
Screen Directors Playhouse 49-02-06 005 Hired Wife
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Frank Barton
From Hollywood, the NBC Theater presents.
Carlton Young
Screen Directors Guild Assignment Production Hired Wife. Director William Seiter. Star Rosamund Russell.
Frank Barton
This is the screen director's guest presentation of life as it is lived by a private secretary. The comedy Hired Wife, starring Rosalind Russell and introducing the director of the film, William Seiter. Tonight, it is the privilege of the NBC theater to introduce a man whose profession is the relentless pursuit of that titillating will o' the wisp known as motion picture comedy. The Hunt has been a remarkably successful one. For as a screen director he has employed his unusual abilities to create some hundred and seventy five films, most of them designed for laughter. You've seen his director's credit on such pictures as Roberta up in Central park, the affairs of Susan, One Touch of Venus and tonight's story, Hired Wife. Ladies and gentlemen, Mr. William Seiter.
William Seiter
Thank you. Thank you. About 25 years ago, when I was working as an actor in a motion picture comedy, my director became ill. Somehow the word got around. Let's try to finish the film. That's where they made their first big mistake. They've never gotten me out of the director's chair since. Why? It's simple. I like making comedies. I like making people laugh. What do they laugh at? Well, maybe after another 25 years of directing, I'll know for sure. But for now all I can do is guess. For instance, I took a guess on a story Hired Wife and a character named Kendall Browning, a private secretary. Rosalind Russell seemed to be a natural for the part. Kendall Browning was employed in New York by Stephen Dexter of the Steven Dexter Cement Company. With her horn rimmed glasses and poised pencil, she was efficiency personified. Her boss was sublimely unaware that his perfect secretary was also a beautiful woman. And of course, Kendall was in love with him. But every spring she watched him go off in a romantic toque. And some come home with his heart and a sling. So one April, when Stephen had fallen into the clutches of a man eating blonde named Phyllis Walden, Kendall decided to take matters into her own hands. What happened to that is one of the reasons I like making comedy.
Carlton Young
Oh, Kendall.
Rosalind Russell
Yes, Mr. Dexter?
Carlton Young
Phyllis Walden, the model will be dropping in to discuss an advertising contract.
Rosalind Russell
Yes, Mr. Dexter.
Carlton Young
Please shore in as soon as she arrives.
Rosalind Russell
Very well, Mr. Dexter. Phyllis Walden, Ms. Cementbag of 1949. I've got a good mind to toss her out on her shell pink ear. Yes?
Joan Banks
Phyllis Walden is here to see Mr. Dexter.
Rosalind Russell
Tell her that Mr. Dexter will see her. Right. Oh, no, no. Send her in to see me. I'm probably going to Hate myself for this in the morning.
Joan Banks
You're Stephen's secretary?
Rosalind Russell
Yes. I'm Kendall Browning Stevens, private secretary.
Joan Banks
I'm Phyllis Walden.
Rosalind Russell
Ms. Walden, I have some bad news for you.
Joan Banks
Oh?
Rosalind Russell
Mr. Dexter was going to put you on his cement bag. What? As a model. I mean, for advertising.
Carlton Young
Go on.
Rosalind Russell
Well, the deal is off. Mr. Dexter changed his mind about it just before he left for Chicago.
Joan Banks
What did he say?
Rosalind Russell
Well, if you really want to know, he said, tell Miss Goofy Pan she can't pedal her kisser to Steve Dexter. What? Yeah, that's right.
Carlton Young
Kendall, is Ms. Wall in here? Why, Phyllis, darling, come in.
Joan Banks
Well, Stephen. My, but that was a fast trip to Chicago.
Carlton Young
Chicago? What are you talking about?
Rosalind Russell
No, no, don't get excited, Stephen. When you finish with Ms. Parox. Ms. Walden, I'.
Carlton Young
I still can't understand what made you say those things to Phyllis Walden. She was so upset, I had to take her home.
Rosalind Russell
Phooey.
Carlton Young
What?
Rosalind Russell
I said phooey.
Carlton Young
Now, that's a fine attitude.
Rosalind Russell
It was for your own good. Every spring, your young man's fancy lightly turns to thoughts of man traps. Two years ago it was that Hoboken redhead. Last year it was.
Carlton Young
Never mind. Phyllis is a lady. Kendall, you're my right hand. I can't run this business without you. But stay out of my private life, all right?
Rosalind Russell
I'm tired of doubling as a nurse for a juvenile delinquent anyway.
Ed Begley
Kitties. End of round one.
Carlton Young
Oh, come in, Roger.
Ed Begley
Either of you want a good lawyer?
Carlton Young
My secretary here objects to a young.
Rosalind Russell
Lady of my acquaintance, the great love of his life. He saw a picture in an advertisement for a new model automobile and went all gooey.
Carlton Young
Yes, I did.
Rosalind Russell
He was fascinated by the automatic rumble seat.
Ed Begley
If you kiddies really want to fight, save it for the board meeting at the General Cement Company.
Rosalind Russell
Oh, that's right. All right, Stephen, we're due there in half an hour.
Ed Begley
Those cutthroats are sore at you, boy. They'll pull every legal trip in the book to get you out of business.
Carlton Young
Get your notebook, Kendall.
Rosalind Russell
Right away.
Carlton Young
Come on, Rog, and sharpen that keen legal mind. We're going to need it.
William Seiter
Dexter, we offered to buy your company at a fair price.
Carlton Young
The price wasn't fair, Mr. Hudson, and you know it.
Ed Begley
We gave you a chance to come.
Carlton Young
In with us, but you chose to fight. That's right, Latimer. And I'll keep right on fighting, but not for long.
William Seiter
We're bringing an injunction against you the first thing in the morning. Dexter will tie up every penny you own.
Ed Begley
It's a technicality, a trick.
Rosalind Russell
It's unfair.
Carlton Young
Of course it's unfair. But it's legal. And there's nothing you can do. Right, Hudson? Right.
Rosalind Russell
Oh, Stephen.
Carlton Young
Well, take a good look at the office. The Steven Dexter Cement Company is on the way out.
Ed Begley
We'd better take home a few sacks. I hear they make good tents.
Rosalind Russell
Please. Now, Roger, isn't there something we can do?
Ed Begley
No. They'll tie up every cent in your name. Too bad you aren't married. That's it, Stephen, you've got to get married.
Carlton Young
What?
Rosalind Russell
You mean him married?
Carlton Young
Sure.
Ed Begley
I'll put every last penny, every sack of cement, even your house, in your wife's name.
Carlton Young
There must be some other way.
Ed Begley
It'll just be a formality. After a few weeks, you can get a divorce.
Rosalind Russell
Stephen, it's a wonderful idea. All you have to do is find a girl you can trust. Someone who understands your problem. Someone close to you.
Carlton Young
Kendall. You're right. And you know who she is.
Rosalind Russell
Oh, Stephen, come on.
Ed Begley
You'll have to be married tonight. You can't do that in New York. So you'll have to fly to Charleston.
Rosalind Russell
I'll have to go home and change my clothes.
Carlton Young
Why?
Rosalind Russell
For the trip.
Carlton Young
Why do you have to go?
Rosalind Russell
Stephen, who are you gonna marry?
Carlton Young
Who do you think? Phyllis Walden. Now, let's get busy. I'll make a list of all my properties. Roger, draw papers transferring everything to my wife. Miss Howard.
Rosalind Russell
Yes, sir?
Carlton Young
Get two reservations on the next plane for Charleston. And, Kendall, go ask Phyllis Walden to marry me.
Rosalind Russell
What?
Carlton Young
I'd ask her myself, but I haven't got time.
Rosalind Russell
Oh, what do you want me to do? Drag her here by the hair of her phony eyelashes?
Carlton Young
Please, Kendall, I need your help.
Rosalind Russell
You don't need me. You need Dorothy.
Carlton Young
Dixie, you know how to talk to another woman. Kendall, you can explain.
Rosalind Russell
Yeah, sure. Yes, I certainly will.
Joan Banks
Hello? It's you. Goodbye.
Rosalind Russell
Oh, wait a minute. Mr. Dexter sent me.
Joan Banks
Well, come on in. I'm dying to hear what you have to say. Your lies are so corny. They're fascinating.
Rosalind Russell
This one will knock you out. Mr. Dexter wants you to marry him tonight.
Joan Banks
He does? Well, I hardly know what to say.
Rosalind Russell
Well, you might try a simple yes or no. Now, look, Walden, I'm not batting for Cupid. This is strictly business.
Joan Banks
Whose business?
Rosalind Russell
Yours. This can put you within spending distance of a very serious sum of sugar.
Joan Banks
Go on, I'm listening.
Rosalind Russell
Stephen will be waiting at the airport at 5 o'. Clock.
Joan Banks
Flying to Chicago again, I suppose?
Rosalind Russell
No, no. Charleston.
Joan Banks
How nice. I've never been married In Charleston? You must think I'm an awful dope. Really, Browning?
Rosalind Russell
Well, I'm just telling you.
Joan Banks
Yes. Wouldn't it be nice for you to go back to Stephen and say that Walden number has a price tag? But I'm not that kind of a girl.
Rosalind Russell
Well, Stephen just told me to ask you.
Joan Banks
Tell him I'd love to marry him tonight, but my trousseau is in the.
Rosalind Russell
Laundry all washed up, babe. Well, well, Little Kendall has done her duty. I'll tell him, Walden. Brother, will I tell him?
Carlton Young
Roger, our plane leaves in five minutes. I wonder what's keeping Phyllis.
Ed Begley
Will you stop having pups? You know you can count on Kendall.
Rosalind Russell
Steve.
Carlton Young
Steve, there's Kendall. But Phyllis isn't with her.
Rosalind Russell
Steve, Phyllis said no.
Carlton Young
You mean she won't marry me?
Rosalind Russell
Well, now, you can't blame her. No woman wants to get married just for a favor.
Carlton Young
Well, it was a nice business while I had it.
Rosalind Russell
You haven't lost it, Steve. All you have to do is marry somebody.
Carlton Young
Yes, but who?
Ed Begley
Well, don't look at me. I can't cook.
Rosalind Russell
Now, look, Steve. Look, you got to get married tonight. It doesn't matter who, as long as she's a girl you can trust.
Ed Begley
Steve, don't you know a wife when you see one?
Carlton Young
Kendall. Well, maybe she's busy tonight.
Rosalind Russell
Well, I. I really had planned to read another chapter of Little Women.
Carlton Young
Wait a minute. Now departing gate five, Mr. Dexter Kendall. What do you say? Marry me until this trouble blows over.
Rosalind Russell
Oh, and this is the romantic moment I've always dreamed about. Come on, husband, let's go.
Ed Begley
Happy landings. I'll be waiting at your house when you get back. Well, well, well, the bride and groom return. Welcome.
Carlton Young
Hello, Roger.
Rosalind Russell
Here we are.
Ed Begley
I couldn't find the rice, so I got out a box of corn flakes to throw at you.
Rosalind Russell
Well, go ahead and throw them.
Ed Begley
I can't. I ate them while I was waiting.
Carlton Young
Did you bring those papers with you?
Ed Begley
Yes, right here.
Carlton Young
Where do I sign?
Ed Begley
On this line?
Carlton Young
That does it.
Ed Begley
Congratulations, Stevie boy. You're now a pauper. I'll have the transaction recorded. If there's anything you need, Steven, just ask your wife.
Carlton Young
Good night.
Rosalind Russell
Fine friend he is. He didn't even stay to drink a toast to the bride.
Carlton Young
Never mind. I'll drink it for him. Then you better run along.
Rosalind Russell
Oh, well, I am pretty tired.
Carlton Young
You're a real friend, Kendall, and I. Well, thank you for marrying me.
Rosalind Russell
You're welcome, I'm sure. Oh, Stephen, let's not kid about it. I know it's just a business Arrangement? But it is marriage. I'm glad. I didn't know it was going to be like this.
Carlton Young
Kendall.
Rosalind Russell
Yes, Stephen?
Carlton Young
Right now I'm rather glad I married you.
Rosalind Russell
Oh, no. No, Stephen, don't.
Carlton Young
You're my wife.
Rosalind Russell
Not because you wanted me. I'm. I'm a substitute for Phyllis Walden. Phyllis walden would be Mrs. Dector tonight if. Well, if I hadn't made her refuse your bid.
Carlton Young
My bid?
Rosalind Russell
Yes. The way I put it, I knew she'd turn me down. No woman likes to admit that she's up for sale. Even if she is.
Carlton Young
You mean you made Phyllis believe I thought I could buy her? Well, you double crossing little.
Rosalind Russell
Ah, ah, ah, Stephen. Remember you're a Harvard man.
Carlton Young
Stop acting so confounded. Married.
Rosalind Russell
We are, you know.
Carlton Young
Don't take advantage of a technicality and go home.
Rosalind Russell
Why, Steven, where am I?
Carlton Young
Will you please get out of my house?
Rosalind Russell
Your house?
Carlton Young
All right. If it's a fight you want, you'll get one.
Rosalind Russell
Stephen, you're in no position to fight.
Carlton Young
Are you going?
Rosalind Russell
Yes, but I'll be back. And in the meantime, don't get any cigarette burns on my rug.
Carlton Young
Kendall.
Rosalind Russell
Yes, Steven?
Carlton Young
You're fired.
Rosalind Russell
Yes, Stephen. Stephen.
Carlton Young
What?
Rosalind Russell
You're broken. Everything you own belongs to me. Mrs. Steven Dexter. Good night.
Carlton Young
Good morning, Ms. Howard. How is my favorite receptionist?
Joan Banks
Just a minute. Where are you going?
Carlton Young
To my office.
Joan Banks
You can't go in there. The boss is busy.
Carlton Young
Boss?
Joan Banks
Yes, Mrs. Dexter. It's locked.
Carlton Young
It can't be locked. She can't do this to me.
Joan Banks
She did. If you want to see her, I suggest you call later and try to make an appointment.
Carlton Young
Kendall. Kendall. I'll get in if it takes me all week. Kendall.
Joan Banks
Well, Mr. Dexter, you back again?
Carlton Young
How long can this go on? I've been here every day this week and she wouldn't see me. But this is Friday and I'm getting in.
Joan Banks
Mr. Dexter. What are you hiding behind your back?
Carlton Young
This.
Joan Banks
Mr. Dexter, put down that axe.
Carlton Young
Stand aside.
Joan Banks
But there's something you ought to know.
Carlton Young
Out of my way there.
Joan Banks
Mr. Dexter, I tried to tell you, your wife's out to lunch.
Carlton Young
Oh, did she leave any message?
Rosalind Russell
Yes.
Joan Banks
She said you were to have all the money in the petty cash box for meals.
Carlton Young
Ah, food at last. How much is there?
Joan Banks
One dime, three Lincoln pennies and a two cent st.
Frank Barton
You are listening to the Screen Director's Guild production of Hired Wife, starring Rosalind Russell, with Carlton Young as Steven, and introducing the director of the film, William Cider.
Joan Banks
Mrs. Stephen Dexter Cement Company. Mrs. She changed.
Ed Begley
The name is Mr. Dexter.
Rosalind Russell
There?
Joan Banks
Yes, he's been in the outer office all day.
Ed Begley
What's he doing out there?
Joan Banks
No desk.
Carlton Young
Oh.
Ed Begley
Oh, well, let me talk to him.
Joan Banks
It's Roger Van Horn.
Carlton Young
Roger. A fine lawyer you are. You got me into this mess and now I never see you.
Ed Begley
Don't complain. I saved your business, didn't I?
Carlton Young
Save my business? I haven't got a business. I haven't got an office. I don't even have a desk.
Ed Begley
Something wrong?
Carlton Young
It's Kendall. She's thrown me out.
Ed Begley
Your own wife?
Carlton Young
My own sweet, darling wife.
Ed Begley
Well, maybe you don't treat her the way a wife ought to be treated.
Carlton Young
I've tried, but I can't get close enough to kick her.
Ed Begley
That's not what I meant. Have you tried being affectionate?
Carlton Young
Affectionate? With that water cooler?
Ed Begley
Try it. She just wants a little romantic attention. You go in there and I'll be right over.
Carlton Young
All right, I'll try it. I'll walk in there and say, kendall, I want to talk to you. Kendall, I want to talk to you.
Rosalind Russell
Very well.
Carlton Young
Stephen, I can't go on any longer. How can I see you like this every day? Cold, detached, unemotional.
Rosalind Russell
But isn't that the way you wanted it?
Carlton Young
Yes, at first, but now I know you're more than a secretary. You're a woman.
Rosalind Russell
What are you driving at?
Carlton Young
You're a desirable woman. You shouldn't be scorned. You should be loved. Kissed.
Rosalind Russell
Stephen, what's happened to you?
Carlton Young
Kissed like this?
Rosalind Russell
Oh, darling.
Joan Banks
Stephen, I just dropped by to. Oh, kissing your secretary, hun. Nate.
Carlton Young
Phyllis.
Rosalind Russell
Oh, hello. What's new in the woodwork?
Joan Banks
Stephen, I'd like to talk to you alone when you're quite, quite through kissing your secretary.
Rosalind Russell
I am not his secretary. I am his wife.
Joan Banks
Is this true, Stephen?
Carlton Young
Yes, Phyllis, but. But it's you I love. Will you marry me?
Joan Banks
Oh, nice talk from a bridegroom.
Carlton Young
I swear my wife means nothing to me.
Rosalind Russell
You. You traitor.
Carlton Young
She's just a business arrangement.
Rosalind Russell
There goes your allowance.
Carlton Young
I'm not going to live with her.
Rosalind Russell
You're not going to live, period.
Carlton Young
I won't even talk to her.
Rosalind Russell
All I want to hear from you is a death rattle.
Carlton Young
It was you I wanted, Phyllis, right from the start.
Rosalind Russell
Well, you can start right now and take her with you. Ha.
Joan Banks
I wouldn't have him if you served him on a silver platter with an apple in his mouth.
Rosalind Russell
Well, what are you waiting for? Here's a nickel for the apple. Now beat him.
Ed Begley
What was that that just whizzed by?
Rosalind Russell
Out of the way. Roger, Mr. Steven Dexter is on his way out.
Ed Begley
Oh, no, he isn't. I've got a surprise for you kids.
Carlton Young
Nothing could surprise me now.
Ed Begley
Oh, yeah? Well, try this on for size. Someone tipped Latimer of General Cement that your marriage isn't bonafide.
Rosalind Russell
It isn't. It's an optical illusion.
Ed Begley
If they can prove that we're sunk, they're bound to check up on you. Kendall, go home and start packing.
Carlton Young
Good. Ship her away.
Ed Begley
Away nothing. I'm shipping her to your house.
Carlton Young
My house? My house.
Rosalind Russell
Naturally, your house. Your house. When I move into Roger's house. Roger's house. I won't do it. Now, that's asking too much.
Ed Begley
Oh, I don't know. Most newlyweds put up with it.
Carlton Young
But think of the position it puts me in.
Rosalind Russell
Yes, naturally, we Dexters prefer death to dishonor. Well, what about me? What'll I tell my husband? Not you. The next one I'm gonna marry.
Carlton Young
No.
Ed Begley
Very well, Prudes. I'll see you in bankruptcy court. Now, look, if you're going to be scaredy cats, invite some respectable relative or friend to stay in the house and referee.
Rosalind Russell
That's an idea. Roger.
Ed Begley
Oh, no. Now, now, wait a minute. You can't do this to me.
Rosalind Russell
No, no, no.
Carlton Young
Roger. Roger, can't you stop that snoring? This is my home. Why do I have to sleep in the guest room with you?
Ed Begley
Because Kendall's in your room.
Carlton Young
What?
Ed Begley
I'm your chaperone.
Carlton Young
Roger, please. Please, Roger.
Rosalind Russell
Stephen, answer the phone.
Carlton Young
You answered at your house.
Rosalind Russell
Don't be calling me at your number.
William Seiter
Oh, well, all right.
Carlton Young
Well, hello, Dexter? Yes, who's this? Let me speak to Mrs. Dexter. Who? That woman you're supposed to be married to. Oh, her. Wait a minute. It's latimer.
Rosalind Russell
Oh, hello, Mrs. Dexter? Yes, Mrs. Stephen Dexter.
Carlton Young
This is Latimer of General cement.
Rosalind Russell
Oh, yes, Mr. Latimer. How nice of you to call. What can we do for you?
Carlton Young
Well, frankly, Mrs. Dexter, we doubted that.
Ed Begley
You and your husband were really living together.
Carlton Young
But since you are, let me congratulate you.
Rosalind Russell
Thank you.
Ed Begley
Let me talk to Mr. Dexter.
Carlton Young
Hello, Latimer. You beat our injunction and we're ready.
Ed Begley
To make a deal.
Carlton Young
Fine. I'll call you tomorrow. Good night. Well, what do you know? They're licked. Finished.
Rosalind Russell
Oh, Stephen, that's wonderful. I'm so glad.
Carlton Young
Ah, so am I. Now, I can get a divorce if you hurry and text. We've just got time to make the 2 o' clock plane for Reno.
Rosalind Russell
I am not going to Reno.
Carlton Young
That's a good girl. What do you mean you're not going to Reno?
Rosalind Russell
I've suddenly decided I like being Mrs. Stephen Dexter, that's all.
Carlton Young
But I want a divorce.
Rosalind Russell
Well, whistle for it.
Carlton Young
Oh, my to you. Slammed the door on my toe.
Ed Begley
What are you doing out of bed?
Carlton Young
Oh, Latimer called.
Ed Begley
Checking up, eh?
Carlton Young
Yes, we're making a deal.
Ed Begley
Oh, we beat him.
Carlton Young
Now I want a divorce.
Ed Begley
Would you mind waiting until morning?
Carlton Young
How long will it take?
Ed Begley
Is Kendall willing?
Rosalind Russell
No, she isn't.
Ed Begley
But if she fights, and she will, it'll take years.
Carlton Young
How many?
Ed Begley
Five.
Carlton Young
Good.
Ed Begley
Your best bet is to disappear and be given up for dad. Of course, that's just a curdstone opinion. Now come to bed, Stephen.
Rosalind Russell
See? You're stuck with me.
Carlton Young
So you like being Mrs. Stephen Dexter?
Rosalind Russell
Well, I. I thought I did.
Carlton Young
Come here, Mrs. Dexter.
Rosalind Russell
Stephen. Don't you dare touch me.
Carlton Young
I'm going to shower you with all the kisses a wife deserves.
Rosalind Russell
Steven. Steve. Oh, don't. Don't.
Ed Begley
I wish you'd make up your mind.
Carlton Young
How can I get rid of this woman?
Ed Begley
Well, not that way, old boy. There is a way, though. An annulment.
Carlton Young
How soon can I get one?
Ed Begley
A few weeks. We'll just have to show it's been no marriage.
Carlton Young
Well, you can testify to that.
Ed Begley
I'll start proceedings tomorrow.
Carlton Young
Well, Kendall, that closes the book.
Rosalind Russell
I guess it does. I'm going home, Stephen.
Carlton Young
Good. Then I'll get a good night's sleep in my own room. What about your things?
Rosalind Russell
I'll call for them in the morning. Stephen.
Carlton Young
Yes?
Rosalind Russell
It has been kind of fun, hasn't it?
Carlton Young
Fun? Yes, I guess it has. It that I'll call cab for you.
Rosalind Russell
All right, Stephen.
Carlton Young
Ah, good morning, Roger. Lovely morning for an annulment.
Ed Begley
Yeah. Only there won't be any annulment.
Carlton Young
And what is that remark supposed to indicate?
Ed Begley
You can't expect me, an attorney, to testify that you slept in your own bed last night.
Carlton Young
But I did. In my own room. Kendall went home. She did? She did? Oh, that's probably her now, come to pick up her clothes.
Rosalind Russell
Good morning, Stephen.
Carlton Young
Morning, Kendall. I was just talking to Roger here. Can you beat it? He refuses to testify in our annulment because he thought you were in my room last night.
Rosalind Russell
He did?
Carlton Young
Yes.
Rosalind Russell
Oh, he did? Well, isn't that a scream? He still doesn't know for sure, does he?
Carlton Young
Oh, you wouldn't dare. Oh, this is blackmail.
Ed Begley
So, Kendall, where were you last night?
Carlton Young
Go on, go on. Tell him you went home and stayed there.
Rosalind Russell
I went home and stayed there.
Ed Begley
That does It a bare faced lie if ever I heard one. My best friend stabbing me in the back.
Carlton Young
Leave your back out of this. Oh, there's the door again. Phyllis.
Joan Banks
Stephen, dear, I just couldn't wait to come over and straighten out our misunderst. Oh, what's she doing here?
Rosalind Russell
Having breakfast with my husband.
Carlton Young
Phyllis, darling, I can explain. You see, Kendall was sleeping in my room and I couldn't sleep with Roger because he snored.
Rosalind Russell
Oh, it's all right, Stephen. Don't bother to explain. You win, Walden. He wants you. I quit. And for your information, Roger, I did spend the night at my apartment.
Joan Banks
Well, that's that.
Ed Begley
Will somebody pass the sugar?
Carlton Young
Oh, shut up.
Joan Banks
Well, now, what's the matter?
Carlton Young
There goes the best secretary a man ever had.
Joan Banks
Oh, there are lots of secretaries.
Carlton Young
Not like Kendall.
Joan Banks
Stevie boy, are you sure you aren't in love with Kendall?
Carlton Young
Roger, I've been deserted. My wife walked out on me.
Ed Begley
Now why in the world would she do a thing like that?
Joan Banks
Oh, you big dope. You've been crazy about her all along.
Carlton Young
Good Lord, I'm in love with her.
Rosalind Russell
Well, go get her.
Joan Banks
What are you waiting for?
Carlton Young
That's what I'm going to do right now. Kendall. Kendall.
Rosalind Russell
Don't shout, dear. I'm right here behind the door.
Carlton Young
Oh, darling, how could I ever let you go?
Rosalind Russell
Really, Stephen, you never had a chance.
Carlton Young
Kendall, will you marry me?
Rosalind Russell
Well, we're already married.
Carlton Young
Oh, yes. Well, let's go back and kick that chaperone out of our house.
Rosalind Russell
Yes, darling. What do we need with a chaperone?
Frank Barton
The NBC Theater has presented the Screen Director's Guild production of Hired Wife, starring Rosalind Russell, with Carlton Young and introducing the director of the film, William Seiter. Next week, as every week, the NBC Theater brings you another great film drama with its original team of director and star. The memorable Lloyd C. Douglas story, Magnificent Obsession, starring Irene Dunn and introducing screen director John Stahl. And now here again are tonight's stars, Rosalind Russell and Carlton Young. And screen director William Seiter.
Rosalind Russell
Well, Bill, as a motion picture director now, what do you think of radio?
William Seiter
It would be a great invention, except for one thing.
Rosalind Russell
Yes? Well, what's that?
William Seiter
Microphones. I'm scared to death of them.
Rosalind Russell
Listen to that Carlton. He was inactive when they used to take turn out a whole complete picture in one week. And he's afraid of microphones.
Carlton Young
It's so simple, Bill. All you have to do is talk.
William Seiter
Okay, I'll try. Let's talk about your last picture, the Velvet Touch. I thought.
Rosalind Russell
No, no, no, no, no. If we're going to talk, I have something else to say. Often the public isn't quite aware of the immense part that you and the rest of all the directors play in motion picture making. You might be a little scared of the microphone there in the studio, but on the set, no one knows better than I what a fine showman you are, lending your talent and experience to actors and actresses and all the others concerned with the picture. Thanks, Bill. You are a great guy handling one of the toughest jobs in films.
William Seiter
Well, after a compliment like that, Roz, not even a microphone scares me. Here, let me get closer to this thing. I'm going to start to talk.
Carlton Young
Another thing about radio, Bill, it runs on schedule. There's only time to say one thing.
William Seiter
What's that?
Carlton Young
Good night. Night, Roz.
Rosalind Russell
Good night. Good night, Bill.
Carlton Young
Good night, Roz.
Frank Barton
And good night to you. Rosalind Russell, William Seiter and Carlton Young. Also heard on tonight's program were Ed Begley, Joan Banks, Fred Shields, Herb Litton, Dan Riss and Betty Moran. Script was by Richard Allen Simmons and original music was composed and directed by Henry Russell. Production was under the supervision of Howard Wiley. Associate producer, Bill Karn. Your announcer has been Frank Barton. Hired Wife was presented through the courtesy of Universal International Pictures soon to release the new comedy hit the Life of Riley, starring William Bendix as Riley. Rosalind Russell is currently starring in the independent artist production the Velvet Touch, released by rko. Listen again next week. Next week when the NBC Theater presents.
Ed Begley
Screen Directors Guild assignment production Magnificent Obsession. Director John Stahl. Star Irene Dunn.
Carlton Young
The Screen Directors Guild program comes to you from Hollywood. This is NBC, the National Broadcasting Company.
Rosalind Russell
It.
Episode: Screen Directors Playhouse 49-02-06 005 Hired Wife
Release Date: July 7, 2025
Host/Author: Harold's Old Time Radio
Duration: Approximately 26 minutes
The episode opens with Frank Barton introducing the NBC Theater, setting the stage for a classic presentation from the Golden Age of Radio. Shortly after, Carlton Young provides listeners with contextual information about the production, highlighting it as a Screen Directors Guild Assignment Production titled "Hired Wife." He introduces the film's director, William Seiter, and the star, Rosamund Russell.
Notable Quote:
William Seiter steps in to share his passion for directing comedies, reflecting on his career's longevity and his knack for creating humor. He recounts how his unexpected entry into directing comedy set the course for his extensive filmography, including notable titles like Roberta up in Central Park and Dragnet.
Notable Quote:
The core of the episode presents the comedic tale of Kendall Browning (played by Rosamund Russell), a diligent private secretary in love with her boss, Stephen Dexter (portrayed by Carlton Young). Unbeknownst to Dexter, Kendall is not only his most efficient employee but also deeply infatuated with him. As Dexter falls for Phyllis Walden (played by Joan Banks), Kendall devises a plan to secure Dexter's affection, leading her to arrange a marriage of convenience.
Key Plot Points:
Notable Quotes:
The interactions between the characters are rich with humor and wit:
Notable Quotes:
The episode culminates in a humorous yet heartfelt resolution:
Notable Quotes:
After the dramatization, Frank Barton reprises his role to close the presentation, briefly mentioning upcoming episodes and highlighting other featured stars and productions. William Seiter and Rosamund Russell engage in a light-hearted exchange about the nuances of radio vs. film directing, adding an extra layer of charm to the episode.
Notable Quotes:
"Hired Wife" offers a delightful glimpse into mid-20th-century comedy, showcasing the talents of Rosamund Russell and Carlton Young under the direction of William Seiter. The episode masterfully blends humor with romantic tension, reflecting the societal norms and entertainment styles of its era. Listeners are treated to a seamless narrative that is both engaging and reflective of the timeless themes of love, ambition, and the complexities of personal relationships.
This episode serves as a nostalgic trip for enthusiasts of old-time radio, encapsulating the essence of radio dramas that captivated families before the advent of television. Harold's Old Time Radio successfully preserves and presents these classic narratives, offering both entertainment and a historical window into the Golden Age of Radio.