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Narrator
A fiery horse of the speed of light, a cloud of dust and a hearty hyo.
Tonto
Silver the Lone Ranger.
Jim Flood
It's.
Narrator
All of the glamour of the old west is brought back to us today as the famous Lone Ranger, mystery rider of the plains urges the great horse Silver down the danger trails of long ago. Listen to the tattoo of those silver shot hoops. The Lone Ranger rides again.
Tonto
Come on, Silver, old boy. That's it, old fellow. Run as you've never run before. We meet it on the trail ahead. Coyote the.
Narrator
That thunder of cannons was the signal for the start of the first thrilling ride of the Pony Express. In the year 1860, the route extended from Missouri to California. For two years, the most highly skilled young horsemen and the fastest mounts carried the mail across the country in record time, 24 hours a day. The pony riders urged their fleet little horses along the trail at top speed stations were established every few miles to furnish fresh horses for the racing riders. Our story begins as we see a foam flecked horse pulled to a stop at the end of his run just on time.
Tonto
Slap that saddle on a fresh horse
Jim Flood
and let me be on my way.
Tonto
I'm out to make a record.
Narrator
Ill Cody just passed here in the eastbound run.
Tonto
Speed is time if I have to
Jim Flood
break my next grind.
Tonto
Want some hot coffee?
Jim Flood
Not this time.
Tonto
Hurry up with that saddle. Cinch it up tight.
Jim Flood
I got some important papers this trip.
Narrator
Yeah? What are they?
Ruth Flood
I don't know.
Jim Flood
Something for Silver Gulch. This particular load's just gotta get through fast.
Narrator
Sam takes the mail from you to the next station, don't he?
Tonto
Yeah.
Jim Flood
What's taking you so long about that horse?
Tonto
Hurry up there.
Narrator
Watch out for engines ahead.
Jim Flood
I'm watching all the time. Your horse is ready. That's the ticket, Earl.
Narrator
I'm on my way. The Pony Express rider was on his way again with important papers to be delivered to Silver Gulch. He gave his mom his head and urged him along at his greatest speed in an effort to break the record of another express rider, Bill Cody, later to be known as Buffalo Bill then from ambush, a shot rang across the plain. The pony express rider fell headlong from his horse while the animal continued down the trail alone. In the meantime, the Lone Ranger and his faithful Indian companion Tonto had made their camp along the route at a point several miles beyond the spot where the express rider had been ambushed. As the riderless horse flashed past them, they ran out on the trail looking for some explanation. That pony rider. Horse. But where's the rider? May not know. Maybe him fall off. The pony riders don't fall off their horses, Toddo. That's right. And that horse isn't running away. It's galloping right along the regular trail. Something's happened. Maybe that's right here, Silver. What you do?
Jim Flood
Huh?
Narrator
It's about eight miles to the station where the horses are changed. We're going back to Toddo and see what's happened to the pony rider. Good. When anyone interferes with a male, it's something serious. You think someone do something. The only way to get a pony rider from his horse is to shoot him off.
Tonto
Yep. Come with me. Tunnel Tonto. Ready? Come on, Silver.
Narrator
While the Lone Ranger and Tanto rode back to the spot where the express rider had been shot, our scene changes to the town of Silver Gulch. Like so many other towns of the surrounding country, Silver Gulch was situated at the bottom of a steep hill. On the hill itself were two homes crudely built of logs. In one of the places lived Jim Flood and his wife. Our story continues as Jim says.
Jim Flood
I can't tell what to do, Ruth. It's the dernest thing I ever seen. Here I am with a fortune in gold right outside a house and I can't get it.
Ruth Flood
Jim, we waited long enough for that eastern company to buy out your claim. I don't reckon they ever aimed to buy it.
Jim Flood
I sort of figured from what the examiners said that it wouldn't be no question but what they'd buy us out. Same as they've done with all the other good claims.
Ruth Flood
I'd say we'd better sell your land to Harb Riggs and get what we can out in it.
Jim Flood
Come out back and take a look at the claim.
Narrator
Ruth.
Ruth Flood
I've seen it a hundred times, but
Jim Flood
maybe we can figure out some way to get the ore out. Come on.
Ruth Flood
I guess a tired climbing this hill. I don't know whatever possessed us to build our house here.
Jim Flood
Good timber, a swift stream and being near my plane. That's what it was. Here, let me help you. Ruth. You'd like to turn your ankle on this loose rock?
Ruth Flood
I get along better alone. What's Harv Riggs last offer?
Jim Flood
Just $150.
Ruth Flood
Including the house.
Jim Flood
The whole works. House, land and gold claim.
Ruth Flood
Ain't much.
Jim Flood
Ain't nothing at all to what the claim is worth. The worst of it is these rocks are so doggone loose I send them sliding down on Riggs place every time I stick a spade into the ground.
Ruth Flood
You can't get the pay dirt without no. What's that? Paper Riggs has got from the law.
Jim Flood
Something called an injunction.
Ruth Flood
What's it do?
Jim Flood
Just about ruins me, that's what. It keeps me from doing any digging here. Every time I dig, I send the shale down on Riggs property. So he got this paper. Next time I dig, I go to jail.
Ruth Flood
There's Riggs coming up the hill now.
Jim Flood
Or Rat.
Narrator
Hello, Riggs.
Tonto
For the rock?
Narrator
Yeah, all over. My proposition. Buy your place, buy mine or sell me yours.
Jim Flood
Tain't no ways an even proposition. You offer 150 for mine and ask a thousand for yours.
Narrator
That's the deal.
Jim Flood
And mine has gold on it.
Narrator
Can't get at that gold though, can you?
Jim Flood
Thanks to you and your dog. On legal papers I can't.
Ruth Flood
Jim, why can't you build a fence and keep the rock from sliding down?
Narrator
Ay, ma', am, that won't do. You could build a dirzen fences and it wouldn't do.
Ruth Flood
Stop the sliding rock.
Narrator
Yep. Only that paper don't make no mention of fences. The guess is that you can't dig and it's all there is to it.
Jim Flood
Why you or Pole Cat. You're just trying to force me to accept your proposition.
Narrator
That's right.
Jim Flood
But look here re 150 for my land's nothing at all. Why them eastern mining men said it was worth at least $20,000.
Narrator
They ain't offered you that much, have they? Well, no, but they might.
Ruth Flood
It takes time for the mails to get here.
Narrator
You won't get no such offer. Like as not. That's fool's gold anyhow.
Jim Flood
Ain't neither.
Narrator
Well, buy me out for a thousand. That's a good bargain if your place is worth 20,000.
Jim Flood
All right, I will.
Narrator
Thousand dollars. Cash money.
Jim Flood
But now wait, Riggs. You know blame well I ain't no cash.
Narrator
Cash is what I'm after.
Jim Flood
I'd have it blamed soon if I could dig that land.
Narrator
The paper says you go to jail as soon as you start digging.
Jim Flood
Look here, Biggs. I'll make a deal with you.
Narrator
Listening. I'll pay $2,000.
Jim Flood
That sounds good, but not cash money. I'll give you 2000 if you let me dig my land to get it.
Narrator
It ain't no deal. The law says you can't dig.
Jim Flood
But I could if you was to let me. I'll sign a paper pledging $2,000 to you and you take. Have the judge take the paper back. Call that injunction.
Narrator
No.
Jim Flood
Your place ain't worth 500.
Narrator
What more do you want? Ain't no good when I see you, Jim. Reckon I'd be a blame fool to let this chance go by. Sooner or later you'll have to sell your land, won't you? Why? Sell it or starve? I don't reckon anyone would buy it with me holding this injunction. You better sell to me while you got the chance. Cause maybe when you want to sell, I won't be willing to go as high as a hundred and a half.
Jim Flood
Polecat, that's what you are. You know just enough about the law to use it for your selfish ends.
Narrator
You're misjudging me, Jim. You're the one that's being selfish. You're like the dog in the manger. You can't use the land yourself and you won't let no one else use it. Well, I can wait. I reckon you'll sell when you begin to get good and hungry. Several days went by. Jim Flood, unable to sell to the Eastern Syndicate and unwilling to sell to Riggs, began to feel the pinch of poverty. As our next scene opens, we see him in the Silver Glove Cafe and watch him as he approaches the bartender.
Jim Flood
If you'd just let me have a little more credit, Steve.
Narrator
I'd like to, Jim, but you already owe a sizable amount here.
Jim Flood
But it's grub I want. Vivos taint liquor. Don't you see?
Narrator
Food costs money. Jim, I'm afeared your credit here has come wore out.
Jim Flood
You won't give me none, Steve.
Narrator
Reckon not. You ain't heard from that Eastern company, have you?
Jim Flood
No, not yet.
Narrator
Well, I didn't figure you would. Riggs was talking about the fool's gold you thought was genuine.
Jim Flood
Riggs?
Narrator
That orn Riggs, he says that you never would hear from that company. Says we'd be foolish to let you have more credit. We never will get our money.
Jim Flood
Riggs is trying to make me sell out to him. That's why I say in them things.
Narrator
Well, maybe you better head sell out for $150.
Jim Flood
Oh, Steve, you know what my place is worth?
Narrator
Well, it ain't worth much if it's got fool's gold on it. Let me tell you something, Jim Plodd.
Jim Flood
Yeah.
Narrator
If you don't sell out pretty quick, me and Sam over in the general store is going to have to go to law.
Jim Flood
I suppose that's Riggs suggestion.
Narrator
Well, it's a good one. You owe us both considerable money. It's up to us to get it. We can force you to sell out if we have to. Pardon me.
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Narrator
Hey everyone.
Jim Flood
Check out this guy and his bird.
Narrator
What is this, your first date?
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Jim Flood
Yeah, the bird looks out of your league.
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Jim Flood
Liberty.
Tonto
Liberty.
Jim Flood
Liberty. Liberty.
Narrator
Oh yeah. What did it be, stranger? I happen to overhear you two talking.
Jim Flood
I reckon we was talking a little too loud.
Narrator
Who is this man? Riggs? What do you want?
Jim Flood
No fer.
Narrator
Who is he?
Jim Flood
He lives up on the hillaways just below my house.
Narrator
I've heard something about the situation on that hill. Your name is Flood, isn't it?
Jim Flood
That's right. What's your handle, stranger?
Narrator
Suppose you call me friend. Friend.
Jim Flood
Reckon that's one thing I ain't got right now.
Narrator
Flood, you'll sit over here at the corner table with me. I'll stake you to a meal.
Jim Flood
Thanks, stranger. It ain't so much that I'm hungry. It's the missus. My wife.
Narrator
She's home. When you go home, you'll take food to her.
Jim Flood
Flood, I ain't taking charity from no stranger.
Narrator
You're looking for word from the east, aren't you? Yes. Yeah. Hey, stranger. You sort of talk like an easterner. Is that where you're from? Fix up some food for Flood to take home when he goes, you'll be paid for it.
Jim Flood
Are you from the Eastern miners? Indicate.
Narrator
Suppose we sit over here at this corner table and talk.
Jim Flood
I don't know when food ever tastes better. Stranger.
Narrator
Tell me more about this letter you've been looking for.
Jim Flood
Seeing as you ain't from the mining company, I reckon I ain't looking for no letter.
Narrator
Just what was it to be?
Jim Flood
Well, I reckon there ain't no use talking about it now. I sort of hoped I might get an offer for my land. I can't work it on account of its being on a hill. The stone falls down on Riggs land.
Narrator
I heard about that. He has an injunction that prevents you from working your land.
Jim Flood
Yeah, that's right.
Narrator
He wants to buy your place from you for $150.
Jim Flood
That ain't very much, but I expect I'll soon have to sell to him.
Narrator
Suppose the Eastern company did buy the land? Shucks.
Jim Flood
They'd be able to rake up the cash and pay Riggs what he wants for his place and work the claim.
Narrator
But you can't pay the cash, huh?
Jim Flood
Gosh no. I can't even raise the price of a square Neil no more how to ever get $1,000.
Narrator
I'd like to see Harv Riggs.
Jim Flood
Oh, he'll be coming in here real soon blowing off his mouth and bragging how he put a slick deal over on me. You just stick around stranger, and you'll see him.
Narrator
The Lone Ranger gave food to Jim Flood and loaned him money. Then covering his disguised face with his mask, he left town and rode to the small well concealed camp where Tono waited for him. You find T? I found Jim flooding the cafe.
Jim Flood
Oh. What him like?
Narrator
He's all right T. And he's up against hard luck. Mighty hard. I also saw Harv Riggs. I'm good. He came in before I left. Impeller. You want asked Hudder? He's the fellow the poy rider described to us. Impunner will shoot pony rider Tutta. Harv Riggs is our man. How you prove that? With the pony rider dead, I don't see how we can prove that Harv Riggs is the one who stole the mail. Unless we succeed in the plan. I haven't mind what that the pony rider told us. Riggs stole one letter from the mailbag. Then him leave pony rider. He left the rest of the mail as it was strapped to the back of the rider. It looked like Indians had done the killing. I think the paper Riggs stole was an offer from the east to buy Jim Flood's claim. What we do? Unless Flood has that paper, he'll sell out for practically nothing. Then Riggs will sell to the Eastern Corporation. I want to find that paper, Tono must be someplace in Harv Riggs house. You'll have to go there tonight and search the place. Me do? We'll watch you go in when Riggs leaves. And when we've got the paper, Tanto, we're going to stake a claim of our own. We'll stake it on that same hill higher up in Jigging Floods place. The curtain falls on the first act of tonight's Lone Ranger drama before the next victory. Exciting scene. Please permit us to pause for just a few moments. Now to continue our story. You will recall that in the first act of our Lone Ranger drama, Dim Flood found himself unable to work his mind or fell it because of the opposition of his neighbor. A letter to Flood from the Eastern syndicate was stolen by Riggs before it reached its true destination. Riggs had also won an injunction prohibiting Flood working the claim on the grounds that loose rock endangered his property. At this point, the Lone Ranger took a hand in the affair by giving financial help to Jim Flood, the famous masked rider determined to bring Riggs to justice. That night, Tonto entered Riggs home in search of the missing letter. In the meantime, Riggs had gone to call on Jim Flood. We hear him as he raps on the door of Jim's home. Evening, Jim. I figured you might want to talk to me tonight. Oh, you.
Jim Flood
Well, come in, Riggs. Come in.
Narrator
Heard you was having a hard look in town today.
Jim Flood
You knew I was going to have hard luck afore I went there, Riggs. It's your talk that's had them shut off.
Narrator
All my credit everywhere. Well, you can't blame a man for being a shrewd business dealer, can you, Flood?
Jim Flood
I'd almost sooner starve than sell out at your price.
Ruth Flood
And so would I. Jim, tell Riggs we ain't gonna sell.
Narrator
I. No.
Jim Flood
No, I can't do it, Ruthie. I reckon we ain't no choice but to sell out to this pole cat and try and find new digging somewhere. When them vittles that man from the east brought us.
Narrator
And there won't be no more no money to buy, none with and no credit. $150 is a lot of cash, Jim.
Ruth Flood
Don't you take it, Jim, What'll we do when the 150 is gone? We won't have nothing then. Not even this house in a claim.
Jim Flood
Ah, I reckon we can find something to do. We'll settle down in the valley.
Ruth Flood
Okay?
Narrator
Don't worry, Jim. I'll give you a job working for me. I'll make that part of the deal. I'll pay you 150, 50 cash and give you a job. All right. Fair enough, ain't it? I reckon so.
Ruth Flood
I guess our dreams of being wealthy won't never be more dreams, Jim. Some people just ain't cut out so.
Narrator
Well, that's the way to look at it, Mrs. Flood. Now, here I got a paper all made out. Bill of sale, it's called.
Jim Flood
Let me see it.
Narrator
All I gotta do is fill in the date.
Jim Flood
I'll need it for tomorrow.
Narrator
You just sign it, and I'll hand over the money to you.
Jim Flood
I sure hate to do this after
Ruth Flood
all your hard years of prospecting, Jim. To finally strike this gold claim and then have to sell out for $150.
Jim Flood
Never mind, Ruth. We never had the gold, so we won't miss it. What about that job, Riggs?
Narrator
I'll write it right here on this paper for you. I'll even specify just how much I'm to pay you. Don't be much. I'll vouch for that. It'll be a living wage. You needn't worry.
Ruth Flood
Jim. Look.
Narrator
What, Sir? Take it easy.
Ruth Flood
It's an outdoor. A masked man.
Jim Flood
Put down them guns, mister.
Narrator
I want you to come with me.
Ruth Flood
What are you coming here, sir? What do you want? Who are you?
Narrator
You stay back, Riggs. It's Jim's plot I want.
Jim Flood
You can't do this. You can't take me. I ain't got nothing to say.
Narrator
Hurry, Blood. I'm waiting. Don't try to draw that gun. All right, mister. Showing good sense, Jim, and coming without a struggle.
Jim Flood
Riggs.
Tonto
Riggs.
Ruth Flood
Don't let him take Jim. Stop him somehow. Stop him.
Tonto
I don't know anything I could have done.
Ruth Flood
He's captured Jim. He's run off with him. Is this more of your own risk, scheming?
Tonto
There they go.
Ruth Flood
No. The outlaw's carrying Jim. On that white horse man's face. They'll break their necks riding down the hill at that speed.
Narrator
Ain't no use me going after him.
Ruth Flood
But you can get to town, can't you? Hurry up and get the sheriff. There ain't no telling what'll happen to Jim.
Narrator
The Lone Ranger made Jim a captive. He took him only far enough from his home to explain a daring plan to the miner. He gave Blood careful instructions before releasing him then rejoined Tonto Tato if you find the letter Har Rigg stole Tonto look in house not fine letter. He wouldn't destroy the letter kimosabe because he'd want to sell the mind of the company. When he gets a from Jim must be hidden somewhere in his house. Until not find you search the house. May not have much time. Search only part of house. He may have the letter in his pocket. We'll go ahead with our plans anyway. I think he'll produce the letter when the time comes. That good. I told Jim Flood just what he's to do and he's agreed to do it. He's on his way to talk to his wife right now. And in a few minutes I think we'll see them leaving the house.
Jim Flood
Come on, Ruth, we gotta get.
Ruth Flood
Oh, I was that much offend. What did that madman want for?
Jim Flood
The rig's gone.
Ruth Flood
Yeah, a long time ago, but. You ready?
Jim Flood
Ain't no time for talking. I can't explain things now. We gotta travel downhill fast. Don't ask no questions. Just take things to wear and come on.
Tonto
Why?
Jim Flood
Landslide, that's why.
Narrator
I've been hearing rumblings on the hill.
Ruth Flood
I ain't heard nothing.
Jim Flood
Your ears ain't sharp enough then. Now, come on, Ruth, and get some things together. It's too risky to stay here tonight.
Ruth Flood
Have you took leave of your senses?
Jim Flood
No. Here. Here, take these things.
Ruth Flood
Where are we going?
Jim Flood
We're going to put up for the night at the hotel in town.
Ruth Flood
You have gone loco. First that math man runs off with you, then you come back shouting things about a landslide coming off tonight. And now without a cent of cash, money and no credit. You talk of going to the hotel?
Jim Flood
We got some money.
Ruth Flood
Where did it come from?
Jim Flood
It was lonely. Come on now, let's get going. The sooner we get to town, the better.
Narrator
The Lone Ranger and Tonto were outside Jim's home waiting in the darkness until the sound of falling stones told them of the departure of Flood and his wife. Then the masked man spoke. They're on their way downhill now, Tuba. Not good. I was afraid Jim wouldn't carry out
Jim Flood
his part of the plans.
Narrator
Him do it.
Jim Flood
All right. Yes. Here they come. Get back to the side of the trail.
Narrator
We don't want Mrs. Flood to see us and ask a lot of questions. Maybe now tundra's not uphill.
Jim Flood
No, not just yet. Wait until they pass by.
Ruth Flood
I still can't see what possesses you to leave the house tonight, Mrs.
Tonto
Blood.
Narrator
Ruth, some men can tell by a
Jim Flood
feeling in the when it's going to rain. Some Tell other things. But me I could tell as a landslide due before morning. And I'm going to stay on this hill and get catched in it.
Ruth Flood
Well, you can tell a bleed fight more than I can. That's all I got to say.
Narrator
Well, Tuttle? He's tied up the hill. Get everything ready now. Wait till Jim Flood gets to town before I ride in with the exciting news.
Jim Flood
Everyone will laugh at Flood when he
Narrator
tells them there's a landslide due. Maybe them laugh too soon.
Jim Flood
Yes, they'll be sorry that they laughed.
Tonto
Where do you feel the landslide? In your bones, Jim. All right, dad.
Jim Flood
That's a lot of you go on a laugh, boys.
Tonto
He invites us to laugh free of charge. Didn't have the dramatic take what rainers do. He gets a feeling when there'll be a landslide coming off. Hey, what last we'll tell her. Please hurry. Get out the ring, please. Oh, what did I tell you? What sort of trick is this? Come on, Sage. See for yourself. Excuse me. What's the matter? Who is he going here? But look. Any of it slide his bed? It might wreck the town. I tell you, boy, get a ruin
Jim Flood
a town of a bad one.
Tonto
There's a trouble with having a town where this one is. Wonder why Riggs don't know about it.
Jim Flood
He didn't have the feeling of it like I did.
Tonto
You might have warned him to laugh like the same.
Jim Flood
All you men did.
Tonto
That is this thing was right. Why he go there? Boys, we got to rescue Har Rig.
Jim Flood
We got to get to him somehow.
Tonto
Get your horses.
Narrator
The men of Silver Gulch learn to their alarm fight had actually started. Jim thought and his wife were safe. But it was feared that Riggs would be destroyed in his cabin. And so while rock and shale thundered into the valley, men fought their way upward to rescue him.
Tonto
His dark face is the top of the hill, boys.
Narrator
I'd miss him.
Jim Flood
Jab with rock so you can't get out.
Tonto
Come on, boys. Keep your footing. Rigs is in his house. Come on.
Ruth Flood
Help me.
Tonto
Is that me at. There he is. They're coming, stranger. We're coming. Is Riggs in there? Toss them rocks aside, boys.
Narrator
Help. Help.
Tonto
Let me out. Let me out of here. We're here, Riggs. We'll get you out. Hurry all the house away from the door. You're going to be all right, Rick. Keep them rocher time. It won't belong now.
Jim Flood
I guess the worst was slide and done with.
Tonto
Sounded to me like a blast that started. Hurry with those rocks. Hear me out, boys. Get me out of here.
Narrator
This is downright curious.
Tonto
These rocks don't look like shale that have been broken off. They look like they've been piled here by someone.
Jim Flood
Yeah, my sink are too much. Get them to the side. Now he can get out.
Tonto
Thank goodness you come.
Narrator
Boys.
Tonto
Couldn't get through the winters, eh? No.
Jim Flood
I guess the flight is over now anyhow.
Tonto
But your work, men, has just begun. You stand right where you are.
Narrator
I imagine when you thought you'd lose your house with a slide, you hid the most valuable of your possessions on your person. I hope so. Don't make a move.
Tonto
Hey, the stranger's holding the gun on Rick. What's the bigger idea, stranger?
Narrator
Listen to me, men. Someone killed the pony rider and stole a certain letter from him. The rider lived just long enough to describe the killer. He knew the letter was addressed to Jim Flood. And the killer he described was Harv Riggs.
Tonto
He lied. He ain't got no proof.
Narrator
The description of the murderer fits you, Riggs. Since I came here, I found out that you'd have reason to want that letter.
Tonto
I wouldn't. It's very true. Keep your hands where they are. See here, stranger, you can't talk.
Narrator
Listen to me till I finish. The letter to Jim Flood was one he was expecting from an Eastern mining syndicate.
Jim Flood
I thought I'd get an offer to buy my place. You see, gent, well, Riggs know that. He didn't want me to get that offer. He figured to force me to sell out to him and then he'd sell to the Eastern people.
Tonto
There's nothing but a pack of lies. That ain't true. Could easily be proved.
Jim Flood
Riggs.
Narrator
If you didn't steal that letter, you wouldn't have it. Now you're going to be searched.
Tonto
Well, I won't submit to this. It's an insult. Take you to court.
Narrator
We'll hold court right here. That whole landslide was staged for your benefit. Rocks were piled against your house or you couldn't get out.
Tonto
Take your hands off.
Narrator
Please.
Jim Flood
Let me see about that letter.
Tonto
Here. Here's something. Hold the lantern close. Here. I don't know nothing about that. I didn't put it there. I don't know how it got in my pocket. Here, Tim, this is yours.
Jim Flood
My letter.
Narrator
Fakes alive.
Tonto
How'd you get it rigged if you
Jim Flood
didn't do what the masked man said?
Tonto
Jim Flood must have stuck it in my pocket.
Jim Flood
Boy, this offers me 5,000 cash and half interest in the mind for my claim.
Tonto
I'm gonna be rich. You frame me. Shut up. Rich why should Jim Flood try to frame you by putting that letter in your clothes? That letter makes him a rich man.
Narrator
Stranger, we sure want to thank you.
Tonto
Did that mess with how do you know he ain't the killer? Maybe he's just trying to frame me for what he done. We don't want him, Riggs. We got you.
Narrator
The story you have just heard is a copyrighted feature of the Lone Ranger Incorporated.
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Date: May 31, 2026
Host: Harold's Old Time Radio
In this evocative broadcast from Harold's Old Time Radio, listeners are transported to the golden era of radio drama with a full episode of The Lone Ranger titled "Missing Letter." The narrative follows a high-stakes tale of greed, deception, and justice set against the backdrop of the Old West. At the core of the story is a missing letter that could change the fortunes of a struggling miner, Jim Flood, and the machinations of his cunning neighbor, Harv Riggs. The Lone Ranger and his faithful companion Tonto step in to bring justice and uncover the truth.
The episode opens with the legendary Pony Express ride, emphasizing the urgency and dangers of mail delivery in 1860.
Key Characters:
Quote:
“The pony riders don’t fall off their horses, Tonto. That horse isn’t running away. Something’s happened.”
— The Lone Ranger (05:07)
The express rider is shot by an unknown assailant, and vital mail is stolen.
Jim Flood and his wife Ruth own a gold claim rendered useless due to legal maneuvering by neighbor Harv Riggs.
Riggs exploits the law to keep Flood from digging, aiming to buy his claim for a pittance.
Tensions rise as the community, including the bartender, pressures Flood due to his debts and inability to work.
Notable moment:
“You know just enough about the law to use it for your selfish ends.”
— Jim Flood confronting Riggs (10:10)
Disguised as a stranger, the Lone Ranger offers Jim a meal and listens to his woes.
He deduces Riggs has intercepted a critical letter from an Eastern mining syndicate—likely an offer to buy Flood’s claim.
The Ranger and Tonto devise a plan to recover the letter and restore justice.
Quote:
“Suppose you call me friend.”
— The Lone Ranger, offering aid to Jim Flood (13:31)
Riggs, sensing Flood’s desperation, pressures him further, offering to buy the claim and give Flood a job.
Flood and Ruth scene at home illustrates their heartbreak over selling out.
Quote:
“I guess our dreams of being wealthy won’t never be more than dreams, Jim.”
— Ruth Flood (19:41)
The Lone Ranger "abducts" Jim to explain a scheme while Tonto searches Riggs’s house for the missing letter.
Jim and Ruth flee their home amid warnings of a possible landslide orchestrated by the Lone Ranger to force Riggs' hand.
Memorable exchange:
“We’re going to put up for the night at the hotel in town.”
— Jim Flood’s sudden urgency (22:54)
“Some men can tell by a feeling in the wind when it’s going to rain. Some tell other things. But me, I could tell there’s a landslide due before morning.”
— Jim Flood, convincing the townsfolk (24:03)
As the landslide ("staged" with rocks) traps Riggs in his home, the townspeople come to his rescue.
The Lone Ranger interrupts, accusing Riggs of murder and mail theft, and calls to search him for the missing letter.
The letter is found in Riggs’s possession—an offer from the Eastern syndicate for $5,000 and half interest in the gold claim.
Riggs tries to protest innocence but is exposed in front of the community.
Crucial moment:
“The rider lived just long enough to describe the killer. He knew the letter was addressed to Jim Flood. And the killer he described was Harv Riggs.”
— The Lone Ranger (27:38)
“Boy, this offers me $5,000 cash and half interest in the mine for my claim. I’m gonna be rich!”
— Jim Flood, realizing his fortune is saved (29:03)
“The only way to get a pony rider from his horse is to shoot him off.”
— The Lone Ranger, on the crime’s gravity (05:48)
“Your place ain’t worth $500!”
— Riggs, minimizing Flood’s claim value (09:44)
“Friend. Reckon that’s one thing I ain’t got right now.”
— Jim Flood, reflecting on his plight (13:34)
“Never mind, Ruth. We never had the gold, so we won’t miss it.”
— Jim Flood, facing defeat (20:14)
“The whole landslide was staged for your benefit. Rocks were piled against your house so you couldn’t get out.”
— The Lone Ranger, revealing his ruse (28:34)
Rich with authentic 1930s radio drama style, the episode combines suspense, frontier justice, and moments of dry humor. The dialogue maintains the cadence and regional speech of the old west—simple, matter-of-fact, and laced with expressions of grit and neighborly sentiment. The Lone Ranger’s signature mix of mystery and moral clarity shines throughout.
For listeners nostalgic for classic radio drama, “Missing Letter” is a compelling tale of justice triumphing over deceit, skillfully voiced and vividly narrated. The Lone Ranger’s timely intervention not only brings a criminal to justice but ensures a hardworking family is rewarded for their perseverance—a timeless message from the golden age of radio.