Radio City Playhouse 48-08-14 (06) Hit and Run

Summary

Episode Summary: "Hit and Run"

Podcast Information:

• Title: Harold's Old Time Radio
• Host/Author: Harolds Old Time Radio
• Episode: Radio City Playhouse 48-08-14 (06) Hit and Run
• Release Date: July 22, 2025

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Introduction

"Hit and Run" is a gripping episode of Radio City Playhouse, showcasing the emotional aftermath of a tragic accident. Written by Max Shub and directed by Harry W. Junkin, the story delves deep into the psyche of Hal Lawrence, a traveling salesman who becomes entangled in a hit-and-run incident that threatens to unravel his family life.

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Plot Overview

The episode begins with Hal Lawrence recounting the moment of the accident. Distracted by thoughts of returning home to his wife, Ellen, and their child, Jackie, Hal inadvertently hits a young boy while driving on a winding road (00:03 - 01:02). The immediate aftermath sees Hal grappling with fear and guilt, choosing to flee the scene instead of stopping to help.

Back at home, tensions rise as Hal interacts with his concerned wife and their inquisitive son. The narrative oscillates between Hal's present interactions and his haunting memories of the accident, portrayed through vivid flashbacks and internal monologues.

As Hal struggles with his conscience, his relationship with Ellen becomes strained. His attempts to suppress his guilt lead to emotional breakdowns and strained conversations, culminating in a desperate decision to confess or continue hiding the truth.

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Key Discussions and Insights

1. The Burden of Guilt:

   • Hal's internal struggle highlights the profound impact of guilt on an individual's mental health. His inability to face the consequences of his actions showcases how unresolved guilt can erode personal relationships and self-worth.
   • Notable Quote:
     • Hal Lawrence (10:55): "I don't know. How can I explain it to you. How can I show you what it feels like inside?"

2. Family Dynamics Under Stress:

   • The episode poignantly portrays how a single event can strain familial bonds. Ellen's unwavering support contrasts with Hal's increasing detachment, emphasizing the challenges families face when dealing with hidden traumas.
   • Notable Quote:
     • Ellen Lawrence (09:24): "Don't cry. Don't cry. Don't cry."

3. Moral Dilemmas and Choices:

   • Hal's dilemma between confessing and concealing the truth raises questions about morality, responsibility, and the lengths one might go to preserve their family's reputation.
   • Notable Quote:
     • Hal Lawrence (24:07): "We either keep quiet and lie as we've never lied before, or we face it. Which is it, Ellen? Which is it?"

4. Psychological Turmoil and Nightmares:

   • Hal's recurring nightmares serve as a metaphor for his inability to escape his guilt. The repetitive nature of his dreams underscores the inescapable nature of his conscience.
   • Notable Quote:
     • Hal Lawrence (18:36): "I was going 50 miles an hour. Oh. Where's a cigarette?"

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Notable Quotes with Attribution and Timestamps

• Hal Lawrence:

  • "I was tired, anxious to get home." (01:02)
  • "I hit him hard. He couldn't have been more than eight or nine years old." (02:45)
  • "It's like a poison. Everywhere you turn, there it is following you." (23:02)

• Ellen Lawrence:

  • "Would you like something to eat, darling?" (04:24)
  • "I know something's wrong. Tell me." (09:37)
  • "I'll wait until the morning. You'll see." (24:39)

• Jackie Lawrence:

  • "Hey, what's the matter with the bell, Mom? I've been ringing and ringing." (06:50)
  • "I didn't do anything wrong, did I?" (16:11)

• Narrator:

  • "Was this how it was going to be for the rest of my life?" (14:54)

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Emotional Arc and Character Development

Hal Lawrence's journey is a masterclass in character development. Initially portrayed as a responsible family man, his lapse in judgment after the accident reveals a complex personality grappling with fear and guilt. Ellen Lawrence remains the pillar of strength, attempting to guide Hal back to sanity, while Jackie embodies innocence, unknowingly becoming a catalyst for Hal's unraveling.

The episode skillfully uses dialogue and monologues to portray the deterioration of Hal's mental state. His interactions become increasingly erratic, highlighting his internal conflict and the weight of his actions.

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Conclusion and Resolution

As the episode progresses towards its climax, Hal faces the inevitable confrontation of his deeds. The persistent ringing of the phone symbolizes the inescapable reality catching up with him. The episode concludes ambiguously, leaving listeners pondering Hal's fate and the repercussions of his actions on his family and himself.

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Production Notes

• Performance:

  • Casey Allen delivers a compelling portrayal of Hal Lawrence, capturing the character's descent into despair with nuanced emotion.
  • Fran Carlin provides heartfelt support as Ellen, embodying the struggles of a spouse caught in a web of secrets.

• Direction and Music:

  • Directed by Harry W. Junkin, the episode effectively balances dialogue and narrative, ensuring a seamless flow between past and present.
  • Dr. Roy Shield's musical compositions heighten the emotional intensity, underscoring pivotal moments and enhancing the overall atmosphere.

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Final Thoughts

"Hit and Run" stands out as a poignant exploration of guilt, responsibility, and the fragility of family bonds. Through its rich storytelling and powerful performances, the episode invites listeners to reflect on the moral complexities individuals face when confronted with unforeseen tragedies.

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Next Episode Preview:

Tune in next week for Radio City Playhouse Attraction 7: "Fanny", where the life of a wealthy, bored woman takes an unexpected turn when she adopts a piano tuner. Expect humor and heart as Grace Keddie stars in this delightful new tale.

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This summary was crafted based on the transcript provided for "Hit and Run" in the Radio City Playhouse series. For more episodes from the Golden Age of Radio, stay tuned to Harold's Old Time Radio.

Transcript

[Bob Warren]

The National Broadcasting Company presents Radio City Playhouse, Attraction six, Hit and Run, starring the young American actor, Casey Allen. The script is written by Max Shub and directed by Harry W. Junkin. Here is Radio City Playhouse, Attraction six, Hit and Run.

[Hal Lawrence]

I remember the sun was shining. I think I was driving a little faster than I should have. But it was a beautiful day. I wasn't paying much attention. When you're a traveling salesman, all you think of on Friday afternoon is heading for home and a weekend with your wife and kid. I was just coming into town on 11B, where it's kind of hilly, road winds a lot. And then it happened. I didn't see him. Honest, I didn't even see him. I was watching the road, all right. I always watch the road. I'm a good driver. Been driving a car for years. But it was Friday. I was thinking of Ellen, Young Jackie. I was tired, anxious to get home. Then he. He just ran right out in front of the car. Right smack in front of the. I hit him. I hit him. I saw the way I hit him. He screamed. I know he screamed, but I couldn't hear him over the brakes. I hit him hard. He couldn't have been more than eight or nine years old. I hit him and then saw him fly through the air. I didn't mean to do it, but I did. I didn't even see him hit the ground because I didn't stop. I was afraid. I was so afraid, I couldn't stop. I got home and I don't know how, but I did. I couldn't stop shaking. I stopped the car in front of my house, but I couldn't get out. I was afraid somebody would see me and know that somebody would look into my face. Face and. No. Then I heard it. I couldn't move. Hadn't taken them long, but I had to get away. I had a wife and child. I had to get away. I tried to start the car. I tried and tried, but it wouldn't start. Start, start, start. And then it was gone. An ambulance going right past me. I was wet and cold with fear. I wished it was dark so I could sneak into the house. Then I saw why the car wouldn't start. I'd forgotten to turn the ignition key. I'd never done that before. It was beginning right then. I knew what it was going to be like. Little things creeping up on you, making you foolish, frightened, nervous. I opened the door of the car and hurried into my house.

[Ellen Lawrence]

Al? How's that you?

[Hal Lawrence]

Yes, it's me.

[Ellen Lawrence]

Well, you're home. Early. Everything go all right?

[Hal Lawrence]

Yes, yes.

[Ellen Lawrence]

Would you like something to eat, darling? You must be all in.

[Hal Lawrence]

I don't want anything. I'm all right.

[Ellen Lawrence]

Well, don't bite my ears off, Al. I'm just asking.

[Hal Lawrence]

I'm sorry, Ellen. I didn't mean to.

[Ellen Lawrence]

Dinner will be ready soon anyway. You don't mind waiting, do you?

[Hal Lawrence]

I'm not hungry.

[Ellen Lawrence]

But, Hal, you must be, after that terrible trip.

[Hal Lawrence]

Stop talking about my trip. Stop talking about it, huh? Where's Jackie? What, you're deaf all of a sudden? Where's Jackie? I said, where's Jackie?

[Ellen Lawrence]

Oh, what's the matter with.

[Hal Lawrence]

Remind me. Where's Jackie?

[Ellen Lawrence]

He's outside.

[Hal Lawrence]

Where?

[Ellen Lawrence]

Outside playing with his friends, of course. Where else?

[Hal Lawrence]

I don't want him outside. I want him in here, not on the street.

[Ellen Lawrence]

Oh, for goodness.

[Hal Lawrence]

I don't want him outside. I told you. Now, get him in here. Oh, please, Ellen, call him in.

[Ellen Lawrence]

He's only been out for a while. He won't like it. Let him stay out for another few minutes. He'll be all right, Hal.

[Hal Lawrence]

Okay. I'm gonna lie down for a while. I don't feel well.

[Ellen Lawrence]

Hal.

[Hal Lawrence]

What is it?

[Ellen Lawrence]

You want me to call the doctor?

[Hal Lawrence]

I don't need a doctor.

[Ellen Lawrence]

Hal, something's wrong. You're not yourself.

[Hal Lawrence]

I'm all right. A little tired.

[Ellen Lawrence]

But you're so pale.

[Hal Lawrence]

Oh, I'm a little pale. Now leave me alone.

[Ellen Lawrence]

Okay, Hallen.

[Hal Lawrence]

We got a drink in the house?

[Jackie Lawrence]

Sure.

[Hal Lawrence]

Would you fix one for me? Double.

[Ellen Lawrence]

Oh. What's wrong?

[Hal Lawrence]

Nothing, honey, nothing. Like I told you, I'm tired, that's all.

[Ellen Lawrence]

Well, then why don't you take off your shoes, dear, and relax? That drink's coming right up.

[Hal Lawrence]

Relax. Relax. Oh, the bell. No, no, not now. Not in my own home. Don't take me now.

[Ellen Lawrence]

Right. Hold on. Hold on.

[Hal Lawrence]

Helen, don't go.

[Ellen Lawrence]

What?

[Hal Lawrence]

Don't go.

[Ellen Lawrence]

Someone's at the door.

[Hal Lawrence]

Don't go. Let them go away.

[Ellen Lawrence]

Why? What's all this mystery?

[Hal Lawrence]

Stop asking questions, will you? Let them ring. I don't want to see anybody. I don't want anybody in here.

[Ellen Lawrence]

Well, if it's for you, I'll tell them you're not home. Is that all right?

[Hal Lawrence]

Oh, wait a while. See if they'll go away.

[Ellen Lawrence]

How? These.

[Hal Lawrence]

All right, all right, answer it. Get through with it.

[Ellen Lawrence]

What'll I say if it's for you?

[Hal Lawrence]

Say anything you like. I don't care what you say. Shall I say you're not in anything you like? If they don't believe you, say I'm not in.

[Ellen Lawrence]

All right, Hal. I'm coming. Oh, don't leave you.

[Jackie Lawrence]

Hey, what's the matter with the bell, Mom? I've been ringing and ringing.

[Ellen Lawrence]

I. Sorry, Jackie, dear. I was busy for a minute.

[Jackie Lawrence]

Yeah, well, if you give me a key, I wouldn't have to wait like that every time I want to come inside.

[Ellen Lawrence]

All right, darling. We'll get a key made for you. How's that?

[Jackie Lawrence]

You mean it, Mom?

[Ellen Lawrence]

Absolutely. I promise.

[Jackie Lawrence]

She swell. Hi, dad.

[Narrator]

Jackie. Jackie.

[Hal Lawrence]

Hello, Jackie.

[Jackie Lawrence]

Hello, dad.

[Hal Lawrence]

You're in early.

[Jackie Lawrence]

Yeah. I didn't feel like staying out. I'm getting hungry. Why didn't you answer the bell?

[Hal Lawrence]

I didn't hear it.

[Jackie Lawrence]

Didn't hear it? I could hear it myself through the door, plain as anything. I could hear.

[Ellen Lawrence]

Daddy was having a nap, Jackie. That's why he didn't hear it.

[Jackie Lawrence]

What do you want to take a nap in the middle of the day for?

[Ellen Lawrence]

He's had a long trip and he's tired. Now you stop asking questions.

[Jackie Lawrence]

Okay. When are we going to eat? I'm hungry.

[Ellen Lawrence]

Won't be long. I'll let you know. Now, you go upstairs and wash yourself.

[Jackie Lawrence]

Okay, Mom.

[Ellen Lawrence]

I'll get you a drink. Hal.

[Hal Lawrence]

Yeah.

[Narrator]

And then I thought of something. Perhaps I hadn't killed him. Perhaps he was still alright. Maybe he was only shaken up a bit. I was only going 50 miles an hour. 50.

[Hal Lawrence]

How strong is a little boy when.

[Narrator]

He runs up against 50 miles an hour? It was 50. I know that. I remember looking down at my speedometer. And then I hit him. I could see him again, flying through the air.

[Hal Lawrence]

He didn't look dead.

[Narrator]

He was screaming.

[Ellen Lawrence]

Here's your drink, Hal.

[Hal Lawrence]

Oh, thanks.

[Ellen Lawrence]

Is it all right?

[Hal Lawrence]

Oh, sure.

[Ellen Lawrence]

Hal.

[Hal Lawrence]

Huh?

[Ellen Lawrence]

Something's wrong, Hal?

[Hal Lawrence]

No. No.

[Ellen Lawrence]

Something happened, Helen.

[Hal Lawrence]

Don't badger me.

[Tony]

Let it be.

[Ellen Lawrence]

Let me help you, dear.

[Hal Lawrence]

There's nothing you can do.

[Ellen Lawrence]

What happened?

[Hal Lawrence]

Why don't you leave me alone?

[Ellen Lawrence]

I want to help you.

[Hal Lawrence]

Leave me alone. That's the only way you'll help me.

[Ellen Lawrence]

It'll do you good to talk about it, whatever it is.

[Hal Lawrence]

Stop it. I ask you, stop it. I don't want to talk about it.

[Ellen Lawrence]

Even to your wife.

[Hal Lawrence]

Please, Ellen, please.

[Ellen Lawrence]

I'll understand, Hal. Believe me. Whatever it is, I'll understand. Why didn't you want me to answer the bell? What were you afraid of, dear? I know you were afraid. Why were you so frightened when you came in? And sweating. You're sweating now and you're so pale. Why did you want Jackie in off the streets, dear? And why did you want A drink? You haven't touched one for months. Why are you afraid to tell me? What's wrong? Al, what's wrong?

[Hal Lawrence]

Don't cry. Don't cry. Don't cry.

[Ellen Lawrence]

It's worse this way. Hal. I know something's wrong. Tell me. Let me know. Let me help you. It's not as if you murdered somebody.

[Hal Lawrence]

Why did you say that? I don't know why. Why did you say that?

[Ellen Lawrence]

Hal, you'll tear my dress. Let's go.

[Hal Lawrence]

Why did you say it?

[Ellen Lawrence]

Hel. It's just words. I didn't mean anything.

[Hal Lawrence]

I'm sorry. Ellen.

[Ellen Lawrence]

Something. Something is wrong is how. You didn't. Why did I frighten you when I said murder? Hal, you didn't. I mean. Hal, look at me. Oh, no. Oh, tell me how. For the love of heaven, tell me.

[Hal Lawrence]

What is it this afternoon, coming home.

[Ellen Lawrence]

Oh, tell me, darling. Tell me. I'll understand.

[Hal Lawrence]

Oh, coming home this afternoon. I killed a boy. This afternoon, coming home.

[Ellen Lawrence]

What do you say?

[Hal Lawrence]

I'm a little boy about the size of Jackie.

[Ellen Lawrence]

This isn't a joke.

[Hal Lawrence]

With a car. I hit him with a car. I was going too fast. I didn't see him. I hit him. I think he screamed. I don't know. I saw him fly through the air.

[Ellen Lawrence]

You didn't.

[Hal Lawrence]

He couldn't have been more than nine years old. Maybe less.

[Ellen Lawrence]

How did you stop?

[Hal Lawrence]

I was afraid. I wanted to run away. I couldn't stop.

[Ellen Lawrence]

Well, how do you know you killed him. Maybe he's all right.

[Hal Lawrence]

I was going 50 miles an hour. Oh. Where's a cigarette?

[Ellen Lawrence]

Oh, there beside you, on the table. Hal. Hal, what are you going to do?

[Hal Lawrence]

How do I know what I'm going to do? It wasn't my fault. The fool kid ran right into the car. I. I didn't have a chance. I tell you, it wasn't my fault. I just.

[Ellen Lawrence]

What are you going to do, dear?

[Hal Lawrence]

I don't know. I wish I was dead.

[Ellen Lawrence]

Where did it happen?

[Hal Lawrence]

On Glen Hill avenue, just off 11B.

[Ellen Lawrence]

Let's go back now. Maybe we can still help.

[Hal Lawrence]

I'm afraid, Ellen. I'm afraid.

[Ellen Lawrence]

It wasn't your fault.

[Hal Lawrence]

How can I face it? How can I look at the mother and say I'm sorry? It wasn't my fault? How can I do that?

[Ellen Lawrence]

Did anybody see you?

[Hal Lawrence]

I don't know. I don't think so. It was right at the edge of town. Ellen. Maybe they haven't found him yet. Maybe he's still lying there on the edge of the road.

[Ellen Lawrence]

Don't, dearest. Don't Torture yourself.

[Hal Lawrence]

Stay with me, Ellen. Help me.

[Ellen Lawrence]

Pull yourself together. Hell. Don't let him see anything's wrong.

[Jackie Lawrence]

Hey. Say, dad, you bring home the paper?

[Hal Lawrence]

I. No, I don't think so.

[Jackie Lawrence]

Want me to run down the corner and get it for you?

[Hal Lawrence]

Sure. Sure, if you want to.

[Jackie Lawrence]

Okay. You got some money?

[Hal Lawrence]

Yeah, yeah. Here you are.

[Jackie Lawrence]

$5. Oh, haven't you got any pennies? Dad, you know how that old crab hates to make change for anyone.

[Hal Lawrence]

That's the smallest I've got, Jackie. You keep the change.

[Jackie Lawrence]

Huh? The change, all of it.

[Hal Lawrence]

Sure, you keep the change.

[Ellen Lawrence]

She.

[Jackie Lawrence]

What for? What did I do?

[Hal Lawrence]

Oh, nothing. I. I want to give it to you, that's all.

[Jackie Lawrence]

Okay? Yes, sir. Okay.

[Narrator]

Suddenly, like the stab of a knife, I realized what my boy meant to me. How would I feel if.

[Hal Lawrence]

Oh, no, don't.

[Narrator]

Don't let me say it.

[Hal Lawrence]

Don't let me even think it.

[Narrator]

How would I feel if I lost him? If somebody hit him at 50 miles an hour?

[Ellen Lawrence]

Why did you do that, Hal?

[Hal Lawrence]

Huh?

[Ellen Lawrence]

Why did you tell him to keep the change?

[Hal Lawrence]

I. I don't know. What's the difference? I help. Like it. That's all. Jackie. Jackie.

[Jackie Lawrence]

Hal, wait a minute.

[Ellen Lawrence]

Hal. Come. What was it, dear?

[Hal Lawrence]

Some fool going around the corner too fast.

[Ellen Lawrence]

Why did you run out?

[Hal Lawrence]

I thought it was. Well, for a minute I thought it might be Jackie. Yes, that terrible noise. Scream of brakes. I saw it all again. I was afraid.

[Ellen Lawrence]

Go back, Hal. It'll eat you up unless you do.

[Hal Lawrence]

Maybe he's all right, the boy. Perhaps he's only hurt just a little bit.

[Ellen Lawrence]

You'll never know unless you go back.

[Hal Lawrence]

I don't ever want to see that place again. I can't.

[Ellen Lawrence]

Well, if you explain that it wasn't your fault.

[Hal Lawrence]

I was driving too fast.

[Ellen Lawrence]

How will they know? Nobody saw you.

[Narrator]

I saw him screaming. I couldn't hear him, but I saw him. Like a silent movie. Like a ghost almost screaming, flying through the air.

[Jackie Lawrence]

Oh, you fly through the air. Hall.

[Hal Lawrence]

Shut up. Shut up.

[Ellen Lawrence]

What's the matter, Hal? Sit down, Hal. Sit down.

[Jackie Lawrence]

What's the matter, Mom?

[Ellen Lawrence]

Nothing, Jack. Nothing. I'd like to eat.

[Hal Lawrence]

So we sat down at the table. Nobody spoke. Nobody looked at anybody else.

[Narrator]

Was this how it was going to be for the rest of my life? Was this to be my life with my family? Suppose I never was caught. Suppose they never found me? Was this the way it was going to be? This dreadful silence, the silent accusation?

[Jackie Lawrence]

Dad?

[Hal Lawrence]

Yes?

[Jackie Lawrence]

I'm sorry.

[Hal Lawrence]

Why?

[Jackie Lawrence]

If the singing upsets you, I'd.

[Hal Lawrence]

Oh, never mind. Forget it. I've had enough. I'm going upstairs.

[Jackie Lawrence]

Dad?

[Hal Lawrence]

What do you want?

[Jackie Lawrence]

Here's your change.

[Hal Lawrence]

What change?

[Jackie Lawrence]

From the paper. The $5.

[Hal Lawrence]

Oh, paper. Keep it. I. I don't need it.

[Jackie Lawrence]

I don't want it.

[Hal Lawrence]

I gave it to you. Keep it.

[Jackie Lawrence]

I don't want it.

[Hal Lawrence]

Why?

[Jackie Lawrence]

I. I just don't want it.

[Hal Lawrence]

All right. Leave it on the table. Hal, I'm going upstairs.

[Ellen Lawrence]

What about your paper?

[Hal Lawrence]

What about it?

[Ellen Lawrence]

Aren't you going to read it?

[Hal Lawrence]

No, I don't feel like it.

[Ellen Lawrence]

There may be something in it.

[Hal Lawrence]

What?

[Ellen Lawrence]

Something you might want to see about this afternoon.

[Hal Lawrence]

Jackie, where'd you put that paper?

[Jackie Lawrence]

In the living room.

[Ellen Lawrence]

Jackie, how'd you like to help me with the dishes?

[Jackie Lawrence]

Oh, sure. Mom. Mom?

[Ellen Lawrence]

Yes?

[Jackie Lawrence]

I didn't do anything wrong, did I?

[Ellen Lawrence]

Of course not, darling. Daddy was upset, that's all.

[Jackie Lawrence]

He's so funny today.

[Narrator]

What's wrong?

[Ellen Lawrence]

Nothing. Nothing to you. Come on, help me with it.

[Hal Lawrence]

I sat down and searched through the newspaper. Each time I turned a page, I had to force my eyes to look at it. I knew what I was looking for. A notice telling of a small boy killed by a hit and run driver. I didn't want to find it. I prayed for it not to be there. But I couldn't stop looking for it. I had to know. One way or the other, I had to know. But I didn't find it. Perhaps it was too soon. Perhaps in tomorrow's papers.

[Ellen Lawrence]

Did you find anything?

[Hal Lawrence]

No.

[Ellen Lawrence]

Let's try the radio. What time is it?

[Hal Lawrence]

It's almost seven.

[Ellen Lawrence]

We'll get the news.

[Hal Lawrence]

Where's Jackie?

[Ellen Lawrence]

Drying the dishes, dear.

[Tony]

Bringing you a resume of the day's news. But before the news, a word from our sponsor. Mothers, have you a growing boy in your house? Are you concerned for his health and well being? Of course you are. You want that growing body to be strong and healthy, don't you? Sound of limb and wind. Of course you do. Now you can keep your boy's eyes bright and strong, sparkling. Ensure his thrilling dreams for the future this simple, easy way. And remember, there's no fussing or long preparation involved when you serve the new cereal ready to eat.

[Hal Lawrence]

I'm going crazy, everybody. Everything seems to be mocking me. I'm going mad.

[Ellen Lawrence]

Oh, why don't you get some rest, dear? Why don't you go upstairs like you wanted to?

[Hal Lawrence]

Oh, yes, I'm going to. I'm going upstairs. I lay on the bed. I don't think I took off my clothes. I lay there. And then it came. The dream over and over again. The same dream. Like a foolish projector showing the same picture again and again. The rush of the car. The boy running into the road. The car hitting him. The body flying through the air. The boy running into the road. The car hitting him. The body flying through the air. Over and over and over. Stop it. Stop it.

[Jackie Lawrence]

Stop it.

[Hal Lawrence]

Go away. It wasn't my fault.

[Ellen Lawrence]

Go away.

[Hal Lawrence]

I couldn't help it. I'm sorry. I'm sorry. Go away. And then it reached out to me. Hands. I felt hands in my throat. Grabbing me hands. I felt them. Stop. Stop. Stop it.

[Ellen Lawrence]

Hal, it's me.

[Jackie Lawrence]

It's me.

[Ellen Lawrence]

It's Ellen. Hal. Hal, wake up.

[Hal Lawrence]

Listen. What's the matter?

[Ellen Lawrence]

Oh, you were having a dream.

[Hal Lawrence]

Yes.

[Ellen Lawrence]

I tried to take off your shirt and tie to you to make you comfortable.

[Hal Lawrence]

Yes.

[Ellen Lawrence]

Here, you're not. Sit up. Let me help you.

[Hal Lawrence]

I'll manage.

[Ellen Lawrence]

I brought you a pill. It may help. Here, drink it down.

[Hal Lawrence]

Yeah. How long have I been here?

[Ellen Lawrence]

A couple of hours. I heard you crying in your sleep. The pill should make it easier for you.

[Hal Lawrence]

Yeah. Easier.

[Narrator]

It didn't. It didn't seem to help at all. Every time I closed my eyes, the dream came. I couldn't get rid of it, no matter how I tried. It was as if it was turned on in my brain. Forever and ever. I didn't dare close my eyes. It was so quiet.

[Hal Lawrence]

Alan, the phone. Who would?

[Ellen Lawrence]

Shall I answer it?

[Hal Lawrence]

I answer it.

[Ellen Lawrence]

Hello?

[Tony]

Hello, Mr. Lawrence, it's for you.

[Hal Lawrence]

Alright.

[Ellen Lawrence]

Just a minute.

[Bob Warren]

Jesse.

[Hal Lawrence]

Yes? Mr. Lawrence speaking. Didn't disturb you today? No, it's all right. What is it?

[Tony]

This is Tony.

[Hal Lawrence]

Tony?

[Tony]

Yeah, Tony from the garage.

[Hal Lawrence]

Garage?

[Tony]

Yeah.

[Hal Lawrence]

Oh, sure. Tony.

[Tony]

Look, Mr. Lawson, I'm ready to close the garage. I'd like to know if you're coming in with your car.

[Hal Lawrence]

Car?

[Tony]

Yeah. Remember you told me you wanted to get those pistons done over? Remember when you took it out, you said to bring it back tonight.

[Hal Lawrence]

Oh, yeah. Yeah.

[Tony]

How about it?

[Hal Lawrence]

Sure. Only Tony, would you. Would you come over and get it? It's in front of the house. Keys inside. I forgot all about it. I'm in bed or else I'd bring it in myself.

[Tony]

Okay, I'll look after it. Sorry for disturbing you.

[Hal Lawrence]

Oh, that's all right.

[Ellen Lawrence]

The garage.

[Hal Lawrence]

He wants the car. I told him I wanted it fixed. Oh. Every time the phone rings. Every time I close my eyes. How can I keep on like this, Ellen? I wish I could sleep.

[Narrator]

Sleep. Back to the terrifying thoughts in the darkness. Thinking. Sweating. Crying. Being afraid. And then they came.

[Hal Lawrence]

They found me.

[Ellen Lawrence]

I'll tell them you're not home.

[Hal Lawrence]

No, I'll go. I think I was happy to hear that doorbell ring. Happy that someone had at last come to make a decision for me. I walked downstairs and opened the door.

[Tony]

Hi, Mr. Lawrence.

[Hal Lawrence]

Tony.

[Tony]

Yeah. Tony again from the garage. I just phoned from the corner. I didn't want to disturb you.

[Hal Lawrence]

What? What is it?

[Tony]

Look, Mr. Lawrence, I know it ain't none of my business, but did you have some trouble with that car?

[Hal Lawrence]

Trouble?

[Tony]

Yeah, you got an awful dent in that right fender.

[Hal Lawrence]

Dent?

[Tony]

Yeah, and there's lots of blood on it if you care to look for it.

[Hal Lawrence]

Blood?

[Tony]

Yeah. Tell you why I rang your bell, Mr. Lawrence. Maybe you'd like to get it fixed up while it's in the garage, huh? Couple of days, nobody'll know the difference.

[Hal Lawrence]

Is there much blood on it, Tony?

[Tony]

Well, you know how it is. A bit here, a bit there. Want me to fix it?

[Hal Lawrence]

Yeah. Yeah. Tony, I'd like you to keep this. Well, we'll not mention it.

[Tony]

Okay, mister.

[Hal Lawrence]

I'll be glad to make it worth your while.

[Tony]

You don't have to do that, mister.

[Hal Lawrence]

But I want it, Tony. I'll be glad to. I. I haven't any money right now, but I'll bring it to you. Say, a couple of hundred.

[Tony]

Honest, Mr. Lawrence, you don't need to do that.

[Hal Lawrence]

Oh, please, Tony, don't. Don't say anything, will you? Sure.

[Tony]

Sure, Mr. Lawrence.

[Hal Lawrence]

Don't worry. Tony, I'm. I'm kind of upset tonight. Supposing I bring the car in some other time.

[Tony]

Okay, Mr. Lawrence. Okay. You're the boss.

[Hal Lawrence]

How long could this go on? Blood, he said. Oh, dear God. I went upstairs, Ellen.

[Ellen Lawrence]

Yes, I. I heard.

[Hal Lawrence]

I can't stand it. It's like a poison. Everywhere you turn, there it is following you. Everything reminds you. I can't stand it any longer. Ellen, would you get dressed?

[Ellen Lawrence]

What are you gonna do?

[Hal Lawrence]

I'm going back. I want you to drive me back.

[Ellen Lawrence]

No.

[Hal Lawrence]

I thought you wanted to help.

[Ellen Lawrence]

They'll put you in jail.

[Hal Lawrence]

I don't care. I don't care.

[Ellen Lawrence]

What'll happen to us, to me and Jackie?

[Hal Lawrence]

I don't know.

[Ellen Lawrence]

Maybe they won't find you, Hal. Maybe nobody saw you.

[Hal Lawrence]

Garage man knows.

[Ellen Lawrence]

Well, you can take care of him.

[Hal Lawrence]

And living with it. Every time I look at Jackie, I'll think of that boy. Every time I read of an accident, every time I see a funeral. Why did it happen? Why wasn't I careful? Why didn't I stop to help him? We could go away we'll never stop running once we start.

[Ellen Lawrence]

But it'll be in all the papers, darling. Everybody will know it. It'll ruin.

[Tony]

I don't care.

[Hal Lawrence]

Let them know.

[Ellen Lawrence]

I'll wait until the morning. You'll see.

[Hal Lawrence]

A lawyer boy was alive a few hours ago. He was alive.

[Ellen Lawrence]

It wasn't your fault.

[Hal Lawrence]

It wasn't my fault. I was driving too fast. I wasn't careful. I didn't stop. He's dead.

[Ellen Lawrence]

What good can you do now?

[Hal Lawrence]

I don't know. How can I explain it to you? How can I show you what it feels like inside? What it does to you? What it makes you see? I can't run away from it. I can't leave it behind me. Take me back. Help me, Ellen. Help me.

[Ellen Lawrence]

Wait a few days, Hal. Wait a few days. Things will change. You'll feel differently then. Please, Hal. A few days.

[Hal Lawrence]

All right.

[Ellen Lawrence]

Go to sleep, Hal. Try and rest. Is it 7:30 already?

[Hal Lawrence]

Yes.

[Ellen Lawrence]

Oh, hell. You haven't slept at all?

[Hal Lawrence]

No, not a wink. Not all night.

[Ellen Lawrence]

Hal, what are we going to do?

[Hal Lawrence]

Why should this happen to us, Ellen? We're just ordinary people. We're good people. We pay our rent and our taxes. We're good citizens. We're. We've always minded our own business. Then this comes along. Why, Ellen? Why suddenly? Everything's finished. It's over and ended.

[Ellen Lawrence]

Hell. Darling, please.

[Hal Lawrence]

They'll have found him now, but maybe he'll. Ellen, what's the use? We've got to decide. It's one thing or the other. We either keep quiet and lie as we've never lied before, or we face it. Which is it, Ellen? Which is it?

[Ellen Lawrence]

I don't know. I don't know.

[Hal Lawrence]

Ellen, don't go. No, not yet. Please, Ellen. Maybe we can still figure something out. Please let them ring. They'll think we're out.

[Narrator]

Listen.

[Hal Lawrence]

Can you see them from the window?

[Ellen Lawrence]

I can't see the door. I'll see them leave.

[Hal Lawrence]

Is there a car or anything?

[Ellen Lawrence]

It's the milkman.

[Hal Lawrence]

Ellen, I can't stand it.

[Ellen Lawrence]

I know.

[Hal Lawrence]

I've got to do it.

[Ellen Lawrence]

I know, dear.

[Hal Lawrence]

I love you, Ellen. You will stick, won't you?

[Ellen Lawrence]

Always.

[Hal Lawrence]

Darling, I'm so frightened. I'm almost sick.

[Ellen Lawrence]

I'll help you, dear.

[Hal Lawrence]

Operator, get me the police department, please.

[Bob Warren]

That was Hit and Run by Max Shub, Attraction 6 on Radio City Playhouse. Our thanks to Casey Allen for his fine performance as Hal Lawrence. And to Fran Carlin for her sympathetic support as Ellen. Since in real life Mr. Allen and Ms. Carlin are Mr. And Mrs. Allen. Our credits tonight are in the nature of a Family Affair. Other players included Lon Clark and Donald Hastings. Our play was directed by Harry W. Junkins, and the music was composed and conducted by Dr. Roy Shield. Radio City Playhouse is supervised for the National Broadcasting Company by Richard P. McDonough. Next week, radio City Playhouse will introduce you to Fanny. Fanny is very old, very rich, very bored, and we think very, very funny. It is only when she adopts a piano tuner that things begin to happen. The script is by our director, Harry W. Duncan, and stars are brilliant young comedian Grace Keddie. Be with us next week, won't you, for Fanny Attraction 7. Radio City Playhouse. Bob Warren speaking. This is NBC, the National Broadcasting Company.