
Perry Mason 51-09-26 (2097) Perry Questions Hotel Manager
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Nicole Byer
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Unknown
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Narrator
It's immediately after the close of Our last episode. 8:15 in the morning, and as the taxi cab in which the man we know as Marcel Blank pulls to a stop before Chicago's Union Station. Marcel gets out, closely Followed by Kitty DiCarlo, May Grant and Dory. Back in the lobby of the Hotel Miramar, we hear, Perry, I see you, Bella.
Perry Mason
And I think that cinches it. I think we'll be able to make Mr. Morris and tell us what we want to know after we get hold of that. Miss. Miss, could we speak to you for a moment?
Dory
We'd like to talk to you.
Al Morrison
Give me a chance to get my breath. Why? You gave me a shock.
Perry Mason
Oh, well, then Here is a $5 bill.
Al Morrison
What?
Unknown
Why?
Marcel Blanc
To make you feel better.
Al Morrison
Oh, well, thanks, mister. I feel fine now. So, what can I do for you?
Dory
I don't know about the doll you're.
Al Morrison
Is it.
Perry Mason
Yes, that Mexican star down there. Look at it.
Al Morrison
Well, I.
Unknown
Yes?
Al Morrison
I was supposed to take everything I found to the manager. Oh, that little everything from 472.
Perry Mason
Oh, well, you found this star.
Al Morrison
Yes.
Perry Mason
Well, all I want to do is look at it, and then you can.
Unknown
Take it to the manager.
Perry Mason
Okay?
Al Morrison
Okay.
Dory
You sure that's no more junior Chief.
Al Morrison
Dory, You've been silent.
Dory
Usually those dolls have word sand.
Perry Mason
Doesn't mean anything. Della. A green sash couldn't prove that May and Dory were in this hotel.
Unknown
I have a.
Dory
What'd you find?
Perry Mason
I think we ought to take this to the manager, huh?
Marcel Blanc
Right away.
Perry Mason
Do you mind if we go with you when you send this in?
Unknown
This?
Al Morrison
No.
Perry Mason
So this doll is in 417?
Al Morrison
That's right.
Perry Mason
One of the guests left it.
Al Morrison
Yeah. Kids. Sweet little girl. She was crying when they took her out. Why she. I guess it's because they made her leave without this doll. You'd be surprised at the things people leave in hotel rooms.
Perry Mason
That's not that. He manages offices this way.
Al Morrison
You know, we get lessons.
Perry Mason
Then slip that in.
Al Morrison
Well, what do you want?
Unknown
Oh, give it to him, miss.
Marcel Blanc
Give me what?
Al Morrison
Well, It's Brad Ball, Mr. Morrison.
Unknown
Ah.
Perry Mason
Tell him where you found it.
Unknown
Pearl.
Al Morrison
First 17.
Perry Mason
First 17, Mr. Morrison. A straw doll.
Al Morrison
The straw that a little girl would.
Dory
Play with and love enough to make.
Perry Mason
A grand sash for a doll belonging to a Sturden. 417 last night, Mr. Morrison.
Al Morrison
Can I go, Mr. Morrison?
Marcel Blanc
Of course.
Perry Mason
Well, Mr. Morrison doesn't prove anything. All right, then, how about this stuff under the sash next to the body of the doll? Listen, Mr. Mason, Mary Grant and Dorie are being taken to at all. Yes, that's the end of the message. He obviously was interrupted. Are you still going to tell me that May, Grant and Dori were not in this hotel last night? Play smart. Tell me how I can find them. Mr. Morrison.
Marcel Blanc
My heart.
Perry Mason
Come on, forget your heart. This little girl is five years old.
Marcel Blanc
Nothing I can say.
Perry Mason
Yes, there is. You can say where they've gone. What does the man with them look like?
Unknown
I can't get him. What can't?
Marcel Blanc
I don't know.
Perry Mason
But they were here when my operative called last night.
Unknown
Yeah.
Perry Mason
Then you destroyed the hotel record.
Unknown
Yeah.
Perry Mason
Okay, now we understand each other. No talk.
Marcel Blanc
I haven't anything to say, Mr. Mason.
Perry Mason
Look, Morrison, do you realize the spot you're in?
Marcel Blanc
Yes.
Perry Mason
A sick man like you, how long do you think you'd last in prison?
Marcel Blanc
I can guess.
Perry Mason
He's not worth covering. Then you know it.
Marcel Blanc
Yes, I know that. Well, then, just the same, I'll cover him.
Perry Mason
Then let him get away.
Marcel Blanc
Then let him get away.
Perry Mason
He's got you in that tight a lock.
Marcel Blanc
If I talk about him, something happens to someone.
Al Morrison
Who?
Marcel Blanc
Someone I love very much.
Dory
Oh, I see.
Marcel Blanc
Someone who used to be my wife. Now, I wouldn't last at all in prison, Mr. Mason. I know that. And I don't blame you for putting on the pressure. And if it weren't for Lillian, your wife. If it weren't for her, I'd give you Frenchie. I'd give him to you in spades. But I can't. I can't because he's the key to hurt. And Lily. Lily ran away with him a couple of years back.
Unknown
Yes.
Marcel Blanc
Yeah. After a while, he threw her out like a dog. I've been looking everywhere for her demise. I know I don't sound like much of a man, but I want her back. I love Lillian. And Francie knows where she is.
Perry Mason
And he'll help you as long as you help him.
Unknown
Yeah.
Perry Mason
He hasn't told you?
Marcel Blanc
He won't. Not until after he gets out of Chicago. When he leaves Chicago, he'll Send me a message.
Perry Mason
Do you trust him?
Al Morrison
Trust him?
Marcel Blanc
Trust Frenchie? No. No. Not any further than I can throw this building. He'd double caught his own mother if it'd get him anything. But he's my only chance. Lily's sick. She needs me. She never did know how to take care of herself. Now, she'd starve to death before she'd come to me. So you see, I've got to find her.
Unknown
I've got to find her.
Al Morrison
Try.
Marcel Blanc
Try to understand how it is with me, Mr. Mason. I'll talk. Sure, I'll talk. As soon as I know who Lillian is. I want to see that guy get what's coming to him.
Al Morrison
But it may be too late by.
Dory
The time you're here.
Perry Mason
Dory is in danger all the time. Your wife is not.
Marcel Blanc
I can't help that, Mr. Mason. I'm sorry for the kid. I'm sorry for anyone Frenchie gets under his thumb. Now, look, I'm not trying to crawl out. I've done things that.
Perry Mason
Yes, but I've never touched kids.
Marcel Blanc
If I could help the little girl and help Willie too, I think.
Perry Mason
Let's get to it. You tell us what you know about Frenchie, and if we catch him, he'll never know where we got the information.
Marcel Blanc
That's simple, huh?
Unknown
Yes.
Perry Mason
Won't it do? Give us his description. We'll pick him up like that.
Unknown
He'll never know.
Perry Mason
No one will know.
Marcel Blanc
You really deal like that?
Unknown
Yes.
Perry Mason
I wouldn't have to be a witness.
Marcel Blanc
Dog I tell you how he looks, what he's wearing, how to tell him.
Perry Mason
I stay completely out of it. That's right. And I can cover you because I've organized the search. I could have found him anyhow. He's running that chance.
Unknown
Well, deal? Deal.
Dory
Oh, thank goodness.
Marcel Blanc
Where do you want me to start, Mr. Mason?
Perry Mason
You know where they've gone?
Unknown
Why, he.
Marcel Blanc
He told me. Union Rail Station.
Perry Mason
Now we're cooking. Get up. Craig should be out in the lobby. Get in. Tell him to alert his men and come in here and get this description right.
Al Morrison
I will.
Perry Mason
Meanwhile, Morrison, you give me everything. This man, particularly his description.
Marcel Blanc
All right.
Dory
This may be plagued now. Shall I open the door?
Perry Mason
Yes, please.
Al Morrison
Yes, Mr. Al Morrison.
Dory
Is Mr. Al Mor here?
Marcel Blanc
Al Mor. That must be my message, Mr. Mason. My message from Frenchie.
Perry Mason
Come over here, boy.
Al Morrison
You got your uncle.
Dory
Sign here, please.
Marcel Blanc
Get me.
Unknown
Get me.
Perry Mason
Yes. All right, move. I'll carry him over on the couch. Look at it now. And speaking of looks, take a look at that message. When I loosen this column.
Al Morrison
What?
Unknown
Oh, sir.
Perry Mason
Ritabella.
Dory
Dear Al, I. I got to thinking, Al, and I'm not sure he'll play square, so I'm not sending you Lily's address. I'll have a contact you if I get away.
Marcel Blanc
All right?
Dory
So don't try anything funny, pal. It's type Perry, not sign.
Unknown
Hello?
Al Morrison
No.
Dory
Talk about shock.
Perry Mason
Yes, we won't have a shock.
Unknown
All right.
Perry Mason
You better go out and tell the desk clerk. Have him get on the phone and send to Morrison's personal physician. If he can't get her one cut and send another doctor. This is an emergency. I think he'll be able to get attention soon, But Funchi won't have to worry about it talking because he won't be able to talk. All right, get moving, Bella. I'll make Morrison as comfortable as I can until the doctor gets here.
Narrator
Well, the treachery, the double dealing of the man who calls himself Marcel Blanc has reached out to seal the mouth of Al Morrison. And it looks as though Al's mouth.
Unknown
May be sealed permanently.
Narrator
But more about that tomorrow. So won't you join us?
Podcast: Harold's Old Time Radio
Episode: Perry Mason 51-09-26 (2097) Perry Questions Hotel Manager
Release Date: March 9, 2025
In this gripping episode of Harold's Old Time Radio, titled "Perry Questions Hotel Manager," listeners dive deep into a suspense-filled investigation led by the legendary defense attorney, Perry Mason. Set against the backdrop of Chicago's bustling Union Station and the elegant Hotel Miramar, the episode masterfully weaves intrigue, personal vendettas, and hidden motives, capturing the essence of the Golden Age of Radio drama.
The episode opens immediately after the previous installment, transporting listeners to 8:15 AM as Marcel Blanc exits a taxi at Chicago's Union Station (00:42). Accompanied by Kitty DiCarlo, May Grant, and Dory, Marcel's arrival signals the continuation of a complex narrative intertwined with mystery and tension.
Inside the Hotel Miramar, the atmosphere is tense. Perry Mason addresses Al Morrison, the hotel manager, with a mix of authority and urgency:
Perry Mason: "And I think that cinches it. I think we'll be able to make Mr. Morris tell us what we want to know after we get hold of that. Miss. Miss, could we speak to you for a moment?" (01:02)
A pivotal moment unfolds when Mason and his team confront Morrison about a Mexican star doll found in room 417. The doll, a seemingly innocuous item left behind by a young guest, becomes a critical piece of evidence. Mason's gesture of offering a $5 bill to Morrison serves to alleviate initial tensions:
Perry Mason: "Oh, well, then Here is a $5 bill." (01:16)
Al Morrison: "Oh, well, thanks, mister. I feel fine now." (01:19)
Morrison explains the sentimental value of the doll:
Al Morrison: "Kids. Sweet little girl. She was crying when they took her out. Why she. I guess it's because they made her leave without this doll." (02:15)
This interaction underscores the emotional layers within the investigation, hinting at deeper connections and motives.
As the dialogue progresses, Marcel Blanc reveals his vulnerable side, providing insight into his troubled past and current predicament. Under duress from a figure named Frenchie, Marcel discloses his desperation to locate his estranged wife, Lillian:
Marcel Blanc: "Lily ran away with him a couple of years back. After a while, he threw her out like a dog. I've been looking everywhere for her demise." (04:52)
Marcel Blanc: "I love Lillian. And Francie knows where she is." (06:05)
His confession paints a picture of a man pushed to the brink, caught between loyalty and fear, adding complexity to the unfolding mystery.
Perry Mason intensifies his interrogation, leveraging Morrison's evident distress to extract critical information:
Perry Mason: "Do you realize the spot you're in?" (04:17)
Marcel Blanc: "Yes." (04:19)
Perry Mason: "A sick man like you, how long do you think you'd last in prison?" (04:20)
Mason's relentless questioning forces Morrilson to confront his own vulnerabilities:
Marcel Blanc: "I can't help that, Mr. Mason. I'm sorry for the kid. I'm sorry for anyone Frenchie gets under his thumb." (07:07)
Perry Mason: "Let him get away." (08:32)
The tension culminates in Morrison's incapacitation, suggesting that Mason has found a way to silence him without direct harm.
The episode reaches its climax as Mason strategizes to ensure Morrison's silence:
Perry Mason: "I think he'll be able to get attention soon, But Funchi won't have to worry about it talking because he won't be able to talk." (09:28)
The narrator teases future developments, hinting at the ongoing treachery and the fate of Al Morrison:
Narrator: "Well, the treachery, the double dealing of the man who calls himself Marcel Blanc has reached out to seal the mouth of Al Morrison. And it looks as though Al's mouth may be sealed permanently." (09:55-10:08)
This cliffhanger leaves listeners eagerly anticipating the next episode, promising more twists and revelations.
Nicole Byer (00:01): "We interrupt this program to bring you an important Wayfair message."
(Note: This segment is an advertisement and is skipped in content summaries.)
Perry Mason (01:02): "And I think that cinches it. I think we'll be able to make Mr. Morris and tell us what we want to know after we get hold of that." (01:02)
Marcel Blanc (04:52): "I love Lillian. And Francie knows where she is." (06:05)
Marcel Blanc (06:18): "Trust Frenchie? No. No. Not any further than I can throw this building." (06:18)
Perry Mason (07:03): "But it's the time you're here." (07:03)
Narrator (09:55): "May be sealed permanently." (09:55)
"Perry Questions Hotel Manager" stands out as a testament to the enduring appeal of classic radio dramas. Through masterful storytelling, rich dialogue, and intricate character development, Harold's Old Time Radio delivers an episode that not only honors the legacy of Perry Mason but also reinvigorates it for modern audiences. The interplay between personal vendettas and broader mysteries ensures that listeners remain captivated, eagerly awaiting the next chapter in this enthralling saga.