy. And oh, he's got a bundle in his hand. Tell me why he winks his eye whenever he goes by my window. Mother, mother, I'm in love and he's in love and love is grand.

[Ray Eberly]

Marie, I got a poor child. Marie, I got a job. Marie, you want to marry me? Marie.

[Announcer]

Butcher Boy. The Butcher Boy. She wants to marry the Butcher Boy.

[Gail Reese]

Oh mama, oh get that man for me. Oh mama, how happy be I will be and cheery beary be oh, if I'm going to marry is the Butcher Boy for me.

[Announcer]

Well, the boys have decided to go on from here and Master Miller signals for a ballad, calls Rayabely forward. And the tune is don't wake up my heart.

[Ray Eberly]

Don't wake up my heart Let it keep on sleeping. Don't wake up my heart it will start in weeping long ago I promise not to kiss again I don't want my heart to hurt like this again. Don't wake up old dreams I'm afraid to face them don't wake up old dreams New ones can replace them Till you're sure that we are never to part don't wake up my heart. Sweetheart.

[Announcer]

Here'S a novelty song that we're going to call for Long Tex Benicky to give you the full and complete story, it's a cowboy from Brooklyn. Why, hello there, Texas. What you say? How's all them narco hands out your way?

[Tex Benecke]

Y'all have got me wrong. You're barking up the wrong tree. I was born and raised in Brooklyn. Yes siree, that's me.

[Announcer]

Well I never heard a Brooklyn native say you all. Now how come you talk with that southern drawl?

[Tex Benecke]

Well, it's a long story, neighbor.

[Announcer]

Well, let's hear it. That's fine.

[Tex Benecke]

Well I'm a fixin to tell you if you'll just give me time. When I was just a little shaver down in Brooklyn I always thought that I would like to be a cowboy because I like to see a man moving pictures a riding and a shooting away and so as I grew up I saved a lot of money I bought a satellite, I bought a bugging bronco I said goodbye to all the fellas back in Brooklyn and went way down to Texas one day But I'll tell you part I worked so hard and everybody played that they always had me waiting on the table sweeping out the stable and stuff and so I sold my saddle and my bucking bronco and you won't never catch me near another cowboy Cause I can only see em in the moving pictures of riding and the shooting away okay But I belong in Brooklyn hanging round the jazz bands Blowing on my tender all day.

[Announcer]

Something in the sweet way. Now here's one of the songs of the moment titled My Best Wishes.

[Ray Eberly]

Wishes I hope you will be happy My best wishes although I'm losing you, you found someone some lucky someone I hope that someone will care for you the way I do no use trying to tell my heart I hate you I'd be lying that's not the thing to do we'll both feel better if I close this letter with my best wishes to you.

[Announcer]

Glenn Miller's music from the Paradise Restaurant in New York and one of the best from the facil pen of Vincent Humans. I know that you know I know that you know the next bit of balladry coming up, a sweet bit of a song that Ray Everly is going to yawble for you. It's titled on the Sentimental side.

[Ray Eberly]

If you wonder why I'm near you Even though I've been denied I'm inclined to belittle on the sentimental side I suppose I should forget you if I had an ounce of pride But I guess I can't help being on the sentimental side I should act gay, laugh it off and say farewell it just didn't wear well But I'm not that way in hopes you'll think it over and perhaps be satisfied with a simple sort of person on the sentimental side.

[Announcer]

Glenn Miller's choice for the old favorite of the evening. It's a lilting tune titled on the Alamo Gail Reese recalls the words.

[Gail Reese]

When the moon swings low on the Alamo In a garden there where roses.

[Ray Eberly]

Grow.

[Gail Reese]

In the pale moonlight Of a summer night I can see him 1, 2 and fro or he says he'll wait By a garden gate on the night I said I love you so but in all my dreams and sings I go where the moon swings low.

[Ray Eberly]

On.

[Gail Reese]

The Alamo.

[Announcer]

Thanks, Missy Reese. Now we'll gather up all the loose ends. Maestro. Glenn, get a firm hold on your trombone. It's Dipsy Doodle.

[Gail Reese]

It.