The Six Shooter 1953-09-20 Ep 01 Jenny

Summary

Podcast Summary: "The Six Shooter" Episode 01 "Jenny"

Podcast Information:

• Title: Harold's Old Time Radio
• Host/Author: Harold's Old Time Radio
• Episode: The Six Shooter 1953-09-20 Ep 01 "Jenny"
• Release Date: April 30, 2025

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1. Episode Overview

"The Six Shooter" is a transcribed radio drama series starring James Stewart as Britt Ponsett, a seasoned Texas plainsman navigating the rugged terrains of the Western territories. This inaugural episode, titled "Jenny," delves into themes of isolation, trust, and redemption, set against the backdrop of a lawless frontier. The narrative intricately weaves the lives of its characters, presenting a gripping tale of survival and human connection.

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2. Plot Summary

Act 1: An Unexpected Encounter

The episode opens on a sweltering afternoon with Britt Ponsett and his horse, Scar, journeying towards Lead Creek. Britt anticipates employment laying track for a new railroad spur to Salt Lake City. As they traverse a gully, Britt notices Scar’s unease, sensing something amiss.

Key Scenes:

• Discovery of the Injured Stranger:
  At approximately [03:00], Britt encounters an unconscious man, later identified as Nick Landy, lying under a boulder. Recognizing the severity of the situation, Britt assists him, demonstrating his compassionate nature.

  Britt Ponsett: "I’m just passing through. Maybe I can fix a bandage for you for the time being." [04:57]

• Introduction to Jenny Garver:
  Britt leads Landy to a nearby cabin belonging to Jenny Garver, a reclusive woman who initially rebuffs his attempts to help. Despite her brusque demeanor, Britt’s persistence earns her begrudging cooperation.

  Jenny Garver: "I ain’t got no handout for tramp. Go on, get out." [08:14]

• Building Tensions:
  The narrative tension escalates as Britt’s presence in Jenny’s isolated cabin threatens to disrupt her solitude. The dynamics between Britt and Jenny hint at underlying complexities in their characters.

Act 2: Confrontations and Revelations

As night falls, Britt continues his journey towards Lead Creek, reflecting on Jenny’s peculiar behavior and the town’s perception of her. The discovery of Jenny’s vulnerability juxtaposes her initial toughness, adding depth to her character.

Key Scenes:

• Encounter with Sheriff York:
  Britt’s path crosses with Sheriff Jim York and his deputies, Sam Norval and Tom Jackson, who are on the hunt for Nick Landy. Misidentification leads to a tense standoff, revealing local law enforcement's challenges.

  Sheriff York: "We're looking for Net Landy. That's who we thought you was." [14:19]

• Jenny’s Transformation:
  Following Nick Landy’s death, Jenny undergoes a significant transformation. Initially stern and unyielding, she becomes emotionally vulnerable, highlighting her dependency on Landy and her struggle to cope with his demise.

  Jenny Garver: "I can’t let you take him away, no matter what. Not even if I have to." [23:58]

• Climactic Resolution:
  The episode reaches its climax when Britt discovers the truth about Landy's fate. Confronting Jenny, he reveals that Nick has died from wounds inflicted earlier, leading to a poignant resolution where Jenny must face the reality of her loss.

  Britt Ponsett: "He hasn't been breathing. Not since I came in." [24:00]

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3. Character Insights

• Britt Ponsett (The Six Shooter):
  Portrayed by James Stewart, Britt embodies the quintessential Western hero—resilient, compassionate, and morally upright. His interactions with Jenny and the sheriff showcase his ability to navigate complex social dynamics while maintaining his integrity.

• Jenny Garver:
  Jenny is a multifaceted character whose initial toughness masks deep-seated vulnerabilities. Her attachment to Nick Landy reveals her capacity for love and dependency, challenging the stereotypical portrayal of lone frontier women.

• Sheriff Jim York:
  The local law enforcement figure represents authority and order in a chaotic environment. His pursuit of Landy underscores the ongoing struggle to maintain peace in the lawless territories.

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4. Key Themes and Discussions

• Isolation and Community:
  The episode explores the tension between isolation and the need for community. Jenny’s seclusion contrasts with Britt’s transient lifestyle, highlighting different coping mechanisms in the face of adversity.

• Trust and Deception:
  Trust is a central theme, as characters navigate alliances and confrontations. Britt’s genuine intent to help juxtaposes Sheriff York’s suspicion, raising questions about perception and truth.

• Redemption and Forgiveness:
  Through his acts of kindness, Britt seeks redemption from his past, while Jenny’s struggle to forgive herself for Landy’s death reflects the human need for forgiveness.

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5. Notable Quotes

• Britt Ponsett on Compassion:

  "Maybe I can fix a bandage for you for the time being." [04:57]

• Jenny Garver’s Defiance:

  "I ain’t got no handout for tramp. Go on, get out." [08:14]

• Sheriff York’s Determination:

  "We're looking for Net Landy. That's who we thought you was." [14:19]

• Jenny Garver’s Desperation:

  "I can’t let you take him away, no matter what. Not even if I have to." [23:58]

• Britt Ponsett’s Revelation:

  "He hasn't been breathing. Not since I came in." [24:00]

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6. Conclusion

"The Six Shooter" Episode 01 "Jenny" masterfully sets the stage for a thrilling Western saga. Through its rich character development and intricate plot, the episode examines profound human emotions and societal themes. James Stewart’s compelling portrayal of Britt Ponsett promises an engaging series that captures the essence of the Golden Age of Radio storytelling.

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End of Summary

Transcript

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[Narrator]

Stewart as the Six Shooter.

[James Stewart]

The man.

[Narrator]

In the saddle is angular and long legged. His skin is sun dyed brown. The gun in his holster is gray seal and rainbow mother of pearl, his handle unmarked. People call them both the Six Shooters. Coleman, America's leader in modern automatic home heating equipment, and the National Broadcasting Company present James Stewart as the Six Shooter, a transcribed series of dramas based on the life of Brit Ponsett, the Texas plainsman who wandered through the Western territories, leaving behind a trail of still remembered legends. Now, in just a moment, immediately following this important announcement, you'll hear Act 1 of the Six Shooter. In a few years, our public schools will be as behind the times as the little red schoolhouse, and it's estimated that by 1956 there will be some 7 million more children in elementary schools than there are now. More equipment will be needed, and above all, more elementary school teachers to help assure your child a proper education. Join and work with local groups and school boards and for free information about how people in other communities are improving their schools, write to this address, National Citizens Commission for The Public Schools, 2 West 45th Street, New York 19, New York. Now Act 1 of the Six Shooter starring James Stewart.

[Britt Ponsett]

It was hot that afternoon, low crawling kind of heat that seemed to be following us as we rode along. The sun hadn't come out in the morning, but about noon it pushed through the clouds. Boy, hot. By 4:00, when I should have been cool in August, hotter than ever, we still had about 15 miles to go before we'd hit Lead Creek. That is where I figured on getting a job helping lay track on that new spur line to Salt Lake City. I nudged Scar on the plank. We headed down a little gully. His ears pricked up and he jerked his head. I wasn't sure whether he'd heard something or just sense it, you know. With a horse, it's pretty hard to tell where heron leads off and fencing begin. What's the matter, boy? Hey. Then I heard it too. I wheeled Scar off the trail. Went about 20 yards before I saw him. He was lying in the shade of a yellow boulder in a clump of mesquite. Young fella just lying there. He looked comfortable and relaxed, like he was taking a siesta. But he couldn't have been enjoying himself too much, not with a big red stain like that across the front of his shirt. Hi. Ah. What's the trouble? I had a little accident. Yeah. Yeah, it looks that way. What happened? My horse threw me a couple hours ago. Must have landed on my gun. Well, not see you haven't got any water, have you?

[James Stewart]

Sure, sure.

[Britt Ponsett]

Thanks. Lucky. Lucky you came by, mister. You're a stranger, ain't you? I'm just passing through. Yeah, I'm not much of a doc. Maybe I can fix a bandage for you for the time being. I already fix one. Here's my shirt tailed don't seem to be doing much good. Oh, yeah? Let me see if I can typed. Hold on now. You think you can ride? I don't know. You ain't seen my pony Piddle with a half moon on his flank. No, no, I can't say I have. Not to run off. Now just don't worry about him. My horse will get us into Lead Creek.

[James Stewart]

Lead.

[Britt Ponsett]

Craig. Yeah. It's close to town, isn't it? Yeah. Yes, it is. All right, now let me give you a hand here. It ain't no use, mister. No, no, you gotta try. Now just. Just lean your weight on me. I'm gonna make it. Okay. Okay, that's it.

[Jenny Garver]

There's a cabin a past mile or so west.

[Britt Ponsett]

I might be able to ride that far. Oh, that'd be better than staying here. Yeah. Now I'm. I'm gonna lift your feet up now. That'll hurt plenty. Once you're in the saddle, you'll be all right. Here we go. There. There we are. Take it real slow. I'll walk alongside. There you are. Was it west you said, huh?

[Jenny Garver]

Yeah.

[Britt Ponsett]

I certainly appreciate this, mister. I sure being keeled over in the saddle, I managed to keep it from sliding out and we started off. About 15 minutes later, I saw the cabin he'd been talking about wasn't much more in a shack. Only two, three rooms and a couple of acres of fenced in pasture and a barn. I led Scar up to the front stoop. And lifted the young fella off. He was still unconscious, which was all of it.

[James Stewart]

Good.

[Britt Ponsett]

Of course, I carried him up the front door and gave it a couple of kicks. Kicked again and he sprung open. Anybody home?

[James Stewart]

Hello?

[Britt Ponsett]

Yeah. Now, you just lay there. Try and get some rest. I'll look around. Where? Where? He passed out again. Covered him with a blanket lying across the foot of the cot there. Supper was on the kitchen stove. Beef stew. Smelled pretty good. I opened the back door. I saw somebody cutting up a pile of kindling over near the barn. Whoever it was sure knew how to handle an ax. Where'd you come from now? I'm sorry if I frightened you, ma'am. I. I knocked on the front door, but I guess you couldn't hear me, huh?

[Jenny Garver]

I ain't got no handout for tramp. Go on, get out.

[Britt Ponsett]

Well, I'm not exactly a tramp, ma'am. Although I'm not blaming you for thinking it. I've been riding for quite a stall.

[Jenny Garver]

Well, what do you want?

[Britt Ponsett]

I run across a fella a little while ago on a gully just east of here. He'd been shot up.

[Jenny Garver]

Shot?

[Britt Ponsett]

He said his gun went off accidental. He's hurt pretty bad, and since this place yours was the closest.

[Jenny Garver]

Where is he?

[Britt Ponsett]

I took the liberty of putting him in a cot inside there. So I hope you don't mispoke. She didn't wait even for me to finish. She just marched past me like I wasn't even there. I watched her for a second and then I followed her into the house. Huh. I never run into a woman exactly like her before. At first I thought she was a man. You know, the pants, the checkered shirt she was wearing and the way she chopped up kindling. They fooled me. She walked like a man, too. He's stiff. Square shouldered. Eyes, eh? They were old woman's eyes, all right. Kind of soft and young and frightened. Yeah. The rest of her had been pretty as her eyes. She'd been a real fine looking girl.

[Jenny Garver]

Take that rag off while I fix in your bandage.

[Britt Ponsett]

Yes, ma'am. Ah, it's a shame to tear up a fancy petticoat like that.

[Jenny Garver]

I got no need for petticoats, Mister, can you turn him on his side? That's better. Now, if I can just get the bleeding to stop.

[Britt Ponsett]

You. You know him, ma'am?

[Jenny Garver]

No.

[Britt Ponsett]

Why should I? Oh, I just thought since he was in your neighborhood, lots of folks passed by here.

[Jenny Garver]

That don't mean I know him. I don't know you neither.

[Britt Ponsett]

Oh. Oh, sorry. My name's Poncet. Rick Poncet.

[Jenny Garver]

Ponset. I've heard of you somewhere, haven't I?

[Britt Ponsett]

No, no, not likely. This is the first time I've been around Lead Creek. Here.

[Jenny Garver]

Got a pocket knife?

[Britt Ponsett]

Yeah.

[James Stewart]

Thanks.

[Britt Ponsett]

I enjoyed. You're doing a real good job on him, you know. Your. Your husband off somewhere today?

[Jenny Garver]

I'm not married.

[Britt Ponsett]

Oh. Must get kind of lonely out here all by yourself, don't I?

[Jenny Garver]

I like being alone. I want a lot of people around me.

[Britt Ponsett]

I can't say I blame you. I. I never been much on congregating myself. I always sort of like to. Well. Yeah, that bleeding's letting up a little, all right. I guess I'll be shutting off. Man, when I get into town, I'll send the doctor out here.

[Jenny Garver]

No, no, you can't. What I mean is, there is no doctor in Lead Creek. Oh, he moved away a couple of years ago.

[Britt Ponsett]

Well, there must be a doc somewhere around here.

[Jenny Garver]

No, not within 100 miles. I have to take care of him myself.

[Britt Ponsett]

Well, maybe I can find somebody to help you. You know, since I brought him in.

[Jenny Garver]

Here, I thought I'd rather do it alone. I'll manage all right.

[Britt Ponsett]

Well, that's mighty decent of you, but I. Him being a stranger. All right. So long.

[Jenny Garver]

Mr. Pontiff.

[Britt Ponsett]

Yes, ma'am.

[Jenny Garver]

You won't tell the folks in town he's here? Well, he's a stranger, like you said. He don't concern them. And. And I don't want them laughing at me. They'd say Jenny Garbage finally got herself a man. If he wasn't unconscious, you'd never managed it. So you won't tell him, will you?

[Britt Ponsett]

Well, I. I don't suppose anybody will ask me about him. Easy one. Easy, easy.

[Jenny Garver]

What are you looking at?

[Britt Ponsett]

I was just noticing those horses over in the pasture there, though. Are they both yours?

[James Stewart]

Yes.

[Jenny Garver]

Yes, they are. Why?

[Britt Ponsett]

No reason. No, that pinto looks like a good animal. What do you call him?

[Jenny Garver]

Name's Moon because of the marking on his flank. Looks like a half moon.

[James Stewart]

Yeah.

[Britt Ponsett]

Yeah, I can see it. Yeah. Well, I hope the patient doesn't give you too much trouble. All right, come on. The sun went down, but it didn't cool off much. Maybe when the moon came out, there'd be a little breeze. I've been riding for a couple hours since I left the cabin. Still had five or six miles to go before I hit Lead Creek. We were coming through a narrow canyon when I heard a little rustling sound. First I thought maybe it was that breeze I'd been waiting for. The Next thing I knew, I was behind a rock. I wasn't quite sure how I got there. I guess my legs sort of took over without me having to tell him what to do.

[James Stewart]

You ain't got a chance, Net. We're all out here. Come out from behind those rocks and keep your hands up.

[Britt Ponsett]

Well, I'd be glad to oblige, but I. I ain't net.

[James Stewart]

I. Whoever he is. Hold it a minute, sheriff. H. Oh. Well, looks like they made a little mistake, boys.

[Narrator]

You all right, mister?

[Britt Ponsett]

No serious damage, I guess.

[James Stewart]

Well, trying to bother you. But what are you doing out here anyway?

[Britt Ponsett]

I was heading for town. I heard there might be some work on the new railroad. Thought I might sign up for a spell.

[James Stewart]

I guess they can always use another man. My name's York, sheriff. Jim York.

[Britt Ponsett]

I'm pleased to meet you, sheriff. I'm Britt Poncett.

[James Stewart]

Poncett? Fellow they call six shooter. I didn't know you were in these parts. Boys, meet Britt Poncett. Brit, this is Sam Norval. Tom Jackson. Harry Potter. Harry Howie Brit, the man who brought in the Phoenix kid. Kid had the drop on him, too, but he never got a chance to pull the trigger. At least that's the way folks tell it.

[Britt Ponsett]

Yeah, well, between the doing and the telling, you know, there's have to be some exaggeration.

[James Stewart]

Well, anyway, I'm sure glad we run into you tonight. That six gun of yours might come in handy.

[Britt Ponsett]

Oh, yeah.

[James Stewart]

We're looking for net Landy. That's who we thought you was.

[Britt Ponsett]

At first I figured something like that. Now, what's this Landy been up to?

[James Stewart]

Trouble for the last three months. Pulled up a couple of shooting sprees. Broke into Harry's bank last night. Killed Harry's brother. I say, I've taken a pot the afternoon before, but we always seem to lose him in these hills. We'll get him tonight, though. Picked up his trail this morning. Even spotted him for a minute or two on the far side of devil's canyon over in the trees. I got off a shot. Thought I'd hit him for sure, but I guess my aim was off. Anyway, he gave us a slip again.

[Britt Ponsett]

What's he look like?

[James Stewart]

Oh, he's young. About 23, I'd say. Short, wiry, flat hair. Rides a pinto.

[Britt Ponsett]

Pinto, huh? You ain't seen him? Yeah. Yeah, I guess I have.

[James Stewart]

Yeah. Where was he?

[Britt Ponsett]

I left him at a cabin about nine miles back. And your aim was all right this morning, Sheriff? He's carrying a bullet in his stomach. Of course. He said he'd Shot himself by accident.

[James Stewart]

The only cabin out this way is Jenny Garver's.

[Britt Ponsett]

That's. That's the woman. That's the woman that lived there.

[James Stewart]

Well, come on, boys.

[Narrator]

Let's go.

[James Stewart]

Ain't you coming too, Brit?

[Britt Ponsett]

Oh, no, you wouldn't need any help, Sheriff. Landing's not likely to last long enough for you to get him into town, I don't think.

[James Stewart]

Well, we'll get him in all right. Doc will see to that. The Doc?

[Britt Ponsett]

But I understood there weren't any.

[James Stewart]

Damn. Here's the doctor. That's what he's been claiming for the past 20 years.

[Britt Ponsett]

Yeah, just wait a minute, Sheriff.

[Jenny Garver]

Just hold on.

[Britt Ponsett]

You know, I've changed my mind. I think maybe I will ride up there with you.

[Narrator]

We'll return to James Stewart as the Six Shooter in a moment. First, a word from Coleman. America's leader in modern automatic home heating equipment.

[James Stewart]

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[Narrator]

Yes.

[James Stewart]

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[Narrator]

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[James Stewart]

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[Narrator]

Now Act 2 of the Six Shooter, starring James Stewart.

[Britt Ponsett]

About an hour and a half after I met up with the sheriff, we came to a little stream trickling down the hill just off the trail. I, I, I'd missed it when I passed by before. I hadn't known there was any water around and Scar hadn't smelled it either. Air, beans to quiet and everything. We pulled up and gave the horses a chance to get a drink.

[James Stewart]

Well, I guess there ain't no rush that's as bad off as you say.

[Britt Ponsett]

Yeah. Yeah. Was something funny? Yeah, I wake up.

[James Stewart]

I was just thinking about Jenny Garber.

[Britt Ponsett]

Huh?

[James Stewart]

Yep. She's finally got herself a Man, he's going to be real temporary, though. Yeah, and if he didn't have a.

[Narrator]

Bullet in him, I bet he'd take.

[James Stewart]

Off the first time he got a look at her. Well, take more than a bullet to keep me there. Me, too. Sheriff?

[Britt Ponsett]

What? Is there something wrong with jenny?

[Narrator]

Well, you've seen her, ain't you?

[Britt Ponsett]

Yeah. Yeah.

[James Stewart]

Well.

[Britt Ponsett]

Well, I. I guess she's no beauty.

[James Stewart]

Now, that's giving her the benefit of the doubt. Now, if you ask me, my horse is better looking.

[Britt Ponsett]

You know, sheriff, a lot of plain women seem to get along all right. Better than some of the pretty ones, you know.

[James Stewart]

Well, it ain't just that jenny's ugly, but she's so darn awkward and big. Why, even when she was a little girl living in town, she was always a head tor than any boy her age. And stronger, too. Well, I guess they've had enough to anger. The thing was, her folks are peculiar about jenny. Wouldn't admit she was any different from the other girls. You remember how they used to dress her? All those fancy clothes with frills and ribbons? One made her look twice as foolish as she would have otherwise. No, her father used to take her to parties, too, in her square dances. But he was the only one who ever danced with her. No, sir, I don't think a single boy in town courted her. Not one. You're forgetting willie franklin. Oh, sure, sure will franklin. Yeah, yeah, he's quite a cut up. Made a bet one night with some of the fellas and said he'd get jenny to agree to marry him. He took her out in his wagon and proposed. Of course she said yes, but he didn't know that willie's friends was all hidden in the back of the wagon. Leastwise, he didn't know it until they all busted out. Laughing was right. After that, her folks guard wasn't sheriff. Yeah. Yeah, that's when she bought this cabin. About five years ago, come to think of it. Well, jenny can't be more than 25 or 6. Looks a whole lot older, though, wouldn't.

[Narrator]

You say so, brit?

[Britt Ponsett]

Oh, I don't know. I'm not much good at judging ages. Especially a woman.

[James Stewart]

There's her place up ahead. Lamp's still on. She must be up. Sure, she's up all right. First time she ever had a man within touching distance, ain't it?

[Britt Ponsett]

What's the matter?

[James Stewart]

Well, better leave the horses here and go the rest of the way on foot.

[Britt Ponsett]

Oh, now, landy's not apt to give you any trouble.

[James Stewart]

Oh, you never can tell you may be feeling better by now.

[Britt Ponsett]

Yeah, not that much.

[James Stewart]

Hey, he's seen us. Didn't waste no time about it neither. If he wasn't as sick as you thought, Brittany. Or else he made a mighty fast recovery. We'll never hit him from down here.

[Narrator]

What do you suppose happened to Jenny?

[James Stewart]

I don't know. I've forgotten about her. He probably got her half scared to death. Well, we'll have to rush him. Ain't gonna be easy, Sheriff. It is Moon.

[Narrator]

He's sure to spot us.

[James Stewart]

That's all we can do. Sam, you and Harry see if you can make it up to the fence over there. You okay?

[Britt Ponsett]

Okay.

[James Stewart]

I'll fire twice. That'll be the signal to close in.

[Britt Ponsett]

Now, hold on a minute, chef.

[James Stewart]

Just.

[Britt Ponsett]

Just hold up here, man. Now, if we go plowing up front of that cabin, somebody's going to get hurt.

[James Stewart]

Well, what's the matter? Posit you've been shot at before.

[Britt Ponsett]

Well, that doesn't mean exactly. I like the idea. And besides, there's another way of getting in. That door around back. And there are a couple of trees back there.

[James Stewart]

Oh, no. He'd be watching the back door, and that's no fool.

[Britt Ponsett]

I know. But it's worth a try, eh?

[James Stewart]

All right, I'll go with you.

[Britt Ponsett]

Now, wait a minute. Just let me go alone. One man ain't as apt to be seen. You just keep firing. And if I ain't back in five minutes, well, we'll take him your way, huh?

[James Stewart]

Five minutes. We won't wait no longer.

[Britt Ponsett]

I hunch down low and I start circling toward the rear of the cabin. There wasn't much cover, just rocks, a couple of scub, pines. Anyway, nobody was shooting at me yet. So far, nobody'd seen me. I came up along the side of the barn and the back door was just ahead. Now, I still had about 20 yards to go. I ran forward and my foot caught. I tripped over some of the kindling Jennings stacked up there. In the afternoon, I lay. I lay quiet for a night. I just waited. It sounded to me like I'd made enough noise so I could hear it clear down lead. Craig shooting wasn't in my direction, so I got up on my knees. I raced for the cabin. I opened up the door. I kept on going. When I got into the living room, I. I saw. I'd figured right. That was on the cot just where I'd left and hadn't moved. It was Jenny who was doing the firing. She swung around. She pointed the revolver at me. Her eyes Weren't soft. Not anymore.

[Jenny Garver]

You told him you brought him here.

[Britt Ponsett]

I had to, Jenny.

[Jenny Garver]

I would have taken him away as soon as he was well enough. Why couldn't you let us alone?

[Britt Ponsett]

That killed a man last night.

[Jenny Garver]

I don't care. I don't care what he does. As long as he needs me, I'll stand by him and help him.

[Britt Ponsett]

Needed a hideout, didn't he? He must have been staying here for some time, or his pony wouldn't have had enough sense to come back here with his own accord. They're gonna start closing in, Johnny.

[Narrator]

You're not gonna take him away from me.

[Jenny Garver]

I won't let you. Net likes me. He told me he likes me. And he's the first person who ever.

[Britt Ponsett]

Did give me your gun.

[Jenny Garver]

Even if it isn't true, even if he didn't really mean it. He doesn't laugh at me like the others. He doesn't mind my look.

[James Stewart]

But he said I'd be an old faith.

[Jenny Garver]

Even my mother said it. But I won't. Not now. Ned will take me with it. He'll marry me. I know he will.

[Britt Ponsett]

Jenny, listen to me.

[Jenny Garver]

Don't you understand? I can't let you take him away, no matter what. Not even if I have to.

[Britt Ponsett]

Killing me won't help, Matt.

[Jenny Garver]

It's the only way I can keep him. I've got to stop you somehow. You and the others out there.

[Britt Ponsett]

There's no way you can keep him, Johnny. He's dead.

[James Stewart]

What?

[Britt Ponsett]

Now? Turn around. Turn around. Look, I'm not trying to catch you off guard. Just turn around. He hasn't been breathing. Not since I came in.

[Jenny Garver]

He loved me. Nick loves me.

[Britt Ponsett]

All right, boys, come on in.

[James Stewart]

You all right? Got him? Huh? Br. Oh, there he is. I might have known you'd take care of him.

[Britt Ponsett]

It wasn't me, Sheriff.

[James Stewart]

It was you. Huh?

[Britt Ponsett]

Your bullet from this afternoon.

[James Stewart]

I'll be done. I told you I was sure I'd hit him. Remember, Tom? I told you. Then how come he was able to hold us off just now? Well, he was a tough one to kill. He wouldn't give up the strainer. Shooting at us must have finally finished him. Ain't that the way you figured, Brit?

[Britt Ponsett]

No. Something like that.

[James Stewart]

What's the matter with her? Little gunplay bother you? Jenny. Come on. Come on. Get a hold of. It's all over now. Sure is funny how women are scared of gunfire. Every one of them. Even Jenny. Well, he just goes to show you that underneath, they're all pretty much alike.

[Britt Ponsett]

Yeah. Yeah, I guess they are. Well, Nat was buried the next day and there was one bunch of flowers at the funeral, wild daisies. Folks just couldn't figure out who sent them. And you know, they tell me that it was right about then that Jenny Garver started acting different. Oh, I don't mean she got pretty or anything like that, but she did seem more confident. She just seemed a little more sure of herself. People said if they didn't know better, they'd swear that a man had something to do with the way she changed. But of course, they all knew better. Foreign.

[Narrator]

I'd like to take a minute here to remind you about some of the great entertainment in store for you later in the week on NBC Radio. Next Friday night marks the fall return to the air of both the Bob Hope show and the Phil Harris Alice Fay Show. Both these great comedy programs formerly heard on different days now join forces to make Friday night a top listening night on NBC Radio. The new Bob Hope Friday night show will feature well known guest artists, the music of Les Brown and his band of renown and the vocal talents of lovely Margaret Whiting. And of course, Bob will be in there delivering his rapid fire topical humor. You'll find that the Bob Hope show is most enjoyable listening each Friday night on NBC Radio and immediately following Bob Hope, listen to the Phil Harris Alice Bay Show. And Alice has her brother William to keep her informed of Phil's hilarious actions. Also in the talent field cast. You'll hear Julius Abrusio and little Alice and Phyllis. You'll hear wonderful comedy every Friday night beginning this Friday night on NBC Radio. Yes, for the best in Friday night radio entertainment, remember to tune where you hear the familiar three chimes for the Bob Hope show and the Phil Harris Alice Bay show. Two great programs returning this Friday to NBC Radio. Coleman, America's leader in modern automatic home heating equipment and the National Broadcasting Company have presented James Stewart as the Six Shooter. Mr. Stewart may currently be seen in the Universal International picture Thunder Bay. The Six Shooter is an NBC Radio Network production in association with Review Production. It is based on a character created by Frank Burke and today's transcribed story was written by him. Special music was by Basil Adlam and heard in the cast were D.J. thompson, Jeff Kirkpatrick, George Mead and Harry Bartel. The entire production is under the direction of Jack Johnstone. All characters and incidents were fictitious and any resemblance to actual characters or incidents is purely coincidental. Hal, get me speaking.