Then And Now - Al Jolson - Harold's Old Time Radio

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[00:02]
Sears Announcer
Ladies and gentlemen of America. Tonight, Sears, Roebuck Co. Continues the celebration of its 50th anniversary by presenting the third of a new series of programs dedicated to you, the people of America.
[00:24]
Narrator
Tears then and now. A panorama of American destiny. A review of the past 50 years through which Sears, Roebuck Co. Has proudly grown up with America. Each week, Sears Then and Now recreates for you in music, in drama, in song, the unforgettable events of the past half century. Each week, motion picture stars, composers, singers, writers, the the world's greatest talent will be brought to you by Sears, the store where all America shops. Sears, Roebuck Co. Is proud to present on tonight's broadcast David Wark Griffith, veteran
[01:08]
Sears Announcer
director of motion picture epic. Walter Houston, international stage and screen star. And Al Jolson, America's greatest minstrel.
[01:21]
Narrator
Al.
[01:21]
Sears Announcer
Our 50th anniversary sale ends Saturday. Only two days remain, tomorrow and Saturday, in which to take advantage of the unusual values on display in all Sears stores. We invite also our millions of mail order customers to shop from the pages of the Golden Jubilee edition of the Sears, Roebuck Co. Fall catalog. You can always shop at Sears and save.
[01:54]
Narrator
The story of America in the past 50 years is a story rich in glamour, courage, Progress. America of 50 years ago, a republic just a hundred years old, poised on a threshold of greatness. What influenced that vibrant young nation? What affected its thoughts, its manners, its morals? There were no moving pictures then, no radio, few magazines. The leaders of today learn much of the precepts of the good life from the McGuffie readers, which were the principal textbooks in every little red schoolhouse in the land. And very often, hidden behind the COVID of McGuffey's Little Johnny, would be sneaking a look at a dime novel. You remember those paperback thrillers of the 80s and 90s? They went something like this.
[02:47]
Various Characters (Dramatic Actors)
The old sawmill was deserted. Suddenly the door flew open. The man in black, half supported, half dragged our heroine into the room. It was a matter of a few minutes before he had lashed her bound and gagged body on a great log lying in the mill track. With an eloquent gesture, he leaned over and untied the gag from her ruby lip. Well, me proud beauty, will you relent?
[03:15]
No, Horace Bagsby. Though a host of heavenly angels were to beseech me, I will not.
[03:21]
I offer you my good name in marriage. I offer you wealth and position.
[03:25]
I cannot. I love another.
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And that other will never see you again. One more chance, my lovely Matilda.
[03:36]
Rather death than dishonor.
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This grieves me indeed. Yonder Saw sharp. The machinery is infallible. I fear, my Matilda, your minutes are numbered.
[03:50]
I defy you.
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The saw has but a scant 12 inches to go before it caresses your lovely blond luck.
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You will answer to Dick Darwell for this.
[04:01]
That insolent puppy. He is miles away in the hands of my confederates. There are just you and I here, my lovely Matilda.
[04:10]
You and I.
[04:10]
And I.
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And love spy upon your love.
[04:13]
You have but five seconds to choose.
[04:16]
I've chosen.
[04:22]
Narrator / Al Jolson Introduction
Stand where you are, Horace Bagsby, or you're a dead man. Dick D. Not a second too soon.
[04:28]
Various Characters (Dramatic Actors)
This black scoundrel with a. I know,
[04:30]
Narrator / Al Jolson Introduction
Matilda, but that is all forgotten now Dick Gwell is by your side, never again to leave it. And as for Horace Bagsby, I hold in my pocket a warrant for his arrest for forgery, which will place him where he will no longer meddle in the lives of decent people.
[04:49]
Narrator
On February 16, 1898, a new war cry was born. First it was a whisper, then a murmur, then a mighty rumble that rolled across the land inquiring notes of summer thunder.
[05:02]
Al Jolson
Remember the Main. Remember the Main.
[05:05]
Narrator
From rising sun, Maryland to sunset, Arizona, America remembered the Main, rattled the saber demanded war. Finally, on April 23, 1898, President McKinley was forced to issue his famous declaration
[05:19]
Various Characters (Dramatic Actors)
of a state of war which now exists between these United States and Spain.
[05:30]
Narrator
And into the chambers of the President of the United States on May 6, strode a square jawed, fearless, American dynamic. Assistant Secretary of the Navy Theodore Roosevelt.
[05:41]
Sears Announcer
Mr. Walter Houston plays the role of Theodore Roosevelt.
[05:44]
Walter Houston (Actor playing Theodore Roosevelt)
Good afternoon, Mr. President.
[05:46]
Various Characters (Dramatic Actors)
Good afternoon, Mr. Roosevelt. I got your message and you said it was rather urgent that you see me.
[05:50]
Walter Houston (Actor playing Theodore Roosevelt)
It is urgent, sir. I am submitting to you my resignation as Assistant Secretary of the Navy.
[05:55]
Various Characters (Dramatic Actors)
Your resignation, Sir? But why?
[05:57]
Walter Houston (Actor playing Theodore Roosevelt)
Mr. President, I have seen this war coming for months. In spite of lack of cooperation, in spite of dismissal for insubordination, I have built the Navy up to fighting strength. My duty in your sub cabinet has been accomplished. Now my country needs me elsewhere.
[06:10]
Various Characters (Dramatic Actors)
Where could you be more valuable than in the post you now occupy in Cuba?
[06:15]
Walter Houston (Actor playing Theodore Roosevelt)
Sir, I'm going to the war.
[06:17]
Various Characters (Dramatic Actors)
What? Why? You're not serious?
[06:18]
Walter Houston (Actor playing Theodore Roosevelt)
Certainly I am. Cuba should be free.
[06:20]
Various Characters (Dramatic Actors)
But a man with your talents will be infinitely more valuable here in Washington. Suppose a Spanish bullet or fever when it was.
[06:30]
Walter Houston (Actor playing Theodore Roosevelt)
A man who teaches the duty of fighting should be prepared to pay with his life when the time comes. Furthermore, Mr. President, my children are growing up. I want them to be fine Americans. I must set them an example.
[06:41]
Various Characters (Dramatic Actors)
But Mr. Roosevelt, I still feel that
[06:43]
Walter Houston (Actor playing Theodore Roosevelt)
I'm sorry, sir, but nothing you could say would dissuade me. You must accept my resignation. My plans are all made. Colonel Leonard Wood has offered me the post of lieutenant colonel and his regiment. Today I am issuing a call for volunteers for the Rough Riders.
[07:04]
Narrator
Eddie Roosevelt's Rough Riders caught the imagination of America. From the furthest reaches of the land, they came to join this most unique of organizations. From the west came cow punchers, ranchers, hunters and trappers. From the great eastern cities came polo players, socialites, varsity athletes. And while the eager young regiment of volunteers were in training at Tampa, Florida, Teddy Roosevelt slipped away to his home on Sagamore Hill in Oyster Bay, New York, for a final farewell to his wife, Edith.
[07:36]
Various Characters (Dramatic Actors)
This is goodbye then, Theodore.
[07:39]
Walter Houston (Actor playing Theodore Roosevelt)
For a little while, Edith. Until we've won.
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Various Characters (Dramatic Actors)
But what if. What if you.
[07:47]
Walter Houston (Actor playing Theodore Roosevelt)
Edith, my dear, you must realize what every one of my boys have to face. I told them when they joined that this would be no picnic. I told them the place of honor is a post of danger, that each man must be prepared to die. And every one of those boys got what I meant. It was beautiful. Looking down on their anxious faces, not a man flinched. Suddenly they were cheering. We're with you, Teddy. We're ready for anything you are. That's the way you must feel it. You've got to be ready for anything.
[08:19]
Various Characters (Dramatic Actors)
I'm with you, Theodore. I'm ready for anything you are.
[08:24]
John (Servant) / David Wark Griffith
Bully.
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Various Characters (Dramatic Actors)
Bully.
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Before you go, my dear, before you go, will you.
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Walter Houston (Actor playing Theodore Roosevelt)
Yes.
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Various Characters (Dramatic Actors)
Come with me. Walk down the path with me. Our path through the woods the way we used to. When you ask the Mario,
[08:49]
Narrator
The rest is off. Told history. Rough Rider Teddy Roosevelt. Blue polka dot handkerchief knotted about his neck, Broad brimmed hat, pushed up at the front, storming San Juan Hill at the head of his blue shirted volunteers. While a band far below spurred them on to the tune of the National. Anthony Roosevelt, the Governor, the Vice President, the President, all in rapid succession. Roosevelt wielding the big stick, changing our spelling. Theodore Roosevelt, the great American. After two terms in the White House, he went on to new laurels. Hunting big game in Africa, exploring in South America. Fated by the crowned heads of Europe. When the inevitable parade of destiny crowded America into the World War, Theodore Roosevelt, ex president, ex soldier, was too old to serve his country. At the front, he did the nobler thing. He sent his four sons to France. Late afternoon of July 17, 1918, Theodore Roosevelt sits alone in the living room of his home at Oyster Bay. A servant enters.
[10:06]
Walter Houston (Actor playing Theodore Roosevelt)
Did you ring, sir? Yes, John. Where is Mrs. Roosevelt?
[10:10]
John (Servant) / David Wark Griffith
She is Upstairs, sir. She'll be down shortly.
[10:12]
Walter Houston (Actor playing Theodore Roosevelt)
I'm going out tonight. Got to make a speech, you know.
[10:14]
Narrator
Yes, sir.
[10:15]
John (Servant) / David Wark Griffith
I got your clothes all ready, sir.
[10:17]
Walter Houston (Actor playing Theodore Roosevelt)
Thank you, John. Any letters come from the boys today?
[10:20]
John (Servant) / David Wark Griffith
Yes, sir. Ms. Roosevelt, she got them.
[10:23]
Walter Houston (Actor playing Theodore Roosevelt)
What do they say? Oh, they doing fine, sir. They still fighting bravely, sir.
[10:28]
John (Servant) / David Wark Griffith
And all of them feeling in the best of hand?
[10:30]
Walter Houston (Actor playing Theodore Roosevelt)
Fine, fine. I must write them before I leave tonight.
[10:32]
John (Servant) / David Wark Griffith
Yes.
[10:34]
Walter Houston (Actor playing Theodore Roosevelt)
Oh, excuse me, sir.
[10:35]
Various Characters (Dramatic Actors)
The door.
[10:40]
Narrator / Al Jolson Introduction
Special message for Roo Bel.
[10:41]
Various Characters (Dramatic Actors)
Thank you.
[10:43]
John (Servant) / David Wark Griffith
It. It's for you, sir.
[10:45]
Walter Houston (Actor playing Theodore Roosevelt)
Thank you, John. Oh, God. Bad news, sir. Lieutenant Quentin Roosevelt's plane fell yesterday. Inside the enemy lines, he was.
[11:03]
Various Characters (Dramatic Actors)
Good evening, Theodore. All prepared for your speech tonight? Why? What's the matter?
[11:13]
Walter Houston (Actor playing Theodore Roosevelt)
Edith, I. I just got a message from France.
[11:20]
Various Characters (Dramatic Actors)
Which one?
[11:22]
Walter Houston (Actor playing Theodore Roosevelt)
Quentin Quintus.
[11:26]
Various Characters (Dramatic Actors)
My son Quentin bid
[11:33]
Walter Houston (Actor playing Theodore Roosevelt)
on the field of battle for us, Edith. For all of us, for his country.
[11:42]
Various Characters (Dramatic Actors)
Quentin, my youngest son.
[11:47]
Walter Houston (Actor playing Theodore Roosevelt)
Please. Please. Edith, my dear, come with me down the path once more, our path, the way we used to when I asked you to marry me a long time ago.
[12:09]
Narrator
So it was then, nearly 20 years ago now. Today, laughing children, pausing in their play, quench their thirst at a drinking fountain in the French village of Ferrantardenois. Nearby is the grave of Quentin Roosevelt, American aviator. And across the base of the fountain, in a language the children cannot read, is an inscription written by that aviator's father.
[12:39]
Walter Houston (Actor playing Theodore Roosevelt)
Only those are fit to live who do not fear to die, and none is fit to die who has shrunk from the joy of life. Both life and death are parts of a great adventure. My son was a torchbearer who dared that great adventure.
[13:08]
Narrator
In 1903, a curious America was crowding to nickelodeons to gawk at the first moving picture that told a story. The great train robbery, complete in a reel and a half. No one in those dubious days took this new fad seriously. No one thought it was here to stay, until a young man became possessed with its possibilities. A man who more than any other individual, is responsible for the modern motion picture today. American movies influence the manners, the thoughts and the customs of the entire world. Much of this influence is due to the vision and industry of this picture pioneer, then and now is proud to present David Ward Griffith motion pictures first great director.
[13:54]
John (Servant) / David Wark Griffith
Good evening, everybody. Let's go back now, way back to the 1910. I was directing one Wheeler's for the old Biograph Company in 14th Street, New York, when I engaged a little Irish girl, Mary Pickford by name, at 25 bucks a week a star's salary in Those days, a few years later she wouldn't have winked an eyelash when millions were mentioned. Oh, that's movies. But from my memory book comes name in legions. Charlie Chaplin, Max Sennett, Gloria Swanson. Right down to the gracious star of today, lovely Norma Shera. What? She began as an extra girl in my production way down east. Production costs in the old days only ran from 65 per picture all the way up to a colossal figure of $500 for one picture. But I had a dream, a dream of a long picture that might run all of an hour. I dreamt of getting parallel action, motion picture action. Instead of imitating the stage. In 1914, I sold the idea. It was real pioneering and it was real fun. I used hundreds of extras. I experimented with a camera. I brought the actors close into the lens for what are now called close ups. We introduced fade outs, dissolves, inventions if you want to call them, without which the modern picture couldn't be made. A young fellow named Wallace Reed and a young girl, brave, delicate Lillian geese were in the cast. And Mae Marsh and Henry B. Walthall. That picture was the birth of a Nation. It cost $110,000 to make. Talk about colossal. Stupendous. Terrific. Why, it was all of them, at least in cost. I didn't dare to face our backers, but the show went out on the road and played in the best theaters in America at $2 per head when nickels were the price of our other pictures of the day. I tell you, even my own enthusiasm for the idea never carried me to those heights which the public, God bless them, placed on that 12 reel, three hour picture. So who can blame me when I say I am really most deeply grateful to the motion picture business which gave me the opportunity to make this production and to you, the people who accepted it. I am grateful to the same source for the opportunity to make my first talking picture, Abraham Lincoln, which starred that great actor, Walter Houston, whom you heard just a few minutes ago. Doubly grateful because it presented me, the son of a Confederate general, the opportunity to pay honor to that really great American, Abraham Lincoln. Pardon me. To you, my friend. Thanks. Thanks for the these few minutes of reminiscence. I'll value them always.
[17:06]
Narrator
Thank you, Mr. Griffith. American. Through the magic of your direction, you revolutionized motion pictures and you carved a niche for yourself in history's hall of fame.
[17:24]
Narrator / Al Jolson Introduction
In the city of Washington, before the turn of the century occurred an unheralded, unpublicized event. To a family named Jolson, a son was born they called him Asa, but to you and the world, he's known as Al. Al Jolson, America's greatest minstrel. Tonight, Al Jolson himself reviews the past 25American years in the songs he introduced to the land. Let's go back to then, back to 1911, when young Al Jolson appeared in
[17:48]
Al Jolson
Honeymoon Express, singing, Listen me while I tell you of the Spaniard who lighted me life. Listen to me while I tell you of the man who stole my future wife.
[18:02]
Narrator / Al Jolson Introduction
And two years later, in 1913, it
[18:04]
Al Jolson
was, you made me love you. I didn't want to do it. I didn't want to do it.
[18:12]
Narrator / Al Jolson Introduction
In 1915, Tin Pan Alley's affection for the old Southern home was growing and Jolson was singing Rockaby, My Baby with a Dixie melody. Then came the war and Fellow Central
[18:29]
Al Jolson
Give me no man's land.
[18:32]
Narrator / Al Jolson Introduction
In 1919, a young fellow named George Gershwin wrote his first hit, and Al Jolson sang it in the musical show Sinbad.
[18:39]
Al Jolson
Swanee, How I love you, how I love you My dear old Swanee I give a world to be among the
[18:48]
Narrator / Al Jolson Introduction
folks in the following year, Jolson himself wrote a song about a lovely bay off the California coast.
[18:54]
Al Jolson
I found a mile in Avalon beside
[19:02]
Narrator / Al Jolson Introduction
the bird and in 1921 came Vanny
[19:10]
Al Jolson
Manny. Your sunshine's deep, your sunshine's wet But I know where the sunshine's best.
[19:22]
Narrator / Al Jolson Introduction
Al Jolson was once billed as a singer from the Golden West. He always believed in Horace Greeley's advice and finally he took it. The result was a song of his own composition, California, Here I come Right back where I started from To California he went. In 1928, when Hollywood was finding its voice, the Warner Brothers brought him on to sing in their first full length sound picture, the Jazz Singer. That show made history and Al Joson was signed for another picture, the first musical film. It was called the Singing Fool. But the world remembers it more often by the title of the hit song, Sonny Boy. Al Jolson recalls for you now that unforgettable scene from the Singing Pool. You remember the story how Al Stone, owner and emcee of a Broadway night spot, is giving all he's got to the New Year's Eve crowd in his club while he keeps an eye on the table he has reserved for his beloved wife, Molly. Molly, who has given him a son, but who has given him little love.
[20:20]
Al Jolson
The little shoe trainer takes me away from you no words can tell how sad it makes me hello, folks. Hello, Brighty. Where and I live Hello, Nelly what a day I if you don't get a letter. Then you'll know I'm in jail. Happy New Year. Happy New Year. Happy New Year. Goodbye. Good to. Happy New Year home. I beg your pardon, Mr. Stone, but there is a lady on the wire. She say it is very important. Thanks, Henry. I know who it is. It's Molly, my wife. I've been waiting for a call all evening. It is?
[20:55]
Various Characters (Dramatic Actors)
Yes.
[20:56]
Al Jolson
Hey, which phone, Henry? In the booth. Hello, darling. I've been looking for you all evening. It's almost. Well, it's almost midnight. Almost New Year. You're coming down, aren't you? I can't hear you, darling. There's so much noise here. Molly, darling, can't we start all over again? Why don't you jump in a cab and come on down here? Oh, honey, listen. I'll make. Well, I'll make new resolutions. And if you want it, you can make a company yourself. Wait a minute, honey. Wait, I see if I can get this door closed. I can't hear a word you're saying, darling. But listen, can you hear this? I love you, darling. I love you to hurt. There, I got the door closed, honey. Now I can hear your sweet voice.
[21:40]
Various Characters (Dramatic Actors)
This isn't Mrs. Jones. This is Mary. Mary the maid.
[21:44]
Walter Houston (Actor playing Theodore Roosevelt)
Mary the maid.
[21:45]
Al Jolson
And I've been saying all those lovely things to you. What do you want, Mary?
[21:48]
Various Characters (Dramatic Actors)
Mrs. Jones left, sir.
[21:49]
Al Jolson
Sure, she's left. Probably got in a cab to come here to.
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Various Characters (Dramatic Actors)
She packed her bags and went away with.
[21:54]
Al Jolson
She went away with. It's a swell New Year's Eve for me.
[22:00]
Various Characters (Dramatic Actors)
Please come home at once.
[22:02]
Al Jolson
Come home? Come home. That's a laugh. What's that for me to come home for your little boy.
[22:09]
Various Characters (Dramatic Actors)
He's sick. He's running a high fever. And, sir, he. He's calling for you.
[22:15]
Al Jolson
Sonny boy is calling for me? All right, Mary.
[22:18]
Various Characters (Dramatic Actors)
Look, get the doctor.
[22:19]
Al Jolson
Get any doctor.
[22:20]
Various Characters (Dramatic Actors)
The best you can get.
[22:21]
Al Jolson
I'll be home as quick as a cab can get me there. Happy New Year, Al. Yeah, thanks. How about another dog, Al?
[22:30]
Various Characters (Dramatic Actors)
How about the go that time?
[22:31]
Al Jolson
I can't. I can't, Grace. I'm in an awful hurry. Yeah. Yeah. Happy New Year. How is he now, Mary?
[22:48]
Various Characters (Dramatic Actors)
Not much change, Mr. Stone. The doctor's in there with him now.
[22:53]
John (Servant) / David Wark Griffith
Good evening, Mr. Stone. Well, if he can just get through the night.
[22:59]
Various Characters (Dramatic Actors)
Daddy.
[23:00]
Al Jolson
Hello, Sonny Boy.
[23:02]
Various Characters (Dramatic Actors)
I missed you, Daddy, something awful.
[23:06]
John (Servant) / David Wark Griffith
He's been so fretful. If he could only get a good night.
[23:11]
Al Jolson
What's the matter, sonny boy? Can't you go to sleep?
[23:15]
Various Characters (Dramatic Actors)
I was afraid you're in this big room all alone. Mama went away.
[23:21]
Al Jolson
I know, I know. But don't worry now, darling. You won't be alone anymore. Why, your daddy will be right here beside you. And I'll tell you stories until you fall asleep. How about the one about Peter Rabbit and the little red fox? Wouldn't you like to hear that one?
[23:45]
Various Characters (Dramatic Actors)
Yeah, Daddy, that's a good one. But first, will you sing me that song? No. The one about a little boy like me.
[23:57]
Al Jolson
All right, sonny. I'll try to sing it. And you'll go to sleep, won't you?
[24:04]
Various Characters (Dramatic Actors)
I'll cry
[24:08]
Al Jolson
when there are gray skies. I don't mind gray skies. You make them blue, honey.
[24:22]
Various Characters (Dramatic Actors)
Boys,
[24:28]
Al Jolson
Friends, friends may forsake me Let them. Let them all forsake me. I still have you, sonny boy. You're sent from heaven and I know your words why, you've made a heaven for me here on earth. And when I'm old and gray, dear Promise you won't re deer For I love you so.
[25:34]
Narrator / Al Jolson Introduction
And now, Al Jolson brings you for the first time on the air a special arrangement of Save Me, Sister, the hit number from his latest Warner Brothers picture, the Singing Kid. Martin Freed conducts the orchestra.
[25:48]
Al Jolson
Friends, I'm in a singing mood. I'm in a praying mood I've got that heavenly all over feeling Creeping up on me. There's light ahead and if someone smiles get behind me. Your guest is the last, last mile leader. Strike me a heavenly cause. Peter, throw me a halo, please. There's a light ahead and if someone dies and my heart cries out for love that glory hides. Save me, sister, Sister, save me Save me from temptation above the lips, above their eyes above the smiles above the sighs above the bows above the ties from the devil Reverend revelry from a life of fancy free Save me, sister, Sister, save me My heart needs salvation I'm going to miss I'm going astray but, lady, from this very day I'll go the straight narrow way. Sister, if you lead me to Patrick Green and I the blue Z Make me feel like a motherless child A sister song and doggy, and doggy Save me, Sister Thistle Save me what my destination to rise I'm going to shine I'm going to sign the dotted line I'm going to make the heavens mine. Yes, say you're a winner if you save a little sinner who's in love.
[28:38]
Sears Announcer
Towering pillars of stone and steel do not make our cities Nor the ribbon highways our countryside it takes people, life and blood People like you and you and you so it is we like to feel at Sears. Our stores, our catalogs, our endless stocks of merchandise. After all, are not the real Sears robots. The real Sears are the men and women who, year after year, serve you, our customers. So tonight, greetings to your friends and our friends, the 50,000 Sears employees throughout all America. Good night and thanks, Sears family.
[29:23]
Narrator
Don't miss Then and Now next Thursday at this same time when Sears, Roebuck Co. Will present as their guest stars Marion, Claire and John Bowles.
[29:36]
Sears Announcer
Then and now is written by Charles Martin and produced by William M. Robeson.

Summary5 min read

Podcast Episode Summary

Harold's Old Time Radio: "Then and Now – Al Jolson"

Episode Date: August 5, 2026
Host: Harold’s Old Time Radio
Featured Guests: D.W. Griffith, Walter Houston, Al Jolson

Main Theme and Purpose

This episode of "Then and Now" is a nostalgia-steeped dramatization highlighting pivotal moments in American cultural history from the late 1800s through the 1920s, as seen through the lens of popular entertainment and personalities—especially focusing on Al Jolson, Theodore Roosevelt, the dawn of motion pictures, and the Sears Roebuck Co.'s role in shaping American life. The episode combines musical performances, dramatic reenactments, and firsthand reminiscence to bridge “then and now,” providing listeners with an immersive journey through the Golden Age of Radio.

Key Discussion Points and Insights

1. American Life at the Turn of the Century

Era Reflection: The show begins by painting a picture of America 50 years ago—no movies, scant radio, and widely influential textbooks like the McGuffey Readers. Popular culture was absorbed through dime novels and schoolhouse stories ([01:54]).
Dramatic Reading: The melodramatic style of early dime novels is showcased in a playful skit about a damsel in distress and heroic rescue ([02:47]–[04:22]).

2. The Spanish-American War & Theodore Roosevelt

Historical Context: The episode transitions to 1898, invoking the rallying cry “Remember the Maine!” that led to war with Spain ([05:01]).
Theodore Roosevelt’s Story: Walter Houston, as Roosevelt, dramatizes his resignation and formation of the Rough Riders, highlighting Roosevelt’s sense of duty and leadership ([05:44]–[08:23]).
- Quote: “A man who teaches the duty of fighting should be prepared to pay with his life when the time comes.” — Walter Houston as Theodore Roosevelt ([06:29])
- Emotional moments depict Roosevelt’s farewell to his family and the bittersweet pride of his son’s (Quentin Roosevelt) sacrifice in World War I ([09:09]–[12:38]).
- Quote: “Only those are fit to live who do not fear to die, and none is fit to die who has shrunk from the joy of life. Both life and death are parts of a great adventure. My son was a torchbearer who dared that great adventure.” — Walter Houston as T. Roosevelt ([12:38])

3. The Birth of Motion Pictures: D.W. Griffith

Reminiscence by D.W. Griffith: Griffith offers vivid stories about the infancy of cinema: championing close-ups, fade-outs, and feature-length films, as well as hiring early stars like Mary Pickford and working with future icons like Charlie Chaplin and Gloria Swanson ([13:53]–[17:06]).
- Quote: “I had a dream, a dream of a long picture that might run all of an hour...we introduced fade outs, dissolves...without which the modern picture couldn't be made.” — D.W. Griffith ([14:30]–[15:07])
- Personal anecdotes about the making of "The Birth of a Nation" and the gratitude he feels toward audiences and the industry ([15:30]–[16:40]).

4. Al Jolson: America's Greatest Minstrel

Biographical Arc: A musical journey through Al Jolson’s career, featuring mini-performances of his iconic songs, charting changing American tastes and Jolson’s impact on popular music.
- Early hits: “The Spaniard who Blighted My Life” ([17:48]), “You Made Me Love You” ([18:04]), and “Rockabye My Baby with a Dixie Melody” ([18:12]).
- Milestones: “Swanee" by George Gershwin ([18:38]), "Avalon" ([18:53]), and “California, Here I Come” ([19:10]–[19:21]).
- Quote (Musically): "California, here I come, right back where I started from..." — Al Jolson ([19:21])
Transition to Film: Jolson’s role in the first sound film, "The Jazz Singer," and the first musical, "The Singing Fool," with a dramatic reenactment of a heart-wrenching scene where Jolson’s character comforts his sick son, culminating with “Sonny Boy” ([20:20]–[25:34]).
- Notable lines include the emotional exchange between father and son and Jolson’s heartfelt singing.
Debut Performance: Jolson presents “Save Me, Sister” from "The Singing Kid," marking its first performance on radio ([25:48]–[28:38]).

Notable Quotes & Memorable Moments

On patriotism and sacrifice:
“A man who teaches the duty of fighting should be prepared to pay with his life when the time comes.” — Walter Houston as Theodore Roosevelt ([06:29])
On American cinema’s transformation:
“I had a dream, a dream of a long picture that might run all of an hour...” — D.W. Griffith ([14:30])
On life and death:
"Only those are fit to live who do not fear to die, and none is fit to die who has shrunk from the joy of life. Both life and death are parts of a great adventure. My son was a torchbearer who dared that great adventure." — Walter Houston as T. Roosevelt ([12:38])
The emotional “Sonny Boy” scene:
Jolson’s recreation of the “Sonny Boy” moment is filled with pathos, blending performance and storytelling to moving effect ([22:59]–[25:34]).

Timestamps for Key Segments

[00:02] – Introduction and context: Sears’ 50th anniversary, overview of the series
[01:54] – Life in America c. 1880s-90s; dime novel skit
[05:01] – Spanish-American War/ Roosevelt’s resignation
[07:36] – Roosevelt’s farewell to his wife Edith
[09:09]–[12:38] – Roosevelt gets news about Quentin’s death, delivers eulogy
[13:53]–[17:06] – D.W. Griffith on the genesis of the motion picture industry
[17:48]–[19:21] – Al Jolson’s musical timeline, early 20th-century popular music
[20:20]–[25:34] – “The Singing Fool” scene: Jolson’s New Year’s Eve and "Sonny Boy"
[25:48]–[28:38] – Live debut: “Save Me, Sister”

Overall Tone and Experience

The episode’s tone is sentimental, reverent, and celebratory, inviting listeners to honor the achievements of the past and the figures who shaped American popular culture. The combination of dramatic performance, live music, and personal storytelling makes this a rich auditory tapestry evocative of the Golden Age of both radio and early 20th-century entertainment.

For Further Listening

Listeners are encouraged to check out more classic episodes, or visit Harold's other recommended old time radio collections for ongoing immersion in radio’s heyday.

Episode Credits:
Written by Charles Martin, produced by William M. Robeson.
Harold’s Old Time Radio, 2026.

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Transcript139 lines

[00:02]
Sears Announcer
Ladies and gentlemen of America. Tonight, Sears, Roebuck Co. Continues the celebration of its 50th anniversary by presenting the third of a new series of programs dedicated to you, the people of America.
[00:24]
Narrator
Tears then and now. A panorama of American destiny. A review of the past 50 years through which Sears, Roebuck Co. Has proudly grown up with America. Each week, Sears Then and Now recreates for you in music, in drama, in song, the unforgettable events of the past half century. Each week, motion picture stars, composers, singers, writers, the the world's greatest talent will be brought to you by Sears, the store where all America shops. Sears, Roebuck Co. Is proud to present on tonight's broadcast David Wark Griffith, veteran
[01:08]
Sears Announcer
director of motion picture epic. Walter Houston, international stage and screen star. And Al Jolson, America's greatest minstrel.
[01:21]
Narrator
Al.
[01:21]
Sears Announcer
Our 50th anniversary sale ends Saturday. Only two days remain, tomorrow and Saturday, in which to take advantage of the unusual values on display in all Sears stores. We invite also our millions of mail order customers to shop from the pages of the Golden Jubilee edition of the Sears, Roebuck Co. Fall catalog. You can always shop at Sears and save.
[01:54]
Narrator
The story of America in the past 50 years is a story rich in glamour, courage, Progress. America of 50 years ago, a republic just a hundred years old, poised on a threshold of greatness. What influenced that vibrant young nation? What affected its thoughts, its manners, its morals? There were no moving pictures then, no radio, few magazines. The leaders of today learn much of the precepts of the good life from the McGuffie readers, which were the principal textbooks in every little red schoolhouse in the land. And very often, hidden behind the COVID of McGuffey's Little Johnny, would be sneaking a look at a dime novel. You remember those paperback thrillers of the 80s and 90s? They went something like this.
[02:47]
Various Characters (Dramatic Actors)
The old sawmill was deserted. Suddenly the door flew open. The man in black, half supported, half dragged our heroine into the room. It was a matter of a few minutes before he had lashed her bound and gagged body on a great log lying in the mill track. With an eloquent gesture, he leaned over and untied the gag from her ruby lip. Well, me proud beauty, will you relent?
[03:15]
No, Horace Bagsby. Though a host of heavenly angels were to beseech me, I will not.
[03:21]
I offer you my good name in marriage. I offer you wealth and position.
[03:25]
I cannot. I love another.
[03:29]
And that other will never see you again. One more chance, my lovely Matilda.
[03:36]
Rather death than dishonor.
[03:40]
This grieves me indeed. Yonder Saw sharp. The machinery is infallible. I fear, my Matilda, your minutes are numbered.
[03:50]
I defy you.
[03:52]
The saw has but a scant 12 inches to go before it caresses your lovely blond luck.
[03:57]
You will answer to Dick Darwell for this.
[04:01]
That insolent puppy. He is miles away in the hands of my confederates. There are just you and I here, my lovely Matilda.
[04:10]
You and I.
[04:10]
And I.
[04:11]
And love spy upon your love.
[04:13]
You have but five seconds to choose.
[04:16]
I've chosen.
[04:22]
Narrator / Al Jolson Introduction
Stand where you are, Horace Bagsby, or you're a dead man. Dick D. Not a second too soon.
[04:28]
Various Characters (Dramatic Actors)
This black scoundrel with a. I know,
[04:30]
Narrator / Al Jolson Introduction
Matilda, but that is all forgotten now Dick Gwell is by your side, never again to leave it. And as for Horace Bagsby, I hold in my pocket a warrant for his arrest for forgery, which will place him where he will no longer meddle in the lives of decent people.
[04:49]
Narrator
On February 16, 1898, a new war cry was born. First it was a whisper, then a murmur, then a mighty rumble that rolled across the land inquiring notes of summer thunder.
[05:02]
Al Jolson
Remember the Main. Remember the Main.
[05:05]
Narrator
From rising sun, Maryland to sunset, Arizona, America remembered the Main, rattled the saber demanded war. Finally, on April 23, 1898, President McKinley was forced to issue his famous declaration
[05:19]
Various Characters (Dramatic Actors)
of a state of war which now exists between these United States and Spain.
[05:30]
Narrator
And into the chambers of the President of the United States on May 6, strode a square jawed, fearless, American dynamic. Assistant Secretary of the Navy Theodore Roosevelt.
[05:41]
Sears Announcer
Mr. Walter Houston plays the role of Theodore Roosevelt.
[05:44]
Walter Houston (Actor playing Theodore Roosevelt)
Good afternoon, Mr. President.
[05:46]
Various Characters (Dramatic Actors)
Good afternoon, Mr. Roosevelt. I got your message and you said it was rather urgent that you see me.
[05:50]
Walter Houston (Actor playing Theodore Roosevelt)
It is urgent, sir. I am submitting to you my resignation as Assistant Secretary of the Navy.
[05:55]
Various Characters (Dramatic Actors)
Your resignation, Sir? But why?
[05:57]
Walter Houston (Actor playing Theodore Roosevelt)
Mr. President, I have seen this war coming for months. In spite of lack of cooperation, in spite of dismissal for insubordination, I have built the Navy up to fighting strength. My duty in your sub cabinet has been accomplished. Now my country needs me elsewhere.
[06:10]
Various Characters (Dramatic Actors)
Where could you be more valuable than in the post you now occupy in Cuba?
[06:15]
Walter Houston (Actor playing Theodore Roosevelt)
Sir, I'm going to the war.
[06:17]
Various Characters (Dramatic Actors)
What? Why? You're not serious?
[06:18]
Walter Houston (Actor playing Theodore Roosevelt)
Certainly I am. Cuba should be free.
[06:20]
Various Characters (Dramatic Actors)
But a man with your talents will be infinitely more valuable here in Washington. Suppose a Spanish bullet or fever when it was.
[06:30]
Walter Houston (Actor playing Theodore Roosevelt)
A man who teaches the duty of fighting should be prepared to pay with his life when the time comes. Furthermore, Mr. President, my children are growing up. I want them to be fine Americans. I must set them an example.
[06:41]
Various Characters (Dramatic Actors)
But Mr. Roosevelt, I still feel that
[06:43]
Walter Houston (Actor playing Theodore Roosevelt)
I'm sorry, sir, but nothing you could say would dissuade me. You must accept my resignation. My plans are all made. Colonel Leonard Wood has offered me the post of lieutenant colonel and his regiment. Today I am issuing a call for volunteers for the Rough Riders.
[07:04]
Narrator
Eddie Roosevelt's Rough Riders caught the imagination of America. From the furthest reaches of the land, they came to join this most unique of organizations. From the west came cow punchers, ranchers, hunters and trappers. From the great eastern cities came polo players, socialites, varsity athletes. And while the eager young regiment of volunteers were in training at Tampa, Florida, Teddy Roosevelt slipped away to his home on Sagamore Hill in Oyster Bay, New York, for a final farewell to his wife, Edith.
[07:36]
Various Characters (Dramatic Actors)
This is goodbye then, Theodore.
[07:39]
Walter Houston (Actor playing Theodore Roosevelt)
For a little while, Edith. Until we've won.
[07:42]
Various Characters (Dramatic Actors)
But what if. What if you.
[07:47]
Walter Houston (Actor playing Theodore Roosevelt)
Edith, my dear, you must realize what every one of my boys have to face. I told them when they joined that this would be no picnic. I told them the place of honor is a post of danger, that each man must be prepared to die. And every one of those boys got what I meant. It was beautiful. Looking down on their anxious faces, not a man flinched. Suddenly they were cheering. We're with you, Teddy. We're ready for anything you are. That's the way you must feel it. You've got to be ready for anything.
[08:19]
Various Characters (Dramatic Actors)
I'm with you, Theodore. I'm ready for anything you are.
[08:24]
John (Servant) / David Wark Griffith
Bully.
[08:25]
Various Characters (Dramatic Actors)
Bully.
[08:26]
Before you go, my dear, before you go, will you.
[08:31]
Walter Houston (Actor playing Theodore Roosevelt)
Yes.
[08:33]
Various Characters (Dramatic Actors)
Come with me. Walk down the path with me. Our path through the woods the way we used to. When you ask the Mario,
[08:49]
Narrator
The rest is off. Told history. Rough Rider Teddy Roosevelt. Blue polka dot handkerchief knotted about his neck, Broad brimmed hat, pushed up at the front, storming San Juan Hill at the head of his blue shirted volunteers. While a band far below spurred them on to the tune of the National. Anthony Roosevelt, the Governor, the Vice President, the President, all in rapid succession. Roosevelt wielding the big stick, changing our spelling. Theodore Roosevelt, the great American. After two terms in the White House, he went on to new laurels. Hunting big game in Africa, exploring in South America. Fated by the crowned heads of Europe. When the inevitable parade of destiny crowded America into the World War, Theodore Roosevelt, ex president, ex soldier, was too old to serve his country. At the front, he did the nobler thing. He sent his four sons to France. Late afternoon of July 17, 1918, Theodore Roosevelt sits alone in the living room of his home at Oyster Bay. A servant enters.
[10:06]
Walter Houston (Actor playing Theodore Roosevelt)
Did you ring, sir? Yes, John. Where is Mrs. Roosevelt?
[10:10]
John (Servant) / David Wark Griffith
She is Upstairs, sir. She'll be down shortly.
[10:12]
Walter Houston (Actor playing Theodore Roosevelt)
I'm going out tonight. Got to make a speech, you know.
[10:14]
Narrator
Yes, sir.
[10:15]
John (Servant) / David Wark Griffith
I got your clothes all ready, sir.
[10:17]
Walter Houston (Actor playing Theodore Roosevelt)
Thank you, John. Any letters come from the boys today?
[10:20]
John (Servant) / David Wark Griffith
Yes, sir. Ms. Roosevelt, she got them.
[10:23]
Walter Houston (Actor playing Theodore Roosevelt)
What do they say? Oh, they doing fine, sir. They still fighting bravely, sir.
[10:28]
John (Servant) / David Wark Griffith
And all of them feeling in the best of hand?
[10:30]
Walter Houston (Actor playing Theodore Roosevelt)
Fine, fine. I must write them before I leave tonight.
[10:32]
John (Servant) / David Wark Griffith
Yes.
[10:34]
Walter Houston (Actor playing Theodore Roosevelt)
Oh, excuse me, sir.
[10:35]
Various Characters (Dramatic Actors)
The door.
[10:40]
Narrator / Al Jolson Introduction
Special message for Roo Bel.
[10:41]
Various Characters (Dramatic Actors)
Thank you.
[10:43]
John (Servant) / David Wark Griffith
It. It's for you, sir.
[10:45]
Walter Houston (Actor playing Theodore Roosevelt)
Thank you, John. Oh, God. Bad news, sir. Lieutenant Quentin Roosevelt's plane fell yesterday. Inside the enemy lines, he was.
[11:03]
Various Characters (Dramatic Actors)
Good evening, Theodore. All prepared for your speech tonight? Why? What's the matter?
[11:13]
Walter Houston (Actor playing Theodore Roosevelt)
Edith, I. I just got a message from France.
[11:20]
Various Characters (Dramatic Actors)
Which one?
[11:22]
Walter Houston (Actor playing Theodore Roosevelt)
Quentin Quintus.
[11:26]
Various Characters (Dramatic Actors)
My son Quentin bid
[11:33]
Walter Houston (Actor playing Theodore Roosevelt)
on the field of battle for us, Edith. For all of us, for his country.
[11:42]
Various Characters (Dramatic Actors)
Quentin, my youngest son.
[11:47]
Walter Houston (Actor playing Theodore Roosevelt)
Please. Please. Edith, my dear, come with me down the path once more, our path, the way we used to when I asked you to marry me a long time ago.
[12:09]
Narrator
So it was then, nearly 20 years ago now. Today, laughing children, pausing in their play, quench their thirst at a drinking fountain in the French village of Ferrantardenois. Nearby is the grave of Quentin Roosevelt, American aviator. And across the base of the fountain, in a language the children cannot read, is an inscription written by that aviator's father.
[12:39]
Walter Houston (Actor playing Theodore Roosevelt)
Only those are fit to live who do not fear to die, and none is fit to die who has shrunk from the joy of life. Both life and death are parts of a great adventure. My son was a torchbearer who dared that great adventure.
[13:08]
Narrator
In 1903, a curious America was crowding to nickelodeons to gawk at the first moving picture that told a story. The great train robbery, complete in a reel and a half. No one in those dubious days took this new fad seriously. No one thought it was here to stay, until a young man became possessed with its possibilities. A man who more than any other individual, is responsible for the modern motion picture today. American movies influence the manners, the thoughts and the customs of the entire world. Much of this influence is due to the vision and industry of this picture pioneer, then and now is proud to present David Ward Griffith motion pictures first great director.
[13:54]
John (Servant) / David Wark Griffith
Good evening, everybody. Let's go back now, way back to the 1910. I was directing one Wheeler's for the old Biograph Company in 14th Street, New York, when I engaged a little Irish girl, Mary Pickford by name, at 25 bucks a week a star's salary in Those days, a few years later she wouldn't have winked an eyelash when millions were mentioned. Oh, that's movies. But from my memory book comes name in legions. Charlie Chaplin, Max Sennett, Gloria Swanson. Right down to the gracious star of today, lovely Norma Shera. What? She began as an extra girl in my production way down east. Production costs in the old days only ran from 65 per picture all the way up to a colossal figure of $500 for one picture. But I had a dream, a dream of a long picture that might run all of an hour. I dreamt of getting parallel action, motion picture action. Instead of imitating the stage. In 1914, I sold the idea. It was real pioneering and it was real fun. I used hundreds of extras. I experimented with a camera. I brought the actors close into the lens for what are now called close ups. We introduced fade outs, dissolves, inventions if you want to call them, without which the modern picture couldn't be made. A young fellow named Wallace Reed and a young girl, brave, delicate Lillian geese were in the cast. And Mae Marsh and Henry B. Walthall. That picture was the birth of a Nation. It cost $110,000 to make. Talk about colossal. Stupendous. Terrific. Why, it was all of them, at least in cost. I didn't dare to face our backers, but the show went out on the road and played in the best theaters in America at $2 per head when nickels were the price of our other pictures of the day. I tell you, even my own enthusiasm for the idea never carried me to those heights which the public, God bless them, placed on that 12 reel, three hour picture. So who can blame me when I say I am really most deeply grateful to the motion picture business which gave me the opportunity to make this production and to you, the people who accepted it. I am grateful to the same source for the opportunity to make my first talking picture, Abraham Lincoln, which starred that great actor, Walter Houston, whom you heard just a few minutes ago. Doubly grateful because it presented me, the son of a Confederate general, the opportunity to pay honor to that really great American, Abraham Lincoln. Pardon me. To you, my friend. Thanks. Thanks for the these few minutes of reminiscence. I'll value them always.
[17:06]
Narrator
Thank you, Mr. Griffith. American. Through the magic of your direction, you revolutionized motion pictures and you carved a niche for yourself in history's hall of fame.
[17:24]
Narrator / Al Jolson Introduction
In the city of Washington, before the turn of the century occurred an unheralded, unpublicized event. To a family named Jolson, a son was born they called him Asa, but to you and the world, he's known as Al. Al Jolson, America's greatest minstrel. Tonight, Al Jolson himself reviews the past 25American years in the songs he introduced to the land. Let's go back to then, back to 1911, when young Al Jolson appeared in
[17:48]
Al Jolson
Honeymoon Express, singing, Listen me while I tell you of the Spaniard who lighted me life. Listen to me while I tell you of the man who stole my future wife.
[18:02]
Narrator / Al Jolson Introduction
And two years later, in 1913, it
[18:04]
Al Jolson
was, you made me love you. I didn't want to do it. I didn't want to do it.
[18:12]
Narrator / Al Jolson Introduction
In 1915, Tin Pan Alley's affection for the old Southern home was growing and Jolson was singing Rockaby, My Baby with a Dixie melody. Then came the war and Fellow Central
[18:29]
Al Jolson
Give me no man's land.
[18:32]
Narrator / Al Jolson Introduction
In 1919, a young fellow named George Gershwin wrote his first hit, and Al Jolson sang it in the musical show Sinbad.
[18:39]
Al Jolson
Swanee, How I love you, how I love you My dear old Swanee I give a world to be among the
[18:48]
Narrator / Al Jolson Introduction
folks in the following year, Jolson himself wrote a song about a lovely bay off the California coast.
[18:54]
Al Jolson
I found a mile in Avalon beside
[19:02]
Narrator / Al Jolson Introduction
the bird and in 1921 came Vanny
[19:10]
Al Jolson
Manny. Your sunshine's deep, your sunshine's wet But I know where the sunshine's best.
[19:22]
Narrator / Al Jolson Introduction
Al Jolson was once billed as a singer from the Golden West. He always believed in Horace Greeley's advice and finally he took it. The result was a song of his own composition, California, Here I come Right back where I started from To California he went. In 1928, when Hollywood was finding its voice, the Warner Brothers brought him on to sing in their first full length sound picture, the Jazz Singer. That show made history and Al Joson was signed for another picture, the first musical film. It was called the Singing Fool. But the world remembers it more often by the title of the hit song, Sonny Boy. Al Jolson recalls for you now that unforgettable scene from the Singing Pool. You remember the story how Al Stone, owner and emcee of a Broadway night spot, is giving all he's got to the New Year's Eve crowd in his club while he keeps an eye on the table he has reserved for his beloved wife, Molly. Molly, who has given him a son, but who has given him little love.
[20:20]
Al Jolson
The little shoe trainer takes me away from you no words can tell how sad it makes me hello, folks. Hello, Brighty. Where and I live Hello, Nelly what a day I if you don't get a letter. Then you'll know I'm in jail. Happy New Year. Happy New Year. Happy New Year. Goodbye. Good to. Happy New Year home. I beg your pardon, Mr. Stone, but there is a lady on the wire. She say it is very important. Thanks, Henry. I know who it is. It's Molly, my wife. I've been waiting for a call all evening. It is?
[20:55]
Various Characters (Dramatic Actors)
Yes.
[20:56]
Al Jolson
Hey, which phone, Henry? In the booth. Hello, darling. I've been looking for you all evening. It's almost. Well, it's almost midnight. Almost New Year. You're coming down, aren't you? I can't hear you, darling. There's so much noise here. Molly, darling, can't we start all over again? Why don't you jump in a cab and come on down here? Oh, honey, listen. I'll make. Well, I'll make new resolutions. And if you want it, you can make a company yourself. Wait a minute, honey. Wait, I see if I can get this door closed. I can't hear a word you're saying, darling. But listen, can you hear this? I love you, darling. I love you to hurt. There, I got the door closed, honey. Now I can hear your sweet voice.
[21:40]
Various Characters (Dramatic Actors)
This isn't Mrs. Jones. This is Mary. Mary the maid.
[21:44]
Walter Houston (Actor playing Theodore Roosevelt)
Mary the maid.
[21:45]
Al Jolson
And I've been saying all those lovely things to you. What do you want, Mary?
[21:48]
Various Characters (Dramatic Actors)
Mrs. Jones left, sir.
[21:49]
Al Jolson
Sure, she's left. Probably got in a cab to come here to.
[21:52]
Various Characters (Dramatic Actors)
She packed her bags and went away with.
[21:54]
Al Jolson
She went away with. It's a swell New Year's Eve for me.
[22:00]
Various Characters (Dramatic Actors)
Please come home at once.
[22:02]
Al Jolson
Come home? Come home. That's a laugh. What's that for me to come home for your little boy.
[22:09]
Various Characters (Dramatic Actors)
He's sick. He's running a high fever. And, sir, he. He's calling for you.
[22:15]
Al Jolson
Sonny boy is calling for me? All right, Mary.
[22:18]
Various Characters (Dramatic Actors)
Look, get the doctor.
[22:19]
Al Jolson
Get any doctor.
[22:20]
Various Characters (Dramatic Actors)
The best you can get.
[22:21]
Al Jolson
I'll be home as quick as a cab can get me there. Happy New Year, Al. Yeah, thanks. How about another dog, Al?
[22:30]
Various Characters (Dramatic Actors)
How about the go that time?
[22:31]
Al Jolson
I can't. I can't, Grace. I'm in an awful hurry. Yeah. Yeah. Happy New Year. How is he now, Mary?
[22:48]
Various Characters (Dramatic Actors)
Not much change, Mr. Stone. The doctor's in there with him now.
[22:53]
John (Servant) / David Wark Griffith
Good evening, Mr. Stone. Well, if he can just get through the night.
[22:59]
Various Characters (Dramatic Actors)
Daddy.
[23:00]
Al Jolson
Hello, Sonny Boy.
[23:02]
Various Characters (Dramatic Actors)
I missed you, Daddy, something awful.
[23:06]
John (Servant) / David Wark Griffith
He's been so fretful. If he could only get a good night.
[23:11]
Al Jolson
What's the matter, sonny boy? Can't you go to sleep?
[23:15]
Various Characters (Dramatic Actors)
I was afraid you're in this big room all alone. Mama went away.
[23:21]
Al Jolson
I know, I know. But don't worry now, darling. You won't be alone anymore. Why, your daddy will be right here beside you. And I'll tell you stories until you fall asleep. How about the one about Peter Rabbit and the little red fox? Wouldn't you like to hear that one?
[23:45]
Various Characters (Dramatic Actors)
Yeah, Daddy, that's a good one. But first, will you sing me that song? No. The one about a little boy like me.
[23:57]
Al Jolson
All right, sonny. I'll try to sing it. And you'll go to sleep, won't you?
[24:04]
Various Characters (Dramatic Actors)
I'll cry
[24:08]
Al Jolson
when there are gray skies. I don't mind gray skies. You make them blue, honey.
[24:22]
Various Characters (Dramatic Actors)
Boys,
[24:28]
Al Jolson
Friends, friends may forsake me Let them. Let them all forsake me. I still have you, sonny boy. You're sent from heaven and I know your words why, you've made a heaven for me here on earth. And when I'm old and gray, dear Promise you won't re deer For I love you so.
[25:34]
Narrator / Al Jolson Introduction
And now, Al Jolson brings you for the first time on the air a special arrangement of Save Me, Sister, the hit number from his latest Warner Brothers picture, the Singing Kid. Martin Freed conducts the orchestra.
[25:48]
Al Jolson
Friends, I'm in a singing mood. I'm in a praying mood I've got that heavenly all over feeling Creeping up on me. There's light ahead and if someone smiles get behind me. Your guest is the last, last mile leader. Strike me a heavenly cause. Peter, throw me a halo, please. There's a light ahead and if someone dies and my heart cries out for love that glory hides. Save me, sister, Sister, save me Save me from temptation above the lips, above their eyes above the smiles above the sighs above the bows above the ties from the devil Reverend revelry from a life of fancy free Save me, sister, Sister, save me My heart needs salvation I'm going to miss I'm going astray but, lady, from this very day I'll go the straight narrow way. Sister, if you lead me to Patrick Green and I the blue Z Make me feel like a motherless child A sister song and doggy, and doggy Save me, Sister Thistle Save me what my destination to rise I'm going to shine I'm going to sign the dotted line I'm going to make the heavens mine. Yes, say you're a winner if you save a little sinner who's in love.
[28:38]
Sears Announcer
Towering pillars of stone and steel do not make our cities Nor the ribbon highways our countryside it takes people, life and blood People like you and you and you so it is we like to feel at Sears. Our stores, our catalogs, our endless stocks of merchandise. After all, are not the real Sears robots. The real Sears are the men and women who, year after year, serve you, our customers. So tonight, greetings to your friends and our friends, the 50,000 Sears employees throughout all America. Good night and thanks, Sears family.
[29:23]
Narrator
Don't miss Then and Now next Thursday at this same time when Sears, Roebuck Co. Will present as their guest stars Marion, Claire and John Bowles.
[29:36]
Sears Announcer
Then and now is written by Charles Martin and produced by William M. Robeson.