Red Skelton Show 41-12-02 (009) Waking Up

Summary

Podcast Summary: "Red Skelton Show 41-12-02 (009) Waking Up"

Podcast Information:

• Title: Harold's Old Time Radio
• Host/Author: Harold's Old Time Radio
• Episode: Red Skelton Show 41-12-02 (009) Waking Up
• Release Date: June 19, 2025
• Description: Relive the charm of the Golden Age of Radio with classic episodes featuring beloved shows like The Shadow, Abbott & Costello, Amos & Andy, Dragnet, and more. Gather your family around the radio to enjoy timeless entertainment before the advent of television.

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Introduction to "Waking Up"

In this delightful episode of Red Skelton Show titled "Waking Up," listeners are immersed in the humorous tribulations of starting the day. Red Skelton, alongside co-stars Ozzie Nelson and Harriet Hilliard, brings to life the chaotic morning routines that many can relate to, all delivered with Skelton's signature comedic flair.

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Main Discussions and Key Points

1. The Morning Struggle Begins ([03:24] - [11:09])

The episode kicks off with Red Skelton addressing the challenges of waking up. Ozzie Nelson initiates the conversation by referencing Red's appearance in Movie and Radio Guide magazine, setting a light-hearted tone.

• Notable Exchange:
  • Ozzie Nelson ([03:27]): "Did you see your picture in Movie and Radio Guide magazine?"
  • Red Skelton ([03:30]): "I certainly did. Oh, that reminds me too. Movie and Radio Guide. Movie and Radio Guide. Movie and Radio Guide."

This playful banter segues into Red's recounting of riding with Santa Claus, highlighting his humorous take on enduring cold weather with "long winter underwear."

• Quote:
  • Red Skelton ([04:03]): "Yeah, I rode with Santa Claus. And I had a nice, warm, comfortable place, too. But those kids kept trying to pull me out of the bag."

2. The Battle with Junior ([11:09] - [19:16])

Harriet Hilliard portrays Junior, Red's persistent spouse, who relentlessly tries to wake him up. Their back-and-forth showcases the comedic tension between wanting to stay in bed and facing daily responsibilities.

• Humorous Interactions:
  • Junior ([07:52]): "Oh, honey, please leave me alone."
  • Red Skelton ([09:06]): "Did you ever notice the trouble that different people have trying to wake up and starting the day off right? Especially in the Skelton family."

Red employs physical comedy and witty remarks to illustrate his reluctance to rise, such as pretending a turtle is in bed or exaggerating the effort needed to wake up.

• Quote:
  • Red Skelton ([10:07]): "Every time I bend over, I hear a lonely shepherd playing."

3. Boarding House Shenanigans ([23:54] - [27:17])

Transitioning to a new sketch, Red Skelton introduces a boarding house scenario where the tenant, portrayed humorously, struggles with waking up and dealing with an overbearing landlord.

• Key Moments:

  • Red's character complains about stubbed toes and broken alarm clocks, adding to the morning chaos.
  • The landlord, played by Truman Bradley, recounts Red's wild antics from the previous night, including attempting to stop a bus with one hand.

• Quote:

  • Red Skelton ([25:21]): "I could eat a horse."

4. Comedic Attempts to Wake Up ([27:17] - [28:38])

Furthering the theme, Red engages in slapstick humor while trying to use an electric razor incorrectly, emphasizing his continuous struggle with waking up.

• Playful Dialogue:
  • Red Skelton ([27:39]): "I ain't piping down. Oh, look, the Wadeo. If I do, I get a weapon."
  • Junior ([28:03]): "You stop putting things in your mouth and go to sleep."

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Notable Quotes with Timestamps

• Red Skelton ([04:17]): "Well, every time I bend over, I hear a lonely shepherd playing."
• Junior ([07:52]): "Oh, honey, please leave me alone."
• Red Skelton ([09:20]): "Clam, get up. It's 4am what are you gonna do, sleep all day?"
• Red Skelton ([13:27]): "I almost froze to death last night. That insurance fella lied to me."
• Red Skelton ([26:16]): "After all, men like Napoleon and Edison only had three hours. They only slept three. Three hours."
• Red Skelton ([25:21]): "I could eat a horse."

---

Insights and Themes

"Waking Up" masterfully captures the universal struggle of morning routines through humor and relatable scenarios. Red Skelton's interactions with co-stars and characters like Junior highlight the comedic tensions within familial settings, making the episode both entertaining and endearing.

The recurring theme of resisting the urge to stay in bed resonates with many listeners, while the exaggerated situations and witty dialogue provide ample laughs. Additionally, the incorporation of physical comedy and situational irony underscores Skelton's versatility as a comedian.

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Conclusion

The "Waking Up" episode of the Red Skelton Show exemplifies the timeless humor of the Golden Age of Radio. Through a series of comedic sketches and playful dialogues, Red Skelton and his co-stars deliver a memorable portrayal of the morning's challenges. This episode not only entertains but also connects with listeners by reflecting everyday experiences with a humorous twist. It's a testament to Red Skelton's enduring legacy in radio comedy, making it a cherished piece for both long-time fans and new audiences alike.

Transcript

[Stiles Mackenzie]

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[Red Skelton]

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[Ozzie Nelson]

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[Red Skelton]

And just a suggestion, why not drop a pack or two of Raleigh's for smokes? For Yanks.

[Ozzie Nelson]

That was Lousy Nelson's version of Dark Eyes. And now here is Metro Golden Mayer's bright young comedian, the star of our show, Red Skelton.

[Red Skelton]

Thank you very much and good evening. Good evening, ladies and gentlemen.

[Ozzie Nelson]

Say, Red.

[Red Skelton]

Yes?

[Ozzie Nelson]

Did you see your picture in Movie and Radio Guide magazine?

[Red Skelton]

Say, I certainly did. Oh, that reminds me too. Movie and Radio Guide. Movie and Radio Guide. Movie and Radio Guide.

[Ozzie Nelson]

Hey, stop yelling that.

[Red Skelton]

I can't. After all, a bargain's a bargain.

[Harriet Hilliard]

I had my picture in a magazine once.

[Red Skelton]

The Maltese Falcon. Yeah. Well, gee, that's really something.

[Harriet Hilliard]

Well, I tell you about my picture in the magazine.

[Ozzie Nelson]

You're doing right for yourself, Skelton, aren't you? I saw you on Hollywood Boulevard last night, riding with Santa Claus.

[Red Skelton]

Yeah, I rode with Santa Claus. And I had a nice, warm, comfortable place, too. But those kids kept trying to pull me out of the bag.

[Ozzie Nelson]

Sir. Red didn't you get cold riding with Santa Claus?

[Red Skelton]

No, I was wearing my long winter underwear. It's all wool, you know.

[Ozzie Nelson]

Well, you didn't pay very much for that long underwear. So how do you know it's all wool?

[Red Skelton]

Well, every time I bend over, I hear a lonely shepherd playing.

[Ozzie Nelson]

Boy, oh, boy. Certainly was raining hard when you were in that Santa Claus parade.

[Red Skelton]

Yeah, but you know, Santa Claus has special reindeers for the California weather. Yeah, yeah.

[Ozzie Nelson]

What are their names?

[Red Skelton]

Dancer, Prancer, Donna Blitzen and Weissmiller.

[Ozzie Nelson]

You know, Red, I noticed that once or twice Santa whispered to you.

[Red Skelton]

Yeah, he was giving me a tip on a reindeer.

[Harriet Hilliard]

I had my picture in a magazine once. I'll never forget.

[Ozzie Nelson]

Say, tell me, Red, does Santa Claus still have all those helpers making those toys up at the North Pole?

[Red Skelton]

No, Santa Claus is a little short of help this year. You see, half of his boys were drafted and the other half are working at Lockheed.

[Junior]

Hi, Red.

[Red Skelton]

Oh, hello, Harriet.

[Junior]

Say, Red, in that Christmas parade, were you riding a horse?

[Red Skelton]

No, I just walked Funny. Say, Hollywood Boulevard really is pretty at this time of the year, isn't it? Did you see all the Christmas trees they have?

[Junior]

Yeah. And do you know every one of those Christmas trees is made out of aluminum?

[Red Skelton]

They are? Well, no wonder. That guy from the priorities board was running up and down the street yelling, timber. Say, you know, I like the way they have those big Christmas trees in the middle of the boulevard.

[Junior]

Oh, so do I. You drive along, your car skids and suddenly you're part of the decoration.

[Red Skelton]

Yeah. Well, anyhow, it's a very pretty picture, you know.

[Harriet Hilliard]

Oh, speaking of pictures, mine was in a magazine once.

[Red Skelton]

It was Ozzy. Look. Was it an advertisement?

[Harriet Hilliard]

Yes, it was.

[Red Skelton]

Well, look. What did it say over the picture?

[Harriet Hilliard]

It said, send this boy to camp, but quick.

[Junior]

There certainly was a lot of entertainment in that parade.

[Red Skelton]

Yeah.

[Harriet Hilliard]

Did you see that fellow with the two trained monkeys? He threw a banana up in the Christmas tree. And you should have seen those monkeys go after it.

[Red Skelton]

Yeah, but they couldn't get him away from me.

[Junior]

Ozzy. Ozzy.

[Red Skelton]

Ozzy.

[Harriet Hilliard]

Ozzy, I want to sleep.

[Junior]

Come on, get up. Please, honey, dear, it's awfully late. Come on, get up. You said last night you had a date. Remember, dear? You had to meet that real big shot. Oh, please don't wait. It's after 8. Come on, get up. Your water's ready in the tub. You'll be okay. Just give your head a real good rub. Your coffee's about to brew, and I fixed your breakfast. Now, there's nothing more for me to do. Come on, get up. Oh, I know my honey lamb is awfully tired. I'm tired too. But if you lose this deal, you may be fired. Then what's to do about it when the rent comes due? Come on, get up. Oh, dear. Now, what was that you said? Honey, please. You know you can't stay there in bed. Just make this deal okay? And then we'll throw the clock away and sleep forever and a day. Come on, get up. Come on, get up.

[Harriet Hilliard]

Oh, honey, please leave me alone.

[Junior]

Come on, get up. Oh, dear, you're wanted on the phone.

[Harriet Hilliard]

Well, tell them I'm not in. To phone this early is a sin. I'm getting cross.

[Ozzie Nelson]

Shh.

[Junior]

It's the boss. Come on, get up. Sweetheart, it's such a lovely day.

[Harriet Hilliard]

Pull down the shade. I'd rather stay here in the hay.

[Junior]

Oh, now, you know you slept all night.

[Harriet Hilliard]

Oh, I didn't sleep so tight. Do you know you kicked me most of the night?

[Junior]

Come on, get up.

[Harriet Hilliard]

Oh, have you got my shirt and tie already?

[Junior]

Yes, dear. And here's your toothbrush and the paste.

[Harriet Hilliard]

You know, I think I'll do some exercises starting tomorrow. Seems I'm getting a little stout around the waist.

[Junior]

Come on, get up.

[Harriet Hilliard]

All right, but first give me a kiss.

[Junior]

Oh, dear me. Somehow I've been expecting this. Now, Ozzy, for my sake.

[Harriet Hilliard]

All right, I'm up. I'm wide awake. I wish you'd give a guy a break.

[Junior]

Come on, get.

[Red Skelton]

That was Harry Hilliard and Austin Nelson saying, come on, get up. Say, did you ever notice the trouble that different people have trying to wake up and starting the day off right? Especially in the Skelton family.

[Junior]

Yeah, I've heard about your family getting up in the morning. In fact, I saw an advance copy of the article you wrote for tomorrow's Liberty magazine.

[Red Skelton]

Oh, yeah, that's out tomorrow. That's right. Harry, look. Say, you know that's nothing but what happens to my brother. See, he's a farmer back in Vincennes, Indiana. And you should see how he gets up at the crack of dawn.

[Junior]

Clam, get up. It's 4am what are you gonna do, sleep all day? Clam, get up. I know what I'll do. Hand me that bucket of ice water.

[Red Skelton]

Don't throw it. I'm up. How come you always throw ice water on me when I'm in bed?

[Junior]

What's the matter? It won't hurt you.

[Red Skelton]

I know, but you might drown my turtle.

[Junior]

You got that turtle in bed with you again?

[Red Skelton]

Yep. It keeps the mice down somewhat. Kiddick?

[Junior]

Now, come on, get up. It's time to milk the cows.

[Red Skelton]

Yeah, I know it is. But I ain't gonna milk em today.

[Junior]

Why not?

[Red Skelton]

I'm gonna wait till the price goes up again. What time is it anyhow?

[Junior]

It's 4am it's awful dark.

[Red Skelton]

Can't see my hands in front of my face.

[Junior]

You can't?

[Red Skelton]

Nope. But they'll probably turn up after I wash them. Oh, I'm sleepy.

[Junior]

Come on, wake up.

[Red Skelton]

I'm awake.

[Junior]

Then open your eyes.

[Red Skelton]

They're open. I just got long eyelids.

[Junior]

And another thing. If you snore like you did last night, I'll make you sleep in the stables tonight.

[Red Skelton]

Oh, no, you won't. I remember the last time you made me sleep in that stable. Somebody came in the next morning and threw a harness over me. Before I knew it, I plowed up 14 acres. Oh, to think there was a time when I could have changed the whole course of my life.

[Junior]

When was that?

[Red Skelton]

When I met the salesman's daughter.

[Junior]

Now come on, Clem, get up. You gotta drive into town and get a haircut today. And you sure need a haircut.

[Red Skelton]

I do? What do you mean? I got one yesterday. Don't you remember?

[Junior]

Well, then quit wearing that raccoon cap to bed.

[Red Skelton]

My head is a little sway back, isn't it? I could sleep another day.

[Junior]

Oh, sure. You can't be that sleepy. You go to bed with the chickens.

[Red Skelton]

Well, that's the trouble. We gotta get twin beds.

[Junior]

Listen here. Them chickens has got as much right in here as you have.

[Red Skelton]

Oh, I don't know. I'm about two dozen ahead on my quota.

[Junior]

Say, what was all that noise in here last night?

[Red Skelton]

I was dreaming I was chasing Lana Turner.

[Junior]

I don't think you love me anymore. You're always dreaming about movie stars.

[Red Skelton]

Oh, don't be silly. I love you. I love your golden hair. It's so long and silky. By the way, where is it.

[Junior]

You love your cows better than you do me?

[Red Skelton]

Well, come to think of it, they do look a little better in slacks.

[Junior]

Wait a minute. Where did you learn about slacks?

[Red Skelton]

Oh, wouldn't you like to know?

[Junior]

Now, listen, get up off that bed before you go back to sleep.

[Red Skelton]

All right. Ooh, I feel terrible today. Where's my boots?

[Junior]

Well, you must have thought you were gonna die last night. You slept in them.

[Red Skelton]

Hey, and another thing. You know, I almost froze to death last night. That insurance fella lied to me.

[Junior]

What do you mean?

[Red Skelton]

Them blanket policies didn't even come up to My knees. Give me those buckets and that pitchfork. I'll go out and get the work. Oh, boy.

[Junior]

Careful. It's a little slippery on them stairs.

[Red Skelton]

Don't tell me how to walk. Well, get dressed. I think we're going to town. I'm gonna get my pilot's license. I just made a three point landing.

[Junior]

What do you mean, a three point landing?

[Red Skelton]

I'm sitting on the pitch, Ford. Then we have Junior, the mean little kid. It's Sunday morning and everybody's asleep, but not Junior. He's the first one up, and especially on Sunday. So I'll play the part of the little boy. And I'm in my little crib. Oh, yum, yum, yum, yum. He. I ain't getting bored laying here. Getting awful tired putting my toad in my mouth too. I wonder if it'd taste better if I took my chew door. I wonder if I could wake up a family now. I got a good way to wake them up, too. I guess I better not do it, though. Might burn down the red.

[Stiles Mackenzie]

We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Stiles Mackenzie helping you make those rooms sing. Today's style tip. When it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com fierce this has been your Wayfair style tip to keep those interiors superior.

[Junior]

Wayfair every style, every home.

[Red Skelton]

The neighborhood, too. I think I will see if I can wake Mommy up. Mommy. Mommy, you awake? Mommy.

[Junior]

Quiet. Junior, get back in your crib and close the lid.

[Red Skelton]

Mommy. Mommy, open your eyes. Mommy.

[Junior]

Junior, stop opening my eye with your index finger and your thumb.

[Red Skelton]

Mommy, will you get me a glass of water?

[Junior]

No. What do you want water for?

[Red Skelton]

Well, I can't swallow this wookie button without it.

[Junior]

You stop putting things in your mouth and go to sleep.

[Red Skelton]

Oh, day, Mommy.

[Junior]

Oh, what is it?

[Red Skelton]

Guess what I got behind my back.

[Junior]

I don't want to guess what you've got behind you. What is it?

[Red Skelton]

It's my turn. Look, I will let go of it. Gee, it snap back like a yo yo.

[Junior]

Go to sleep, Junior.

[Red Skelton]

I'm not sleepy. I think I'll pull the cork out of this bottle.

[Junior]

Junior, what do you want to do? Wake your f.

[Red Skelton]

Oh, look, Mommy. I think he's getting awake now. Look. He always feels a lot nappy dialogue, huh, Mom? Hey, Mom, I think Papa talking in his sleep ain't he.

[Junior]

Yes. Let's listen.

[Red Skelton]

Yeah, this ought to be good. Sarah, that you ain't a mummy. Shh.

[Junior]

Quiet, Junior.

[Harriet Hilliard]

Look, Sarah. There's Robert Taylor.

[Junior]

Hello, Bob.

[Harriet Hilliard]

There's Clark Able. Hello, Clark. There's Eleanor Powell. Goodbye, Sarah.

[Junior]

Junior, please. Now go back to bed, okay?

[Red Skelton]

I would just run around the room a few times. Mommy, I found my wallet gate.

[Junior]

Well, I may as well get up. You're not going to let me.

[Red Skelton]

Yes, I will. I will let you sleep. Mommy. I'm sorry. I was a bad boy. I will be doing. Oh, look, the piano. I will make them proud of me. I will learn to play. Now, let's see. What will I play? Let me see. I think I will play Tchakovsky's Freddie Martin. Needs tuning, Junior. All right. I ain't piping down. Oh, look, the Wadeo. If I do, I get a weapon. I do it. Maybe that guy Donut read the funny paper. Morning, all you early birds. This is your old Uncle Jim and his breakfast buddies. And what are you having for breakfast buddies? Now, wait a minute. Let's not get naughty, bug.

[Harriet Hilliard]

Junior, turn that clock off.

[Red Skelton]

Don't you do it, kid, until I finish my commercial.

[Harriet Hilliard]

Listen, Junior, you get out of here and don't come back before noon.

[Red Skelton]

Okay? If that's the way you feel about it, I will go. I will go down to the welfare board and tell them that you keep me and I'll go for a trap.

[Harriet Hilliard]

You think that's a bad idea and I'll beat it.

[Red Skelton]

Okay, I'm gone now. Never come back either. You be tired for what you done. I ain't going away. Okay, I'm done. Goodbye. I going to go far away. But you're losing the best draft exemption you ever had.

[Ozzie Nelson]

Sam.

[Red Skelton]

SA.

[Junior]

Sam.

[Ozzie Nelson]

Sa.

[Red Skelton]

Ozzie Nelson and his band playing Let me off uptown. Say, Truman, I was just thinking.

[Ozzie Nelson]

Well, congratulations, Red.

[Red Skelton]

Yeah, I will make the joke a ruse on this program. Say, you know, I was just wondering about a certain thing. Is photography here to stay?

[Ozzie Nelson]

Why, of course, Red.

[Red Skelton]

Why? Well, these photographers like Leonard Smith that go around and shoot off lights in your face. Well, isn't that just a flash in the pan? You get it?

[Ozzie Nelson]

Yeah, but it's pretty bad, Ray.

[Red Skelton]

Yeah, well, you know, good gags are really a premium, Truman. Raleigh at a premium, you know.

[Ozzie Nelson]

Oh, Raleigh premiums. Oh, that's good, Ray. Sure. And Franz, when you see all the magnificent premiums you get with Raleigh cigarette coupons, you'll say they're mighty good, too. Yes, there's a genuine candid camera with a Synchronized photo flash attachment. It's a beauty. And there's fishing tackle, electric razors, bathroom scales, bridge lamps, table lamps, electric broilers, and many, many more just as fine. And you can have any or all of them as a plus value. Just smoke Raleigh cigarettes and save the valuable coupons. Now we have a 60 page catalog picturing in full color all the Raleigh Premiums. It's free. For your copy, just write Raleigh in care of the station to which you were listening. But don't wait for the catalog. Tonight, get acquainted with Raleigh Cigarettes, the smoothest, mildest, tastiest cigarette you ever smoked. Yes, Raleigh's give you a better smoke because they have a better blend. A golden, rich tobacco blend. Tonight, switch to the pack with a coupon on the back. Raleigh cigarettes. And now a special announcement. For you people who plan to get Raleigh Premiums to give as Christmas gifts, send your coupons in now. And make sure you get your Raleigh Premiums in time for Christmas by avoiding the last minute rush.

[Junior]

Say, Red, you've done different people getting up in the morning, but you haven't mentioned the people who live in the boarding houses.

[Red Skelton]

Well, I was coming to that. Harriet, the couple that we're going to do now lives in a boarding house, and they've lived there for a long time, but they still have trouble getting up in the morning after the night before. Listen.

[Junior]

Well, get up, John.

[Red Skelton]

Well, maybe I will.

[Junior]

Say, what are you, a lazy bum?

[Red Skelton]

Hmm?

[Junior]

I said, what are you, a lazy bum?

[Red Skelton]

Find time to start playing what's my Name?

[Junior]

Oh, John, you're terrible. John. Get up, John. Stop stretching. I don't know why I ever married you. Oh, John.

[Red Skelton]

Wait a minute. I'm not John. My name's George.

[Junior]

Oh, there goes the alarm clock.

[Red Skelton]

Yeah.

[Junior]

Come on. It's your turn to get up and turn it off.

[Red Skelton]

Okay. Oh, I stubbed my toes. Oh, I stubbed it right down to the bone. Oh, darn that alarm clock. I'll fix it. I'll throw it out the window. I'll bet he ain't in a good humor now. Boy, what a boarding house. Is breakfast ready yet?

[Junior]

Mm, they're cremating the toast now.

[Red Skelton]

Boy, I'm so hungry I could eat a horse.

[Junior]

Oh, please, dear. Let's forget that Thanksgiving dinner they serve.

[Red Skelton]

Okay. Uh. Oh, I bet that's a landlord. What do we do?

[Junior]

Does he want the rent?

[Red Skelton]

Yeah. Every time he sees me, he holds up that one bill I paid and he starts singing. Why don't we do this more often?

[Junior]

Well, he charges an awful lot of Money for a room like this?

[Red Skelton]

Yeah, in the living room. You can't even pull up the shade.

[Junior]

What do you care? There's no window in back of it.

[Red Skelton]

Come in. Oh, it's wonderful. Smith, the janitor. How do you feel? Wonderful.

[Truman Bradley]

Man, I'm tired.

[Red Skelton]

You slept eight hours, didn't you?

[Truman Bradley]

No, sir. I didn't sleep a wink. I just rolled and lost all night. I'm really in bad shape, Mr. Red. But look at those white circles under my eyes.

[Red Skelton]

Little tattletale gray, aren't they? Say, you know, you ought to be ashamed of yourself sleeping so much. You know, after all, men like Napoleon and Edison only had three hours. They only slept three. Three hours.

[Truman Bradley]

They only slept three hours?

[Red Skelton]

Yep.

[Truman Bradley]

Through what program?

[Junior]

Thanks for bringing Mr. Red home last night. Wonderful.

[Truman Bradley]

Yes, ma' am. Man, when you out on a party, you is rarely out.

[Red Skelton]

Yeah. Why was. What was I doing?

[Truman Bradley]

Well, sir, when I first saw you, you were in a mailbox yelling, gangway, I'm a tank.

[Red Skelton]

What else did I do?

[Truman Bradley]

Well, sir, you ran into a cocktail lounge and yelled, stand back, everybody. I'm four roses and I'm about to bloom. Mr. Red, hide your arm.

[Red Skelton]

What arm? Good heavens. How did I do that?

[Truman Bradley]

Well, you stepped in front of a bus and said you was gonna stop it with one hand.

[Red Skelton]

Did I stop it?

[Truman Bradley]

Nope. But for a while, you headed?

[Ozzie Nelson]

Corner.

[Truman Bradley]

Well, you want anything done today?

[Red Skelton]

Yeah. I want you to change those sheets on my bed.

[Truman Bradley]

Oh, we change them every day. Yeah, from one bed to the other. Well, if you need anything, just call.

[Red Skelton]

Okay, I will.

[Junior]

You'd better shave, dear. Here's your electric razor.

[Red Skelton]

Yeah. Okay, I'll plug it in.

[Junior]

Ready?

[Red Skelton]

Oh, wrong in. Wrong in. Yep. Contact.

[Junior]

My. You shave fast.

[Red Skelton]

Yeah. Bleeding time, 2 minutes and 6 seconds. Well, I guess I'll go down the hole and take a bath.

[Junior]

All right. You go take your bath.

[Red Skelton]

Yeah, I will. No soap.

[Ozzie Nelson]

Say, Red, do you think you could spare a moment to hear a word from a pal of mine?

[Red Skelton]

You mean your pal who speaks for our companion sponsor? Why, you sure could.

[Ozzie Nelson]

Okay, pal, speak right up.

[Unnamed Sponsor]

Thank you. Gentlemen, I just want to say, meet up with Sir Walter Raleigh pipe tobacco just once and you've met a real companion for life. A pipe pal you can depend on always for a cool, mild, mellow, biteless smoke. And Sir Walter Raleigh is flavor packed with a tempting nut like flavor you'll find in no other tobacco. And it surrounds you with a pleasing, fragrant he man aroma. You see, in Sir Walter Raleigh, you get a combination of choice selected tobaccos blended to perfection for smooth smoking, for even burning right down to bowl bottom. It's the quality pipe tobacco of America. Even if you paid $100 a pound for a special pipe mixture, you couldn't get finer quality than Sir Walter Raleigh. Yet it costs no more than ordinary pipe tobacco. So, gentlemen, tonight, buy a tin of Sir Walter Raleigh.

[Ozzie Nelson]

Red Skelton with Ozzy Nelson, Harriet Hilliard, Wonderful Smith, and your announcer, Truman Bradley, will be back at the same time next Tuesday. We hope you'll all be waiting for us. Until then.

[Red Skelton]

This is Red Skelton saying goodbye now. Thanks for listening.

[Ozzie Nelson]

Red Skelton is heard on this program through the courtesy of the Metro Golden Mayor Studios. This is the Red Network of the National Broadcasting.