
Report the Enemy 43-09-23 The Story of A Japanese Soldier
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Narrator
The United States Government presents this is Our Enemy. Tonight, the United nations go forward with the determination to win this war and bring about a just and enduring peace. But we cannot win our war or make our peace unless we understand the character of the enemy we are fighting. That is why your government is bringing these programs to you. Later, we shall hear behind the Enemy Lines, a special weekly report by Matthew Gordon of the Office of War Information. And now, the story of a Japanese soldier, adapted for radio from Bradford Smith's recently published novel the Arms Are Fair.
Mother
Taddeo the mail carrier has brought a letter for you, my son.
Taddeo
Thank you, Mother.
Mother
Is it the letter we have been awaiting?
Taddeo
Yes. I must report to the army at once. I've been called to active duty.
Mother
It is a great honor, Taddeo, to serve the divine Emperor. Now I will get you some wine to drink.
Taddeo
Thank you, but I don't care for any. Now if you will excuse me, I'll go back to my book.
Mother
Another English book?
Taddeo
Yes, why not? We aren't at war with the English speaking nations yet.
Mother
I am ignorant and stupid. There are many things I do not understand. But I know that your study of English at the university has done you harm. It has weakened your faith and filled you with discontent. Your uncle says it has given you a Western soul.
Taddeo
He is mistaken. My soul is as Japanese as my face. Through books I've learned many things to admire in the Western world. But it is not my world. Japan is. And I must live in Japan and fight for it.
Mother
None will fight more bravely than you, my son.
Taddeo
I hope that you are right, Mother. If you don't mind now, I'd just like to continue reading. Yes, here's something. Now for our consciences. The arms are fair when the intent of bearing Them is just.
Mother
I do not remember that proverb.
Taddeo
It is not a proverb. Now, for our consciences, the arms are fair when the intent of bearing them is just. It is from a play by a great English writer whose name was Shakespeare. He knew that without a just cause, war is murder and soldiers are assassins. He knew everything, this Shakespeare. I remember how Fu and I would discuss this philosophy until the dawn came. Fu? Surely you have not forgotten my Chinese friend at the university.
Mother
It is wrong to call him your friend now.
Taddeo
Yes, it is foolish, certainly. Fu has become my enemy. If I meet him in China, he will try to kill me. And I will try to kill him. Mother, I think I will have some wine. After all, wine puts thought to sleep. It is not good to think too much.
Nakara
Wrong. It seems as though we had been on the boat a long time, does it not, Tadeo?
Taddeo
Yes, Nakara. Time passes slowly when one is homesick.
Nakara
Would you care to see this picture of my worthless family? The children are rather ugly, but they are my own.
Taddeo
No, they are beautiful.
Nakara
My wife has taken them to live with my father while I'm off fighting.
Taddeo
Tadeo, here comes Homer. I shall go somewhere else one day.
Nakara
Oh, don't go, Tadeo. I do not like him much either.
Captain Hojo
But I have good news. We get to China to.
Nakara
How do you know, Homer?
Captain Hojo
I heard the Major tell Captain Hojo.
Nakara
I wonder what China will be like.
Captain Hojo
Full of women, they say. Chinese women?
Taddeo
There will be no women at the front.
Captain Hojo
The front will be all right. Plenty of killing. I. I like killing. But women are good, too.
Nakara
I have never seen a Chinese.
Captain Hojo
The Chinese.
Nakara
I wonder what sort of people they are. Do you know, Tadeo?
Taddeo
Well? The Chinese aren't much different from us, I guess. Neither better nor worse. Just people.
Captain Hojo
You think that, do you?
Nakara
Captain Homo.
Captain Hojo
Akiyama. Tadeo, stand up. So you know all about the Chinese, do you? Perhaps. You are half Chinese yourself.
Taddeo
I do not understand you, Captain.
Captain Hojo
You will deny, perhaps, that you have inserted the divine Emperor here on the open deck where anyone could hear you?
Taddeo
I was not conscious of this response.
Captain Hojo
Homa, You.
Taddeo
Yes?
Captain Hojo
Did this man say that we are no better than the Chinese?
Nakara
Yes.
Captain Hojo
Yes, that was it. No better.
Taddeo
I only meant that when we meet the Chinese, we shall probably find they have thoughts and feelings much like ourselves.
Captain Hojo
I should report you to the mage of your words. You know very well that we are the arms and legs of His Sacred Majesty. Yet you try to stir up dangerous feelings by saying that we are the same as the Chinese. You dare imply we are not divinely.
Taddeo
Born, I think, Captain, you will find me as ready to fight as the next.
Captain Hojo
I shall remember to see that you have a chance to prove these words. I shall remember. Very well.
Nakara
I am here. Tadeo. Are you hurt?
Captain Hojo
No.
Taddeo
Only a scratch on the arm. By yourself?
Nakara
I'm all right.
Taddeo
I think once the train sabotage. This is our welcome to China.
Nakara
But the people who were to greet us as deliverers when the Major.
Taddeo
They have prepared this surprise for us. Perhaps they were too shy to wait and see how we would receive it. Or perhaps they are watching us now. Millions and millions of hours screaming at us. Others are darting at us with hate.
Captain Hojo
Akiyama. Tadeo. Step forward. You have said that you are anxious to prove yourself a brave and royal Japanese. Have you noticed?
Taddeo
Yes, Captain.
Captain Hojo
Well, I am going to give you a chance, as I promised. The Chinese dogs in this village have refused to revere the names of the murderers who wrecked our troop train. Those who protect the guilty are guilty themselves. You know that, do you not?
Taddeo
Yes, sir. But is there any certainty that the train wreckers came from this place? There are other villages nearby. And there are perhaps gorillas.
Captain Hojo
You will answer my questions with yes or no. The major has selected 20 villagers to be executed. You and a detail of 19 others are to carry out the execution. You understand?
Taddeo
Yes. They are to be shot.
Captain Hojo
No, bayoneted. Their hands and feet will be tied. And they will stand in a row facing you. When I give the signal, you are to charge them. And you are to charge with spirit. The rest of the village will be looking on. And you are to show them that your. Your heart is in your work.
Taddeo
Oh, if only they had been blindfolded, Nakarua. If only the captain had covered their eyes. I shall never forget their eyes staring with fear as we ran towards them. I shall never forget how the one I killed try to move his bound hands from behind his back as my bayonet. But I lie and I say I shall never forget those bound helpless men. In a month they will be blotted out by the other crimes I've seen and done.
Nakara
Ah, it is good to walk on Saur street again instead of in mud. Do you think we shall stay long in paixing, Tadeo?
Taddeo
How should I know? Our planes have not left much of it to stay in. Look about you.
Nakara
Here comes Homa. And some of the others in our squad shall return back. I have no wish to meet them.
Taddeo
They're too busy breaking into that house to notice us.
Nakara
One would think they had enough root by nap.
Taddeo
Do you hear?
Nakara
Come Away, Taddeo. There are only two of us. We can do nothing. Hey, you two. Come in and share the fire. He is drunk. Don't listen.
Taddeo
Come away.
Nakara
Men forget their selves when they have drunk too much and when they have not been near women for a long time. Let us go back and sleep. Forget what we have seen, Tadao.
Taddeo
How can I forget? Do you think there's any excuse for what we do in China?
Nakara
No, there is none. Someday these things may happen to my wife and my children in revenge. And the fault will be mine. But what can we do, Tadao? What can we do?
Taddeo
I don't know. I had a Chinese friend once. He studied with me at the university in Tokyo. He told me that Japan had been conquered by her own army. That all the decent people were in chains. I always denied his words, but they were true. We are a lost people. We shall be hated through all the world like an unclean thing.
Nakara
Here are our quarters. Let us go in. Sleep.
Captain Hojo
Akiyama. Tadeo, is that you?
Taddeo
Yes, Captain.
Captain Hojo
I have some work for you. Leave your companion and follow me.
Taddeo
Yes, Captain.
Captain Hojo
In here. Those prisoners are to be examined. The interpreter here will ask them how many Chinese troops escaped from the city. And it is to be hoped that they will answer. You are ready, Interpreter? I am ready, Captain Hojo. Good. Now, Tadao. The Chinese are your brothers, are they not? You understand them. If they deny us the information we seek, you will know how to make them talk. Or if you do not know, I shall give you a demonstration. Bring the first man forward. Where, Interpreter, what does this one say?
Nakara
He is like Aldarus. He says that he does not know.
Captain Hojo
Tadeo, the cigarette. This time in his nostrils. Fool. You have let it go out. Here, take mine.
Taddeo
Yes, Captain.
Captain Hojo
Ask him what he says now.
Nakara
The coward has fainted, Captain.
Captain Hojo
Very well. Corporal. Yes? Take him and the others that you have questioned. Away. Dispose of them. There is no need to waste bullets. You may get gasoline at the truck depot if you wish. It shall be done. Fowardo. Tadeo. Stay here. We still have two prisoners. I wish to show you some techniques I have developed myself. Oh, Interpreter. You may go if you wish. I think you would enjoy watching the deaths outside.
Taddeo
Thank you, Captain Ojo.
Captain Hojo
You are most thoughtful. Now, Tadeo, strip one of the prisoners. Well, what are you waiting for?
Taddeo
You have the bayonet, Captain? It would be more diverting to use a bayonet. I have an idea of my own.
Captain Hojo
Oh, you improve.
Nakara
There.
Captain Hojo
Here it is.
Taddeo
Thank you, Captain.
Captain Hojo
Hozio, what are you doing?
Taddeo
Stay away from me. Stay away.
Nakara
Help.
Captain Hojo
Corporal.
Nakara
Corporal.
Taddeo
New techniques, Captain. Hojo. I will never take your orders again. No one will. You prisoners, put your hands above your heads and walk before me. Yes, I will help you escape. But we must be careful. Out the door, quickly.
Nakara
Daniel.
Taddeo
Jadiel.
Nakara
Jadiel. What has happened? Where are you going?
Taddeo
Go away from here. Carlos. I killed Hojo Sadeo.
Nakara
You have killed him. Where are you taking these men?
Taddeo
Outside the city. If I can't do safety, I shall come with you. No, no. It does not matter what happened to me. I'm going to kill myself after I have seen them safe.
Nakara
No, no. I'll help you. If anyone stops us, we shall say we are taking them to be executed. The Captain's orders. Everybody is too drunk to be suspicious.
Captain Hojo
Here.
Nakara
Out this door.
Taddeo
All right then. All right. You prisoners, we are going to run that way. We will stick together. I shall try to protect you with my gun ready. Run.
Detailed Summary of "Report the Enemy 43-09-23 The Story of A Japanese Soldier"
Harold's Old Time Radio presents a gripping adaptation of Bradford Smith's novel The Arms Are Fair, transporting listeners back to the tumultuous era of World War II through the eyes of a Japanese soldier. This episode delves deep into the internal conflicts, moral dilemmas, and harrowing experiences faced by Tadeo, a Japanese soldier torn between his duty and his conscience.
The story opens with Tadeo, a dedicated mail carrier, receiving a letter that summons him to active duty. His mother expresses pride and concern, highlighting the societal expectation of unwavering loyalty.
Despite his mother's wishes, Tadeo remains introspective, choosing to engage with English literature—a choice that has already caused friction within his family.
This moment establishes Tadeo's internal conflict between embracing Western ideals and adhering to his Japanese heritage.
Tadeo’s contemplation reveals his deep-seated doubts about the righteousness of war. He references Shakespeare to articulate his belief that war is just only when fought for a just cause.
This philosophical stance underscores Tadeo's emerging disenchantment with the war, setting the stage for his later actions.
Nakara, Tadeo’s comrade, is introduced, revealing a glimpse into the camaraderie and personal lives of soldiers amidst the chaos of war.
Tadeo's kind response contrasts with Nakara’s cynical remarks, highlighting their differing perspectives on duty and humanity.
The dynamic shifts with the arrival of Captain Hojo, whose authoritarian demeanor begins to unsettle the group.
Captain Hojo's aggressive interrogation style becomes evident as he challenges Tadeo's neutral stance towards the Chinese, hinting at underlying tensions and prejudices.
This confrontation marks the beginning of escalating tensions, forcing Tadeo to navigate between his beliefs and the captain's expectations.
Captain Hojo issues a chilling directive to execute villagers suspected of sabotaging their troop train. This order thrusts Tadeo into a profound moral crisis.
Tadeo reluctantly complies, but the act leaves an indelible mark on his conscience.
This moment serves as a pivotal point, showcasing the brutal realities of war and its impact on individual soldiers.
Amidst the horrors, Tadeo and Nakara share moments reflecting their shared trauma and the psychological toll of their actions.
Nakara: “Let us go back and sleep. Forget what we have seen, Tadao.” ([11:31])
Tadeo: “How can I forget? Do you think there's any excuse for what we do in China?” ([11:41])
Their conversations reveal the deep emotional scars left by their duties, emphasizing the human cost of conflict.
Tadeo reaches his breaking point when he is tasked with interrogating prisoners. Witnessing the prisoners' fear and helplessness fuels his resolve to rebel against the oppressive orders.
Faced with the brutal reality of his captain's expectations, Tadeo decides to take a stand.
In a decisive moment, Tadeo confronts Captain Hojo, leading to a confrontation that symbolizes his rejection of militaristic brutality.
The climax unfolds as Tadeo and Nakara attempt to rescue the prisoners, confronting the Captain's tyranny head-on.
This act of defiance signifies Tadeo’s quest for redemption and his desire to preserve his humanity amidst the dehumanizing forces of war.
Tadeo on War and Conscience
Nakara on Personal Sacrifice
Captain Hojo's Authoritarian Command
Tadeo's Defiance
Moral Ambiguity of War: The episode poignantly explores the blurred lines between right and wrong in wartime, emphasizing the internal struggles soldiers face when ordered to commit atrocities.
Cultural Identity vs. Personal Beliefs: Tadeo’s affinity for Western philosophy juxtaposed with his Japanese identity highlights the tension between cultural indoctrination and individual moral compass.
The Dehumanizing Effect of Authority: Captain Hojo embodies the corrupting influence of unchecked authority, demonstrating how power can distort ethics and humanity.
Friendship Amidst Chaos: The bond between Tadeo and Nakara serves as a beacon of hope and humanity, illustrating how shared experiences can forge deep connections even in the darkest times.
Search for Redemption: Tadeo's eventual rebellion signifies a yearning for redemption and the reclaiming of his moral integrity, offering a nuanced portrayal of resistance against systemic evil.
"Report the Enemy 43-09-23 The Story of A Japanese Soldier" masterfully weaves a narrative that delves into the psychological and moral complexities faced by soldiers during wartime. Through Tadeo's journey, the episode challenges listeners to reflect on the nature of duty, the impact of authority, and the enduring strength of the human conscience. This adaptation not only honors the Golden Age of Radio storytelling but also provides a profound commentary on the timeless themes of war and humanity.