
Peril xx-xx-xx The Wonderful Deception
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Joe Wilson
HERALD.
Samuel Edwards
STORIES OF SUSPENSE.
Colonel Tanyaski
Good morning, gentlemen. I am Colonel Tanyaski.
Samuel Edwards
Are you in charge of this prison, Colonel?
Colonel Tanyaski
I am proud to say that I am.
Samuel Edwards
And I insist on my rights as an American citizen. I want to get in touch with my dear sir.
Colonel Tanyaski
It is a most deplorable situation. But at the present time this humble person cannot guarantee that.
Joe Wilson
You're right.
Colonel Tanyaski
How safeguarded.
Joe Wilson
I don't like the sound of that.
Colonel Tanyaski
You are the Australian, eh?
Joe Wilson
Yeah, Joe Wilson's the name. Friends call me Snowy, but I guess you better call me Joe.
Colonel Tanyaski
I have heard much of the Australian sense of humor. It is all they say it is.
Joe Wilson
Thanks.
Colonel Tanyaski
Ill mannered and uncouth.
Joe Wilson
You know, I don't think you and I are going to get along, Colonel.
Colonel Tanyaski
Oh, that would be very sad and undesirable.
Joe Wilson
Ah, you.
Colonel Tanyaski
My third guest must be the Englishman.
Captain John Danton
Yes, Colonel John Danton is my name.
Colonel Tanyaski
Captain John Danton of the British Army.
Captain John Danton
I entered China as a civilian.
Colonel Tanyaski
You are listed as an active officer in the British Army.
Captain John Danton
I was given three months leave two weeks ago.
Colonel Tanyaski
Then you have been in China for only two weeks?
Samuel Edwards
Yes.
Colonel Tanyaski
I suggest, Captain Danton, that you may have been here for many years. That you may be known to Chinese traitors as Mr. Kirk.
Captain John Danton
That is not true.
Colonel Tanyaski
Perhaps not. But perhaps Mr. Wilson is the man I seek. Hey, Mr. Wilson. Could it be possible that you are Mr. Kirk?
Joe Wilson
The name's Wilson. It's the only name I ever use.
Colonel Tanyaski
Then perhaps Mr. Samuel Edwards is Mr. Kirk.
Samuel Edwards
I entered Red China less than a month ago.
Colonel Tanyaski
You claim you are a writer?
Samuel Edwards
Yes, a magazine writer. A special correspondent for Flick magazine.
Colonel Tanyaski
Who is the editor of flick magazine?
Samuel Edwards
James McIntyre.
Colonel Tanyaski
Where is Flick magazine published?
Samuel Edwards
Brooklyn, New York, 257 Flatbush Avenue.
Colonel Tanyaski
Why did you enter in China?
Samuel Edwards
To see what's happened to your people since you changed your politics.
Colonel Tanyaski
And you, Mr. Wilson, why did you enter China?
Joe Wilson
To look for a lady. I was here when you people were fighting the Japs. I met her in a cafe. She was a singer. Called herself Lil LeBlanc. Mother was Chinese, her father a Frenchman. I fell in love with her.
Colonel Tanyaski
And you, Mr. Denton?
Captain John Danton
My brother entered Red China six months ago. He never returned. The British Foreign Office has tried to investigate, but you people haven't been very cooperative.
Colonel Tanyaski
So you decided to investigate personally, eh?
Captain John Danton
Yes.
Colonel Tanyaski
One of you three is lying. You are the only three Westerns in the city who do not have valid reasons for being here. One of you is Mr. Kirk.
Joe Wilson
What do you got against this bloke who calls himself Kirk?
Colonel Tanyaski
He organized an underground movement using Chinese traitors. Miserable creatures who have sold their soul to capitalism. Kirk has cost the Chinese government a fortune in materials. He sabotages. Trains, trucks, factories.
Samuel Edwards
War materials, Colonel.
Colonel Tanyaski
Defense materials to be used in the event we are attacked.
Samuel Edwards
You mean to be used in the event you decide to attack?
Colonel Tanyaski
That is precisely the sort of thing that Kirk would say, Mr. Edwards.
Samuel Edwards
Would he? But I'm not Kirk.
Colonel Tanyaski
One of you is, and I am now addressing that one. You are going to die whether you decide to confess to your crimes against China or not.
Captain John Danton
Exactly what does that mean, Colonel?
Colonel Tanyaski
It means, Captain Denton, that if Kirk does not confess, all three of you will die. The first one in 25 minutes from now.
Samuel Edwards
We'll be back in just a minute to tell you more of tonight's story.
Captain John Danton
The wonderful deception.
Joe Wilson
Murder. That's what it'll be.
Colonel Tanyaski
No, Mr. Wilson. Execution of a saboteur.
Captain John Danton
You'll kill two innocent men just to get at the guilty ones? Yes.
Joe Wilson
How are you going to carry out.
Samuel Edwards
This little party of yours?
Colonel Tanyaski
Well, if the one who is Kirk does not agree to sign a statement consenting to all his crimes against China, then we will play a game. One of you will lose. He will be taken outside and shot. Then, after a suitable period, if the confession is still not forthcoming, the game will be played again.
Captain John Danton
And the man who's left?
Colonel Tanyaski
We will assume that he is a man who calls himself Kirk. He will be tried by a people's court and shot, hanged. Gentlemen, I will now leave you alone. You have 24 minutes.
Joe Wilson
So Kirk refuses to confess, eh?
Colonel Tanyaski
I did not expect him to confess voluntarily. Lieutenant Zuko.
Joe Wilson
Which one do you think he is, Colonel?
Colonel Tanyaski
He could be any of the three.
Joe Wilson
Even the Australian? Why not? But the Australian's reason for entering China, to look for a woman. It is so weak and improbable.
Colonel Tanyaski
Any one of the three stories could be a fabrication. Well, we have left them in the cell and they will talk. Perhaps the innocent ones will find a flaw in the guilty man's story. If so, we will learn of it immediately.
Joe Wilson
Yes.
Colonel Tanyaski
Turn on the loudspeakers, Duko, and let us listen to what their friends have to say.
Joe Wilson
All right, Jim Blacks, According to Colonel Tanyaki, one of us is this fellow who calls himself Kirk. Now, it's not me. So I'm telling you two to prove who you are.
Samuel Edwards
Why?
Joe Wilson
Well, that should be plain enough, Johnny, for me. I didn't come here to China to be shot or hanged. These cows want the bloke who's known as Kirk. So if I find out which one of the Two of you is Kirk. Then I'm gonna save my hide.
Colonel Tanyaski
This is very interesting, Lieutenant.
Samuel Edwards
You're doing a lot of talk. How do we know you're not Kirk?
Joe Wilson
I know I'm not.
Captain John Danton
How do we know you're not?
Joe Wilson
Because I'm telling you, Johnny, if you.
Captain John Danton
Don'T mind, I'd rather not be called Johnny.
Joe Wilson
Sorry, Captain Danton, but you see, out in the colony of Australia, our manners ain't so good. Maybe it's just that we don't stand on ceremony like you, Limey.
Samuel Edwards
Oh, boy, what a trio we make. An American, an Aussie and an Englishman. One big scrappy family with nothing in common but our language.
Captain John Danton
Oh, have the Americans started to speak English?
Samuel Edwards
Very funny, Captain. You know, the Englishman's impression of an American is a guy in a loud checkered suit with a cigar stuck in the side of his mouth. The American's impression of an Englishman is a fat, bumbling Colonel Blimp or a.
Joe Wilson
Tall butler with a time Yank.
Samuel Edwards
Being an Aussie, you should be used to that.
Joe Wilson
I'll let that pass. Look, one of us is Kirk. Let's find out which one and then.
Samuel Edwards
Throw him to the wolves.
Joe Wilson
Yeah, how very unsportsmanlike. Oh, yeah, I suppose Kirk's a sportsman, eh? He's letting two of us die.
Samuel Edwards
What do you suggest, Snowy?
Joe Wilson
Only my friends call me Snowy.
Samuel Edwards
How do you know I'm not a friend?
Joe Wilson
You gotta prove it first.
Samuel Edwards
And how do I go about doing that?
Joe Wilson
By showing me that you're really a magazine writer who came into China to get us.
Samuel Edwards
Well, I can tell you, every member of the editorial staff of Flick Magazine.
Joe Wilson
That's not good enough. How about you, Captain Danton? Can you prove that you entered China to look for that brother of yours who disappeared?
Captain John Danton
I'm afraid you'll just have to take my word for it.
Samuel Edwards
That brings us back to you, Wilson. You say you came here to look for a girl?
Joe Wilson
Yeah, and I got a photo to prove it. J didn't take it away from me.
Samuel Edwards
It's.
Captain John Danton
A beautiful Eurasian girl. That hardly proves anything, Wilson.
Samuel Edwards
You know, it seems to me we've reached the stalemate. Any of us can be Kirk, so all we can do is wait.
Joe Wilson
Oh, no. I'm not gonna die.
Samuel Edwards
There's still a possibility that Colonel Tanyaki is bluffing.
Joe Wilson
I don't feel like taking a chance on that Yank. We've only got about 20 minutes to find out which one of you is Kirk. And I'm gonna find out.
Colonel Tanyaski
We may soon learn what we want to know, Lieutenant.
Samuel Edwards
What Are you gonna do Wilson?
Joe Wilson
I don't know yet. But I'm gonna do something.
Samuel Edwards
You know, you might be putting on a knack for the benefit of Colonel Ternyaki.
Joe Wilson
What do you mean by that, Yig?
Samuel Edwards
I'll show you what I mean. Hello, Colonel.
Joe Wilson
Hello, Connor. He knows about the microphone. What's got into you, Edwards?
Samuel Edwards
Well, you see, Ozzy, I never could resist a microphone.
Joe Wilson
A microphone?
Samuel Edwards
Yeah, very clumsily camouflaged.
Colonel Tanyaski
Look healthy American.
Samuel Edwards
They used to call me Sammy, the life of the party. My dream of genie with a light brown hair. How do you like that, Colonel?
Colonel Tanyaski
Let me in that microphone.
Captain John Danton
This is Captain Dant, Colonel. I'm just letting you know that we're disconnecting the wires.
Joe Wilson
The American, he was the one who found the microphone.
Colonel Tanyaski
That does not mean he is Kirk. In America, microphones are used extensively in police work. If he is a magazine writer, he knows all about them. The Englishman disconnected the microphone. He could be Kirk and the Australian. It could be, as the American said, that he was putting on an act for our benefit.
Joe Wilson
It appears as though we will have to get rid of the three of them.
Colonel Tanyaski
I would rather not do that. Our orders are to avoid trouble with the foreign departments of all Western countries. We would be within our right to execute the mysterious Mr. Kirk. He has caused the lives of Chinese soldiers and many million dollars worth of war equipment. But they would prefer to let the two innocent ones return to their countries where they can spread the news that we are not to be trifled with.
Joe Wilson
But if Kurt does not come forward. Then we must liquidate all three.
Colonel Tanyaski
Yes. However, I think that Kurt will come forward. The microphone did not help us identify him. But there is still a final plan. See that it is put into operation, Lieutenant.
Joe Wilson
Funny you're able to spot that microphone, Edwards. Why?
Samuel Edwards
Is it fun?
Joe Wilson
Well, it was only a few feet away from me and I didn't see it. Maybe you were looking for it, eh?
Samuel Edwards
As a matter of fact, I was.
Joe Wilson
That proves you know something about how the Chows operate.
Samuel Edwards
No, Wilson. You see, I once wrote a magazine series on police methods. American cops hide mics in cells. They let a suspect have a long talk with a friend or his lawyer. That's how they get a lot of their information.
Joe Wilson
I still think it looks funny. I wasn't even thinking about a microphone.
Samuel Edwards
A clever, suspicious fellow like you missing out on something, Wilson? I find that hard to believe.
Joe Wilson
You know something, Yank? I reckon you'll Kirk. And to make sure, I think I'll beat it out of you.
Samuel Edwards
Oh, you might Be overmatching yourself, Wilson.
Joe Wilson
We'll see about that.
Captain John Danton
As you were, Wilson.
Joe Wilson
You let go of me, limey.
Captain John Danton
As soon as you cool off, let go. Listen to me, you fool. Particles told of nothing.
Joe Wilson
Yeah, well, maybe you can think of something better, limey.
Captain John Danton
Perhaps not. But if you persist in fighting, I'll hold on to you so that Edwards can have a good shot at you. Now, what will it be?
Joe Wilson
Yeah, okay. Okay, you win. I can't fight both of you.
Samuel Edwards
Well, I thought we were going to have fun there for a while.
Captain John Danton
Hey, what is it?
Samuel Edwards
Down the corridor, behind the guard.
Joe Wilson
The chow soldier. He's got to bolt, the guy. Truth. He really flattened him. Here he comes.
Captain John Danton
Mr. Kirk.
Joe Wilson
I've come to get Mr. Kirk. Nice work, Mike. Come on, you boys. Let's get out of here. I know not all of you. Hey, why the gun? The other two of you will stay in the cell or I will shoot. The escape has been arranged for only.
Colonel Tanyaski
Mr. Kirk. Quickly, Mr. Kirk, there is not much time.
Joe Wilson
We must hur.
Captain John Danton
In just a moment we return to our story, the wonderful deception.
Colonel Tanyaski
Quickly, Mr. Kirk, come with me.
Samuel Edwards
Why can't the three of us come?
Colonel Tanyaski
Because it is not possible for more.
Joe Wilson
Than one of you to escape.
Colonel Tanyaski
Hurry, please. There is no time to lose.
Joe Wilson
Well, which one of us goes?
Samuel Edwards
Beats me. Wilson.
Joe Wilson
Please. Go on, Kirk. Whoever you are, don't leave the bloke waiting. Hurry, hurry, Mr. Kirk. It is just time to make the escape.
Captain John Danton
Are you a member of the underground?
Joe Wilson
Yes. Yes.
Captain John Danton
Then surely you know which one of us is Kirk.
Joe Wilson
There is no time to talk. We must leave before more guards come point out Kirk who is. Please, please. What are you laughing at?
Captain John Danton
It's obvious what amuses him, Wilson. This is just another of Colonel Tanyaki's little tricks.
Joe Wilson
Mr. Kirk, we must hurry. There is not much time.
Samuel Edwards
Save it, friend. You might as well lock the door again.
Captain John Danton
It didn't work, Colonel.
Colonel Tanyaski
Can Yaakov pleasant lock the cell door?
Joe Wilson
Yes, Colonel. Well, I'll be see to the guard.
Colonel Tanyaski
He seems to be hurt badly.
Joe Wilson
Yes, colonel. From what I saw, Colonel, that guard may be dead.
Colonel Tanyaski
Then he has died gloriously in the service of his country.
Samuel Edwards
You really want to get this Kirk, don't you?
Colonel Tanyaski
I will get him one way or another.
Captain John Danton
That was a clever trick, Colonel. But Kirk was a little too smart for you.
Colonel Tanyaski
I am not worried. But Kirk's slightest will cost two innocent lives.
Joe Wilson
And you're going through with your plan? Of course.
Samuel Edwards
You can murder three of us and get away with it. Our governments will investigate only to find.
Colonel Tanyaski
That you have crossed the Chinese border and disappeared. You have no business here.
Captain John Danton
Our intelligence people will find out the truth.
Colonel Tanyaski
Like they discovered the truth about your brother who disappeared, Captain Danton. Oh, was that just a story? Now, listen to me. I am quite willing to set free the two of you who are innocent. But I know that one of you is Kirk. And I am determined that Kirk will die. Time is passing, gentlemen. The firing squad is waiting in the courtyard. Unless Kirk reveals himself, the firing squad will perform their first duty in nine minutes.
Samuel Edwards
You're quiet, Wilson. What happened? Did that chip fall off your shoulder?
Joe Wilson
I was just thinking about that guard. Another Blake. Didn't bother to fake that smack on the head. He hit hard enough to kill the man.
Captain John Danton
Life here is cheap, Wilson.
Joe Wilson
Yeah, I can see that. And I'm beginning to see that this Kirk, whoever he is, may have the right idea. Now, I was here in China during the war. Grew pretty fond of the people. They weren't like Tanyaki. They were good, fun loving people.
Samuel Edwards
Seems the fun's been knocked out of them, Wilson. From what I've seen of them, they're not people anymore. They're robots pushed around by guys like Tanyaki.
Joe Wilson
Yeah. Makes me wonder what happened to Lil then.
Captain John Danton
There was a girl.
Joe Wilson
Look, I'm not Kirk, Danton. I'm a bloke who came back to China because I couldn't stop thinking about a Sheila. You saw the photo of it.
Captain John Danton
It wouldn't be too difficult to get a photograph of a beautiful Eurasian girl.
Joe Wilson
I'm not Kirk, I tell you, trying.
Captain John Danton
To convince me won't do you any good. In fact, I'm not sure I care which of you is Kirk.
Samuel Edwards
That's a funny statement, Danton.
Captain John Danton
Well, before I entered China, I'd heard of this Kirk. I have a lot of respect for him. He's fighting for an ideal, a free, united China.
Joe Wilson
But why did he stay in China, hiding all the time? He didn't have a chance right from the beginning.
Captain John Danton
Perhaps he knew he'd be caught sooner or later.
Samuel Edwards
Yeah. Maybe he thought it was worth it.
Captain John Danton
General. 10 Yaqui again.
Joe Wilson
He's got another officer with him.
Samuel Edwards
I wonder what he has on his mind this time.
Colonel Tanyaski
Well, gentlemen, have you yet discovered which of you is Mr. Kirk?
Captain John Danton
No.
Colonel Tanyaski
Once again, I ask Mr. Kirk to come forward.
Joe Wilson
No. Very well, then.
Colonel Tanyaski
We commence our little game. Lieutenant Sukoff, write the number one or two or three on that slip of paper.
Joe Wilson
Yes, Colonel.
Captain John Danton
What's the idea of this?
Colonel Tanyaski
You will find out in just a moment.
Joe Wilson
You are Colonel Tanyaki.
Colonel Tanyaski
Thank you.
Joe Wilson
Now, the United States.
Colonel Tanyaski
First, select a number from one to three.
Samuel Edwards
Mr. Edwards, there's nothing I like better than party games.
Colonel Tanyaski
I'll take number three, Mr. Wilson.
Joe Wilson
One.
Colonel Tanyaski
That leaves you, Captain Danton, with the number two. Observe the number, gentlemen, on this slip of paper.
Joe Wilson
Two.
Captain John Danton
All right, that's me.
Colonel Tanyaski
Open the third door, Lieutenant. Come on out, Captain Denton. Go. As the Colonel orders.
Joe Wilson
Captain Denton.
Captain John Danton
Where are you taking me?
Colonel Tanyaski
To the courtyard where the firing squad waits.
Joe Wilson
You gave us a time limit, Colonel. There's still seven minutes to go.
Colonel Tanyaski
I will observe that, my friend. The execution will be carried out exactly on time. Come, Captain Danton.
Samuel Edwards
We'll be back in just a minute.
Joe Wilson
To peril.
Captain John Danton
And our story, the wonderful deception.
Joe Wilson
Six minutes six minutes ago.
Samuel Edwards
Yeah.
Joe Wilson
Wonder if he is Kirk.
Samuel Edwards
No. If he was, he would have come clean after drawing that number.
Joe Wilson
If he isn't, and you are, or you. It's you, Edwards. I'm sure it is now.
Samuel Edwards
And if it is me, you're not.
Joe Wilson
Gonna let them shoot the line.
Samuel Edwards
Here's still a chance the Tanyaki is bluffing.
Joe Wilson
And you are Kurt. Admit it, Edwards.
Samuel Edwards
All right, I admit it.
Joe Wilson
Why, you stinker. You're just sitting here while outside a man stands in front of a firing squad.
Samuel Edwards
That's not my fault. He had no right to enter China.
Joe Wilson
I suppose you have.
Samuel Edwards
I've proved my right to be here.
Joe Wilson
You're going to call Tani. You're gonna admit your Kirk.
Samuel Edwards
I intend to, but not till just before the deadline. Don't you understand? My work in China is important. I've got to wait out every second.
Joe Wilson
But Tanyaki may decide to shoot Danton ahead of time.
Samuel Edwards
If we can't accept his word on that, then we can't trust him to carry out his promise to set you and Danton free.
Joe Wilson
Okay, okay, you win. But I'll be looking at my watch. Edwards, you're gonna shout for Tanyaki one minute before the deadline.
Samuel Edwards
All right, Wilson. One minute before.
Joe Wilson
That gives you a little less than four minutes.
Samuel Edwards
Yeah. About Lila LeBlanc. Wils.
Joe Wilson
Well, what about her?
Samuel Edwards
I knew her. Knew her?
Joe Wilson
Well, where is she?
Samuel Edwards
She's dead, Wilson. What? She was executed a few months.
Joe Wilson
How do you know that?
Samuel Edwards
She worked with me. She was one of the best agents in the organization.
Joe Wilson
I don't believe she's dead. I don't believe he even knew her.
Samuel Edwards
She had a tiny crescent shaped scar.
Joe Wilson
Beneath her right eye.
Samuel Edwards
Around her neck, she always wore an opal on a gold chain.
Joe Wilson
The opal? I gave that to her. She kept it. But Lil was a cafe singer. She wasn't a spy.
Samuel Edwards
She loved China. The old China. She was ready and willing to die for it. If you really knew a Wilson, you'd realize that.
Joe Wilson
Yeah. Yes, she loved China. Oh, why did I go away without her? I told her I loved her. I thought I'd be back one day. But when I got to Australia, my family talked me out of it. Marriage like that wouldn't work, they said. So I figured I'd forget her for a while. I fooled myself into believing I had drink till I was as silly as a snaker. Then I'd sit there just thinking of it. Finally, I just had to see her again. I write her letters, but I never got an answer.
Samuel Edwards
She changed her name. Your letters never reached her.
Joe Wilson
What did she do in the underground?
Samuel Edwards
She used a beauty to get information from Red officers. Movements of troops and supplies. That was why we were so successful with our sabotage. Eventually she was suspected the SA A trap. And she fell into it. But she didn't break under torture.
Joe Wilson
Torture?
Samuel Edwards
She was as brave as they come. I'm proud to have known her.
Joe Wilson
You know her well?
Samuel Edwards
Pretty well, if it makes you feel any better. She made no bones about the fact that there was somebody in her life. She never mentioned the name. But when she talked about him, she fingered that opal she wore well.
Joe Wilson
Oh, why didn't I come back soon?
Samuel Edwards
You wouldn't have got her to leave China, Wilson. Not after the Reds took over. She knew what she had to do, and she went right out and did it. She wasn't kidding herself. She must have known they'd get us sooner or later. Just as I knew they'd get me.
Joe Wilson
Where's she buried?
Samuel Edwards
I don't know. Tanyaki's friend saw to that.
Joe Wilson
She took orders from you, eh?
Samuel Edwards
Yeah.
Joe Wilson
Guess she must have had a lot of respect for you.
Samuel Edwards
Well, we were fighting for the same thing, so I guess she did. But I never touched her, if that's what you're wondering about. Not that I didn't try. But I was always the fellow who.
Colonel Tanyaski
Gave her that opal.
Joe Wilson
I let her down. I'd taken her with me, she'd be alive.
Samuel Edwards
Look, Wilson, she died doing what she wanted to do. Just keep remembering that. It's not going to do you any good to spend the rest of your life torturing yourself. You'll admit you made a mistake.
Joe Wilson
All right?
Samuel Edwards
So forget it.
Joe Wilson
No, I'm not gonna forget it. Not when I get the chance to show Lil how much I love her. I'm gonna do what she'd want me to do.
Samuel Edwards
And what's that?
Joe Wilson
You're important to the underground. Me? I'm not important to anybody. Well, you've played hero for a long time. Now it's my turn. All right, Colonel Tanyaki, you win. I'll sign that statement. Come and get me.
Samuel Edwards
Now wait a minute, Wilson, you don't know.
Joe Wilson
Just keep your trap shut.
Colonel Tanyaski
Well, so it is the Australian who is Mr. Kirk.
Joe Wilson
Yeah, but I don't sign any statements till I'm sure Edwards and Danton are safe.
Colonel Tanyaski
That will be arranged. Lieutenant Zuko. Mr. Dore.
Joe Wilson
Yes, Colonel Canyon.
Colonel Tanyaski
Come out, Mr. Kirk. Lieutenant Fuko, you will get Captain Denton from the courtyard.
Joe Wilson
Yes, Colonel. Will I bring him back to the cell? Remember Colonel, I don't sign till I'm sure they're safe.
Colonel Tanyaski
Lieutenant, you will escort Denton and Edwards to the British Embassy. Yes, Colonel.
Joe Wilson
How will I know they'll be taken to the British Embassy? You can take the Colonel's word for that, Mr. Cock. No, not good enough. I want to be sure there is.
Colonel Tanyaski
A phone in my office. Denton and Edwards can phone you from the British Embassy.
Joe Wilson
The code word. If you're safe, Edwards will be what a certain Sheila wore around her neck.
Samuel Edwards
Yeah, I understand.
Colonel Tanyaski
Go to the courtyard and be Dilan.
Joe Wilson
Yes, Hannah.
Colonel Tanyaski
Shall we go to my office, Mr. Kirk?
Samuel Edwards
Yeah, Wilson.
Joe Wilson
My friends call me Snowy. Wrong, Edward.
Samuel Edwards
So long, snow. And that concludes tonight's Peril story, the Wonderful Deception. Well friends, we hope you've enjoyed tonight's story.
Colonel Tanyaski
Join us again next week when we.
Samuel Edwards
Shall hear another exciting experience. Moments of danger and mystery in people's lives in our dramatic stories of peril.
In the gripping episode titled "The Wonderful Deception," listeners are transported into a tense and suspenseful narrative set against the backdrop of Red China. This installment of Harold's Old Time Radio masterfully blends intrigue, psychological manipulation, and personal drama, capturing the essence of the Golden Age of Radio storytelling.
The episode opens with the stern presence of Colonel Tanyaski addressing three Western individuals detained in a Chinese prison. The primary focus is on identifying Mr. Kirk, an enigmatic saboteur accused of undermining Chinese efforts through sabotage and espionage.
The three Westerners are:
Colonel Tanyaski systematically interrogates the trio, asserting that one among them is Mr. Kirk, responsible for significant sabotage. He employs psychological tactics, threatening execution if the saboteur does not confess.
The tension escalates as the Colonel outlines a grim ultimatum: if Kirk remains unidentified, all three men face execution, with the first shot to be fired in 25 minutes.
The diverse backgrounds of the characters lead to a series of exchanges that both tensions and camaraderie:
Joe Wilson expresses skepticism about the Colonel's accusations, emphasizing his innocent motives:
Captain John Danton shares a personal vendetta, seeking answers about his missing brother:
Samuel Edwards professes his role as a journalist, delving deeper into the political climate:
These interactions build a complex web of trust and suspicion among the trio, setting the stage for deeper revelations.
As time dwindles, the psychological games intensify. Samuel Edwards emerges as a suspicious character, revealing deeper layers of the plot. His interactions hint at ulterior motives, especially regarding Lil LeBlanc, Joe's lost love.
The tension reaches a boiling point when Samuel Edwards admits his true identity:
This confession unravels the mystery, positioning Samuel Edwards as the elusive Mr. Kirk, complicating the dynamics further.
The narrative delves into Joe Wilson's poignant backstory with Lil LeBlanc, a cafe singer caught in the crossfire of espionage and war. Their love story adds emotional depth, highlighting themes of loss, duty, and sacrifice.
Conversely, Samuel Edwards reflects on his involvement in the underground movement, revealing the sacrifices made for a greater cause.
These backstories not only enrich the characters but also underscore the personal costs of political turmoil.
In the final moments, Colonel Tanyaski orchestrates a perilous game to expose Mr. Kirk, culminating in the impending execution of Captain Danton. However, Joe Wilson's courage and strategic thinking lead to a dramatic turn of events, ensuring the safety of his companions.
The episode concludes with a tense standoff, leaving listeners on the edge of their seats, yearning for the resolution in the next installment.
Colonel Tanyaski:
Joe Wilson:
Samuel Edwards:
"The Wonderful Deception" masterfully weaves a tale of espionage, love, and survival, capturing the essence of classic radio dramas. Through its intricate plot and well-developed characters, the episode offers listeners a captivating journey into the shadows of political intrigue. For those who haven't experienced this episode, it promises a rich and engaging narrative that exemplifies the timeless allure of old-time radio storytelling.