Voice of Firestone - 52-09-01 - AFRS #013 - Guest Lois Hunt

Summary

Podcast Summary: Harold's Old Time Radio

Episode: Voice of Firestone - 52-09-01 - AFRS #013
Guest: Lois Hunt
Release Date: February 3, 2025

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Harold's Old Time Radio transports listeners back to the Golden Age of Radio, capturing the essence of a time when families gathered around the radio to enjoy beloved shows. In this episode, titled "Voice of Firestone - 52-09-01 - AFRS #013 - Guest Lois Hunt," host Howard Barlow presents a captivating showcase of musical performances featuring the talented vocalist Lois Hunt alongside his renowned symphony orchestra.

Introduction

The episode opens with Howard Barlow warmly introducing Lois Hunt and the orchestra. He sets the tone for the evening by highlighting the timeless nature of the songs to be performed:

"Once again we bring you a half hour of your musical favorites performed by his famed symphony orchestra and featuring special guest artists on our program this evening," [00:00].

Shall We Dance? from The King and I

Lois Hunt begins the evening with a stirring rendition of "Shall We Dance?" from the sensational Broadway musical The King and I. Howard provides context about the musical's popularity and its significance in the current theatrical landscape:

"With a chorus open the program with a song from the sensational current Broadway musical play the King and I entitled Shall We Dance?" [00:00].

Performance Highlights: Lois's heartfelt interpretation captures the romantic essence of the song, inviting listeners to contemplate the timeless question of love and connection:

"Shall we dance? On a bright cloud of music shall we fly shall we dance? Shall we then say good night and mean goodbye?" [01:44].

Romance from Desert Song by Sigmund Romberg

Howard transitions to the next piece by introducing Sigmund Romberg, emphasizing his contribution to operettas:

"Sigmund Romberg has probably written the music for more successful operettas than any living composer... Romance." [03:01].

Performance Highlights: Lois delivers "Romance," a romantic ballad from Desert Song, with emotional depth and clarity:

"A flower that will bloom of wild with sunshine From a lover's smile that lover's tears bedew..." [03:23].

Ritual Fire Dance by Manuel de Falla

Next, Howard delves into the significance of fire in human culture before introducing "Ritual Fire Dance" by Manuel de Falla:

"Down through the ages, fire has been reverenced, feared and worshiped as a God by primitive peoples... Ritual Fire Dance." [05:55].

Orchestral Performance: The orchestra's vibrant rendition of "Ritual Fire Dance" captivates listeners with its dynamic rhythms and passionate energy, reflecting the primal essence of fire.

Audition Song from Fledermaus

Howard discusses the Metropolitan Opera Association's modernized version of Johann Strauss's Die Fledermaus and introduces Lois's performance of an audition song from the play:

"In the third act, Adele... gives an audition of her singing to Frank..." [10:07].

Performance Highlights: Lois's portrayal of a farm girl is both charming and spirited, bringing authenticity to the character's heartfelt aspirations:

"I am portraying a farm girl, A typical tail on the arms girl endowed with bucolic allure..." [10:37].

Green Sleeves by Ralph Vaughan Williams

Howard highlights the enduring appeal of folk songs and introduces "Green Sleeves," arranged by Ralph Vaughan Williams:

"Among the most enjoyable songs ever written are the folk songs of the various nations... Green Sleeves." [15:03].

Performance Highlights: Lois's delicate and expressive performance of "Green Sleeves" evokes the pastoral beauty and emotional resonance of traditional English folk music:

"For I have loved you so long, Delighting it in your company..." [15:16].

Medley of Harry Von Tilzer's Songs

Celebrating early 20th-century songwriting, Howard introduces a medley of Harry Von Tilzer's classics, including "Wait Till the Sun Shines, Nelly" and "I Want a Girl Just Like the Girl That Married Dear Old":

"During the first quarter of this century will remember the name of Harry Von Tilzer..." [18:15].

Performance Highlights: Lois brings a nostalgic charm to the medley, infusing each song with lively energy and heartfelt emotion:

"On a Sunday afternoon in the merry month of June, Take a trip up the Hudson or down the bay..." [19:21].

Holiday for Strings by David Rose

Howard introduces "Holiday for Strings," a modern and melodic composition by David Rose, highlighting its unique place in symphonic repertoire:

"Among the most unusual and intriguing modern compositions for symphony orchestra is a lively and melodic tune by David Rose..." [20:33].

Orchestral Performance: The orchestra's vibrant performance of "Holiday for Strings" showcases intricate arrangements and spirited melodies, captivating the audience with its modern flair.

Dancing in the Dark by Howard Dietz and Arthur Schwartz

Concluding the musical journey, Howard presents "Dancing in the Dark," a beloved song by Howard Dietz and Arthur Schwartz, perfect for evoking romance under a star-studded sky:

"As her next song, Lois Hunt with an orchestra and chorus sings a well loved song by Howard Dietz and Arthur Schwartz entitled Dancing in the Dark." [23:51].

Performance Highlights: Lois's rendition of "Dancing in the Dark" is both enchanting and poignant, capturing the magic of dancing under the night sky:

"Dancing in the dark Tis a tune ends we're dancing in the dark..." [26:17].

Conclusion

The episode wraps up with Howard Barlow expressing gratitude to listeners and inviting them to tune in for future musical favorites:

"You have been listening to Howard Barlow presents... This is the United States Armed Forces Radio Service." [28:37].

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Notable Quotes:

• Howard Barlow on Sigmund Romberg:
  "Sigmund Romberg has probably written the music for more successful operettas than any living composer." [03:01]

• Lois Hunt on "Shall We Dance?":
  "Shall we dance? On a bright cloud of music shall we fly shall we dance?" [01:44]

• Howard Barlow on Howard Von Tilzer:
  "During the first quarter of this century will remember the name of Harry Von Tilzer, the most prolific songwriter of his day." [18:15]

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This episode of Harold's Old Time Radio offers a rich tapestry of musical performances intertwined with insightful commentary on the history and significance of each piece. Lois Hunt's versatile vocals, combined with the symphony orchestra's masterful renditions, provide listeners with a nostalgic yet refreshing experience reminiscent of the cherished radio shows from the Golden Age.

Transcript

[Howard Barlow]

Howard Barlow presents Lois Hunt. Howard Barlow presents. Once again we bring you a half hour of your musical favorites performed by his famed symphony orchestra and featuring special guest artists on our program this evening, Lois Hunt sings Romance, the audition song from Deflatormaus, Green Sleeves and Dancing in the Dark. Howard Barlow and the orchestra play a medley of songs that never grow old. Ritual Fire Dance. And with a chorus open the program with a song from the sensational current Broadway musical play the King and I entitled Shall We Dance?

[Lois Hunt]

Shall we dance? On a bright cloud of music shall we fly shall we dance? Shall we then say good night and mean goodbye? Or per chance, when the last little star has left the sky shall we still be together with our arms around each other and shall you be my new romance? On the clear understanding that this kind of thing can happen. Shall we die? Shall we die? Let's die.

[Howard Barlow]

Sigmund Romberg has probably written the music for more successful operettas than any living composer. One of his most popular works is the Desert Song. And as her first number of the evening, Lois Hunt has selected a romantic ballad from this colorful play. Romance.

[Unknown Performer]

Romance A playboy who is born each spring to teach a nightingale to sing a very pretty song I love you A man a legend on an old brocade A prince who tells a country this I love you where this windy comes from I don't know but when it comes it's just romance A flower that will bloom of wild with sunshine From a lover's smile that lover's tears bedew and so I dream of fair Oman and met my fancy weeping free before me and though I know they aren't so I like to go My princes become what I mold them and they stay for the breath I open my arms to enfold them and they're gone Like a free thrashing boy when life is gray I have a way to keep it give.

[Howard Barlow]

Down through the ages, fire has been reverenced, feared and worshiped as a God by primitive peoples in almost every part of the world. Some races still regard with awe the power of fire and hold ceremonies to appease the fire God's anger. As their next presentation, Howard Barlow and the orchestra play their interpretation of Manuel de Paella's Ritual Fire Dance.

[Unknown Performer]

It sa.

[Howard Barlow]

During the past season, one of the most enjoyable presentations of the Metropolitan Opera association was a modernized version of Johann Strauss's clever comedy the FLedermaus. In the third act, Adele, who wants to go on the stage, gives an audition of her singing to Frank, hoping he will sponsor her as her next Number Lois Hunt sings this audition song from the Fledermas.

[Unknown Performer]

I am portraying a farm girl, A typical tail on the arms girl endowed with bucolic allure and incontrovertibly pure As I now calling upon my cows the gesture that seems to arouse the ubiquitous mail Is the swing of my pail But I must mind my pain and cure and what they want I must refuse my moth, refuse my mock, Refuse to give him what my moth let loose. But when a handsome man pursues it's hard to guard your keys and view. I could play a part with dramatic art attracting all from near and far clearly if I chose to be in CH I know I need more and then every inch of wing I enter upon the scene with what all and with what all are we like me there never was born to the purple I will walk erect while fox and when they hear that the clap they were increased they will cheer to slay the leash Earning rich rewards as I tread the book abstracting all from near and the first clearly if I choose to be in shore I know I need hope and then I do a I love a man, he loves me too, but he is jealous heart he finds me in the arm an end to all my charms, it beats me too I bless, he kisses me and start to cry.

[Howard Barlow]

Among the most enjoyable songs ever written are the folk songs of the various nations and their peoples. As her next song of the evening, Lois Hunt, is chosen a 17th century Traditional English folk song arranged by R.

[Unknown Performer]

Vaughan Williams entitled GreenSleevest 30th SEA. For I have loved you so long, Delighting it in your company Green flow my joy brings it was my delight bring Sleep was my heart of gold and who was my lady? I have been ready at your hand to grant whatever you might crave. I have both wife and land your own good will fall to have grief, grief of all my joy Green Sleep was my delight grew and hope of my lady bringeth me When I will pray to God on high that thou my constancy may see and that yet once before I die and who but my name Green Any American who lived.

[Howard Barlow]

During the first quarter of this century will remember the name of Harry Von Tilzer, the most prolific songwriter of his day. Howard Barlow and the orchestra play next a specially arranged medley of three of Von Tilzer's best known songs, including Wait Till the Sun Shines Nelly on a Sunday Afternoon and I Want a Girl Just like the Girl that Married Dear Old.

[Lois Hunt]

On a Sunday afternoon in the merry month of June, Take a trip up the Hudson or down the bay Take a trolley to Coneyora Go away on a Sunday afternoon you can see the love is full they work hard on Monday but one day that Sunday is Sunday afternoon.

[Howard Barlow]

Among the most unusual and intriguing modern compositions for symphony orchestra is a lively and melodic tune by David Rose. Howard Barlow and orchestra play next holiday for strings.

[Unknown Performer]

It'S.

[Howard Barlow]

The Peanut Vendor. On summer nights thoughts turn to romance and dancing underneath a star studded sky. As her next song, Lois Hunt with an orchestra and chorus sings a well loved song by Howard Dietz and Arthur Schwartz entitled Dancing in the Dark.

[Unknown Performer]

Dancing in the dark Tis a tune ends we're dancing in the dark and it soon ends we're waltzing in the wonder why we're here I'm hurried by I will hear and come looking for the light how are you now? To brighten up the night I love you, love and we can face the music together in the dark.

[Lois Hunt]

Dancing in the dark till the tune ends we're dancing in the dark and it soon ends we're watching in the wonder of why we're here I'm hurried by redeem.

[Unknown Performer]

Looking for the light of a new love to brighten up the night I have you love and we can face the music together D.

[Howard Barlow]

You have been listening to Howard Barlow presents. Tune in again next week for another half hour of musical favorites. This is the United States Armed Forces Radio Service.