Podcast Summary: Harold's Old Time Radio – Screen Directors Playhouse 49-02-06 005 Hired Wife
Episode Details:
- Title: Screen Directors Playhouse 49-02-06 005 Hired Wife
- Release Date: August 3, 2025
- Host/Author: Harold's Old Time Radio
- Description: Showcasing radio dramas from the Golden Age of Radio, this episode features "Hired Wife," a comedic narrative from the pre-television era.
Introduction and Production Insights
The episode begins with Frank Barton introducing the production:
- Frank Barton (00:00): "From Hollywood, the NBC Theater presents."
Carlton Young further outlines the production details:
- Carlton Young (00:09): "Screen Directors Guild Assignment Production Hired Wife. Director William Seiter. Star Rosamund Russell."
William Seiter, the director, provides a personal anecdote and insight into his passion for comedy:
- William Seiter (01:42): "I like making comedies. I like making people laugh. What do they laugh at? Well, maybe after another 25 years of directing, I'll know for sure."
He introduces the main premise of "Hired Wife," highlighting the character of Kendall Browning, a private secretary in love with her boss, Stephen Dexter.
Plot Summary: "Hired Wife"
Setting: New York City, at the Steven Dexter Cement Company.
Main Characters:
- Kendall Browning Stevens (Rosalind Russell): A competent and secretly infatuated private secretary.
- Stephen Dexter (Carlton Young): The CEO of Dexter Cement Company, oblivious to Kendall's feelings.
- Phyllis Walden (Joan Banks): A model entangled with Stephen, introducing complications.
- Roger Van Horn (Ed Begley): Stephen’s lawyer, instrumental in the business maneuvers.
Act 1: Business Troubles and a Desperate Plan (00:30 - 05:10)
The episode opens with William Seiter narrating Kendall Browning's professional life and her unrequited love for her boss, Stephen Dexter. Kendall observes Stephen's recurring romantic escapades, which often lead to complications.
A pivotal moment occurs when Phyllis Walden seeks an advertising contract:
- Rosalind Russell (Kendall) (03:51): "Mr. Dexter was going to put you on his cement bag. What?"
When the deal falls through, Kendall devises a plan to save Stephen's business by suggesting he marries Phyllis, thereby protecting his assets from creditors.
Act 2: The Marriage Pact (05:12 - 13:22)
Facing an injunction from Latimer of General Cement Company, Stephen is advised by Roger Van Horn to marry someone to secure his finances. Kendall proposes that Stephen marry Phyllis Walden:
- Ed Begley (Roger Van Horn) (06:06): "We're bringing an injunction against you the first thing in the morning."
Despite initial resistance, Stephen agrees to Kendall's plan, leading to a hastily arranged marriage between Stephen and Phyllis in Charleston. However, complications arise when Stephen realizes his true feelings for Kendall.
Act 3: Realizations and Resolutions (13:45 - 26:11)
Upon attempting to annul the marriage, Stephen confronts the reality that Kendall is the one he truly loves. Their professional relationship evolves into a personal and romantic one, culminating in their mutual realization and decision to marry genuinely.
Key moments include:
- Carlton Young (Stephen) (16:42): "Kendall, I want to talk to you. I can't go on any longer."
- Rosalind Russell (Kendall) (17:15): "Well, we are already married."
The conflict reaches its peak when Stephen tries to forcefully remove Kendall from his life, only to realize that their bond transcends business arrangements. The episode concludes with their union, signifying both personal and professional harmony.
Notable Quotes and Moments
-
William Seiter on Comedy (01:42):
"I like making comedies. I like making people laugh... for now all I can do is guess."
-
Kendall's Professionalism (03:25):
"Ms. Cementbag of 1949. I've got a good mind to toss her out on her shell pink ear."
-
Stephen's Dilemma (06:06):
"We'd better take home a few sacks. I hear they make good tents."
-
Kendall's Proposal (07:20):
"Kendall. You're right. And you know who she is."
-
Realization of True Feelings (16:42):
"Stephen, I can't go on any longer. How can I see you like this every day?"
-
Final Union (25:40):
"Well, let's go back and kick that chaperone out of our house."
Behind the Scenes: Director and Cast Commentary
After the dramatization, William Seiter engages in a light-hearted discussion with Rosalind Russell and Carlton Young about the interplay between radio and motion picture directing:
- William Seiter (26:55): "It would be a great invention, except for one thing. Microphones. I'm scared to death of them."
- Rosalind Russell (27:03): "Listen to that Carlton. He was inactive when they used to take turn out a whole complete picture in one week. And he's afraid of microphones."
Carlton Young humorously downplays the complexity of radio dialogue:
- Carlton Young (28:00): "It's so simple, Bill. All you have to do is talk."
The trio shares a jovial exchange, bridging the gap between radio and film production, reflecting the collaborative spirit of the Golden Age of Radio.
Conclusion and Final Remarks
The episode wraps up with a return to the introduction by Frank Barton and mentions of upcoming productions:
- Frank Barton (28:10): "The NBC Theater has presented the Screen Director's Guild production of Hired Wife... Next week, as every week, the NBC Theater brings you another great film drama..."
Rosalind Russell and William Seiter exchange final words, emphasizing the seamless transition between radio and film:
- Rosamund Russell (26:55): "Well, Bill, as a motion picture director now, what do you think of radio?"
- William Seiter (27:06): "I think you're a great guy handling one of the toughest jobs in films."
The episode concludes with goodnight wishes and teasers for future productions, maintaining the engaging and community-centric feel of old-time radio shows.
Overall Impression: "Hired Wife" encapsulates the charm and wit of Golden Age radio comedies, featuring sharp dialogues, relatable characters, and a storyline that intertwines personal emotions with business acumen. The interplay between professional responsibilities and personal desires is humorously and poignantly portrayed, making it a memorable addition to Harold's Old Time Radio collection.
