The Six Shooter 1953-07-15 Ep 00 Audition Show

Summary

Podcast Summary: The Six Shooter Audition Show

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Podcast Information

• Title: Harold's Old Time Radio
• Host/Author: Harold's Old Time Radio
• Episode: The Six Shooter 1953-07-15 Ep 00 Audition Show
• Release Date: January 22, 2025
• Description: Reliving the Golden Age of Radio with classic shows like The Shadow, Abbott & Costello, Amos & Andy, Dragnet, and more.

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Episode Overview

"The Six Shooter" is a gripping Western drama set in the early 1950s, centering around Brit Poncet, a determined Texas plainsman, and Sheriff Ed Schofield of Clay City. This audition show masterfully weaves themes of justice, personal conflict, and the pursuit of truth against the rugged backdrop of the American West.

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Act 1: Arrival and Investigation

1. Brit Poncet’s Arrival (00:55 - 03:54) Brit Poncet arrives in Clay City seeking assistance for his limping companion, Scar, due to a loose horseshoe. At the local blacksmith shop, now run by Heavy Norden (James Stewart as the Six Shooter), Brit engages in a friendly bet to gauge Heavy's strength, revealing Heavy's wit and nickname: "Heavy Norden" (03:43).

2. The Fargo Station Hold-Up (04:46 - 07:00) Brit investigates the recent hold-up at the Fargo station where a gunman killed the deputy and escaped with $5,000. Sheriff Schofield explains the lack of leads and the difficulty in forming a posse, as many men are away on a roundup (05:02). Brit identifies unique jagged hoofprints suggesting the assailant's method of escape (06:43).

3. Collaboration with the Sheriff (07:00 - 08:03) Recognizing the urgency, Brit teams up with Sheriff Schofield to pursue the elusive criminal. Their conversation reveals the sheriff's initial reluctance but eventual agreement to collaborate, highlighting themes of partnership and trust (07:36).

Notable Quotes:

• Heavy Norden: "That's what folks call me Heavy Norden. My real name's George, but everybody calls me Heavy." (03:43)
• Brit Poncet: "You ever see a horse with a shoe that's got one jagged edge, left hind leg?" (08:16)

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Act 2: The Pursuit and Personal Conflict

1. Tracking the Suspect (10:04 - 13:16) Brit and Sheriff Schofield follow the bloodied trail along the creek, encountering various obstacles. Their dialogue reveals the depth of the investigation and the tension between following leads and personal biases (13:07).

2. Emotional Tensions Unveiled (16:14 - 18:33) As the pursuit continues, deeper layers of Sheriff Schofield's character emerge. He confesses his strained relationship with his son, Ben, who has developed violent tendencies. The sheriff grapples with guilt over failing to guide his son away from a life of violence, highlighting themes of regret and paternal responsibility (17:38).

3. Climactic Confrontation (18:33 - 22:15) The chase culminates at an abandoned cabin where Sheriff Schofield confronts his son, Ben. In a tense standoff, emotional and physical confrontations reveal that the shooter is not Ben, despite initial suspicions. This twist emphasizes the complexities of identity and the lasting impact of personal connections (22:15).

Notable Quotes:

• Sheriff Schofield: "I broke him, Brit. Broke him like you break a wild horse." (17:38)
• Brit Poncet: "A man don't change overnight. Neither does a boy, if it ain't Ben." (22:15)

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Character Dynamics

• Brit Poncet: A resolute and empathetic plainsman dedicated to uncovering the truth and aiding Sheriff Schofield, showcasing determination and moral integrity.

• Sheriff Ed Schofield: A conflicted lawman burdened by personal failures, especially concerning his son Ben. His internal struggle adds depth to his character, portraying the human side of enforcing the law.

• Heavy Norden (James Stewart): The local blacksmith embodies strength and reliability. His interactions with Brit provide both comic relief and vital support in the investigation.

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Themes and Insights

• Justice vs. Personal Conflict: The episode explores the tension between upholding the law and dealing with personal guilt and failures.

• Identity and Change: Characters grapple with self-identity and the possibility (or impossibility) of change, particularly highlighted in the relationship between Sheriff Schofield and his son.

• Community and Trust: The dynamics within Clay City underscore the importance of community support and the challenges of building trust amidst suspicion and fear.

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Conclusion

"The Six Shooter" adeptly captures the essence of Old Time Radio dramas, blending suspense, emotional depth, and rich character development. Through Brit Poncet's relentless pursuit and Sheriff Schofield's personal turmoil, the episode delivers a captivating narrative that resonates with themes of justice, redemption, and the enduring human spirit.

Final Reflection: Brit Poncet's unwavering belief in inherent goodness and the possibility of change serves as a poignant reminder of hope and resilience in the face of adversity.

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Notable Quote for Reflection:

• Brit Poncet: "A man don't change overnight. Neither does a boy, if it ain't Ben." (22:15)

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This detailed summary encapsulates the key points, character developments, and thematic elements of "The Six Shooter," providing a comprehensive overview for both longtime fans and newcomers to Harold's Old Time Radio.

Transcript

[James Stewart]

Americans are durable. We take pride in hard work and high quality. American Giant makes durable quality clothing right here in the USA because what we wear reflects who we are. When you buy American Giant, you're not just wearing the best clothes money can buy. You're helping keep jobs and pride in your own backyard. Premium clothing built to last decades like it should get 20% off your first order at american-giant.com with code right here. 24. James Stewart as the Six Shooter. The man in the saddle is angular and long legged.

[Sheriff Schofield]

His skin is sun dyed brown.

[Brit Poncet]

The gun in his holster is gray.

[Sheriff Schofield]

Steel and rainbow mother of pearl. The handle unmarked. But the gun has killed and the.

[James Stewart]

Man has killed people Call them both the six shoot.

[Brit Poncet]

Presenting one of the screen's favorite stars.

[James Stewart]

Mr. James Stewart as the Six Shooter.

[Brit Poncet]

Based on the timeless legend of Brit Poncet, the Texas plainsman who brought single.

[James Stewart]

Handed justice to the western territories.

[Brit Poncet]

I hadn't figured on going through. Clay City was an hour out of my way and I was already a day late to the Jefferson ranch where I'd signed on for the roundup. But when Scar started limping from a loose shoe, didn't have no choice. We had to head for the nearest blacksmith shop. So we turned north.

[James Stewart]

Howdy, mister. What's trouble?

[Brit Poncet]

The horse losing a shoe.

[James Stewart]

Well, let's have a look. All right, raise it up, fella. Come on. Come on, boy, split. Mister, he needs a new one. Okay, boy.

[Brit Poncet]

Can you take care of it?

[James Stewart]

Oh, sure. Bring him over here.

[Brit Poncet]

Hey, what happened to Red Fella used to own this shop.

[James Stewart]

Went to the man at Chasing Silver. I bought him out.

[Brit Poncet]

Oh yeah? You don't look very much like a blacksmith.

[James Stewart]

Oh, I'm stronger than I look. Heavier too. What do you think I weigh, mister?

[Brit Poncet]

Oh, I don't know.

[James Stewart]

Go on, go on, take a guess. 120? 30?

[Brit Poncet]

Well, no more than that.

[James Stewart]

You a betting man, mister?

[Brit Poncet]

Well, sometimes.

[James Stewart]

Well, I say I weigh over 130. If I don't, you get the new shoe for nothing. If I do, you pay me double. What do you say?

[Brit Poncet]

You got a set of scale?

[James Stewart]

Don't need no scale. What do you say, mister? Is it a bet?

[Brit Poncet]

Don't seem to be no way of proving it.

[James Stewart]

All you got to do is lift me up. You look like a man who can judge weight. What do you say?

[Brit Poncet]

Okay. All right, it's a bet.

[James Stewart]

All right, mister, just heist me if you don't think I weigh more than 130. The shoe is free.

[Brit Poncet]

I never tried to judge man's weight before, but all right. There we go. Well, I'll be dog.

[James Stewart]

I'm packed solid, mister, real solid.

[Brit Poncet]

You're packed tighter than a steer. You must weigh 150 pounds.

[James Stewart]

You see? You see? What did I tell you? 158. The horseshoe is going to cost you money, mister. But you ain't the only one. Ever since I bought the shop, there ain't been a stranger come through Clay City. But what? He paid double for his first horseshoe. You ain't sore, mister?

[Brit Poncet]

No, no, that was a fair bet.

[James Stewart]

Sure it was. I told you I was heavier than I looked. That's what folks call me Heavy Norden. My real name's George, but everybody calls me Heavy. What's your name, mister?

[Brit Poncet]

Poncet. Brit Poncet.

[James Stewart]

Fella they call the Six Shooter. Well, doggone it, I've heard about you, mister. I've sure heard about you. Oh, would have recognized you if I'd have noticed your gun. Sure is fancy, ain't it? Hey, do you mind showing it to me?

[Brit Poncet]

No, no. Here, catch.

[James Stewart]

Hey, real fancy. Just like Sheriff Schofield said. He says he seen you fire six shots with it while Whitey Jackson was getting off his first bullet that time down at Eagle.

[Brit Poncet]

Well, that sheriff kind of likes to build up a story.

[James Stewart]

Oh, he swears it's the truth. Here's your gun, Mr. Poncet. Thanks.

[Brit Poncet]

Sure.

[James Stewart]

Sure, you was mighty quick in getting into Clay City. How'd you hear about it so fast?

[Brit Poncet]

I had to. Hear about what?

[James Stewart]

The hold up at the Fargo station last night. Ain't that why you come?

[Brit Poncet]

No, no. I was headed past town. I turned off because Scar got that loose shoe.

[James Stewart]

Well, now, ain't that a coincidence. Fellow holds up the Fargo office, kills One man, maybe two, gets away at $5,000, and 12 hours later you ride into town.

[Brit Poncet]

Well, they got any idea who done it?

[James Stewart]

Nope. Not a single solitary one from what I hear. Like I say, the deputy agent was dead when they found him. Other fella, Fred Wilmer, a friend of his, got shot up pretty bad. Ain't done no talking yet. Doc says maybe he never will.

[Brit Poncet]

Sheriff Schofield take out a posse? Nope.

[James Stewart]

Ain't nobody to go. Most of the men signed up for the Jefferson roundup left town day before yesterday.

[Brit Poncet]

Here.

[James Stewart]

The Jefferson ranch is paying good money this year.

[Brit Poncet]

Yeah, yeah. You seen the sheriff this morning?

[James Stewart]

No, not lately. It might be over to his office.

[Brit Poncet]

I think I'll walk down that way while you're fixing up scar.

[James Stewart]

Sure, sure, Mr. Poncet. That's a darn good idea. Sheriff Schofield will Be real glad to see you.

[Brit Poncet]

A couple of doors this side of the sheriff's office, I saw the Wells Fargo sign nailed up next to a window. Place wasn't locked, so I went inside. One of the chairs was upset and there was some damp stains on the floor. The cast iron safe against the wall was standing wide open, so I kicked it shut. Went out in the back stoop. There was some more blood on the steps and then just red mud right at the edge. I saw the hoof prints. They trailed off along the side of the creek. Whoever made them headed west. The horse had been wearing one shoe, different from the other three. A sharp rock must have cut into it sometime or another. Not enough to split it, you understand. Just enough so that the print left a jagged line, like fancy handwriting.

[Sheriff Schofield]

Find something, Brit?

[Brit Poncet]

Hmm? Oh, hello, Sheriff. I was heading your way.

[Sheriff Schofield]

Yeah, I just saw Heavy. He told me you was in town. Did you find something?

[Brit Poncet]

I don't know. I don't know. You see these hoofprints?

[Sheriff Schofield]

Yeah. Don't mean nothing. Trio gives out a mile or so down the creek at Fork.

[Brit Poncet]

Uh huh. Has Clay City had any other trouble lately, Ed?

[Sheriff Schofield]

No, not a bit. I guess any town's gotta expect to hold up once in a while.

[Brit Poncet]

No, I heard it was a little more than that.

[Sheriff Schofield]

Yeah, that's right.

[Brit Poncet]

Fred Wilmer able to talk yet?

[Sheriff Schofield]

Afraid not. Doc said he'd let me know first thing he come around. Took him out to his ranch.

[Brit Poncet]

You've been out there to see him since last night?

[Sheriff Schofield]

Wasn't no reason.

[Brit Poncet]

Well, it might be a good idea to be there. You know, just in case you thought.

[Sheriff Schofield]

Maybe I ought to stick in town.

[Brit Poncet]

Oh, I don't think anything more's gonna happen here, Ed. I'll get Scar and I'll meet you out at Fred's place, huh?

[Sheriff Schofield]

I can handle this alone, Brett.

[Brit Poncet]

Oh, sure, sure. I'll just offer to keep you company, Ed.

[Sheriff Schofield]

I'll meet you there.

[James Stewart]

He's all fixed up. Mr. Ponit tied him up around the side so he'd be in the shade.

[Brit Poncet]

Thanks, hubby.

[James Stewart]

Did you find Sheriff Schofield? I. I told him he was in town.

[Brit Poncet]

Yeah.

[James Stewart]

You figure out anything?

[Brit Poncet]

Ah, not so far.

[James Stewart]

Oh, you will. Sheriff's a good man. Why, you and him together, you'll get whoever done it.

[Brit Poncet]

No? Maybe so. Maybe so. You're the only blacksmith round here, ain't you, heavy?

[James Stewart]

Only one for 40 miles.

[Brit Poncet]

You ever see a horse with a shoe that's got one jagged edge, left hind leg?

[James Stewart]

A lot of shoes got jagged edges, Mr. Poncet.

[Brit Poncet]

Yeah. Well, I'll show you what I mean. I ain't much of an artist. I hear it. It kind of looks a little like this.

[James Stewart]

Seems to me I seen a shoe like that just the other day. Oh, sure, I remember. Told him he ought to get a new one for it. Ben Schofield. That's who it was just the other day. Ben the sheriff's kid. You know him, don't you, Mr. Poncet?

[Brit Poncet]

Oh, sure, sure. I ain't seen Ben a couple years.

[James Stewart]

You wouldn't recognize him if you did. He just sort of growed up overnight.

[Brit Poncet]

Yeah. Yeah, I guess he has. Well, that ends the first act of the Six Shooter hoax. Hope you're enjoying the show. Before we get on with it, I'd like to tell you a little bit about how I happen to be doing this program. I been lucky enough to do quite a bit of radioacting before, but I've never had a program of my own. The right thing just didn't seem to come along. At least not until the Six Shooter. You see, I've made several stories of this kind for pictures that is honest, legitimate stories of the West. And I hope that this series can offer the same type of enjoyment with the same integrity. We think it's the sort of program the whole family will enjoy. And we think that the character of Brett Poncett typifies some of the greatness that dull America. We'd be pleased if you agreed with us.

[Sheriff Schofield]

And now, Act 2 of the Six Shooter, starring Jimmy Ste.

[Brit Poncet]

Schofield was sitting on Fred Wilmer's porch swing. When I got there, the doc was inside with Fred. So I squatted down on the stoop and waited about half an hour. The doc came out and told us we could go inside. See Fred. Fred was lying on a cot, breathing hard. White cloth across his chest was stained pink. His voice sounded like it was full of air.

[Fred Wilmer]

We was just sitting in the express office talking. Sam and me. Didn't hear the back door open. Must have left it unlocked. Turned around and there he was, holding his gun on.

[Sheriff Schofield]

She got a look at him for.

[Fred Wilmer]

A handkerchief over his face, Sheriff. I couldn't see nothing. Just the gun. They told Sam to open the safe. Wasn't nothing else he could do.

[Brit Poncet]

Sure, sure.

[Fred Wilmer]

He took the money. Walked over to the door.

[Sheriff Schofield]

Yeah.

[Fred Wilmer]

Looked at us for a minute and then shot. Didn't have no reason. He hit Sam in the face and he hit me in the chest. He didn't have no reason.

[Brit Poncet]

Ah, take it easy, Fred. Take it easy now.

[Fred Wilmer]

Just like he enjoyed shooting at us. That's how it was Lay. Like he enjoyed it.

[Sheriff Schofield]

Maybe he was scared.

[Fred Wilmer]

Oh, he wasn't scared, Sheriff. We didn't have no reason. Thought he killed us both. Then he started down the steps. I got my hand on the shotgun and let him have it.

[Sheriff Schofield]

You hit him?

[Fred Wilmer]

I don't know. Maybe he gave a yell and rode off.

[Brit Poncet]

What kind of a fellow was he? He was young. Old.

[Fred Wilmer]

I couldn't see his face. Young till I'd say, though.

[Brit Poncet]

How young?

[Fred Wilmer]

Oh, 17, 18. Full grown?

[Brit Poncet]

Tall? Short?

[Fred Wilmer]

Medium. About the size of your kid, Ed. About that size.

[Brit Poncet]

Got enough for you, Ed?

[Sheriff Schofield]

Yeah, that's enough.

[Fred Wilmer]

You. You think you'll get him, Brett?

[Brit Poncet]

Sure, Fran. Sure. Sure. Come on, Ed.

[Fred Wilmer]

Didn't have no reason to shoot. No reason.

[Brit Poncet]

Let's go, Ed.

[Sheriff Schofield]

We're wasting our time, Bret. He's got a day's head start. He'd be 40 miles from here.

[Brit Poncet]

Well, not if he shot up.

[Sheriff Schofield]

You go on if you want to.

[Brit Poncet]

You're the sheriff. You gotta make the arrest.

[Sheriff Schofield]

You ain't never been so particular before.

[Brit Poncet]

Well, maybe not, but this time in particular.

[James Stewart]

You coming?

[Sheriff Schofield]

We don't even know where to start.

[James Stewart]

I thought along the creek.

[Brit Poncet]

That's as good a place as any other.

[Sheriff Schofield]

It's a waste of time, Britt.

[James Stewart]

We got time to waste.

[Brit Poncet]

Come on, let's go. We picked up the trail along the creek, headed west. Wasn't hard to follow. And every once in a while we'd see a few drops of blood. Spots spattered against the shrub brush. About 10 minutes later, we came to a fork where Ed had said the trail gave out. Scar stuck his nose down into the water and I looked around. The trail didn't give out. Turned south. I nodded in that direction. Ed didn't say a thing. Just followed. At about 5 o'clock we stopped to eat. El built a fire and I opened up a couple of cans of beans. I had my roll. Oh, you ain't hungry, Ed?

[Sheriff Schofield]

It's early for supper.

[Brit Poncet]

Yeah. Yeah. Ed, I talked to Heavy before I went out to Fred's place. I asked him who had a horse that would leave a mark like the one we'd been following.

[Sheriff Schofield]

So.

[Brit Poncet]

And he said, Ben, did your son? Ben, I thought you ought to know.

[Sheriff Schofield]

That a lot of horseshoes leave the same kind of mark.

[Brit Poncet]

Fred said it was a young fellow.

[Sheriff Schofield]

It wasn't Ben.

[Brit Poncet]

Where is he?

[Sheriff Schofield]

At Jefferson's ranch, working on a roundup. He left Clay City day before yesterday. Couldn't be. Ben. There's a lot of wild Youngsters in these parts. But Ben's a good boy. Couldn't be him.

[Brit Poncet]

You sure?

[Sheriff Schofield]

That mark don't mean nothing. Plenty of horseshoes leave the same kind of mark. You know that, Britt.

[Brit Poncet]

You had enough to eat?

[Sheriff Schofield]

Yeah.

[Brit Poncet]

Come on, let's go. The moon came out thin, yellow. Not real bright, but enough so you can follow the trail about three miles. There wasn't no blood. He must have wrapped something around the wound. Wrapped it real tight. Then we found the bandage, a piece of shirttail sopped through. For the next mile. He'd been bleeding a lot worse than he was. Hit pretty bad?

[Sheriff Schofield]

Looks like it.

[Brit Poncet]

He couldn't have gone much further because. Hold it. Scar, Ed?

[Sheriff Schofield]

Yeah.

[Brit Poncet]

Hold on. Over there in the gully. That cabin?

[Sheriff Schofield]

Yeah.

[Brit Poncet]

Whose is it?

[Sheriff Schofield]

Used to belong to Jake Levant. Died a couple of years ago. Ain't nobody living there now.

[Brit Poncet]

There's somebody living there, huh? Out in back, there's a pony. Better go ahead on foot.

[Sheriff Schofield]

Brit.

[Brit Poncet]

Yeah.

[Sheriff Schofield]

We're gonna take him alive, ain't we?

[Brit Poncet]

If we can.

[Sheriff Schofield]

We gotta take him alive, Britt.

[Brit Poncet]

It's bad?

[Sheriff Schofield]

I don't know, Brit. Not for sure.

[Brit Poncet]

It could be bad.

[Sheriff Schofield]

It could be.

[Brit Poncet]

Where you been the last couple days?

[Sheriff Schofield]

I don't know that neither. Had an argument with him two nights ago. He needed some money. Been playing poker and lost a lot.

[Brit Poncet]

5,000. A lot.

[Sheriff Schofield]

I wouldn't give him none. Got mad, said he'd get it. Said he'd get it himself. And I hit him hard across the face. I hit him twice. He started to hit me back. Then he walked out of the house. I ain't seen him since. I wish he had hit me back.

[Brit Poncet]

We got to get across that clearing, Ed. Over to that clump of trees.

[Sheriff Schofield]

He may see us.

[Brit Poncet]

Yeah. We'll have to take that chance. You ready? Yeah. You all right?

[Sheriff Schofield]

Sure.

[Brit Poncet]

Stay in these trees for a couple of minutes.

[Sheriff Schofield]

Okay.

[Brit Poncet]

Then we'll rush him. Ain't gonna be easy to take him, Ed, now that he spotted it.

[Sheriff Schofield]

You ain't gonna kill him, Brit.

[Brit Poncet]

I ain't gonna let him kill me.

[Sheriff Schofield]

It ain't his fault, Britt. It's mine.

[Brit Poncet]

You know that ain't so.

[Sheriff Schofield]

No, it's the truth. It's my fault.

[Brit Poncet]

You didn't raise him to be a killer.

[Sheriff Schofield]

Maybe I did, Brit. I was the sheriff. Seeing that everybody kept close to the line. Seeing that everybody lived honest, especially Ben. I broke him, Brit. Broke him like you break a wild horse. I tried to take all the fight out of him fast. You know what happens when you do that? To a horse. He gets tamed, but the fight's still there. And someday he turns wild again.

[Brit Poncet]

I'll rush him alone. Ed.

[Sheriff Schofield]

No. Stay here. Brit.

[Brit Poncet]

Sam Norton's dead. Maybe Fred Miller, too.

[Sheriff Schofield]

Killing Ben won't bring him back. He's my son, Britt. My only son. You don't have no kids. You don't know.

[Brit Poncet]

I'm sorry, Ed.

[Sheriff Schofield]

No. We're going back to town.

[Brit Poncet]

Not without him.

[Sheriff Schofield]

We're going back now. You can outdraw me, Brett, but I'll still have time to get a shot off.

[Brit Poncet]

I'll try to get him alive, Ed. I'll try.

[Sheriff Schofield]

No. Don't turn your back on me, Brit. Don't be a fool. Don't make me do it, Brit.

[Brit Poncet]

If I wasn't being brave, I knew he wouldn't shoot. Man like Ed Schofield just don't change overnight. You can figure a man like Ed. That's what I thought, anyway. But I hadn't figured what would happen next. I haven't figured on him running out into the clearing, standing there in the moonlight, gray against the black sky. Ben?

[Sheriff Schofield]

It's me, Ben.

[James Stewart]

You, dad.

[Brit Poncet]

Can you hear me?

[James Stewart]

Ben Frick Punson's coming after you.

[Sheriff Schofield]

Throw out your gun. Ben Frick Punson's coming.

[Brit Poncet]

Now, listen to me, Ben. It's your dad. I saw him go down real slow, like his legs had buckled under him. I couldn't tell how bad he'd been hit. He rolled down a gully out of. Out of range. And I crawled forward, pushed myself past a couple of rocks, head toward the back door. The kid was in the kitchen. I couldn't see him, but I could hear him moving around, going from window to window, looking out, waiting for. I slid past another rock. I could run to the door or wait. The kid made up a mind for me. I slipped down fast and the bullets nicked the rocks. The kid had good hearing. He knew I was right there. Took out my gun and waited. I knew he'd get nervous first. Young fellows always do. I wasn't so young. I could wait. It was more than five minutes before the door started opening. His pony knew I was coming, too. He started for the horse. I aimed at his leg. For a second, he stopped moving and just hung in midair like a hawk. Then he sprawled forward, out of sight, behind a log. I raised up a little and hunched myself along the side of the cabin. Everything was quiet now, even his pony. The moon went behind a thick cloud and I came around the corner of the cabin. Suddenly, the moon came out Again. Just in time for me to see his.45. Just in time to see him coming up over the top of the. His revolver slipped out of his fingers. And I saw him trying to reach for it again. He couldn't make it. I stood up and walked over to the log. The kid was lying face down, gasping for breath. Little short gasps. He pulled himself up into the flat of his hands and then he passed out. I turned him over with my foot and I looked at his face. Ed.

[Sheriff Schofield]

Over here.

[Brit Poncet]

Where'd he get you?

[Sheriff Schofield]

In the shoulder. I'm gonna be all right, Brett. Is he. Did you have to?

[Brit Poncet]

He ain't, dad.

[Sheriff Schofield]

Thanks. I guess he didn't hear me calling to him. He didn't know who I was.

[Brit Poncet]

Ed.

[Sheriff Schofield]

What?

[Brit Poncet]

Ed, it ain't Ben.

[Sheriff Schofield]

What?

[Brit Poncet]

It ain't Ben, Ed.

[Sheriff Schofield]

You sure, Britt?

[Brit Poncet]

Yeah. Yeah. This kid's got red hair.

[Sheriff Schofield]

There ain't no reason to lie to me, Britt. I ain't shot up, Ben.

[Brit Poncet]

I ain't lying. I ain't lying. I knew it wasn't Ben while I was growing up after him. I knew it.

[Sheriff Schofield]

What are you talking about?

[Brit Poncet]

Just come to me. A man don't change overnight. Neither does a boy, if it ain't Ben. Lots of tough kids in these parts. You said so yourself.

[Sheriff Schofield]

Where do you suppose Ben is?

[Brit Poncet]

Well, you said Jefferson Ranch, working the roundup. They pay good. No, A boy don't change overnight. Ed. You able to ride back to town?

[Sheriff Schofield]

Yeah, sure. I may have to take it a little slow.

[Brit Poncet]

I'll get the kid, Britt. Yeah.

[Sheriff Schofield]

You know something, Brit? I couldn't believe it was Ben, neither. No. When he shot me, I just couldn't believe it. You know that, Brit?

[Brit Poncet]

I know it, Ed. I know it's. Well, that was your first meeting with Britt Ponsett. I hope you'd like to meet him again every week. And I also hope you'll try our product. It's something I use myself and it's never let me down. I don't think it let you down, either. Maybe I'm not much of a salesman, but this product, I don't think needs a lot of selling. As far as I'm concerned, it sells itself. So I'd appreciate it if you'd buy it this week and give it a try. Let me know how you like it. So long, folks. I'll be seeing.