True Detective Mysteries 37-03-25 Horror in a Hospital Ward

Summary

Podcast Summary: "True Detective Mysteries 37-03-25 Horror in a Hospital Ward"

Episode Details:

• Title: True Detective Mysteries 37-03-25 Horror in a Hospital Ward
• Host: Harold's Old Time Radio
• Release Date: June 9, 2025

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Introduction to the Mystery

The episode opens with a vivid portrayal of St. Mary's Hospital in Pima County, Arizona, setting the atmospheric scene on the morning of August 13, 1932. The narrator introduces listeners to the serene environment, juxtaposed with the impending horror that unfolds within the hospital walls.

Narrator [00:31]: "Now, from the pages of True Detective Mysteries, we take the true inside story. Love Frenzied Killer Horror in a hospital war as told personally by John Sheridan Williams, former Deputy Sheriff of Pima County, Arizona."

Discovery of the Murder

The tranquility is shattered when Sister Antonia discovers a murdered patient in room 114. The immediate chaos and urgency set the stage for the ensuing investigation.

Sister Antonia [02:14]: "The patient in room 114 has been murdered."

Initial Investigation

Sheriff Bailey and Deputy Farrar arrive at the hospital to examine the body of Thomas Salmon, the hospital electrician. The examination reveals two gunshot wounds: one through the right eye and another point-blank shot to the temple, indicating a personal and deliberate act.

Narrator [04:08]: "How many bullet wounds? I see two here. One entered the right eye, drilled clean through it."

Gathering Clues and Identifying Suspects

The investigation delves into Salmon's personal life, revealing his interactions and possible motives. The discovery of a headless photograph of a woman suggests a connection to a cabaret dancer, Lucille Doucette, introducing a potential suspect with a mysterious past.

Sister Antonia [07:06]: "A man was murdered right here in St. Mary's Hospital this morning. You got to talk."

Unraveling Relationships

As the sheriff interrogates the nurses, particularly Ms. Young, tensions rise. Suspicions about romantic entanglements come to light, especially concerning a secret engagement between Dr. John A. Hartford and one of the nurses, adding layers to the motive behind the murder.

Sister Antonia [08:03]: "I know he's been murdered this morning at St. Mary's Hospital. That's all I know."

Breakthrough in the Case

A pivotal moment occurs when Sister Antonia confronts her inner turmoil and confesses to the murder. The intense dialogue reveals her love-stricken motives, leading to a dramatic confession and the subsequent arrest of George Bean, who is believed to be influenced by Sister Antonia's actions.

Sister Antonia [20:30]: "I don't know why I ever did it. I was attracted to Tom Salmon from the first time I saw him."

Resolution and Sentencing

The episode culminates with the courtroom drama where George Bean is sentenced for the murder. The narrator emphasizes the moral lesson against taking justice into one's own hands, advocating for legal resolution over violence.

Narrator [24:42]: "Gentlemen of the jury, as judge in this court, let me say one final word before you retire to find your verdict... No man has the right to take the life of another."

Conclusion

The story concludes with the encapsulation of the tragic events and the ultimate downfall of those involved. The narrator leaves listeners with a reflection on the consequences of unchecked emotions and the importance of lawful justice.

Narrator [25:52]: "The story you have just heard is London Killer. Her in a hospital ward. Taken from the new True Detective Mysteries magazine."

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Notable Quotes

• Sister Antonia on Addiction Crisis [00:00]:

  "Use of flavored tobacco by teens is a crisis... Addiction to nicotine sets us up for a lifetime of health problems."

• Sister Antonia's Prayer [01:19]:

  "O Lord, deliver us from all evil... From everlasting death."

• Confession of Sister Antonia [22:03]:

  "So I got a gun and I went into his room here at the hospital last Saturday morning. And I killed him."

• Moral Lesson from Judge [24:42]:

  "No man has the right to take the life of another."

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Insights and Themes

This episode masterfully blends classic detective storytelling with deep emotional undertones. Themes of love, jealousy, and the tragic consequences of personal turmoil are intricately explored. Sister Antonia's character embodies the struggle between duty and forbidden passion, ultimately leading to a devastating outcome.

The narrative also touches upon societal issues such as addiction, subtly interwoven through the recurring tobacco advocacy messages. These interruptions serve as period-specific social commentary, reflecting the era's struggles and the podcast's dedication to historical authenticity.

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Conclusion

"True Detective Mysteries 37-03-25 Horror in a Hospital Ward" offers a gripping and immersive experience into a bygone era's detective narrative. Through rich storytelling, character development, and moral lessons, Harold's Old Time Radio delivers an episode that captivates both enthusiasts of classic radio dramas and new listeners seeking enthralling mysteries.

Transcript

[Teen Advocate]

Use of flavored tobacco by teens is a crisis. Tobacco companies use flavors like cotton candy, watermelon ice and cool mint to hook kids like me. They seem harmless, but they aren't. Addiction to nicotine sets us up for a lifetime of health problems. Organ legislators can do something about it. Passing Senate Bill 702A will keep flavored tobacco away from kids. But there are just a few short weeks left for lawmakers to act. Take action to protect kids like me. @ flavorshookorgankids.org paid for by the Campaign for Tobacco Free Kids Action Fund.

[Narrator]

Now, from the pages of True Detective Mysteries, we take the true inside story. Love Frenzied Killer Horror in a hospital war as told personally by John Sheridan Williams, former Deputy Sheriff of Pima County, Arizona. Our story begins at St. Mary's Hospital, where the good Sisters of Charity minister to the sick. There on the edge of the desert near Tucson, Arizona. Over the portico, a cross points serenely skyward on the morning of August 13, 1932. The soft tolling of the chapel bells drift out with a devout murmur of the nuns of prayer like a cool benediction across the parched cactus and mesquite of the desert.

[Sister Antonia]

O Lord, deliver us from all evil. O Lord, deliver us from all sin. O Lord, deliver us from thy wrath. O Lord, deliver us. From sudden and unprovided death. Anger hated, a new will. O Lord, deliver us. From everlasting death.

[Narrator]

O Lord, deliver us.

[Sister Antonia]

Sister Antonia? Yes, my child? The patient in room 114 has been murdered. Murdered? Yes, shot. Shot twice. May God have mercy on his soul. Nurse, call the sheriff's office at once. I could be in room 114. Yes, sir. Be the mercy of thy holy incarnation. Oh, Lord, deliver us.

[Narrator]

Hello? Hello, Pharaoh? Very hot out there today. If you could fry an egg in that, son. What's new? Oh, laughing quiet. Saturday so far. Sheriff's office. Yeah, barely speaking. What? You killed a man? Who? Who's that? Some nut. Hitman. You say you killed a man in room 114 at St. Mary's Hospital. I saw him just now. Called you up so you could get on the crew to order. Wait just a minute. Who are you? Just a minute, will you? Operator? Operator. Hello? Hello? Say, can you take that call?

[Sister Antonia]

I'm sorry, sir. Your port is disconnected. Said we cannot trace them now.

[Narrator]

Well, we'll try. Will you? Come on, Ra. Let us move.

[Sister Antonia]

This way. Come with us. Mrs.

[Narrator]

Sorry to trouble here with Mr. Antonia.

[Sister Antonia]

We know the meaning of duty here at Saint Marish. But how did you get here so soon?

[Narrator]

We had a telephone call.

[Sister Antonia]

But we were just calling you from the hospital. Someone must have called you before.

[Narrator]

A man called up.

[Sister Antonia]

That's strange. I asked one of the nurses to phone you.

[Narrator]

This man said he had just killed someone in room 114.

[Sister Antonia]

Oh, Lord have mercy on his soul.

[Narrator]

Here we are, Sheriff, room 114. There's the body there on the dead. Sister Antonia, Deputy Farrar and I want to examine this body first.

[Sister Antonia]

These are the nurses who were taking care of Mr. Salmon. Oh, who could have done this? Come on, Helene. I guess we all feel that way about Thomas. Well, that's not helping to find out who killed him. I can't help it.

[Narrator]

You may just calm down now. We'll talk to you later. All right, Frost, pull back the sheet. Yes.

[Sister Antonia]

Then come.

[Narrator]

How many bullet wounds? I see two here. One entered the right eye, drilled clean through it. Yep. Fires in the jaw way, I should say. Not the second bullet. See those powder burns around the temple? Yeah. That second shot was fired point blank, all right. Man or woman who killed this man? Held a gun for that shot. Only six or seven inches from his head. Wanted to make sure. A hot blast of lead right through the temple. Too bad. Fine, athletic looking man. Yeah, big fellow, too. His early 30s, I should say. Who is this man, Sister Antonio?

[Sister Antonia]

Thomas Salmon. He was our hospital electrician.

[Narrator]

Been sick long?

[Sister Antonia]

No, he had an infected thumb. His doctor thought it best to put him to bed for a few days.

[Narrator]

These sheets, Sister Antonio, are they in order? Is this the way the bed was made up this morning?

[Sister Antonia]

I can answer that.

[Narrator]

What's your Name?

[Sister Antonia]

Ms. Young.

[Narrator]

Mrs. Young?

[Sister Antonia]

No, Sherry, Ms. Young. Rosemary Young. It's against the hospital rules for a student next to be married.

[Narrator]

I see. Well, Ms. Young, have these sheets been disturbed in any way?

[Sister Antonia]

No, sir. They're just as I made up the bed when I gave Tom. I mean, Mr. Salmon his breakfast at 8:00.

[Narrator]

Hmm. Did you see him after 8:00 clock?

[Sister Antonia]

Yes, just a little while ago. I dressed his hand. That was around 9:30.

[Narrator]

Cover him up again, Farrar. Yes, sir. Well, from the looks of the bed, there's no struggle. You got that, Farrar? Right. Did Salmon have any visitors this morning, Sister Antonia?

[Sister Antonia]

I asked Mr. Angela. She was on the switchboard and was very busy. He seemed to recall a man, short, dark, wore glasses, had a scholarly air, she said.

[Narrator]

I see. Mister, can you get all the nurses who were off duty together for a few minutes?

[Sister Antonia]

Yes, in the reception room of the nurses home, if you like.

[Narrator]

Do that, will you please, Ms. Thompson? Ms. Young, you go along, too.

[Sister Antonia]

All right. Come on, Thompson.

[Narrator]

Looks like we gotta find a woman in this case. You know, cherchez la femme. A woman or a jealous sweetheart. Well, look through this dresser over here. Find something? I don't know. Some letters. Get a whiff of the perfume on this one. Hand them carefully. Here's another drawer. What's in here? Say, oh, look at this photograph, Willie. Boy, that's some picture. Beautiful, isn't she? Wonder who she is. Looks like a dancer. Yeah. I wonder why the head's cut off. I'm wondering that myself. A headless picture of a girl. And where are we gonna find the original of a picture like that? I don't know yet.

[Sister Antonia]

You're crazy. Tom Simon never meant anything to me. That's a lot of fat cooling. How about the time you were at the Painted Rocks with him in the desert? And weren't you the unknown nurse in that fight at the dance hall? I've never been in a dance hall in my life.

[Narrator]

Hey, now, wait a minute. Wait a minute. Now, you nurses all remember one thing. A man was murdered right here in St. Mary's Hospital this morning. You got to talk. And remember, anything you say here may be used as evidence.

[Sister Antonia]

I don't know about the other nursery, Sheriff, but I'm ready to tell you all I know about Tom. Sam, Cut it out. Tom.

[Narrator]

Just a minute, Miss Young. Suppose you talk then.

[Sister Antonia]

Well, you'll find it out sooner or later. So you might as well know now. If Tom Salmon had a middle name, it should be romance.

[Narrator]

Were there any girls Tom Salmon was particularly interested in?

[Sister Antonia]

They may have thought so, but I never kidded myself on how much Tom really liked me.

[Narrator]

You know the woman in this photograph? No.

[Sister Antonia]

She's beautiful, all right. Never seen a photograph like that outside of anatomy class.

[Narrator]

Do any of you other nurses recognize the woman in this photograph?

[Sister Antonia]

I don't believe Tom knew that woman.

[Narrator]

They found this picture in his dresser drawer. Does Simon know any cabaret dancers you didn't know?

[Sister Antonia]

A girl who worked in a nightclub? Know a lot about him, don't you, Rosemary? I know he's been murdered. And that's more than you seem to realize.

[Narrator]

Miss Young, do you remember this dancer's name?

[Sister Antonia]

It was a rather queer name. French, I think. Louise, something like that. Lucille Doucette.

[Narrator]

Lamar Lucelle lafleur, something like that. And she works in the nightclub. If you're a dancer here with a French name like Lucille or Lisette, all our doctors have a French name. Now, if you're one who Looks like the girl in this picture. Even without the head. I wish I had. Yeah, that's what I said. She's a French girl, a dancer, and she looks like this picture. You bring her around and I'll give her a contract. What is the matter here? Is there anything alone? No, no. No trouble, Jennings. We're doing all the nightclubs, that's all. Looking for a girl, that's all. But monsieur, why did he not say so before? Care, if you please, take this table. Thanks. Now, if there is anything I can do for you. Have you a dancer here? A French girl with a name like Camille Laur or Lucette Lamour or Lucy Lamar? May. Oui. She danced here. Well, at last. Oh, we'd like to talk to her after she does her act. But certainly. When does she come on? Right after this curious number. Well, enjoy your dance. Yeah, we'll enjoy ourselves, all right. Looking for a girl who maybe put two bullets through a man's head. Have you got her picture? Yeah. This time a murder clue is a headless picture of a dancer. Well, that's all we have so far. Julie. A message just came from Lucille La Mer saying she was sick and couldn't appear tonight. Who telephoned? Lucille Lamar? No, her roommate, Mrs. Jackson. Ferrara, get your motorcycle escort. Where did she go? When did she go? Did you know Tom Salmon? You saw the papers today.

[Sister Antonia]

I knew he was murdered this morning at St. Mary's Hospital. That's all I know.

[Narrator]

Is this Lucille's photograph?

[Sister Antonia]

Where'd you get that picture?

[Narrator]

I'm asking the questions. Is this her picture?

[Sister Antonia]

I won't you tell. Oh, no, it isn't her. Fit your honest it isn't.

[Narrator]

Tell us what you know.

[Sister Antonia]

Then you came home last night and started packing a bag.

[Narrator]

Why?

[Sister Antonia]

So she was broken hearted and sobbing. Then she was mad enough to kill somebody. Oh, Sheriff, I didn't mean to say that. She still was in love. And when love really comes to a woman, it. It changes her.

[Narrator]

It transforms her into a killer.

[Sister Antonia]

All those healed and killed Tom Sand. How could she? She left town that night.

[Narrator]

Where'd she go? What got her all upset last night?

[Sister Antonia]

I don't know. He cried around about how he was the same as all the other men and their great love with Smith. Oh, Sheriff, you would have felt sorry for he. Used to come home after seeing him and talk about a wedding in a home.

[Narrator]

Ah, women are all like that. This man from bed in the hospital and somebody comes in and puts two bullets in his head. Some woman did it. Thinking of a cozy home in rose bushes, I suppose. What kind of a gun does she have?

[Sister Antonia]

She didn't have a gun.

[Narrator]

Jackson. You have to remain here in Tucson as a material witness. Understand?

[Sister Antonia]

Yes, sir.

[Narrator]

Come on. Fr. Let's get the teletype working. Head by police of Tucson, Arizona in connection with murder of Carlos Salmon in St. Mary's Hospital Aug. 13. French Chancellor Lucille Lamar is kitchen power well proportioned. Weight about 130 pounds. Foreigner surgeons report gun that killed salmon with a.32 automatic. Check all pawn shops. Find out if anybody bought a.32. Hello, city desk. Crawford. Yeah, I just got a flash from the sheriff's office in the Salmon murder. Yeah, there's great lover angle again. It's an inside tip. There's a doctor at the hospital, Dr. John A. Hartford. He's secretly engaged to one of the nurses there. He found out later that his fiance and this sheep Salmon had been going out together. He's on a suspect list. But they don't know who the nurse is yet. Still checking every new clue. The authorities began the plainsman trick or backtracking over a cold trail. A trail of a past life of a flame.

[Teen Advocate]

Don Juan Use of flavored tobacco by teens is a crisis. Tobacco companies use flavors like cotton candy, watermelon ice and cool mint to hook kids like me. They seem harmless, but they are. Addiction to nicotine sets us up for a lifetime of health problems. Organ legislators can do something about it. Passing Senate Bill 702A will keep flavored tobacco away from kids. But there are just a few short weeks left left for lawmakers to act. Take action to protect kids like me. @ flavors hook Oregon kids.org paid for.

[Sister Antonia]

By the Campaign for Tobacco Free Kids.

[Narrator]

Action Fund it is Ryan Seacrest here. There was a recent social media trend which consisted of flying on a plane with no music, no movies, no entertainment. But a better trend would be going to chumbacasino.com it's like having a mini social casino in your pocket. Chumba casino has over 100 online casino style games, all absolutely free. It's the most fun you can have online and on a plane. So grab your free welcome bonus [e-mail] sponsored by Chumba Casino. No purchase necessary vgw group void where prohibited by law 21 + terms and conditions apply. They ask questions at tourist camps, lunch counters, hotels. How about this hotel, sir yout wow. Not the only one in Tucson we haven't checked on. Well, let's get it over with. Come on. Right, Never mind. Just want to ask you a few questions. What's your name? Eddie Cox. Did a couple by the name of Salmon ever register here? Eddie Salmon? Yeah, sure. What? Yes, they stopped here. I thought you got that information before. What do you mean? When? A man came in here the other night and said he was from headquarters. So headquarters is checking too. Wonder why they didn't tell the sheriff something. What did he want to know? Same thing you did. Well, Mr. And Mrs. Thomas. Sam never stopped here. And did you tell him? Yes, sir. See this photograph, Eddie? Yes. Where's your head? I don't know. Tell me, if this photograph had a head and the right clothes on, would it look like the woman who registered here as Mrs. Salmon? Well, would it? Well, thanks. Can't you remember? Sure. What did Mrs. Salmon look like? She was a brunette, brown eyes. In her early 20s, I'd say. How would her weight compare with the woman in this photograph? This Mrs. Hammond was slim. She wasn't real pretty, but she had what I call a swell figure. Would you say she was the woman in this photograph? I'd say she wasn't. That still doesn't let Lucille Lamar out. No, but this man from headquarters has got me. When was he here? Let me see. Tuesday. What? Tuesday? Yes, Tuesday night. That was four days before Salmon was murdered. Four days before. What did this man look like? A short, dark complexion, wore glasses, neatly dressed. And remember what he was wearing? No. He was nice about everything that I remember. Very polite, studious kind of fellow. What you call scholarly. That's the man. Sure, the man Sister Angela described. Studious, Scholarly. The mysterious caller Cameron had the morning he was murdered. Get your hat, Eddie. Me? Yeah, you're coming to the hospital with us. Do you recognize this woman, Eddie? No, not she isn't a girl.

[Sister Antonia]

She isn't a girl. What girl? You keep us here in the reception room all night asking us questions. What girl are you looking for?

[Narrator]

You answer our question. Are you engaged to a doctor?

[Sister Antonia]

No. Who cares if I'm engaged?

[Narrator]

Anyway, someone working here, jealous of you, could have known the best time to kill Salmon. No one was in the corridor outside his room.

[Sister Antonia]

I never had anything to do with Tom Salmon. Oh, let me go.

[Narrator]

All right, Ms. Lloyd. Sit down. How many more? Ms. Parsons and Ms. Thompson? They're night out. They won't be until 12. See them in the morning. I'd like to get back to the hotel, sir. Let's see. But young. Either Ms. Parsons or Ms. Thompson. Or brunette.

[Sister Antonia]

Ms. Parsons is a decided blonde. And you've seen Ms. Thompson.

[Narrator]

All right, you can go, Eddie. We'll meet you here tomorrow morning when these other nurses go on duty. Thank you. I'll be around. Okay.

[Sister Antonia]

Here is Thompson now. We'll have to start all over again. They told me when I sign in you wanted to see me.

[Narrator]

Ms. Thompson, did you see a man in the corridor outside here just now?

[Sister Antonia]

I saw a man going around the corner just as I see you.

[Narrator]

Did he see you?

[Sister Antonia]

Yes. Well, I don't know Thompson to answer him. Tell him. Tell him what? Why ask me? We've been all here all night answering questions. Damn it. What did you tell him? Nothing. Stop staring at me. What? Why do you look at me like that?

[Narrator]

Thompson, take off your hat, please.

[Sister Antonia]

That.

[Narrator]

Who are you engaged to?

[Sister Antonia]

Damn that. You have been talking. You have been saying things.

[Narrator]

Of course she has. This told us plenty. It's not true.

[Sister Antonia]

I haven't said a word. You have. You told him I'm married.

[Narrator]

Oh, yes, yes, we know you're married. You didn't want the hospital to know about it.

[Sister Antonia]

It isn't true. I didn't tell him.

[Narrator]

Come on, Ms. Hansen.

[Sister Antonia]

She's engaged to Dr. Hartford. He wouldn't admit it because he didn't want her mixed up in this case. He had never even used. He went out with Tom. Sam.

[Narrator]

I never did.

[Sister Antonia]

Don't you believe her. She did. She told me so. They used to meet by the bunch of textures near the hospital grounds. If Dr. Harford knew about Tom Salmon, he'd have killed him.

[Narrator]

Who did tell him?

[Sister Antonia]

I don't know.

[Narrator]

Ms. Thompson, why did you kill him?

[Sister Antonia]

I didn't.

[Narrator]

What is your husband's name?

[Sister Antonia]

Oh, what difference does it make?

[Narrator]

Just a minute. I'll take that call. Hello? I think I must talk to who.

[Sister Antonia]

Just came in.

[Narrator]

Hold on. Yeah, this voice will fool I ignore it anywhere. It's the man who called me up and said he killed a man. Get this call tray. Hold him. Keep him on the line. Okay. Right. Yes, sir. Yes, sir. I'll get the. Thompson, just hold on, will you, please? Oh, Thompson. Just hold on, will you? I'm the new knight's warder. Western Thompson's night off. You know they told you the footboard she'd come in. Why, she's probably coming over to the main building that the nurses home right now.

[Sister Antonia]

Let me talk to him.

[Narrator]

Get away. Get away. Could I have a call? You had to leave your name or your phone number? No. Operator. Operator. Hello? Hello, can you trace that call? This Sheriff Bailey?

[Sister Antonia]

We are tracing the call, sir. Hold on.

[Narrator]

Whose name is the phone listed in?

[Sister Antonia]

The telephone listed in the name of George V. No.

[Narrator]

No.

[Sister Antonia]

Okay, good.

[Narrator]

Thanks. You hear that siren, Ms. Thompson? It's a team, I should say. It's my men on the way to arrest your husband.

[Sister Antonia]

You'll never get him. You'll never get it.

[Narrator]

I did it.

[Sister Antonia]

I killed Tom Salmon.

[Narrator]

I killed. Is that right, Beam? Did your wife kill Town Salmon? No. I killed him.

[Sister Antonia]

No, it's not true.

[Narrator]

Accident. Did you call the sheriff's office after you killed him? Sure.

[Sister Antonia]

He didn't kill him. I did.

[Narrator]

Don't, Miss Mahersa. Be quiet, Beam. Now, Mr. Beam, let's hear your story.

[Sister Antonia]

I don't know why I ever did it. I was attracted to Tom Salmon from the first time I saw him. It was something I couldn't seem to resist when I was with something. Jo. Oh, Tom. Can I dance with you? As a tear at my heart?

[Narrator]

Why, Marin?

[Sister Antonia]

When I'm in your arms, I realize I'm a paradise, a stolen. I don't belong here.

[Narrator]

Oh, of course you do. And when we're married, you'll forget George.

[Sister Antonia]

No. No. I married George because I love him. We're going to be happy. When I'm through training at the hospital, we won't have to keep our marriage again.

[Narrator]

Do you really love him?

[Sister Antonia]

Yes. And I always love.

[Narrator]

Oh, no, darling. You forget George and his books in the hospital and everything with me.

[Sister Antonia]

This is only Ms. Semmy Madden.

[Narrator]

It's true, dear. Just forget everything and dance with me.

[Sister Antonia]

Sharon. I knew that night I'd have to end it. My resolutions about Tom Salmon were no good. I realized I'd have to end this. This thing that was destroying my life. So I.

[Narrator]

You can't believe her. Stay quiet, Beam. Go on.

[Sister Antonia]

So I got a gun and I went into his room here at the hospital last Saturday morning. And I killed him. I shot him twice. He looked up at me as I went.

[Narrator]

My wife didn't kill Tom.

[Sister Antonia]

I did. I did. Oh, I deserve to die.

[Narrator]

Come on now, calm yourself, Mrs. Beam. I want your husband to handle his side of it. Go on, Baines. This man Salmon deserved all the bullets he got. He had an almost hypnotic power over women. I'll tell you the truth about that night at the band when I got here.

[Sister Antonia]

Hey, honey boy, you want a dance?

[Narrator]

Oh, thank you.

[Sister Antonia]

Just looking them over, huh?

[Narrator]

Just looking.

[Sister Antonia]

Oh, that couple in the middle of the floor, huh? Some dancing, eh?

[Narrator]

Please go away.

[Sister Antonia]

My, my. Big handsome man. Taking Sunnybright still away from them, huh? Better take your glasses off, sonny.

[Narrator]

Get out of my way. Look here, Simon, you can't dance with this girl like that. Go on home and read your book. It's all right for you to dance with her, but don't hug her like an ap. Why, you little.

[Sister Antonia]

We like to dance before and we're going to dance this for you.

[Narrator]

If that's the way you feel about it, you better come home with me now. Take off your glasses. You stand. I don't need to.

[Sister Antonia]

Yes, George.

[Narrator]

It's true.

[Sister Antonia]

It's true. What are you going to do with me?

[Narrator]

I'm thinking about.

[Sister Antonia]

Oh, I wish I'd never seen him. I wish I were dead.

[Narrator]

What happened then? Beam. Sheriff. I had a right to kill that man. I hated him. I kept thinking about him. I knew. And he was ordered to bed at the hospital. Last Saturday morning, I went to a pawn shop and bought a gun. What kind? 32. The man showed me how to use it. Took a taxi to St. Mary's Hospital, sistered the switchboard. Told me how to get to room 114. I walked right in. I went down the corridor. George Bean. No way. What are you going to do with that gun? I'm going to kill you.

[Sister Antonia]

Something.

[Narrator]

Where you're going, you can't steal any more wives. Don't. Don't. Have you anything to say? Don't. Please don't. Miss. They'll hang you if you kill me. The law. There is no law for this sermon.

[Sister Antonia]

This is the unwritten law.

[Narrator]

Gentlemen of the jury, as judge in this court, let me say one final word before you retire to find your verdict. The error of the six shooter is gone. If we are to set free every man who shoots his way out of a domestic triangle, we are only encouraging murder. Citizens must realize that the court, and not bullets, will settle these entanglements. No man has the right to take the life of another. The jury will now retire. Hello, hello, City Death. Here's the flash on the Bean verdict duty. George Bean, sentenced to Turf in 25 to 40 years in Arizona State Penitentiary. The story you have just heard is London Killer. Her in a hospital ward. Taken from the new True Detective Mysteries magazine. Electrically Transcribed by Transamerica.

[Sister Antonia]

RAM.

[Teen Advocate]

Nearly 90%.

[Sister Antonia]

Of kids who vape say flavors are.

[Teen Advocate]

Why they do it. A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, if I try this once, it won't be that much of a problem. But then eventually it becomes a problem. It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoregonkids.org paid for by the Campaign for Tobacco Free Kids Action Fund.

[Narrator]

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