
Saint 1951-02-04 The Carnival Murder
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Campaign Representative
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Youth Advocate
A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, if I try this once, it won't be that much of a problem. But then eventually it becomes a problem.
Campaign Representative
It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoregonkids.org paid for by the Campaign for Tobacco Free Kids Action Fund.
Vincent Price
The Adventures of the Saints Starring Vincent Price, the Saint. Based on characters created by Leslie Charteris and known to millions from books, magazines and motion pictures, the Robin Hood of modern crime now comes transcribed to radio. Starring Hollywood's brilliant and talented actor, Vincent Price as the Saint.
Carnival Barker
Just step a little closer if you will, my friend. You might be the start of a mighty and surging throng. You mean me, you and another slumming.
Simon Templer
The night, friend, I just happen to like carnivals.
Carnival Barker
The gentleman says he likes carnivals, eh? Now, let us all step up a little closer here while we talk about the greatest attraction on the mighty midway. A test of strength, courage and endurance, attracting attention all over the civilized world and further. Texas. It's a joke, friend.
Simon Templer
Oh, sorry.
Carnival Barker
Yes, indeed. Well, I am talking about that little lady inside the tent here that all your friends have told you positively not to miss. The courageous girl who lies buried alive 20ft below the surface of the earth. Are you going in, friend? Or am I wasting my time?
Simon Templer
I'm still on the fence.
Carnival Barker
Okay. Well, you have heard her name, you have read about her in the papers, and now you are going to see Mona, the buried alive girl who has lain in her grave on these premises for 222 hours, 36 minutes and 21 seconds. Andy is now attempting to break the world record of 244 hours.
Simon Templer
Ooh, how strenuous.
Carnival Barker
Inside the tent, you will see her, talk to her, ask her any questions that happen to be on your mind.
Simon Templer
Tell me more.
Carnival Barker
My friend, I don't request that you buy a ticket for this great attraction. I just ask that you put this question to yourself.
Simon Templer
Yes.
Carnival Barker
Would I have the courage to change places with Mona, the buried alive girl?
Simon Templer
No.
Carnival Barker
I thank you for your kind attention. And the box office is now open.
Simon Templer
Oh, one, please. One.
Carnival Barker
He says some days it don't pay to get buried alive. Hey, son. The entrance is right in front of you.
Simon Templer
My change.
Carnival Barker
Oh, yeah, yeah, the change. That's right. It's mere oversight, sir, I assure you. Here you are. Right straight ahead.
Simon Templer
Yeah. Thank you. Thank you. To communicate with Mona, talk down too. Well, all right. I talk. Mona.
Mona
Frankie, you gotta get me out of here. I'm going crazy down here. I'm scared.
Simon Templer
Mona. This.
Mona
I've been thinking, Frankie. I've been thinking all day what Angie said just before she. I don't want to end up like Angie, Frank. I don't. And I will if you don't get me out of here. I know I will. I. I don't want to die. Frankie. Get me up.
Simon Templer
Mona, this isn't Frankie. This is Simon Templer. Can I help you?
Mona
Oh, you're not. You're not Frankie.
Simon Templer
No, but I'll help you if you'll tell me what you're afraid of. Mona.
Mona
I am in very good health and am enjoying no physical discomfort whatsoever. I am looking forward eagerly toward breaking the world's record for being buried alive 244 hours. Pictures of me are available at the box office at nominal cost.
Simon Templer
Mona, what are you afraid of?
Mona
I am in very good health and am enjoying no physical discomfort whatsoever. I am looking forward eagerly to you.
Simon Templer
I know. I know. I heard.
Segundo
Hey, what you doing here? Who are you?
Simon Templer
I'm Simon Templer, customer. Who are you?
Segundo
Customer? Oh, excuse me. I. I thought. Excuse me.
Simon Templer
Oh, say, aren't you the strong man? I saw your act a few minutes ago. Segundo, huh?
Segundo
Pretty good.
Simon Templer
Yeah, pretty good. Tell me, Segundo, what about Mona? Who was Angie?
Segundo
Angie? Excuse me, I gotta go.
Simon Templer
Hey, wait a minute.
Carnival Barker
You got two for the price of one, eh, friend? Mona. And the strong man, Segundo.
Simon Templer
I caught his act before. Quite a large hunk of muscle. I wouldn't like him to step down on my foot.
Carnival Barker
Yeah, the guy is built like a Hudson. Only trouble is, his motor don't run so good.
Simon Templer
Oh, a few chips, light in the head.
Carnival Barker
A whole stack. Well, did you enjoy your chat with Mona?
Simon Templer
Tell me, who was Angie?
Carnival Barker
Angie? Oh, yeah, that Angie. That's a real sweetheart. That was Mona's sister. Angie used to do the buried alive act before she died.
Simon Templer
Oh, a real d. Was it an accident?
Carnival Barker
Accident? No, no. It was a weak heart. That Angie. Oh, she was all hot. Oh, we miss her. How'd you know about her?
Simon Templer
Tell me about Mona. Why? I might like to help her, that's all.
Carnival Barker
Hey, look, my friend, nobody in this county needs no help from you. We take care of each other. We always have and we always will. Nobody on the outside cares nothing about us and we don't care nothing about them. Now beat it.
Simon Templer
Who's the owner of this carnival be?
Carnival Barker
Saint Clair. And her trail is right down the midway. And she'll tell you the same thing I did.
Simon Templer
I'm hard to discourage, friend.
Carnival Barker
There's nobody here needs no help.
Simon Templer
Friend, you forget that I've heard your jokes. See you later.
Bea St. Clair
Come in.
Simon Templer
Ms. St. Clair, right?
Bea St. Clair
Who are you?
Simon Templer
I'm a customer of your carnival.
Bea St. Clair
Well, come in, customer. Sit down.
Simon Templer
Thank you. Thank you. I wanted to ask a few questions, if you don't mind.
Bea St. Clair
Where's your question license?
Simon Templer
My name is Simon Templer, also known as the Saint.
Bea St. Clair
These are for my own opinion. What do you want to know?
Simon Templer
I'm interested in Angie.
Bea St. Clair
Angie? They never come any better. Every hundred years or so you meet somebody nice in the slous trap circuit. Angie was one of them. Now she's gone and the crumbs remain.
Simon Templer
Anything peculiar about the way she died?
Bea St. Clair
Sudden, that's all. Heart, why?
Simon Templer
And her sister Mona took her place.
Bea St. Clair
Yep. Mona's a good kid, but a kid.
Simon Templer
Any chance of her being brought up from the living grave? Soon. Why? I got the impression she didn't like it down there.
Bea St. Clair
No, you did. You know something? I don't like running this police circus of a carnival either. Some mornings I don't even like living. But I don't come running to you about it, Mr. Templer.
Simon Templer
You won't bring her up then, huh?
Bea St. Clair
No, I got nothing to say about it. Anyway, it's up to her husband, Frankie Fowler. You catch his act. Frankie the tattooed boy?
Simon Templer
I'm afraid I'm not an art lover.
Bea St. Clair
Well, he's no Mona Lisa.
Carlos
Jack.
Bea St. Clair
Any more questions?
Simon Templer
Would I get any more answers?
Carlos
No.
Simon Templer
But when a woman says no, that's not always what she means, Jack.
Bea St. Clair
That's an entirely different type of question.
Simon Templer
Hello? Anybody here? Yeah, Frankie, I'd like to talk to you.
Frankie
Who are you?
Simon Templer
My name is Simon Templar, Frankie.
Frankie
What do you want?
Simon Templer
Well, I've always been interested in tattoos. I think they're fascinating. Almost as fascinating as the people who do them.
Frankie
Oh, a fan.
Carnival Barker
Come in, come in.
Simon Templer
Thank you. Thank you.
Frankie
You know, the carny's closed for the night, but I'm always glad to oblige a customer.
Simon Templer
Well, I'm not exactly a customer. I'm a friend of Mona's.
Frankie
Mona's got no friend. Simon Templer.
Simon Templer
Let's say a speaking acquaintance. Did you know Angie? Frankie?
Frankie
No, her. Angie was my wife. Wonderful girl. Almost killed me when she passed away Omaha.
Simon Templer
She's buried there.
Frankie
I couldn't leave her behind, not with strangers. Call me sentimental if you want to, but that's the way I felt. You see that urn over there on the table? Now, Angie's with me always.
Simon Templer
I see.
Frankie
They say us carny people got no heart. You like to see some real artistic work in tattoo, Mr. Templeton?
Simon Templer
Oh, maybe some other time, Frankie. Look at that.
Frankie
Look at that here. Monitor and a Merrimack Civil War. Authentic, 100%.
Simon Templer
They don't do work like that anymore, Frankie. I.
Frankie
Everything I got on me is art.
Simon Templer
Art.
Frankie
I seen a guy the other day, ask him what he had on. He said surrealism. Surrealism. I told him right out I said, the guy that tattooed that on you ain't American. That's what I told him, and I'll stand by it. Surrealism.
Simon Templer
Frankie, I've been talking to Mona.
Frankie
What about?
Simon Templer
She's buried too far under the earth, Frankie. She wants to come up.
Frankie
She does, does she? She say anything else, did she?
Simon Templer
I just got the impression she was frightened down there.
Frankie
Well, let her be. Let her stay there. She's getting just like Angie.
Simon Templer
Oh, Angie was frightened.
Frankie
No, no, that's not what I meant. Angie. Angie was the greatest. It's just that they're sisters, see? What's this to you?
Simon Templer
Nothing. Except I think it might be better if you brought Mona up.
Frankie
Oh, you do?
Carlos
You do.
Frankie
Segundo. Frankie, come in here. Now you see what happens to guys who get nosy?
Simon Templer
Afraid to do your own strong arm work, eh, Frankie?
Frankie
Why you.
Segundo
Here I am.
Frankie
Look, Segundo, this guy came in here saying bad things about Angie.
Segundo
About Angie?
Frankie
Yeah.
Segundo
You shouldn't have said that, Mr. Narabarangi. I don't like nobody to say bad things about Anne.
Simon Templer
I'm trying to help her. Segundo and Mona.
Frankie
Don't listen to him, Segundo. Get him.
Segundo
I don't trust stranger.
Frankie
Hit him again, Segundo. Throw him out.
Carlos
Yeah.
Segundo
He shouldn't have said bad things about.
Simon Templer
Hey.
Carlos
Hey. Hey. Wake up, mister. Wake up. You hurt? Hey, Carnival's closed for the night, friend. Why don't you go home and sleep?
Simon Templer
Oh, wait till I find my head.
Carlos
What happened?
Simon Templer
Well, let's say, too much cotton candy and circus peanuts, huh?
Carlos
Drink. Help you out.
Simon Templer
Ooh, immeasurably. Lead the way.
Carlos
Yeah. Don't mind drinking with a dwarf, do you?
Simon Templer
Why should I?
Carlos
Some people do. Oh, My name's Carlos.
Simon Templer
Hello. I'm Simon Templer.
Carlos
Yeah? Oh, right in here. My home. One of the Wagons. Oh, don't. Don't bump your head.
Simon Templer
I'll watch it.
Carlos
Here, pour this down.
Simon Templer
Oh, thank you, my friend. I needed that.
Carlos
I have to go. Or can you stay and talk a while?
Simon Templer
Oh, I'd like to stay if I may, Carlos.
Carlos
Well, thank you. I very seldom get the chance to talk, Mr. Templer.
Simon Templer
Why is that?
Carlos
Dwarf's rather lonely occupation. Not freak enough to make much money in the carnival and too much of a freak to be accepted out of it. Oh, I. Sorry to burden you with my troubles.
Simon Templer
Everyone's troubles are everyone else's, Carlos.
Carlos
Well, thank you. Wanna tell me about yours?
Simon Templer
Well, I had a call for help tonight from 20ft under the ground, and I just don't know what to do about it.
Carlos
Mona?
Simon Templer
Yeah. She said she was afraid she would end up like Angie. She wanted to come up.
Carlos
Did you tell anyone else about this?
Simon Templer
Not directly, no. Frankie refused to let her come up.
Carlos
Have another drink? Yeah. Mona never talked like this before. She was never scared. Not like Angie. Molly's got cats. It worries me. No.
Simon Templer
Here. Oh, thanks. What about the man who was married to both of them, huh?
Carlos
Frankie Simon? If you were born a freak like I was, you had no choice. And you can be philosophical. But if you make yourself a freak like Frankie did, you gotta hate yourself and everybody else as long as you live.
Simon Templer
And yet two women married.
Carlos
Don't rub it in. I. I'm sorry. I shouldn't have jumped you. I'm not always as philosophical as I try to be.
Simon Templer
Can't help thinking of Mona. Buried alive. Afraid. Afraid of what? And she mentioned that Angie said something to her just before she died.
Carlos
What?
Simon Templer
She didn't say. Tell me how far away from where Mona is.
Carlos
Just across the midway. You want to go over there?
Simon Templer
I'd feel better.
Carlos
And so would I. Let's go.
Simon Templer
What about Bea St. Clair, Carlos? Can you figure her out?
Carlos
Well, not quite. Because I don't think Bea can figure herself out. She hasn't had much fun either. I hope she gets some.
Simon Templer
This is Mona's tent, isn't it? Anybody around?
Carlos
Not a soul. Let's go in. Mona? Mona? She must be asleep.
Simon Templer
Let me try. Mona, can you hear me? Mona? She's not asleep. There's something wrong. Mona.
Campaign Representative
Nearly 90% of kids who vape say flavors are why they do it.
Youth Advocate
A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, I tried this once. It won't be that much of a problem. But then eventually it becomes a problem.
Campaign Representative
It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoregonkids.org paid for by the Campaign for Tobacco Free Kids Action Fund.
Youth Advocate
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Wayfair Every style, every home.
Carlos
Monet's. Carlos. Mona. What was it she said she might wind up like Angie? Mona.
Simon Templer
Carlos, go get every man you can and every shovel and then get a doctor and an ambulance.
Carlos
Yeah, he wanted to break the record. Well, maybe she will. Maybe she will like Angie.
Frankie
I'll help you. That's it.
Simon Templer
Keep.
Frankie
Okay, okay.
Simon Templer
Are they almost down to her B?
Bea St. Clair
Oh, I think so. It's only about 8ft. We advertise 20, but 8 is enough. What do you think happened, Carlos?
Carlos
I don't know what happened to Angie?
Bea St. Clair
A heart attack. You know that.
Carlos
Do I?
Frankie
She just fainted.
Simon Templer
Maybe.
Frankie
Maybe this is all about nothing.
Simon Templer
I doubt it, Frankie. So do you.
Frankie
What do you have to come nosing in for, Templar? B and I don't need you.
Simon Templer
We can get along, me and you.
Frankie
All of us. That's what I mean.
Simon Templer
You mean you'd rather have left her down there?
Frankie
I'm not taking this from you.
Simon Templer
I got the. Come on.
Frankie
Come on, you guys.
Bea St. Clair
Grab it.
Carnival Barker
Grab it.
Frankie
Come on.
Simon Templer
Come on. There, there. Now give me a hand with the lid. You better come over here, Doctor.
Carnival Barker
Right, Mr. Templer.
Simon Templer
There.
Frankie
What is it, Doc? Is she.
Simon Templer
Is she well?
Carnival Barker
She's still breathing, but that's about all.
Simon Templer
Any symptoms?
Carnival Barker
If I had to make a guess, symptoms of poisoning. Get her over to the ambulance.
Vincent Price
Hurry.
Segundo
Come.
Bea St. Clair
Mr. Templar. Mr. Templer. I'm sorry I didn't get her up sooner.
Simon Templer
I should have made it plainer, but I didn't know who to trust. Do you now just who not to trust?
Bea St. Clair
And who's that?
Simon Templer
Everyone. How is she this morning, Doctor?
Carnival Barker
Oh, she's a sick girl, but she'll live. We got her in time.
Simon Templer
I'm glad. What caused it?
Carnival Barker
Poison of some kind, definitely. I'm Waiting for a lab report.
Simon Templer
May I see her?
Carnival Barker
Yes, go ahead, Mr. Templer. She's rational now. Kept asking Angie to forgive her before.
Simon Templer
Forgive her for what?
Carnival Barker
Well, she didn't say. They usually don't. Don't stay too long.
Simon Templer
Oh, all right, Doc. Good morning, Mona.
Mona
Who are you?
Simon Templer
Simon Templer. I spoke to you down the tube yesterday. You thought at first I was Frankie.
Mona
I don't remember.
Simon Templer
Don't you? You said you were afraid you might end up like Angie. She said something to you before she died, Mona. What was it?
Bea St. Clair
I don't remember.
Mona
She didn't say anything.
Simon Templer
You know what happened to you last night, Mona?
Mona
No.
Simon Templer
There was poison in your food that was lowered through the tube. Got any idea who did it?
Mona
Poison? I don't believe it.
Simon Templer
Well, police will find out.
Mona
I don't want the police. I did it. I took it myself.
Simon Templer
What kind?
Mona
I don't remember, but I took it.
Simon Templer
Why did you want Angie to forgive you, Mona?
Mona
Who told you that? I mean, you're making that up.
Simon Templer
I'm trying to help you, Mona.
Mona
I don't need help. I want Frankie. I want him back.
Carlos
I want him back.
Simon Templer
All right. I'll find him for you.
Bea St. Clair
Come in. Hi, men. Come in.
Simon Templer
How are you, B?
Carlos
How's Mona, Simon?
Simon Templer
Better, Carlos. I was at the hospital all day. Had to wait for the lab reports on the poison.
Bea St. Clair
Who did it?
Simon Templer
Oh, it could have been put there by anyone.
Carlos
To the police now?
Simon Templer
Not yet. Mona claims she took it herself. She's obviously protecting someone or is afraid of someone.
Bea St. Clair
But who?
Simon Templer
Bea? You don't have to answer unless you want to.
Bea St. Clair
What, Simon?
Simon Templer
Has there been anything between you and Frankie?
Bea St. Clair
Well, everybody gets lonely.
Simon Templer
Are you still lonely, Jack?
Bea St. Clair
I got no ambition to travel around the country in an urn. That answer it?
Simon Templer
That's good enough if I can wind this thing up tonight. Will the two of you help me? You, especially, Carlos.
Carlos
Anything I can, Simon.
Simon Templer
All right. You're not closing the carnival down tonight, Bea.
Bea St. Clair
We'll stay open. If you say so.
Simon Templer
Well, it might make it easier. Carlos, you go to Frankie's trailer while he's doing his show. And take the urn. Would you mind doing that?
Carlos
I'll do it.
Simon Templer
Good. Put it in a safe place, it doesn't matter where. And come back to the trailer. All three of us will wait for Frankie to come back after his show.
Bea St. Clair
What happens then?
Simon Templer
I don't know for sure, but I have a theory. Hope it's right. It's a question.
Bea St. Clair
What happens if it's not right, B?
Simon Templer
That's an entirely different type of question.
Bea St. Clair
Simon. Why do we have to wait in the dark for Frankie? It's creepy in here.
Simon Templer
He might not come in if he saw the lights be. Do you mind, Carlos?
Carlos
Not a bit. The dark is a friend of mine.
Bea St. Clair
I'm getting chumpy.
Simon Templer
You can leave if you want to. I might be able to handle what I have to do alone.
Bea St. Clair
Oh, I'll stick. Give me a chance to gripe, will you?
Simon Templer
How about you, Carlos?
Carlos
Oh, I'm enjoying it, Mr. Templer. Gives me a chance to feel important. I don't get many chances like that.
Bea St. Clair
See? Frankie's late. He should have been here by now.
Simon Templer
Well, maybe business was good tonight.
Bea St. Clair
It usually is, huh?
Simon Templer
Say, B. I don't want to be personal, but running a carnival, is it lucrative?
Bea St. Clair
Jack, I don't want to brag, but I am loaded.
Simon Templer
O. How nice for you.
Bea St. Clair
My last year alone.
Simon Templer
Someone come. Good evening, Frankie.
Frankie
Templar. What does this be?
Bea St. Clair
I couldn't keep away, Frankie, but I brought my chaperone.
Frankie
Well, get him out of here. Some chaperones. The saint and a dwarf.
Carlos
I didn't choose to be a freak, Frankie. That's the difference.
Frankie
What's going on?
Simon Templer
Look around, Frankie. Anything missing?
Frankie
What do you mean? The urn. Where is it? What'd you do with it?
Simon Templer
We took it.
Frankie
You took it? Segundo, come in here.
Simon Templer
I don't think you'll need Segundo this time. Sit down, Frankie. If you don't like that seat, I can get you a hotter one.
Frankie
You think you know something?
Simon Templer
I'm nosy, Frankie. Very nosy, as you pointed out.
Segundo
What is it, Frankie?
Frankie
This guy Templar against Segundo. He's been saying bad things and doing bad things. He took Angie's arm.
Simon Templer
Easy, Segundo. You'll want to hear this too.
Segundo
Here. What?
Frankie
Don't wait, Segundo. He's just stalling. Go get him.
Segundo
You took the sag.
Bea St. Clair
Sit down.
Carlos
No, Seando. Waiting here. Waiting here.
Segundo
Okay, Carlos. I trust you.
Simon Templer
Good. It's about Angie. Segundo. This morning and last night. Mona was calling out for Angie to forgive her. For what? Because she'd been going around with you, Frankie, while you were married to her older sister.
Frankie
I loved Angie.
Simon Templer
And how long after she died did you marry Mona?
Bea St. Clair
Six weeks.
Frankie
I couldn't help it if the kid was crazy about me.
Simon Templer
But you couldn't help it when you killed Angie with poison.
Frankie
Who says I did? Where's the evidence?
Simon Templer
He thought there wasn't any. It was almost a smart job, Frankie. But you couldn't pull anything all the way. Smart. It was only half smart, and that can be fatal.
Frankie
If you think I'm gonna stand here and listen to this.
Simon Templer
You'll stand and you'll listen. Murderers hardly ever change tactics, Frankie. The poison showed up in Mona's stomach. We couldn't prove that on you. But there are certain poisons that can be traced even after cremation. The kind you used is one. Now do you begin to get the point?
Frankie
It's not true. You can't trace it, can you, Carlos?
Carlos
Yes, you can. I should have remembered. I should have had that urn analyzed long ago.
Frankie
Now, wait a minute. You're guessing at this.
Simon Templer
Are we? Where's the urn?
Frankie
You're guessing at a motive. I didn't kill Angie. Then why would I want to kill Moon?
Simon Templer
Biggest stakes. You were after B. She was loaded.
Frankie
It's all a lie. I mean, B and I. Segundo. Stay away from me.
Simon Templer
Put that gun away, Frankie.
Carlos
No.
Frankie
I'll use it if you don't. Stay back, Segundo.
Segundo
Frankie. You kill Auntie.
Frankie
I tell you, nobody killed her. She had a weak heart. That was at a weak heart.
Simon Templer
Segundo, listen to me.
Segundo
You kill Angie. Funko.
Simon Templer
Stay back.
Frankie
Stay back.
Simon Templer
He's going to shoot Segundo.
Segundo
She never done no harm. She was so.
Carnival Barker
Stay back.
Frankie
I'm warning you.
Segundo
She loved you and you gave her poison.
Frankie
Don't come no closer. I mean it. Stay back.
Segundo
She laughed sometime, and she did. Like a little girl.
Simon Templer
Keep away from me, you big creep.
Segundo
Why?
Carnival Barker
You couldn't let her live, you crazy creep.
Frankie
What else you dropped? You ain't human. Keep your hands off of me.
Simon Templer
Hand them. Let go of him.
Carlos
Let go. Carlos.
Simon Templer
Let him go.
Mona
Let him go.
Segundo
Carlos.
Bea St. Clair
Are you hurt bad?
Segundo
No.
Simon Templer
I think one was a clean miss. The other two got him in the shoulder. Maybe he'll live. Here, let me help you. Officer Gundo. Come on now. Sit down. Sit down. B. Get a doctor.
Bea St. Clair
All right.
Carlos
Quite a man, this Segundo. Not so strong upstairs. But in the heart, plenty.
Simon Templer
Yeah. He almost killed Frankie.
Carlos
I'm almost sorry he didn't. Frankie doesn't deserve to live.
Simon Templer
Someone else will decide that. Goddess.
Carlos
What Segundo did. I wish I could have done it, Saint. In my hands. I wish I could have done it, Carlos. I never told anybody, Saint. I never told her. She never guessed. But I loved Angie, too. Heaven help me, I loved her, too.
Carnival Barker
Just step a little closer if you will, my friend.
Simon Templer
You mean me?
Carnival Barker
I mean you. Hey, do you care to see the fat lady friend. Wait. 9,324 ounces.
Simon Templer
Well, that's better.
Carnival Barker
How are you, Mr. Templer?
Simon Templer
I'm fine. Tell me, how's Mona?
Carnival Barker
Oh, she's all right. It's a funny thing, Mr. Templer. I. I think Angie must have told her when she was dying that she suspected Frankie. But Mona could never bring herself to believe it. She still can't. But I guess she will. See? Going in to see the fat lady, Mr. Templer?
Simon Templer
You talked me right into it. Here's a five.
Carnival Barker
Thank you. And the address is straight ahead. Friend.
Simon Templer
Am I change?
Carnival Barker
Yeah, change. Here's your five back. For Simon Templer, everything is always on the house.
Simon Templer
On the house. Well, thanks. Say, you'd make a wonderful bartender.
Carnival Barker
Oh, now, Mr. Templar, that wouldn't be refined.
Simon Templer
Just a lovely dream. A wild, lovely dream.
Vincent Price
You have been listening to another transcribed Adventure of the Saint. The Robin Hood of modern crime. And now, here is our star, Vincent Price.
Simon Templer
Ladies and gentlemen, your life is your own. It's yours to guard when danger is near and danger is never absent from the highways of America, where some 30,000 persons are killed every year. Only you can take the responsibility for averting the most tragic of all traffic accidents, the accident that happens to you. You can take that responsibility by recognizing the dangers of the road and by obeying the laws that have been made to protect your life. In almost every single motor accident reported by the National Safety Council, there was at least one violation of traffic regulations. The most common violation was speed. Speed too great for safety, speed to save a few seconds, speed that spelled out death and tragedy on the road. And as always, the National Safety Council warns about driving after drinking. It's not an empty warning because fully one quarter of all fatal accidents involve drivers or pedestrians who have been drinking. This is a fact, so when you drive, remember that an accident can happen to you. Learn and obey the traffic laws and don't take the little chances that so frequently result in a smash up. The care you take may save a life, and that life may be your own. This is Vincent Price inviting you to join us again next week at this same time for another exciting adventure of the Saint. Good night.
Vincent Price
This Adventure of the Saint was written by Dick Powell in our cast. You heard Mary Ship as Mona and Sheldon Leonard as the barker. Bob Jellison was Carlos Ed, Max Segundo Henny Bacchus played B. Harry Bartel was Frankie. Harry Brown was the doctor the Saint. BET Based on characters created by Leslie Charteris is a James L. Sathir production and is directed by Helen Mack. Vincent Price is soon to be seen co starring in RKO's production of His Kind of Woman. All you Saint fans will be glad to know that the Saint comic books are on sale at all newsstands. Three chimes mean good times on NBC Today, Theater Guild on the Air presents the dramatic story Come Back, Little Sheba, starring Gary Cooper and Shirley Booth. Sunday also means another 90 wonderful minutes with the big show. And among this Sunday stars are Jimmy Durante, Fred Allen, Judy Holiday and many, many more. And, of course, Tallulah will be the emcee. And for a sparkling article about the glamorous Tallulah, see the latest issue of look magazine, now on sale. This is NBC, the national broadcasting company.
Campaign Representative
Nearly 90% of kids who vape say flavors are why they do it.
Youth Advocate
A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, I tried this once. It won't be that much of a problem. But then eventually it becomes a problem.
Campaign Representative
It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoregonkids.org paid for by the Campaign for Tobacco Free Kids Action Fund.
Carnival Barker
Packages by Expedia. You were made to be rechargeable. We were made to package flights, hotels and hammocks for less.
Segundo
Expedia made to travel.
Podcast Title: Harold's Old Time Radio
Episode: Saint 1951-02-04 The Carnival Murder
Release Date: June 6, 2025
In this captivating episode of "The Carnival Murder," listeners are transported back to the Golden Age of Radio, immersing themselves in a thrilling mystery set within the enigmatic world of a traveling carnival. Vincent Price masterfully portrays Simon Templer (The Saint), a suave and astute detective, as he navigates through deceit, danger, and dark secrets to uncover the truth behind a series of suspicious deaths associated with the carnival's famed "buried alive" attraction.
The story unfolds at a bustling carnival where the centerpiece attraction is Mona, a young woman buried alive in a simulated grave for the entertainment of attendees. Simon Templer arrives at the carnival under the guise of a regular customer, keenly interested in the enigmatic resurrection of Mona, who is now attempting to break the world record for being buried alive.
Key Characters:
Simon Templer engages with the carnival's carnival barker, Sheldon Leonard, probing into the eerie attraction:
Carnival Barker (Sheldon Leonard): “[00:02] ...the courageous girl who lies buried alive 20ft below the surface of the earth...”
Simon’s interest deepens as he notices Mona's unease during their interaction:
Mona (Mary Ship): “[03:52] Frankie, you gotta get me out of here. I'm going crazy down here. I'm scared.”
Realizing Mona’s distress is more profound than the act suggests, Simon decides to investigate further.
Simon approaches Bea St. Clair to inquire about Mona and her sister Angie:
Simon Templer: “[06:57] ...I’m interested in Angie.”
Bea St. Clair: “[07:07] ...Angie was one of them. Now she's gone and the crumbs remain.”
Bea reveals that Angie died of a weak heart while performing the same act, hinting at foul play, which heightens Simon's suspicions.
Simon meets Frankie Fowler to delve into his relationship with Angie and Mona:
Simon Templer: “[09:01] ...I’ve always been interested in tattoos...”
Frankie Fowler (Harry Bartel): “[09:19] ...Angie was my wife. Wonderful girl.”
As their conversation progresses, Simon uncovers inconsistencies in Frankie's account, especially regarding Angie’s death and his swift remarriage to Mona:
Simon Templer: “[23:06] ...you kill Angie with poison.”
Frankie Fowler: “[23:17] ...I didn’t kill Angie. It was a weak heart.”
Tensions escalate when Simon confronts Frankie with evidence linking him to Angie's poisoning:
Simon Templer: “[23:22] ...You couldn't pull anything all the way. Smart. It was only half smart, and that can be fatal.”
Frankie Fowler: “[24:07] ...The poison showed up in Mona's stomach.”
A heated altercation ensues, resulting in physical confrontations where Segundo initially sides with Frankie but ultimately aids Simon in subduing him.
With Frankie apprehended, Simon ensures Mona's safety and the disbandment of the deceitful act. The episode concludes with Mona’s escape from her simulated grave, symbolizing liberation from the carnival's dark legacy.
Notable Quotes:
"The Carnival Murder" delves into themes of deception, the allure of spectacle, and the quest for truth. Through Simon Templer's meticulous investigation, the episode underscores the importance of looking beyond appearances to uncover hidden truths. The carnival serves as a microcosm of society, where facade and reality often collide, leading to dramatic revelations.
This episode of "The Saint" masterfully blends suspense, intrigue, and classic radio storytelling to present a memorable adventure. Vincent Price's portrayal of Simon Templer brings depth and charisma to the detective figure, making "The Carnival Murder" a standout installment in the series. For listeners who relish intricate mysteries and rich character dynamics, this episode offers a compelling and immersive experience reminiscent of the Golden Age of Radio.
Notable Quotes with Timestamps:
This detailed summary captures the essence of "The Carnival Murder," highlighting pivotal moments, character developments, and the unraveling mystery that keeps listeners engaged from start to finish.