Tony Pastor Show 45-05-24 Epxxx Music By Tony Pastor

Summary

Podcast Summary: Harold's Old Time Radio

Episode: Tony Pastor Show 45-05-24 Epxxx Music By Tony Pastor
Release Date: May 14, 2025

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Introduction

In this vibrant episode of Harold's Old Time Radio, listeners are transported back to the Golden Age of Radio, where families gathered around their radios to enjoy timeless performances and captivating stories. Hosted by Harold's Old Time Radio, this episode spotlights the illustrious Tony Pastor Show, featuring an array of musical talents and engaging segments from the legendary Hollywood Palladium.

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Musical Performances

Ruth McCullough's Enchanting Voice
Timestamp: [02:15]
The episode opens with a soulful performance by Ruth McCullough, who delivers the heartfelt song "Sweetheart of All My Dreams." Her expressive vocals convey deep emotion, drawing listeners into a romantic narrative:

"I love you, I love you, I love you. Sweetheart of all my dreams."
(00:02:15)

Her rendition sets a warm and nostalgic tone, reminiscent of classic radio romances.

Tony Pastor's Orchestra Takes the Stage
Timestamp: [00:33]
Bill Ewing introduces the orchestra, highlighting Tony Pastor's exceptional talent in bringing music to life. The orchestra's performances are a blend of lively tunes and smooth melodies, perfect for both listening and dancing.

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Highlighted Segments

"Confessing That I Love You" Performance
Timestamp: [04:58]
Tony Pastor steps into the spotlight with his rendition of "Confessing That I Love You," a poignant ballad that explores themes of love and vulnerability:

"I'm confessing that I love you. Tell me that you love me too."
(00:04:58)

This performance showcases Pastor's ability to convey deep emotion through music, resonating with listeners' own experiences of love and longing.

Harlem Junction Medley Featuring Dick Dyer
Timestamp: [07:48]
The orchestra transitions into "Harlem Junction," an instrumental piece that sets the stage for a vocal medley featuring Dick Dyer. Dyer delivers a seamless blend of "Dream" and "I Should Care," intertwining melodies that highlight his vocal prowess:

"When you're feeling blue, dream the thing to do. Dream the smoke rings rise in the air."
(00:12:05)

Dyer's performance adds a layer of sophistication and elegance, inviting listeners to lose themselves in the music.

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Special Performances

Funiculi Funicula Encore
Timestamp: [26:03]
As the evening progresses, Tony Pastor delights the audience with an encore performance of "Funiculi Funicula." His rendition encourages audience participation, creating an uplifting and joyous atmosphere:

"Come on, come on. Everybody swing. You'll find a grand to join the band."
(00:26:03)

The infectious energy of this performance serves as a perfect celebration of the joyous spirit of the era.

"Robin Hood" Narrative Song
Timestamp: [22:40]
In a creative twist, Pastor presents "Robin Hood," a narrative song that tells the legendary tale with a musical flair:

"Many long years ago, a fellow named Robin Hood used to rob the rich."
(00:22:40)

This storytelling approach adds variety to the program, blending folklore with melodic storytelling.

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Medleys and Vocal Spotlights

Dick Dyer's Vocal Medley
Timestamp: [11:19]
Dick Dyer takes center stage with a medley that combines "Dream" and "I Should Care," demonstrating his versatility and emotive singing style:

"Dream the thing to do. Dream never are as bad as they seem."
(00:12:05)

His seamless transitions between songs create a captivating listening experience, highlighting the depth of his musical talents.

Ruth McCullough's "My Topic of Conversation"
Timestamp: [20:03]
Later in the episode, Ruth McCullough returns to perform "My Topic of Conversation," a charming song that emphasizes her conversational style and heartfelt delivery:

"You're my headline around the dinner table. Anywhere I'm able."
(00:20:03)

Her performance underscores the personal connections fostered through music and conversation.

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Host Interactions and Audience Engagement

Throughout the episode, Bill Ewing and Sam provide seamless transitions between performances, maintaining the flow and ensuring that listeners remain engaged. Their brief interjections, such as Sam's timely "Sam," add a layer of authenticity and nostalgia, reminiscent of live radio broadcasts.

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Conclusion

This episode of Harold's Old Time Radio masterfully captures the essence of the Golden Age of Radio through stellar musical performances, engaging storytelling, and seamless host interactions. Tony Pastor and his orchestra, alongside remarkable talents like Ruth McCullough and Dick Dyer, deliver an unforgettable listening experience that both honors and revitalizes classic radio entertainment. Whether you're a long-time fan or a new listener, this episode offers a delightful journey into the past, celebrating the timeless allure of radio's golden era.

Transcript

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[Bill Ewing]

CBS presents music by Tony Pastor. Yes, friends, it's Tony Pastor and his orchestra for your listening and dancing pleasure. Music which CBS brings you from the world famous Hollywood Palladium on Sunset Boulevard in the heart of Hollywood, California, with lyrics by Ruth McCullough, Dick Dyer and Tony Pastor. Here's Ruth McCullough to sing for us first, sweetheart of all my dreams.

[Sam]

Sam.

[Ruth McCullough]

I love you. I love you, I love you. Sweetheart of all my dreams. I love you. I can't live without you. My life is empty it seems. You may do what you may whatever you say. You know that I'll always love you this way. I love you, I love you, I love you. You are my sweetheart in dreams it seems. Sweetheart of all my dream.

[Bill Ewing]

Sweetheart of all my dreams sung for you by Ruth McCullough. And now it's our maestro, Tony Pastor, stepping up here to our microphone to bring us the lyrics to Confessing that I love you.

[Tony Pastor]

I'm confessing that I love you. Tell me that you love me too. I'm confessing that I need you. Honest I do need you every moment in your eyes I read such strange things but your lips deny the truth. Will your answer really change things? Making me blue.

[Dick Dyer]

Making me blue.

[Tony Pastor]

I'm afraid someday you'll leave me Saying can't we still be friends if you go you know you grieve me all in life. I knew depends Whoa. Am I guessing that you love me? Dreaming dreams Dream dreams of you in vain I'm confessing that I love you all over again. Am I guessing that you love me Love me, baby. Dreaming dreams. Dreaming dreams of you and everyone. I'm confessing that I love you. Ph that I love you, Phen that I love you all over again.

[Bill Ewing]

Thank you very much. Tony. Tony Pastor singing Confessing that I love you. And now they're going to break it up just little bit here at the Palladium as Tony and the boys play Harlem Junction. Tony Bastard his orchestra and Harlem Junction. And now it's a vocal medley featuring the voice of Dick Dyer. The medley includes Dream and I should care.

[Sam]

It Dream.

[Dick Dyer]

When you're feeling blue. Dream the thing to do. Dream Watch the smoke rings rise in the air. You find your of memories thus when the day is. And they might come true. Dream never are as bad as they seem. So dream.

[Sam]

Dream.

[Tony Pastor]

I should care.

[Dick Dyer]

I should go round weeping.

[Sam]

I.

[Dick Dyer]

Should care I should go without sleeping. Strangely enough, I sleep well. Except for a dream or two. But then I got my sheep. Well, it's funny how she can lull you to sleep so.

[Sam]

She never.

[Dick Dyer]

I should let it upset me. I should care. But it just doesn't get me. Maybe I won't find someone.

[Bill Ewing]

As lovely.

[Dick Dyer]

As you.

[Sam]

I.

[Dick Dyer]

Should care and I do.

[ChatGPT]

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[Bill Ewing]

Thank you very much. Dick, you've just heard a medley sung by Dick Dyer. Dream and I should care. And so, friends, we've reached the halfway point in our dancing party. We'd like to pause now briefly to remind you that it's music by Tony Pastor and his orchestra, coming to you from the Hollywood Palladium, the dining, dancing and entertainment center of the West. Continuing now with our dancing party. It's one of those fine Tony Pastor vocals. HE SINGS this time it must be jell.

[Sam]

Sam.

[Tony Pastor]

It must be jelly. Cause jam don't shake like that. It must be Jellica's jam don't shake like that. Oh, mama, where's my pancakes at? It must be chili. Cause stew don't get that hot. It must be chilly. Cause stew don't get that hot. Oh, baby, what else you got? It must be heaven. Cause I hear the angels say it must be heaven. Cause I hear the angel. Oh, maybe, maybe, maybe. You're my everything. It must be Shorty. Cause Joel's got lots of hair. It must be Shorty. Because Joe's got lots of hair. Hey, Shorty, get a rub up there.

[Bill Ewing]

Donnie Bastor singing It Must Be Jelly. And now the vocal spotlight shifts as Ruth McCullough steps to our Palladium on microphone to bring us the lyrics to my topic of conversation.

[Sam]

Sam.

[Ruth McCullough]

You my topic of conversation. You're my headline around the dinner table. Anywhere I'm able. I keep turning a conversation to my darling. Everyone there knows I care. Yes, I've even been spending hours telling flowers. Told the stars above you How I love you. I'm so talkative when you're away. Isn't it absurd? When you're near? I Haven't a word to say.

[Sam]

Yes.

[Ruth McCullough]

I've even been spending hours telling flowers Told the stars above you How I love you I'm so talkative when you're away Isn't it upset.

[Sam]

When you're near?

[Ruth McCullough]

I haven't a word to say.

[Bill Ewing]

Friends, you've just heard my topic of conversation sung for you by Ruth McCullough. Now, next on our music list is one of Tony Pastor's most requested numbers. Here at the Hollywood Palladium, I'm sure you'll all enjoy hearing Robin Hood.

[Tony Pastor]

Many long years ago A fellow named Robin Hood he used to rob the rich Most every chance he could now you shouldn't get me wrong because he was no square With a trusty bow and arrow he could poture him his son it was little John another was allandale140 more together they'd hit the trail they were scamping through the forest to the pool for inn Mr. Edom told them where they should begin he took from the rich man Gave it to the poor man had a fear but no man Only for his chick his name was Marianne and here is this with Jeru a robin whose royal blue He Richard forgave them all and here's what they had to do they became his royal rangers and were very good so that ends our little tale of Robin Hood he took from the rich.

[Sam]

Man.

[Tony Pastor]

Gave it to the poor man Had a fear for no man.

[Sam]

Only.

[Tony Pastor]

For his chick Whose name was Marianne and here is a switcheroo A Robin Hood's loyal couple Gave them all and do they had to do they became his royal rangers and were very good so that ends our little tale of Robin Hood.

[Bill Ewing]

Thanks a lot, Tony. Tony Pastor singing Robin Hood. And now, by way of a bit of an encore, Tony Pastor is going to sing Funiculi Funicula.

[Sam]

Sam it.

[Tony Pastor]

Oh. Come on, come on. Everybody sing. Come on, come on. Everybody swing. You'll find a grand to join the band Then Happy land is where you're at Swing along with me when you leave when you laugh Come on, come on. Everybody shout Come on, come on. Everyone give up Try the sunny side this funny white takes you five wing along with me it's time we tried the sunny side it's funny why it takes you far Swing along with me.

[Bill Ewing]

Yes, indeed. Quite an encore. Tony. Tony Pastor singing Funiculi Funicula. Now the same vein Irving Berens always. And so the time has come, friends, to tell you that it's been Tony Master and his orchestra for your listening and dancing pleasure. Music which CBS has brought to you from the world famous Hollywood Palladium on Sunset Boulevard in the heart of Hollywood, California. Bill Ewing speaking, saying thanks a lot for listening. This is cbs, the Columbia Broadcasting System.

[ChatGPT]

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