Railroad Hour 48-12-20 (012) Holiday Inn

Summary

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Podcast Summary: Harold's Old Time Radio

Episode: Railroad Hour 48-12-20 (012) Holiday Inn
Air Date: October 1, 2025
Host: Harolds Old Time Radio
Featured Cast: Gordon MacRae, George Murphy, Martha Tilton, Jerome Cowan

Brief Overview

This episode of Harold's Old Time Radio features a radio musical adaptation of the classic film Holiday Inn, originally broadcast as part of The Railroad Hour. Set in the golden era of radio, the story unfolds around Jim Hardy’s dream of running a musical inn open only on holidays, his romantic complications with dancer Ted Hanover and singer Linda Mason, and a delightful musical score by Irving Berlin. The episode is rich with nostalgia, warmth, and timeless melodies—the perfect listen for anyone seeking a sense of holiday togetherness and old-time entertainment.

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Key Discussion Points & Insights

1. Introduction to Holiday Inn & Its Cast

• [00:00-01:08] The show is set up by the narrator, who emphasizes the instrumental role of American railroads and the all-star cast.
• Notable quote:

  "Tonight, the association of American Railroads presents the gay white Christmas musical, Holiday Inn."
  — Narrator [00:00]

2. Setting the Scene: Christmas at the Florist Shop

• [02:00-05:47] Linda Mason recalls her chance encounter with famed dancer Ted Hanover at her workplace—a florist shop. Their humorous banter and Ted’s purchase of a dozen orchids for his love set the tone.
  • Ted's quip:

    "Excuse me. Do you usually go around like that or are you waiting for someone to throw in a fish?"
    — Ted Hanover to Linda Mason [02:31]

  • Linda expresses her aspirations:

    "Actually, I sing and dance, Mr. Hanover, I want..."
    — Linda Mason [05:00]

  • Ted’s cynicism about show business dreams:

    "That's the story of every star and would-be star on Broadway. Forget it, kid. Marry the florist and raise little orchids."
    — Ted Hanover [05:19]

3. Linda’s Journey to Holiday Inn & Meeting Jim Hardy

• [05:57-07:04] Spurred by Ted’s casual job suggestion, Linda visits the newly purchased Holiday Inn and meets Jim Hardy, who’s recovering from a broken engagement.
  • Jim’s bittersweet humor:

    "You dropped the wrong name, lady. Ted Hanover's about as popular around here as measles."
    — Jim Hardy [06:34]

4. Music as Memory and Connection

• [07:04-10:19] Music is central to the story, both as emotional expression and plot device. The cast delivers a moving performance of "White Christmas," a highlight for both characters and listeners.
  • Memorable song moment:

    "I'm dreaming of a white Christmas, just like the ones I used to know..."
    — Gordon MacRae & Chorus [07:34-10:19]

  • Linda’s reflection on song and memory:

    "For each moment there was a song, and for each song there is now a memory."
    — Linda Mason [02:00], revisited later

5. Romantic Entanglements & Rivalries

• [11:01-17:28] Ted attempts to reconnect after being jilted, complicating relationships at the inn. Jim invites Linda to perform on New Year’s Eve, which strengthens their bond—but Ted remains a disruptive presence.
  • Ted’s announcement:

    "I'm coming to Holiday Inn, see? I'm going to help you open the place up. We'll get it open for New Year's Eve."
    — Ted Hanover [11:39]

6. New Year's Eve & The Dance that Changes Everything

• [16:30-18:44] The holiday festivities at the inn are energetically portrayed through music and dance, culminating in a pivotal dance between Ted and Linda, setting off the love triangle.
  • Jim's pointed comment:

    "Yeah, it's a great finish to a lot of things."
    — Jim Hardy [17:31]

7. Showbiz Satire and Song Highlights

• [20:30-25:49] The inn’s calendar-themed shows continue (including the “Abraham” number for Lincoln’s Birthday, though performed in blackface—a historical note reflecting the period).
  • The recurring motif:

    "Be careful, it's my heart..."
    — Gordon MacRae [24:26, 34:09]

8. Ambition vs. Belonging: Hollywood Calls

• [27:18-34:41] Holiday Inn’s format attracts a Hollywood director, but Jim is reluctant to sell out or lose Linda, leading to a dramatic confrontation. Linda eventually leaves for Hollywood with Ted, feeling adrift.
  • Jim’s resignation:

    "Well, okay, You've wrecked everything now anyhow. Take the idea, take the music, take Linda, take the whole darn thing. Both of you, do me a favor, will you? Stay away from me from now on."
    — Jim Hardy [30:34]

9. Finale: Real Love and Holiday Homecoming

• [34:41-41:24] Linda, dissatisfied with Hollywood and Ted, contemplates marriage to him out of convenience, but neither can escape their true feelings. On the film set, Jim appears—rekindling their love.
  • The joyful reunion:

    "I came to get you and take you home to Holiday Inn."
    — Jim Hardy [40:47] "I'm going to marry Jim, Ted. I'm going to marry Jim. I'm sorry, but it's the only right way for this story to end."
    — Linda Mason [41:17]

10. Closing Wishes

• [44:01-44:30] Gordon MacRae closes with holiday wishes, echoing the generous spirit of the season and the radio era’s embrace of shared family moments.

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Notable Quotes by Timestamp

| Timestamp | Speaker | Quote | |-----------|------------------|-----------------------------------------------------------------------| | 00:00 | Narrator | "Tonight, the association of American Railroads presents the gay white Christmas musical, Holiday Inn." | | 02:31 | Ted Hanover | "Excuse me. Do you usually go around like that or are you waiting for someone to throw in a fish?" | | 05:19 | Ted Hanover | "That's the story of every star and would-be star on Broadway. Forget it, kid. Marry the florist and raise little orchids." | | 06:34 | Jim Hardy | "You dropped the wrong name, lady. Ted Hanover's about as popular around here as measles." | | 07:34 | Gordon MacRae & Chorus | "I'm dreaming of a white Christmas, just like the ones I used to know..." | | 11:39 | Ted Hanover | "I'm coming to Holiday Inn, see? I'm going to help you open the place up. We'll get it open for New Year's Eve." | | 17:31 | Jim Hardy | "Yeah, it's a great finish to a lot of things." | | 24:26 | Gordon MacRae | "Be careful, it's my heart..." | | 30:34 | Jim Hardy | "Well, okay, you've wrecked everything now anyhow. Take the idea, take the music, take Linda, take the whole darn thing. Both of you, do me a favor, will you? Stay away from me from now on." | | 40:47 | Jim Hardy | "I came to get you and take you home to Holiday Inn." | | 41:17 | Linda Mason | "I'm going to marry Jim, Ted. I'm going to marry Jim. I'm sorry, but it's the only right way for this story to end." | | 44:01 | Gordon MacRae | "All of us who helped to bring you the Railroad Hour join with our guest stars and the American railroads in sincere wishes that you will have a merry Christmas and a truly happy holiday season." |

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Important Musical Segments (Selected Timestamps)

• Happy Holiday (Opening/Recurrences): [01:52], [03:02], [12:26], [14:33]
• White Christmas: [07:34-10:19], [38:55-40:59]
• Let's Start the New Year Right: [15:10-16:23]
• Abraham (Lincoln’s Birthday Number): [21:23-23:47]
• Be Careful, It's My Heart: [24:26-25:53], [33:53-34:41], [35:30-35:42]
• I've Got Plenty to Be Thankful For: [36:42-37:46]

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Tone & Language

The episode captures the theatrical, emotionally resonant tone of mid-20th-century radio drama—with playful banter, heartfelt ballads, and dramatic farewells. Dialogue is earnest and sometimes zany, but always warm and inviting—fitting for a holiday-themed broadcast intended for family listening.

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Summary for New Listeners

Holiday Inn on The Railroad Hour is a festive journey through the highs and lows of show business romance, set against a backdrop of iconic holiday songs. It’s a classic love triangle with wit, charm, and a carousel of Irving Berlin melodies, culminating in the timeless message that home and heartfelt connection matter more than fame or ambition.

This episode is a nostalgic treat rich in music, humor, and heart, perfect for savoring the magic of holidays past—and maybe, rekindling a little of that old-time radio warmth at home today.

Transcript

[Narrator]

Ladies and gentlemen, the Railroad Hour. And here comes our star studded show train. Tonight, the association of American Railroads presents the gay white Christmas musical, Holiday Inn. Starring George Murphy, Martha Tilton, Jerome Cowan, and your host, Gordon MacRae. Our choir is under the direction of Norman Luboff and the music is arranged and conducted by Carmen Dragon. Yes, tonight, another great musical success is brought to you by the American railroad. The same railroads that also bring you most of the food you eat, the clothes you wear, the fuel you burn, and all the other things you use in your daily life. And now Here is Gordon McRae.

[Jim Hardy]

Thank you very much, ladies and gentlemen. Well, tonight it is our particular pleasure to bring you Paramount Pictures delightful musical Holiday Inn with its Great score by Mr. Irving Berlin as the lovely leading lady of the piece. You will hear Ms. Martha Tilton. Mr. Jerome Cowan appears as the agent, Danny, who handles the careers of Ted Hanover and Jim Hardy, played respectively by Mr. George Murphy and myself. And so for the next 45 minutes, come with us and have a happy holiday.

[Chorus/Singers]

Happy Holiday Happy Holiday.

[Linda Mason]

Looking back, I see that each of the moments I treasure and remember melody. Because for each moment there was a song, and for each song there is now a memory. Happy Holiday takes me back to the beginning. One year ago, Christmas time. I was working in a florist shop and all of a sudden the door opened and Ted Hannover walked in. He was whistling. Oh, was I surprised. The most famous dancer on Broadway doesn't walk into a shop every day. I just stood there with my mouth open.

[Ted Hanover]

Excuse me. Do you usually go around like that or are you waiting for someone to throw in a fish?

[Linda Mason]

Well, I'm sorry, Mr. Hanover. I just never expected to see you.

[Ted Hanover]

Oh, you know who I am?

[Linda Mason]

Oh, yes, I know who you are, all right.

[Ted Hanover]

Well, I'd like some orchids, the finest in the house.

[Linda Mason]

A corsage?

[Ted Hanover]

No, no, I want a dozen so she can pin them any place she wants.

[Linda Mason]

Oh, all right.

[Ted Hanover]

Oh, you know that song, huh? We're using that in Iraq.

[Linda Mason]

Well, I only know the beginning.

[Chorus/Singers]

Happy holiday Happy hol.

[Ted Hanover]

While the merry.

[Chorus/Singers]

Bells keep ringing May your every wish.

[Linda Mason]

Come true Happy holiday.

[Chorus/Singers]

Happy holiday May.

The calendar keep ringing Happy holidays to.

[Ted Hanover]

You if you're burdened down with trouble if your nerves are wearing thin Pack your load down the road Come to.

[Chorus/Singers]

Holiday Inn if you're laid up with.

[Ted Hanover]

The breakdown Thr your vitamin don't get worse Grab your nurse Come to Holiday.

[Chorus/Singers]

Inn Happy Holiday.

Happy holiday.

May the calendar each dreaming Happy holiday to you.

[Linda Mason]

Holiday Inn that's a wonderful sound. It's too bad there isn't any such place.

[Ted Hanover]

Ah, but there is, way out in the wilds of Connecticut. You see, my partner, Jim Hardy just bought it. That's why he wrote that song. It's going to be open just over each holiday and he's going to have a big floor show that ties in with that season.

[Linda Mason]

Oh, that's a wonderful idea.

[Ted Hanover]

Sure it is. Sure it is. If you have an affinity for the carrot and the field mouse. Personally, I loathe the country. Hey, how about the orchids?

[Linda Mason]

Oh, yes, Mr. Hanover, I'll have them wrapped in. Just a minute here. Mr. Hanover, as long as you're in the shop. And you have such a kind face.

[Ted Hanover]

Now look, young lady. Look, I'm getting married tomorrow. The lady is waiting and at the moment she's engaged to my partner and we have to explain things to him so he'll understand, you see. And we also have a show to do in an hour, so please make with the package, if you don't mind.

[Linda Mason]

I am, but I can talk while I'm rapping. You see, this is really just a part time job. Actually, I sing and dance. Mr. Hanover, I want.

[Ted Hanover]

I know, I know. You studied dancing since you were a little child. You spent long weary hours in every theatrical agency on Broadway. But just now I have to get back to the club and get on with.

[Linda Mason]

How did you know all those things about me?

[Ted Hanover]

My dear, that's the story of every star and would be star on Broadway. Forget it, kid. Marry the florist and raise little orchids. Then you won't get your heart broken.

[Linda Mason]

Well, okay. Here's your package at $36 special rate because you bought by the dozen.

[Ted Hanover]

Oh, thank you. Here, you may keep the change. Say, if you really want a job, why don't you take a run up to Connecticut and see Jim Hardy? Our act's folding tonight and he'll be up there tomorrow.

[Linda Mason]

Thanks, Mr. Hanover. Thank you very much.

[Ted Hanover]

Oh, don't mention it. Happy Holiday.

[Linda Mason]

Happy Holiday. I didn't realize then how much that song would come to mean to me. The next day I invested a little money in a train ticket and went up to Connecticut and knocked on the door of Holiday Inn. Jim opened the door.

[Jim Hardy]

Well, hello. Santa Claus is a day early this year, I see. Come in, come in.

[Linda Mason]

Mr. Hardy?

[Ted Hanover]

Yeah.

[Jim Hardy]

Here, let me help you out with those things.

[Linda Mason]

Thank you. It was a cold ride up from the station. I'm Linda Mason, Mr. Hardy.

[Jim Hardy]

Well, I'm glad to know you, Linda.

[Linda Mason]

I happened to run into Ted Hanover and he Suggested I come to see you about maybe getting a job in the show.

[Jim Hardy]

You dropped the wrong name, lady. Ted Hanover's about as popular around here as measles.

[Linda Mason]

Oh, well, you can't blame a girl for trying. You see, I work in a florist shop. And yesterday Mr. Hanover walked in and asked for a dozen orchids.

[Jim Hardy]

Yeah, and today the girl that I was going to marry yesterday is wearing them. Oh, that beautiful Lila.

[Linda Mason]

Oh, I'm sorry.

[Jim Hardy]

Oh, it's all right. It's all right. I'll get over it. I'd rather she made him unhappy than me.

[Linda Mason]

Well, when are you going to open the inn?

[Jim Hardy]

New Year's Eve. Did that wolf in tap shoes tell you the idea of the inn? You see, I've written some special music for each holiday.

[Linda Mason]

Why, no. I had no idea you were a composer, too.

[Jim Hardy]

Well, I had hoped to get the inn open tonight. I'd written a special song for the occasion, but I just couldn't make it by Christmas.

[Linda Mason]

Oh, I'd love to hear the song.

[Jim Hardy]

You would? Well, fortunately, I happen to have a piano handy. I live for moments like this I'm.

[Gordon MacRae]

Dreaming of a white Christmas.

[Chorus/Singers]

Just like.

[Gordon MacRae]

The ones I used to, you know where the treetops glisten and children listen to hear sleigh bells in the snow I'm dreaming of a white Christmas with every Christmas card I rise May your days be merry and bright and may all your Christmases be wise that's a beautiful song.

[Jim Hardy]

You like it?

[Narrator]

Well, come on, sing it with me.

[Gordon MacRae]

I'm dreaming Of a white Christmas Good.

[Chorus/Singers]

Just like Just like the ones I.

[Jim Hardy]

Used to know where the treetops glisten.

[Linda Mason]

Where the treetops glisten and children listen and children listen to hear, to hear.

[Chorus/Singers]

Label in the snow I.

[Linda Mason]

Dreaming of.

[Chorus/Singers]

A white Christmas.

With every Christmas card I write.

[Gordon MacRae]

May your days be merry.

[Chorus/Singers]

And bride.

[Gordon MacRae]

And may all your Christmases.

[Chorus/Singers]

Be wise.

[Jim Hardy]

Hello, Linda.

[Linda Mason]

Hello, Jim.

[Jim Hardy]

Would it be all right at this early date if I said Merry Christmas?

[Linda Mason]

Well, it is rushing this season, but it sounds beautiful.

[Jim Hardy]

You know, I like your voice. Maybe. Oh, pardon me a moment, Linda. Hello?

[Ted Hanover]

Oh, hello, Jim. This is Ted.

[Jim Hardy]

Goodbye, Ted.

[Ted Hanover]

No, no, no. Now, Jim, wait a minute. Wait a minute. Don't hang up on me. You don't know what I've been through.

[Jim Hardy]

Nothing trivial, I hope.

[Ted Hanover]

Jim, look, I want to reach a wire that just came. You remember Lila, don't you?

[Jim Hardy]

Oh, yes, yes, I remember Lila.

[Ted Hanover]

Well, the wire's from her. I was supposed to meet her at the license bureau at City hall, but she sent a Western Union boy in her place.

[Jim Hardy]

Well, congratulations. I hope you two will be very, very happy.

[Ted Hanover]

Now, Jim, look, don't choke. This is the wire. She says, sorry, darling, but flying to Texas tonight to marry the most wonderful millionaire in the world. Hope you find a new partner soon. Love, Lila.

[Jim Hardy]

Well, that's life.

[Ted Hanover]

No, that's Lila. Jim, look, I'm coming to Holiday Inn, see? I'm going to help you open the place up. Now, we'll get it open fire by New Year's Eve. We'll put on a big show.

[Jim Hardy]

Now, take it easy. No, thanks, Ted. I've already got my show lined up.

[Ted Hanover]

Oh, but, Jim.

[Jim Hardy]

So long, Ted. I'm sorry, Linda. That was just a fellow who got the wrong number. Linda, would you like to open here with me on New Year's Eve?

[Linda Mason]

Oh, thank you. You know, I'd love to. Maybe there is a Santa Claus after all.

[Jim Hardy]

Well, could it be me?

[Linda Mason]

Well, Ted Hanover did send me here.

[Jim Hardy]

Yeah, well, I'll tell you one thing. It's the first good turn he's ever done me.

[Linda Mason]

Oh, it's going to be such fun to be a part of Holiday Inn.

[Jim Hardy]

You're right.

[Gordon MacRae]

Cause if you're burdened down with trouble, if your nerves are wearing thin, pack your load down.

[Chorus/Singers]

Let us come to Holiday Inn. Happy Holiday.

Happy Holiday.

Happy Holiday. Happy Holiday. In the calendar. Keep ringing. Happy hol.

[Narrator]

Well, here we are, starting on that last week just before Christmas, the week that's likely to get pretty frantic for.

[Jim Hardy]

A lot of us.

[Narrator]

There's that shopping that hasn't been done yet, and the gift wrapping and the last minute Christmas mailing. If you didn't follow the good sound rule of mailing early. And then there's a lot of decorating and a lot of preparing for Christmas dinner and, oh, a dozen or two other things that have to be done. Yes, it takes a lot of planning as well as a lot of doing to get ready for Christmas. It started weeks, even months ago. The producers began to turn out their materials. The manufacturers to make their goods, the merchants to stock their shelves. And all through that process, you'd find railroads doing their indispensable part, bringing the raw materials together at the place of manufacture, hauling the fuel, and bringing in the food and the other supplies needed to keep the work going. Distributing the product, delivering the goods all over this land. During all these weeks and months, you might not have been on a train. You probably didn't go into a railroad freight house, but just the same, the railroads were working for you all to the end. That so Far as transportation is concerned, you might lack nothing which could help to make this a Merry Christmas. And now back to Holiday Inn, starring George Murphy, Martha Tilton, Jerome Cowan, and your host, Gordon McRae.

[Chorus/Singers]

Happy holiday. Happy holiday.

[Linda Mason]

Yes, for each moment there was a song, and for each song there is now a memory. On New Year's Eve, Holiday Inn was jammed with people. After the first floor show, Jim and I went out in the kitchen and helped dish salads onto plates. I remember looking at Jim and thinking, this really is the beginning of a new year in my life.

[Jim Hardy]

Any for those thoughts?

[Linda Mason]

Oh, well, I was just thinking it's almost the new year.

[Jim Hardy]

Yeah, those old hands are practically straight up, aren't they?

[Gordon MacRae]

One minute to midnight One minute to go One minute to say goodbye before we say hello let's start the new.

[Chorus/Singers]

Year right 12 o' clock tonight when they dim the light let's begin.

[Gordon MacRae]

Kissing the old year round Kissing the new year let's watch the old year die.

[Chorus/Singers]

With a fond goodbye and our hopes as high as a kite how can our love go wrong.

[Gordon MacRae]

If we start the new year.

[Chorus/Singers]

Rise?

[Jim Hardy]

Hey, that sounds like it. Come on, let's get out on that dance floor.

[Linda Mason]

All right.

[Chorus/Singers]

Happy New Year, everybody. Hello. Hello, Jim, old pal, old friend, old pain in my neck.

[Jim Hardy]

Hey, Ted, what are you doing out here at Holiday Inn?

[Chorus/Singers]

Happy New Year. Hiya, baby. Hiya.

[Linda Mason]

Good evening, Mr. Hanover.

[Jim Hardy]

Now, look, Ted, you're a little the worse for alcohol. How about going upstairs and lying down?

[Chorus/Singers]

Oh, no, no, I don't want to go upstairs.

[Ted Hanover]

Come on, little girl, Come on. How about a little dance with old Ted Hanover, huh?

[Jim Hardy]

Oh, no. Come on, Linda.

[Linda Mason]

It's all right, Jim, I don't listen to that music.

[Ted Hanover]

Just listen and get with it.

[Chorus/Singers]

A.

[Jim Hardy]

That's a baby.

[Ted Hanover]

That's a baby. Just glide it.

[Chorus/Singers]

Just glide.

[Jim Hardy]

Hey, there's Ted Henover and his new partner.

[Chorus/Singers]

Thank you, thank you, thank you, thank you. Oh, Mr. Hanover.

[Linda Mason]

Jim.

[Jim Hardy]

He's okay, Linda.

[Linda Mason]

I'll take care of him whether he's sober or not. I never dance with anyone like that.

[Ted Hanover]

Hey, that's a great finish to that number, Hanover.

[Jim Hardy]

Yeah, it's a great finish to a lot of things. Happy Holiday Happy holiday.

[Chorus/Singers]

Oh, no, no, no, no, not that.

[Ted Hanover]

Who's making that awful noise? I am.

[Danny (Agent)]

Ted, it's me, your agent. Danny, open your eyes and look at me.

[Chorus/Singers]

Oh, no, no.

[Ted Hanover]

I'm afraid might make me ill. Danny, what do you want? 10% of this headache?

[Danny (Agent)]

I don't need it. I got one of my own.

[Jim Hardy]

I was with you last night.

[Chorus/Singers]

Well, well, well, well.

[Jim Hardy]

Is Junior coming, too?

[Ted Hanover]

Oh, hello, Jim. Jim, where did you get that extra head?

[Jim Hardy]

Oh, I. I always wear it in case one goes out on me.

[Howard Dunbar (Director)]

Oh.

[Ted Hanover]

Oh, Danny. Danny boy. Where am I?

[Jim Hardy]

At Holiday Inn.

[Ted Hanover]

Well, where are you?

[Narrator]

Who, me?

[Danny (Agent)]

I'm at Holiday Inn, too.

[Ted Hanover]

Jim.

[Jim Hardy]

Me too. Here with the rest of you, huh?

[Ted Hanover]

Crowded, isn't it? Hey, how did I get here?

[Jim Hardy]

Well, I'll tell you a long story. Last night was New Year's Eve.

[Chorus/Singers]

Oh, yes.

[Ted Hanover]

Now it comes back to me. Now I remember.

[Jim Hardy]

You know, that's too bad about Lila. But on the whole, I think you're better off doing a single.

[Ted Hanover]

Oh, no, no, boy. Boy, I got to have a partner.

[Jim Hardy]

Well, aren't you tired of getting partners and falling in love with them and losing them?

[Danny (Agent)]

I don't know why you didn't tell me you had a new girl on the leash.

[Ted Hanover]

A new girl?

[Danny (Agent)]

Yeah, the one you were dancing with last.

[Jim Hardy]

She was terrific.

[Ted Hanover]

Now, wait a minute, wait a minute, wait a minute. Was I dancing last night?

[Danny (Agent)]

Why, you got the best hand of your life.

[Ted Hanover]

No kidding.

[Danny (Agent)]

I couldn't get close enough to see the girl's face, but her figure.

[Chorus/Singers]

Yeah.

[Ted Hanover]

You didn't get close, though?

[Jim Hardy]

No, no.

[Danny (Agent)]

The closest I was was when she was leaving the dance floor. I only saw her then from the back. She was about this. I mean, she has a. Well, if I ever saw her from the back again, I'd recognize her. You saw her, Jim.

[Jim Hardy]

You describe her. Who? Who, me? Well, I wasn't watching very closely. She was medium. Medium built sort of girl with a medium face. She had an evening gown on with a. With a medium kind of belt in the back. Just a medium girl? Yeah. Built like a former girlfriend of mine named Consuela Schlepkiss. Yeah, that Consuela was all right. Used to play the pinball machine a lot down at the corner drugstore. Why, I remember one time she was high man. Three weeks in a row. Oh.

[Narrator]

Oh, that's dandy.

[Jim Hardy]

Thanks. Help. That helps a lot. Oh, I'm happy to help you out anyt, Danny. I'll do as much.

[Ted Hanover]

I want to tell you something, boys. She'll be back. A chance meeting in the night. Destiny drawing two pairs of feet together. No woman could pass up a chance life. She'll be back next holiday, and I'll be here waiting.

[Jim Hardy]

Oh, you. You will, huh?

[Ted Hanover]

Yes, I will, huh.

[Jim Hardy]

Okay, it's your time. Waste it. I'll see you.

[Linda Mason]

Hello, Jim. Well, I've got my overnight case packed all ready to go back to the city. In the florist shop.

[Jim Hardy]

Linda, I. I've been thinking about that Lincoln's birthday number. I've decided we better do it in blackface.

[Linda Mason]

Blackface?

[Jim Hardy]

You and I, the chorus. And everyone in Blackfoot.

[Linda Mason]

I went back to New York. A whole lot of things all mixed up in my mind. The excitement of dancing with Ted Hanover and the excitement of singing with Jim. And most of all, the excitement of just being around Jim. I could hardly wait for Lincoln's birthday. But at last it came, and once more I was with Jim on the stage of Holiday Inn in blackface.

[Chorus/Singers]

There's a man who's the pride of this great nation the man who's the cause of this celebration.

[Narrator]

And they call.

[Chorus/Singers]

Him Abraham Abraham Abraham Abraham on the.

[Gordon MacRae]

February morning Tiny baby boy was born.

[Chorus/Singers]

Abraham Abraham when he growed up this tiny babe the folks all called him Honest Abe Abraham o Abraham in 1860 he became the 16th president now he's in the hall of Fame the most respected camp that is why we celebrate.

[Gordon MacRae]

This blessed February date Abraham.

[Chorus/Singers]

Abraham what country's going to. The dogs shouted loud and long and from a cabin made along the right.

Plan Came along the USS United States thanks to one whose name was Nancy.

Haynes what's his name?

[Linda Mason]

Abraham.

[Chorus/Singers]

Abraham he gave his friends and the finest son who ever went to Washington Abraham Abraham oh, Abraham when someone told him General Grant was drinking every night he answered go see if you can't get all my generals tied that's why we celebrate this blessed February day Abraham was a real fine man.

[Linda Mason]

That was Lincoln's birthday Jim and me in blackface. And let me tell you, even with charcoal all over his kisser, he was something to start a girl dreaming. I couldn't wait to get back to the inn on St. Valentine's Day. And I was there early in a brand new dress Wearing my heart on.

[Jim Hardy]

My sleeve hey, you really look like something dreamed up for the occasion.

[Linda Mason]

Thank you. Oh, the inn looks beautiful.

[Jim Hardy]

You like those cupids? I posed for them myself.

[Linda Mason]

I thought they looked familiar.

[Jim Hardy]

Come over to the piano. I've got a valentine for you.

[Linda Mason]

What is it?

[Jim Hardy]

Well, you just stand there by the piano and listen.

[Ted Hanover]

Listen.

[Jim Hardy]

This is for you. For me? Honey, I mean every word.

[Gordon MacRae]

Be careful. It's my heart. It's not my watch you're holding it's my heart.

[Linda Mason]

Oh, Jim.

[Chorus/Singers]

It's not the note I sent you.

[Gordon MacRae]

That you quickly burned it's not the.

[Chorus/Singers]

Book I lend you.

[Gordon MacRae]

But you never return so remember it's my heart.

[Ted Hanover]

The.

[Gordon MacRae]

Heart with which so willingly I Part, it's yours to take, to keep or break but please, before you start Be careful, it's my heart.

[Chorus/Singers]

Be careful, it's my heart.

[Jim Hardy]

Oh, fine, fine.

[Ted Hanover]

Mr. Hanover, that's not my watch you're holding. It's my heart.

[Jim Hardy]

How in the world did you get out here again?

[Ted Hanover]

Now, just keep playing, Beethoven.

[Jim Hardy]

Just keep playing.

[Ted Hanover]

Come on, baby, let's finish that dance. We start at New Year's Eve. You know, I've been hunting for you ever since New Year's Eve.

[Linda Mason]

You have? Well, I've been right here.

[Ted Hanover]

You have?

[Chorus/Singers]

Jim.

[Linda Mason]

Jim.

[Jim Hardy]

Okay, okay. Two of you finally got together, and I'm sure neither one of you need me anymore.

[Linda Mason]

Jim.

[Ted Hanover]

Oh, Jim, don't be such a churro, whatever that is. Don't pay any attention to him. He's just jealous because I always take his girls away from him. Now, can I help it if he isn't attractive to women?

[Linda Mason]

I can't believe Jim would act like that.

[Ted Hanover]

Say, say, wait a minute. Where have I seen you before? I mean, before New Year's.

[Linda Mason]

I sold you some orchids, of course.

[Ted Hanover]

You're the girl in the flower shop. Well, well, it's a small world, isn't it, huh? Well, come on, we'd better start practicing. You and I are going to dance together tonight. Tonight and every night from now on.

[Linda Mason]

From that moment, things changed between Jim and me. Oh, we went on doing shows together at Holiday Inn. But from that day, I was dancing with Ted, not singing with Jim. The holidays were far from happy. Then Easter was a bust. May Day was dark and rainy. June, the month of brides, was completely grim. And then came the 4th of July. Ted kept asking me to start out on the road with him with our numbers. But I didn't want to leave Holiday Inn. Finally, I decided to ask Jim what was wrong.

[Jim Hardy]

Wrong? What could be wrong? Everything's just dandy. Look, you. You better get in your costume. It's almost time for your number.

[Linda Mason]

Something's wrong, and I want to know what it is.

[Jim Hardy]

Look, once I was in love with a girl. We were planning to get married, and all of a sudden, a big change set in. She decided Ted was what she wanted, and that was that. Once is enough for that to happen to me. I'm not sticking my fingers in the fire anymore.

[Linda Mason]

Do you think I'm like that?

[Jim Hardy]

Well, I haven't noticed any indications of you being any different.

[Linda Mason]

Well, I'm very happy to know what you think of me.

[Jim Hardy]

Now, listen, kid, this is a big night in your life. Danny has one of the Biggest directors in Hollywood in the audience. And you and Ted are practically on your way west right now.

[Linda Mason]

Well, maybe they. They won't like us.

[Jim Hardy]

Oh, they'll like you. You're great. Together or separately. When they see that ballroom number and that Fourth of July solo of Ted's, all you have to do is make your reservations on the Super Chief. And by the way, that's all right with me, too.

[Linda Mason]

Well, okay. That's all right with the show. That night was sensational. It closed with Ted doing his solo, and the way it went over should have impressed even the toughest Hollywood director.

[Jim Hardy]

That was really great, Ted.

[Chorus/Singers]

Thank you. Thank you, Jim.

[Danny (Agent)]

Oh, Ted, you were sensational.

[Jim Hardy]

You too, Linda.

[Linda Mason]

Thanks, Danny.

[Danny (Agent)]

Folks, I want you to meet Hollywood's greatest picture director, Mr. Howard Dunbar.

[Howard Dunbar (Director)]

Mason.

[Danny (Agent)]

Nice to meet you, Mr. Dunbar. This is the greatest dance team in the business, Hanover and Mason.

[Howard Dunbar (Director)]

Yeah, that really was a show.

[Chorus/Singers]

Oh.

[Danny (Agent)]

Oh, this is the owner of Hollywood Inn, Jim Hardy. Say, Jim, is there some place that's quiet where Mr. Dunbar and I can discuss business?

[Jim Hardy]

Well, you can go right over there in my office.

[Howard Dunbar (Director)]

Well, as a matter of fact, Danny, it's Mr. Hardy. I'd really like to talk to him.

[Ted Hanover]

Jim has a great voice, hasn't he, Mr. Dunbar?

[Howard Dunbar (Director)]

Well, his voice is fine, all right, but it's the idea of Holiday Inn that interests me. I think there's a picture in it. We could do a story around two guys and a girl and use all the special songs you've written, Mr. Hardy.

[Ted Hanover]

Hey, that's a sensational idea.

[Danny (Agent)]

Well, now, Mr. Dunbar. Of course, considering the originality of the.

[Ted Hanover]

Idea, we've got to get a pretty good price.

[Jim Hardy]

Now, wait a minute, Danny. Don't let your 10% run away with you. Thanks for the offer, Mr. Dunbar, but I'm not interested in selling. Not interested?

[Danny (Agent)]

Jim, are you out of your mind? It's the heat, Mr. Dunbar's heat. He hasn't been himself all day.

[Ted Hanover]

The ideas are natural for pictures, Jim.

[Howard Dunbar (Director)]

Well, of course we'd starve Mr. Hanover and his partner in the picture.

[Jim Hardy]

I'm not interested in selling.

[Howard Dunbar (Director)]

Well, that's up to you.

[Ted Hanover]

Well, now, wait a minute, Jim. Wait a minute. Don't be in such a hurry.

[Danny (Agent)]

Can you be decent for once in your life and let somebody else around here have a chance?

[Jim Hardy]

You had to louse this up for me, too, didn't you, Ted? Whether it's a girl or an idea or a song or even a new hat, as soon as I get it, you want it. And you usually get it, too, don't you?

[Ted Hanover]

Oh, now, Jim. Jim, you're my best friend.

[Jim Hardy]

Yeah, yeah, I always have been. But you always seem to wind up my worst enemy. Well, okay, You've wrecked everything now anyhow. Take the idea, take the music, take Linda, take the whole darn thing. Both of you, do me a favor, will you? Stay away from me from now on.

[Ted Hanover]

Okay, Mr. Sorehead, if that's the way you wish it.

[Howard Dunbar (Director)]

Well, Mr. Hardy, we'll want you in Hollywood, too, to write the music.

[Jim Hardy]

No, thanks. I'll write the music here and send it to you.

[Linda Mason]

Jim, if you'd only listen to me.

[Jim Hardy]

What do you want now, Linda? Should I throw in my shirt, too?

[Danny (Agent)]

There's the next show.

[Jim Hardy]

Yeah. Happy holiday and many of them.

[Narrator]

Earlier this evening, we were talking about the planning and preparation which goes into making the Christmas season what it is for a lot of us. One of the high spots of that season will be a trip. For Christmas is the traditional reunion season of the year. It's the time when all members of the family gather happily together in one home, enjoying to the full the warm, friendly spirit of Yuletide. That's why, weeks and months ago, railroads began to plan and prepare for the increased travel which Christmas brings. It was necessary first to figure ahead as closely as possible how many of you would travel and where and when. The next step was to line up the extra cars and the extra trains that will be needed. That means also lining up the extra people that will be needed to run them and making the necessary arrangements in busy terminals to get the trains in and out promptly and to take care of the crowds. Many of these things can be planned ahead on the basis of experience and expectation. But then there comes along sometimes the unexpected weather. For example, a storm, snow, fog, icy roads would mean that a good many of you who plan to travel some other way might change your minds when the time comes to go and decide to go in the warmth and comfort and safety of the train. And if that should happen, the railroads will do their best to take care of you, too. So the railroads are making ready to carry you and your family on your Christmas journey. And they hope that many of you will ride with them. But no matter how you go, they wish you a safe journey and a joyous reunion at journey's end. The railroad hour show train will return in just a moment after a brief pause for station identification. Now to Act 3 of Holiday Inn, starring George Murphy, Martha Tilton, Jerome Cowan, and your host, Gordon McRae.

[Ted Hanover]

My heart.

[Chorus/Singers]

The heart with which so willingly I find.

[Linda Mason]

It'S Yours to take, to keep or break.

[Chorus/Singers]

But please, before you start, Be careful. It's my heart.

[Linda Mason]

And so Ted and I went to Hollywood, and Jim stayed at Holiday Inn. I was lonely in rooms crowded with people. I was impatient with voices that drift with compliments. I was heartsick and completely without heart. Nothing mattered very much.

[Ted Hanover]

Linda. You know, we're getting to be quite an item in the gossip column.

[Linda Mason]

Are we, Ted?

[Howard Dunbar (Director)]

You bet we are.

[Ted Hanover]

How about giving them something really concrete to write about? Like, say, a wedding date?

[Linda Mason]

I'm not in love with you, Ted.

[Ted Hanover]

But I'm in love with you.

[Linda Mason]

You always fall in love with your dancing partner.

[Ted Hanover]

I've never been in love like this before. Why don't you marry me and let me try to make you happy? We go so well together. We dance well, we talk well, we look well.

[Linda Mason]

It all goes to show you how deceiving appearances can be, doesn't it?

[Chorus/Singers]

Be careful. It's my heart. It's not my what you're holding, it's my.

[Linda Mason]

Ted, stop singing that song.

[Ted Hanover]

Oh, there's no use living in the past, Linda. The past is over. You might as well put your mind and heart in the future.

[Linda Mason]

I know you're right. I know it's the sensible thing to do. I haven't even heard a word from him.

[Ted Hanover]

Come on, make a new life for yourself, Linda. Marry me.

[Linda Mason]

You really want to marry me, knowing how I feel?

[Jim Hardy]

Yes.

[Ted Hanover]

I'm sure that you'll get over how you feel now, Linda. Every torch burns itself out eventually.

[Linda Mason]

All right, Ted.

[Chorus/Singers]

Ted.

[Linda Mason]

All right.

[Jim Hardy]

Christmas.

[Linda Mason]

Christmas.

[Ted Hanover]

Marry me. Christmas day.

[Linda Mason]

All right, all right. Christmas Day. And so Ted and I planned a wedding for Christmas Day. And back at Holiday Inn, Jim sat alone, listening to a record he had made of a Thanksgiving song. He sat by himself, talking back to the record.

[Ted Hanover]

Okay.

[Jim Hardy]

Sing it good, Pappy, and cheer me up.

[Gordon MacRae]

I've got plenty to be thankful for.

[Jim Hardy]

Are you kidding?

[Gordon MacRae]

I haven't got a great big yacht to sail from shore to shore Still, I've got plenty to be thankful for.

[Jim Hardy]

Hey, you really loaded, dad?

[Gordon MacRae]

I've got got plenty to be thankful for.

[Jim Hardy]

So, like what?

[Gordon MacRae]

No private car, caviar, carpet on my floor? Still, I've got plenty to be thankful for.

[Jim Hardy]

Why don't you go out there and tell her you love her, you jughead.

[Gordon MacRae]

Got eyes to see with need glasses, ears to hear with Big enough to fly with arms to hug with, lips to kiss with, someone to adore.

[Jim Hardy]

You're a little flat.

[Chorus/Singers]

How could anybody ask for more?

[Jim Hardy]

Getting anywhere sitting here My needs Are.

[Chorus/Singers]

Small I buy them all at the.

[Gordon MacRae]

5 and 10 cent store worst you.

[Jim Hardy]

Can do is say no.

[Gordon MacRae]

I've got plenty to be thankful for.

[Jim Hardy]

Get on a train, you chowder head.

[Chorus/Singers]

I've got plenty to be thankful for.

[Linda Mason]

On the night before Christmas we shot the last scene of Holiday Inn. I walked on the set and there was the end, just as it had been on the day I walked in and asked him for the job. There was the Christmas tree and piano. There was everything just as it was. All the props were there, only the people were different. I wandered around touching things until the director said.

[Howard Dunbar (Director)]

All right, darling, now you come in with a sleigh and we'll follow you on the boom from outside into the in. And when you get there, go to the piano and do your song. You just make me cry when you sing it. And I'll get you out of here early so you can start getting ready for that wedding.

[Linda Mason]

Yes, Mr. Dunbar.

[Ted Hanover]

All right.

[Howard Dunbar (Director)]

Ready for a run through.

[Chorus/Singers]

Christ Ram of a white Christmas.

Just like the ones I used to know.

Where the treetops glisten.

[Linda Mason]

And children listen to hear.

[Chorus/Singers]

Sleigh bell in the snow.

[Gordon MacRae]

With every.

[Chorus/Singers]

Christmas card I ride Jim, darling, where.

[Linda Mason]

Did you come from?

[Jim Hardy]

I came to get you and take you home to Holiday Inn.

[Linda Mason]

Oh, Jim, I thought you didn't care.

[Jim Hardy]

I thought I never stopped caring.

[Linda Mason]

Oh, Jim, neither did I.

[Chorus/Singers]

And may all your.

[Gordon MacRae]

Christmas.

[Linda Mason]

I'm going to marry Jim, Ted. I'm going to marry Jim. I'm sorry, but it's the only right way for this story to end.

[Ted Hanover]

Well, it's very nice of you to let me know.

[Jim Hardy]

The only way the three of us can ever be happy together.

[Ted Hanover]

Oh, well, I bow to the inevitable gracefully saying the appropriate, the seasonal thing.

[Chorus/Singers]

Happy holiday Happy Holiday Happy Holiday Happy holiday May the calendar be free Happy holiday.

[Jim Hardy]

Thank you, ladies and gentlemen. This is Gordon McRae giving a special thank you to George Murphy, Martha Tilton and Jerome Cowan for guesting with us tonight and to our splendid supporting cast, Jack Edwards and Jess Kirkpatrick. Holiday Inn was adapted for radio by Gene Holloway. Well, next week the show train will arrive in the same tracks and at the same time. On board will be Nadine Connor, Sterling Holloway, Clark Dennis and Francis X. Bushman to join me in bringing you the Sigmund Romberg operetta the Desert Song. And by the way, tonight we we'd like to say welcome to a brand new show which follows us on ABC and will be heard each Monday night hereafter. It's Henry J. Taylor, the famous author and commentator in his program, your Land and Mine. And I'm sure you're going to like it.

[Chorus/Singers]

All aboard.

[Jim Hardy]

Well, it looks as though ready to pull out. And so, until next week, goodbye.

[Narrator]

Holiday Inn was presented through the courtesy of Paramount Pictures, whose current release is the Technicolor production the Pale Face, starring Bob Hope and Jane Russell. George Murphy appeared by arrangement with Metro Goldwyn Mayer, producers of the All Star Technicolor musical words and music based on the lives and music of Rogers and Hart. Gordon McRae appeared by arrangement with Warner Brothers. This is Marvin Miller speaking. The Railroad Hour is brought to you each week at this time by132 Railroads of the United States. Each one of them has its own operations and services. Each one competes keenly with others for business. But all of them work together through the association of American Railroads for the improvement of all railroading and for better service to you friends, this is Gordon MacRae again.

[Jim Hardy]

All of us who helped to bring you the Railroad Hour join with our guest stars and the American railroads in sincere wishes that you will have a merry Christmas and a truly happy holiday season.

[Narrator]

This is abc, the American Broadcasting Company.