Red Skelton Show 48-01-20 Ep083 Willy Lump Lump, The Fighter (chap 1)

Summary

Harold's Old Time Radio Episode Summary: Red Skelton Show 48-01-20 Ep083 "Willy Lump Lump, The Fighter (Chapter 1)" Release Date: July 25, 2025

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Introduction

The episode kicks off with Rod O'Connor and Dave Rose leading their orchestra, setting a lively and engaging tone reminiscent of the Golden Age of Radio. The hosts seamlessly blend musical performances with comedic dialogues, capturing the essence of family-oriented radio entertainment before the advent of television.

Opening Banter

Rod and Dave open the show with light-hearted conversation, touching upon everyday topics such as the high cost of living. Their witty exchange immediately establishes a rapport that resonates with listeners.

• Rod O'Connor [01:21]: "Well, I don't know, but everybody's talking about the high cost of living today."
• Dave Rose [01:32]: "President Truman's gonna put a balcony on the White House porch."
• Anita Ellis [01:34]: "Oh, Harry."

This segment highlights their ability to infuse humor into mundane subjects, making the conversation relatable and entertaining.

Parenting and Generational Humor

The hosts delve into humorous observations about parenting and generational differences, showcasing their sharp wit and comedic timing.

• Rod O'Connor [02:06]: "He says that children prove they're 10 years in advance of their age by their selection of toys."
• Dave Rose [02:18]: "If they are, you'll see Gromyko going in toy stores dressed like Buster Brown. I'd love to see you in a Buster Brown suit."

This playful banter underscores the timeless nature of family dynamics and generational gaps, providing listeners with both laughter and nostalgia.

Main Sketch: Willie Lump Lump the Fighter

The centerpiece of the episode is the introduction of Willy Lump Lump, a lovable fighter character, in the first chapter of his story. Dave Rose portrays Roderick the Russian Killer, setting the stage for a comedic showdown.

Characters Introduced

• Dave Rose as Roderick the Russian Killer
• Willie Lump Lump: A hapless fighter lacking traditional muscle but full of determination.
• Anita Ellis: Acts as the voice of reason and occasional commentator.

Plot Development

The sketch revolves around Roderick's desperate attempt to earn $200 to pay rent by entering a fight at Knockabout Stadium. Despite his lack of fighting prowess, Roderick's antics and overconfidence provide ample comedic material.

• Dave Rose [05:10]: "You mean you got $200?"
• Rod O'Connor [05:27]: "Look, Willie, you could earn some money. There are plenty of ads in the paper offering opportunities."
• Dave Rose [05:36]: "Wanted fighters down at the Knockabout Stadium. Cash prizes for winners. Ask for me, boy?"

Notable Quotes and Funny Exchanges

The interactions between Roderick and Willie are filled with humor derived from Roderick's misguided confidence and Willie's skepticism.

• Dave Rose [07:09]: "Yeah, a gopher tried to steal some of my radish. I don't like it, but it's written there. I fought him for an hour."
• Willie Lump Lump [07:32]: "Run along, dog meat. You couldn't push your way out of a paper bag."

As the scene progresses, the tension builds towards the impending fight, with both characters' quirks shining through.

The Fight Sequence

The buildup to the fight is marked by exaggerated preparations and comedic mishaps, highlighting the absurdity of Roderick's fighting skills.

• Dave Rose [09:14]: "Ladies and gentlemen, in this corner at 135, Willie Lump Lump. In this corner at 210, Roderick the Russian Killer."
• Dave Rose [10:35]: "No more of that stuff, bud. See? No more of that stuff."

The fight itself is a blend of slapstick humor and witty dialogue, keeping listeners entertained with unexpected twists and humorous outcomes.

Intermezzo: Musical Performances

Interspersed between comedic segments are performances by Anita Ellis, whose musical interludes provide a pleasant contrast to the humor-heavy dialogues. Her songs enhance the overall nostalgic feel of the show, appealing to a wide audience.

Character Dynamics and Humor

Throughout the episode, the dynamic between Rod, Dave, and Anita creates a rich tapestry of humor that is both character-driven and situational. Their impeccable timing and chemistry elevate the comedic elements, making each interaction memorable.

• Dave Rose [12:00]: "Be sure to listen next week to chapter two of Willy Lump Lump the Fighter."
• Rod O'Connor [12:43]: "Now play just one of those things. Late for a rebate."

These moments not only advance the storyline but also invite listeners to return for future installments, fostering a sense of anticipation and continuity.

Conclusion and Tease for Next Episode

The episode concludes with a humorous wrap-up, teasing the continuation of Willie Lump Lump's adventures in the next chapter. The blend of comedy, music, and engaging dialogue ensures listeners are left eagerly awaiting more.

• Rod O'Connor [12:00]: "Be sure to listen next week to chapter two of Willy Lump Lump the Fighter."

Overall Insights

This episode of the Red Skelton Show masterfully combines humor, character development, and musical interludes to create an engaging and entertaining listening experience. The introduction of Willie Lump Lump sets the stage for a series of comedic adventures, while the hosts' interactions provide depth and relatability. Notable quotes and well-timed jokes ensure the episode is both memorable and enjoyable for those new and familiar with the show alike.

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Notable Quotes with Timestamps:

• Rod O'Connor [01:21]: "Well, I don't know, but everybody's talking about the high cost of living today."
• Dave Rose [02:18]: "If they are, you'll see Gromyko going in toy stores dressed like Buster Brown. I'd love to see you in a Buster Brown suit."
• Dave Rose [05:10]: "You mean you got $200?"
• Willie Lump Lump [07:32]: "Run along, dog meat. You couldn't push your way out of a paper bag."
• Dave Rose [09:14]: "Ladies and gentlemen, in this corner at 135, Willie Lump Lump. In this corner at 210, Roderick the Russian Killer."

This detailed summary captures the essence of "Willy Lump Lump, The Fighter (Chapter 1)" by highlighting key interactions, humorous exchanges, and the overall structure of the episode, making it a comprehensive guide for listeners who haven't tuned in.

Transcript

[Ryan Seacrest]

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[Rod O'Connor]

Dave Rose and his orchestra. Our singing star, Anita Ellis. Verna Felton, Lorraine Tuttle, Pat McGeehan and yours truly, Rod O'.

[Dave Rose]

Connor.

[Rod O'Connor]

From Metrical to mayor, we present the star of the Raleigh cigarette program, Red Scout.

[Dave Rose]

Thank you very much and good evening, ladies and gentlemen. How are you, Rod?

[Rod O'Connor]

Oh, I'm fine. How are you?

[Dave Rose]

I'm fine. You know, just all of a sudden it hit me. Funny, see. Every time on the radio the guy says, how do you feel? I feel fine. Everybody feels fine on radio. Let's be different.

[Anita Ellis]

Drop dead, huh?

[Dave Rose]

Well, get on with the funny stuff.

[Unknown]

Now, what are we.

[Dave Rose]

What shall we talk about tonight that's typical, topical? Topical?

[Rod O'Connor]

Well, I don't know, but everybody's talking about the high cost of living today.

[Dave Rose]

Yeah, Come to think about it, they talked about it yesterday too.

[Rod O'Connor]

President Truman's gonna put a balcony on the White House porch.

[Anita Ellis]

Oh, Harry.

[Dave Rose]

Can't afford logies, huh?

[Rod O'Connor]

Well, here's something that Walter Kiernan missed in his whimsical analysis of the news.

[Dave Rose]

Whimsical? Read what's there, will you?

[Anita Ellis]

I tell you, they'll do it Every.

[Dave Rose]

Time you give an announcer a raising, he'll rotten by a dictionary. What? What does he say? What does he say?

[Rod O'Connor]

Well, he says that children prove they're 10 years in advance of their age by their selection of toys. It also says that chemical sets.

[Dave Rose]

That's a new word for you to look up, Bud.

[Rod O'Connor]

The chemical sets are passe. Now they sell kiddiatomic sets.

[Dave Rose]

Yeah, and an FBI man comes with every kit.

[Rod O'Connor]

Do you suppose those atomic sets are really any good?

[Dave Rose]

If they are, you'll see Gromyko going in toy stores dressed like Buster Brown. I'd love to see you in a Buster Brown suit.

[Rod O'Connor]

Well, I'm not in such bad shape. I've been told I have a bill like Atlas.

[Dave Rose]

You mean the guy that supports the world?

[Rod O'Connor]

No, that's Uncle Sam.

[Anita Ellis]

That's mine.

[Rod O'Connor]

Such a good one. I didn't think he could Read it right.

[Dave Rose]

You know, I think at times I think Eden is building a new boy. Hey, what else is new?

[Rod O'Connor]

Well, the latest cars from France are built with a liquor cabinet and a makeup compartment in the back seat.

[Dave Rose]

Yeah, that's very sensible. You know, when you drink too much and have an accident, the makeup kit will come in handy for the more teaching. You'll make a healthy looking corpse out of it. Well, that's what I get for hiring the guy that writes inner sanctum.

[Anita Ellis]

I scared.

[Rod O'Connor]

Say, did you see the pictures of that new check car? It has three headlights.

[Dave Rose]

My car's got three headlights?

[Rod O'Connor]

Since when?

[Dave Rose]

Since I made that wrong turn. Also got an engine in the back. Now, you know that's the latest thing. Boy, what silly drivers they got out here.

[Rod O'Connor]

Oh, come now, Rhett. California driving isn't any more dangerous than any other place.

[Dave Rose]

No, but driving in California makes it more likely that you'll go to the other place.

[Rod O'Connor]

Listen.

[Dave Rose]

Blair. But she's not here tonight. Now our beautiful Anita Ellis will sing. What are you gonna sing, honey?

[Willie Lump Lump]

Near you.

[Dave Rose]

Oh, good. The Skelton Scrapbook of Sad. Tire that up, Boy, he gets paid but a pound. May I ask the trombone player what he accomplished? See, he played the trombone while I meet his song. Tonight we present a chapter for the sport fans entitled Willie Lumplump the Fighter. Lock the door.

[Junior]

Lock.

[Dave Rose]

Shut the door.

[Junior]

Willie, is that you?

[Dave Rose]

Not so loud, Willie. Not so loud.

[Willie Lump Lump]

What's wrong with you, Willie, I just.

[Dave Rose]

Had a narrow escape. A guy offered me a job.

[Willie Lump Lump]

Why didn't you take it? You know the rent is due tomorrow and the landlord says if we don't pay, he'll throw us out.

[Dave Rose]

Makes a corny little plot, don't it? How much do we owe?

[Willie Lump Lump]

$200.

[Dave Rose]

Ah, it's just a drop in your bucket and I got it.

[Willie Lump Lump]

You mean you got $200?

[Dave Rose]

I got the bucket.

[Willie Lump Lump]

Look, Willie, you could earn some money. There are plenty of ads in the paper offering opportunities.

[Dave Rose]

All right, well, we'll take a look. We'll take a look this day. Here's one wanted man to hatch eggs. 60 cents an hour. Sounds a little uncomfortable, don't it? Besides, I can just see the head man becomes Mother of 120.

[Willie Lump Lump]

Willie, you are an idiot.

[Dave Rose]

Oh, no, I'm not. That's because my eyes bulge out and my ears wiggle and my tongue hangs to the floor. That don't make me an idiot. Now, here's something else that looks pretty good. Wanted fighters down at the Knockabout Stadium. Cash prizes for winners. Ask for me, boy?

[Willie Lump Lump]

Oh, you ain't a fighter. You don't even have any muscle.

[Dave Rose]

Oh, no? How do you feel that arm, Whit?

[Willie Lump Lump]

I don't feel any muscle.

[Dave Rose]

Be patient. It'll swim along any minute. Come on, let's go down talk to him, huh? That must be the fellow in charge over there. I'll just walk over, stick out my chest and talk to him. Pardon me, bud.

[Unknown]

Yeah? Oh, you've got the wrong place, bubba. The blood bank is next door.

[Dave Rose]

Look, wise guy, I'm a fighter.

[Unknown]

Oh, yeah?

[Anita Ellis]

Yeah.

[Unknown]

Well, I was only a featherweight. Niggin lick.

[Dave Rose]

You don't brag about it. Anybody can whip a feather, you know. I'll have you to know I fought in the Garden.

[Unknown]

You fought in the Garden?

[Dave Rose]

Yeah, a gopher tried to steal some of my radish. I don't like it, but it's written there. I got. I fought him for an hour. You know, when I got through with that gopher, boy, he was a mess. His buck teeth weren't worth 2 cents.

[Unknown]

Run along, dog meat. You couldn't push your way out of a paper bag.

[Dave Rose]

Look, bud, I gotta fight. I need the dough to pay my rent and it helps the plot along.

[Unknown]

Okay. You got boxing trunks?

[Dave Rose]

No, I fight in a full dress suit, see?

[Anita Ellis]

Excellent.

[Dave Rose]

Case anything happens to me, all you gotta do is fold my arms and carry me out. Watch this. Willie, they call me.

[Unknown]

Okay, get into the locker room and dress.

[Willie Lump Lump]

I'll get a bucket and towel and meet you in the corner.

[Dave Rose]

What am I gonna do? Fight or take a bath? Better take a War Dragon and a Dixie Cup. I don't think the fight's gonna last too long.

[Unknown]

Hurry up and get dressed.

[Dave Rose]

Okay. Get my pants off. Hang em up for me.

[Unknown]

Boy, what skinny legs.

[Dave Rose]

Yeah. Prepare yourself, folks. Here it comes. What did you say?

[Unknown]

I said what skinny legs.

[Dave Rose]

Yeah. I've seen better bones in soup.

[Unknown]

Look, are you sure you're a fighter?

[Dave Rose]

Sure. You wouldn't believe this, but one time I was one of the most talked of guys in the ring. I'll never forget my big fight. Walked out to the center of the ring, took off my robe. Men screamed, some of them fainted. Forgot my trunk. Yes, sir. Boy, that was some fight. That was the night I fought Max Bear. Sometimes it's better when they ain't there. You.

[Unknown]

Okay? Okay. Are you ready?

[Dave Rose]

Yeah, I'm ready.

[Unknown]

Come on this way to the ring.

[Anita Ellis]

Okay.

[Unknown]

What?

[Dave Rose]

It sure got a nice crowd here, ain't you?

[Unknown]

Yeah. Now get into the ring.

[Dave Rose]

Yeah, I'll just jump over the Rope. Show them I'm in shape. I'll just crawl under the rope.

[Willie Lump Lump]

Are you all right, Willie?

[Dave Rose]

Oh, sure. I always get goose pimples at this time of the day. What are they staring at? Look at him out there.

[Willie Lump Lump]

Come on, now, rinse your mouth out.

[Junior]

Here's a buckle.

[Dave Rose]

Okay. Water. Don't you ever pull a trick like that on me.

[Anita Ellis]

It's a wagon.

[Dave Rose]

Let's go. Ladies and gentlemen, in this corner at.

[Unknown]

135, Willie Lump Lump. In this corner at 210, Roderick the Russian Killer. All right, boys, now you know the rules. No hitting below the belt.

[Dave Rose]

Now keep your eye on this Russian. They're always hitting below the belt, you know.

[Unknown]

And another thing. There'll be no hitting in the solar plexus.

[Dave Rose]

Smoke? What's that? I'll show you. No more of that stuff, bud. No more of that stuff. No more of that stuff. See? No more of that stuff.

[Anita Ellis]

Hello.

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[Dave Rose]

Punch you in the nose. Oh, you punch me in the nose. I like to see you do it.

[Rod O'Connor]

You'd like to see me do it, eh?

[Dave Rose]

Yes, I would like to see you do it.

[Unknown]

I just did it.

[Dave Rose]

I know, but your fist was in the way.

[Unknown]

Look, boys, let's save all this for the bell. Now shake hands and come out fighting.

[Rod O'Connor]

Well, Winnie. Winnie.

[Dave Rose]

Well, Willie, win the fight on my teeth or Willie.

[Rod O'Connor]

Be sure to listen next week to chapter two of Willy Lumplump the Fighter.

[Dave Rose]

And now you can get your check.

[Anita Ellis]

You're through.

[Dave Rose]

Dave Rose and his Raleigh Orchestra. Now play just one of those things. Late for a rebate.

[Anita Ellis]

Don't jump on me. Don't jump on me. You'll get your paws dirty. Get down. Get down. What's the matter with you? Oh, you hungry, huh? Well, you follow me and we'll raid the ice box. If you'll take the blame, I'll give you half what I get. Come on, this way. Right, we go.

[Junior]

Why, Junior, look at you.

[Anita Ellis]

I'm sorry, kiddo. I didn't know you had company.

[Junior]

Oh, is this your little boy? Yes, Junior, this is Ms. Tugmore. Now say hello.

[Anita Ellis]

Oh, no, kiddo. I don't speak to strange women. I saw what you did to Pop for doing that, you know.

[Junior]

Junior, say Hello.

[Anita Ellis]

Okay. Hello, Ms. Tugboat.

[Junior]

The name's Tugmore Junior.

[Anita Ellis]

Okay. Hello, Tugmore Junior. How's Tugmore Senior, huh?

[Junior]

Now, don't be smarty. Where are your manners?

[Anita Ellis]

Well, don't you remember? None came with me. They didn't even give a guarantee.

[Junior]

Junior, you start to drop me, just.

[Anita Ellis]

Drop me down in a little three corner package that says open at your own risk.

[Junior]

You know, Junior, that's enough. I'm sorry for the way he's acting, Anita. Oh, really, all boys are alike. I think little girls are so much better behaved and so much quicker to learn.

[Anita Ellis]

Let's not get carried away, kiddo.

[Junior]

Now run along, Junior.

[Anita Ellis]

Okay. Come on, puppy girl. Come on.

[Dave Rose]

Come on. Come on, come on.

[Anita Ellis]

Oh, there she is in the feather bed. Hey, Nemora. Namor? Namor, is you asleep?

[Junior]

Oh, Junior, is that you?

[Anita Ellis]

Yes. Is you asleep? Namor?

[Junior]

Yes.

[Anita Ellis]

Well, that's all I want to know. I wouldn't think of disturbing you for the while. Are you sick?

[Junior]

No, I'm just resting.

[Anita Ellis]

Oh. Hey, who's that lady downstairs with a new look in the old face?

[Junior]

Oh, she's a friend of your mother's. They went to school together.

[Anita Ellis]

Cool. Well, in that case, I'm glad I'm getting sick and don't have to go to school.

[Junior]

Junior, don't you ever want to learn anything?

[Dave Rose]

Sure.

[Anita Ellis]

I am smart now, though. I can tell time. I know the days of the week, the months of the year. You see the January, February, April, May, June.

[Junior]

What happened to March?

[Anita Ellis]

Grandpa didn't like that picture, so he tore it off his calendar. Boy, school didn't help that lady downstairs much, did it, huh?

[Junior]

Junior, why do you talk that way about Ms. Tugmore?

[Anita Ellis]

She don't like widow boys. She don't like widow boys. And I must say that the feeling is mutual. I don't like.

[Junior]

Now, how do you know she doesn't like little boys?

[Anita Ellis]

Because she said widow girls were better behaved. And anybody knows that a widow girl is just a widow boy who can't afford a haircut. Hey, Nanmore, is you sorry I was your widow, boy?

[Junior]

Oh, no, dear, of course not. I wouldn't trade you for all the other boys in the world.

[Anita Ellis]

Yeah, you wouldn't.

[Junior]

No. I don't believe in swindling. Yeah.

[Anita Ellis]

Boy, you sure does love me. Don't you? I love you, doughboy. I'd be lost without your guiding hand. That is, the one that guides the hairbrushes.

[Junior]

But did I only punish you for your own good? When you grow up, you'll thank me for teaching you the difference between right and wrong.

[Anita Ellis]

Why is all Namoise's understanding into yours?

[Junior]

I suppose so, dear boy.

[Anita Ellis]

I bet if they knew what was coming, though, they wouldn't go up to be grandmars, would you?

[Junior]

I think they would. You see, Junior, grandmothers have a proud destiny. They consider it a blessing to be a grandmother.

[Anita Ellis]

Do tell.

[Junior]

Well, maybe it's because they're a little wiser and they realize that most of all, children need love and affection and all the wisdom that you can give them. They like to pass their knowledge along to the youngsters. That's why we feel that a child's question is never too silly to answer. Now, run along and let Namaru.

[Anita Ellis]

Okay, Kyosha. Is you going to take a nap?

[Junior]

Yes.

[Anita Ellis]

Would you take a nap for me? I'm gonna be kind of busy with a little delinquent ideas this afternoon, so I may not be able to squeeze a nap in. Hey, puppy, you know what's wrong with us? We is the wrong kind of people. You is a widow boy, and I is a widow boy. Come on, let's go in Mummy's room. Come on. We gonna change into a widow girl.

[Dave Rose]

Come on.

[Anita Ellis]

Come on. Oh, look now, you see? There's Mummy's makeup table. And there's lipstick. I just put on some lips. I put on some lips. I'd have to use this mirror here, if I can reach. Don't be afraid. Don't be afraid. As soon as I make up like a widow girl and they ask who broke the mirror, I'll say, some widow boy. Do it now. No trouble at all. Now I put on some eyebrows. Eyelashes there. Some eyeshadow. And some wood. Some wood. Now some powder. Boy look like it's snowing, don't he? Now how do I look, puppy? How do I look? Here comes from under the bed. What's wrong with him? I better look in the mirror and see how I look.

[Dave Rose]

Oh, no, no, no, no, no, no, no, no.

[Junior]

You hear? What's wrong?

[Dave Rose]

I scared me down.

[Anita Ellis]

But I'm all right.

[Junior]

Are you sure?

[Anita Ellis]

Yeah, I'm okay, kiddo. No, boy, that was a narrow escape. He hurt me. Boy, I have been in a mess. Now I'm gonna need a dress. Let's see. What's this thing?

[Junior]

Oh, yes.

[Anita Ellis]

I better put this on to get into shape. I'll just put this griddle on. Oh my goodness. Oh boy, this thing sure is hard to get into. Oh my God. Really tight. It feels like somebody sneaking up on me. Now I got it. What are these little watch pops. Now I gonna need a dress. I gonna need a dress. There's Namor's blouse. I'll just put that on first and then. Well, now I don't need a skirt. This little blouse gives me the new look, you know. Now I'm gonna need some slippers. Let's take this pair right here and put them on. What's that sticking out of the toe of the shoe? It looks like a widow gopher. Hey, Nikki, come here.

[Dave Rose]

Come here. Do it.

[Anita Ellis]

Well, don't stand there pointing. Sic em, shake em. Yeah. Let go. It's my toe. Let go. Why' em me.

[Dave Rose]

Now for a hat.

[Anita Ellis]

Now for a hat. Oh, I could wear mummy's off the face hat. But of course, if she sees me with it on, I gonna have an awful shoulder head, you know. Now I all dressed, let's see how I look in the full length mirror. Great. Oh boy, I look like a model. I look just like a model for a nasty accident. Like a bundle of laundry that came undone. Don't you? Now that I was a widow girl, I better go do some housework, I guess.

[Junior]

Junior, did your grandfather come home?

[Anita Ellis]

No. Cause your wife.

[Junior]

Well, I heard feet dragging and I thought they were bringing him upstairs.

[Anita Ellis]

No, me feet. Me shoes is too big a job. Me shoes is too big. Oh, there's the banister. I think I slide that. Oh, no, I can't, I can't. That wouldn't be ladylike. I couldn't do that. Well, maybe I could ride down side shadow. That ought to be quite an experience. Well, here she goes.

[Willie Lump Lump]

Junior.

[Anita Ellis]

Yeah?

[Junior]

What happened?

[Anita Ellis]

You know that statue of the lady holding the vase?

[Willie Lump Lump]

Yes.

[Anita Ellis]

She just threw it at me and she's broken up about it.

[Junior]

What is going on in here? Sounds like an earthquake. What's that walking around? Oh, I don't know. What is it, mother? Is it human? You name it, it's yours. What a stupid looking child. Look at her big mouth. Come here, dear.

[Anita Ellis]

Junior, don't yell. You scared me too. What you yelling about is me slip showing herself.

[Junior]

What on earth is. Oh, oh, my good hat and blouse. You take that off.

[Anita Ellis]

Okay. You know, with you it's a new look, but it looks kind of cockeyed on me, you know. There, take it.

[Junior]

Oh, no. Look, my new two way.

[Anita Ellis]

Two way. I got news for you, Kato, it feels like a going freeway.

[Junior]

My new nylons. He's holding them up with pins. Oh, Junior, you've got to run in them.

[Anita Ellis]

Running them. I can hardly walk. Got a crackling down. Goodness, Junior, I'm tripping all over.

[Willie Lump Lump]

Listen to me, Junior.

[Junior]

Why do you do things like this now? Why?

[Anita Ellis]

Well, you said you wish I was a wittle girl. So I just wanted to please you. You know, I didn't know that I would be as stupid as a widow girl as I am as a widow boy.

[Junior]

Look at my good statue. Broke into bits. You come here to me.

[Anita Ellis]

Now just a minute. Now you back away from me. I am tired trying to cooperate with you folks. You lay as much as a widow hand nailed on me and I gonna spread word around about you, kiddo.

[Junior]

What word?

[Anita Ellis]

Yeah, I tell Mr. Petrillo that you've been making bootleg phonograph records for it.

[Junior]

Ooh, that's not true.

[Anita Ellis]

Oh no? Hey Verna, pull the shades down. We're ready to cut a platter.

[Junior]

Okay, but remember, if anybody asks you.

[Anita Ellis]

We made them in Mexico. That does it.

[Dave Rose]

Oh, Julie. Now order your rule.

[Anita Ellis]

Foreign.

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[Unknown]

No purchase necessary. VGW Group void. We're prohibited by law. 21/ Terms and conditions apply.