Walk Softly, Peter Troy 63-12-10 (01) The Blonde With The Delicate Air

Summary

Summary of "Walk Softly, Peter Troy 63-12-10 (01) The Blonde With The Delicate Air"

Podcast Information:

• Title: Harold's Old Time Radio
• Host/Author: Harold's Old Time Radio
• Episode: Walk Softly, Peter Troy 63-12-10 (01) The Blonde With The Delicate Air
• Release Date: January 28, 2025
• Description: Radio shows from the Golden Age of Radio, capturing the essence of pre-television entertainment with beloved shows like The Shadow, Abbott & Costello, Amos & Andy, and Dragnet.

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Introduction

In this captivating episode of "Walk Softly, Peter Troy", listeners are transported to the bustling streets of London, navigating the murky waters of private investigation with the charismatic and rugged Peter Troy. The narrative unfolds with intrigue, deception, and a web of deceit centered around a mysterious package and a blonde woman with delicate airs, Carol Farley.

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Characters Introduced

• Peter Troy (Private Investigator): A tough Canadian PI with a knack for getting entangled in dangerous situations.
• Julie (Troy's Secretary): Loyal and resourceful, she assists Troy in his investigations.
• Carol Farley: A lovely blonde woman who becomes the central figure in Troy's latest case.
• Inspector Mellonby: Detective Inspector from New Scotland Yard, representing the law.
• Regan (Solicitor): A slick lawyer who appears to offer assistance to Troy.
• Laurie Webster: The deceased whose mysterious death sets off the chain of events.

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Plot Overview

The Assignment Begins

The episode opens with Peter Troy reflecting on the uncertainties of his profession:

Peter Troy [00:46]: "Being a private investigator means two things. You can be sure you'll run into trouble and you can never be sure you get out of it."

Julie introduces Troy to a new client, Carol Farley, who seeks protection from an obsessive suitor, Laurie Webster. Carol hires Troy for £100 to safeguard her during Laurie’s impending visit.

Julie [04:14]: “So to put it briefly. I need protection, Mr. Troy.”

The Interruption

Upon arriving at Carol's residence, Troy unexpectedly encounters Inspector Mellonby, who accuses him of murdering Laurie Webster. The situation escalates quickly, with Troy finding himself accused without prior knowledge of the murder.

Carol Farley [08:26]: “The aforementioned gent is, I regret to say, very dead. Shot at close range. That’s what I’m investigating.”

The Twist

Regan, a solicitor, arrives offering to help Troy, claiming to have a witness that could exonerate him. However, it becomes apparent that Carol and her associates have orchestrated a setup to entangle Troy in their scheme involving a dangerous package.

Regan [13:27]: “From here you are to go home and you are to make no phone calls. Tomorrow morning you get to your office as usual. And you pay particular attention to the parcel mail.”

The Delivery Mission

Troy is coerced into delivering a sealed package to Mr. Giles Nolan in Buckinghamshire. Despite suspicions and warnings of being watched, Troy accepts the task, driven by the potential to clear his name.

Peter Troy [16:48]: "I'm going to take this down. Troy, Deliver the enclosed package to a Mr. Giles Nolan."

The Confrontation

On a train journey, Troy confronts Carol Farley and Regan. A tense standoff ensues, leading to an ambush where Troy must navigate betrayal and hidden intentions. Inspector Mellonby and his team attempt to apprehend Troy, but unexpected twists reveal deeper layers of the conspiracy.

Inspector Mellonby [22:44]: “Give myself up? Not a chance.”

The Resolution

The climax unveils that Carol and her associates intended to use Troy as a pawn in a drug smuggling operation. The package contains a lethal dose of heroin, strategically placed to implicate Troy. However, Troy's resourcefulness and quick thinking allow him to outmaneuver his adversaries, exposing the truth and clearing his name.

Peter Troy [24:00]: “Yeah, sort of. I had to play it out, otherwise we're going to lose track of our playmates.”

---

Notable Quotes

• Peter Troy on His Profession [00:46]:

  "Being a private investigator means two things. You can be sure you'll run into trouble and you can never be sure you get out of it."

• Julie on the Job Offer [04:14]:

  “So to put it briefly. I need protection, Mr. Troy.”

• Carol Farley on Troy's Involvement [08:35]:

  “What do you mean, dead?”

• Regan on Legal Assistance [13:27]:

  “From here you are to go home and you are to make no phone calls. Tomorrow morning you get to your office as usual. And you pay particular attention to the parcel mail.”

• Inspector Mellonby on Troy's Alleged Crime [22:21]:

  “He’s got a gun.”

• Peter Troy’s Determination [24:00]:

  “I had to play it out, otherwise we're going to lose track of our playmates.”

---

Themes and Insights

Deception and Trust

The episode delves into the complexities of trust within the realm of private investigation. Troy's interactions with Carol and Regan highlight the fine line between allies and adversaries.

The Cost of Truth

Troy's pursuit of the truth puts him at great personal risk, illustrating the sacrifices made by those dedicated to uncovering reality amidst chaos.

Resourcefulness and Resilience

Troy's ability to navigate through manipulations and dangers showcases the quintessential traits of a seasoned investigator, emphasizing resilience in the face of adversity.

---

Conclusion

"Walk Softly, Peter Troy 63-12-10 (01) The Blonde With The Delicate Air" masterfully blends suspense, character development, and classic detective tropes to craft an engaging narrative. Listeners are taken on a thrilling journey through misunderstandings, deceitful alliances, and daring resolutions, embodying the spirit of the Golden Age of Radio. Peter Troy's adventure serves as a testament to the enduring appeal of well-crafted detective stories, leaving audiences eagerly anticipating his next case.

Transcript

[Peter Troy]

Ch, Ch ch.

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[Peter Troy]

Being a private investigator means two things. You can be sure you'll run into trouble and you can never be sure you get out of it. Well, there's not much you can do about it, I guess. Except, like Julie always says.

[Julie]

Walks softly. Peter Troy.

[Carol Farley]

And now Peter Troy investigates. The blonde with the delicate hair.

[Peter Troy]

This girl Julia met a moment ago. She keeps the bill collectors at bay and keeps generally runs the place I loosely call my office. You'll meet her again in a little while. But right now I want you to meet the lush lovely this case is all about. Her name is Caroline Farley, but most people call her Carol.

[Julie]

Oh, sorry, Lawrence. I was a million miles away.

[Carol Farley]

So I noticed. Cigarette?

[Julie]

Oh, no thanks, darling.

[Carol Farley]

Beautiful girl.

[Regan]

Soft lights.

[Carol Farley]

All we need now is the sweet music.

[Julie]

I don't need a thing.

[Carol Farley]

Delicate. That's the operative word.

[Peter Troy]

Carol.

[Carol Farley]

Blonde with a delicate air. That's how I'll always think of you.

[Julie]

Oh, that's nothing.

[Carol Farley]

Oh, dear.

[Julie]

Expecting anyone?

[Carol Farley]

No. As far as I'm concerned, whoever it is can go jump in the lake.

[Julie]

Better answer the door and get rid of them, darling.

[Carol Farley]

Yes, I guess so.

[Julie]

And hurry back, huh?

[Peter Troy]

Yes.

[Carol Farley]

What do you want? Crank?

[Peter Troy]

I'll work soon.

[Carol Farley]

Now look, I can explain.

[Peter Troy]

Shut up.

[Carol Farley]

Get back inside.

[Regan]

Give me that.

[Julie]

You didn't have to do that.

[Carol Farley]

I didn't mean to. He jumped me.

[Julie]

See is.

[Carol Farley]

No, no, he's still breathing. Where's the package?

[Julie]

In the drawer. That desk. He put it there as soon as we came in.

[Carol Farley]

Good.

[Julie]

Well, what happens now?

[Carol Farley]

We have someone deliver the package for us. That's all.

[Julie]

Anyone in mind?

[Carol Farley]

Yes.

[Peter Troy]

Troy.

[Carol Farley]

Peter Troy.

[Julie]

That name sounds familiar.

[Carol Farley]

Private investigator. Canadian. Tough. Very tough. And a ladies man.

[Julie]

Oh, yes, of course. I remember now.

[Peter Troy]

Open up. Here.

[Carol Farley]

A couple of years ago. Done very well by all accounts.

[Julie]

You think he'll do a job like this?

[Peter Troy]

Sure.

[Carol Farley]

Afterwards, I'm afraid Mr. Peter Troy will just have to die.

[Julie]

Pretty necessary, but well into Each life some death must fall.

[Peter Troy]

It had been one of those bad months. Seems no one in London needed the services of a private investigator. Money was like chorus girls in Alcatraz. There wasn't any. So to rent collectors and sundry tradesmen I was, but definitely out. But to delicate jewy eyed, husky voiced blondes like Carol Farley I was, but definitely in.

[Julie]

So to put it briefly. I need protection, Mr. Joy.

[Peter Troy]

Uh huh. I'll go along with that, Ms. Farley. Springtime. A young man's fancy.

[Julie]

This young man is going to try to kill me.

[Peter Troy]

Huh? Well, there's no way to win friends and influence people, is there? Who is the guy?

[Julie]

An irate suitor, Mr. Joy. He wants to marry me. I declined the invitation and now he's threatened to kill me. And the job pays £100 for approximately two hours work.

[Peter Troy]

That buys you a great aim under the protection, Ms. Farley. Has this character got a name?

[Julie]

Laurie Webster. He's a very persistent man. He's been pestering me for months. He just won't take no for an answer.

[Peter Troy]

It happens.

[Julie]

Just not my type, you know. Anyway, he's coming round to my place tonight to propose again.

[Peter Troy]

And if you say no?

[Julie]

He said that if he can't have me, no one else will.

[Peter Troy]

It sounds corny, but. You want me to be there.

[Julie]

I thought you might be able to disillusion him just a little, if you know what I mean.

[Peter Troy]

I'm way ahead of you.

[Julie]

My address is 15 Carlisle Road, South Kensington. 8:30 this evening.

[Peter Troy]

On the nose.

[Julie]

Thank you, Peter.

[Peter Troy]

Thank you, ma'am.

[Julie]

Carol.

[Peter Troy]

That's nice.

[Julie]

I'll get some bourbon in.

[Peter Troy]

Bourbon?

[Julie]

Don't all private detectives drink straight bourbon?

[Peter Troy]

You've been reading too many pulp magazines. I'm the exception. Scotch.

[Julie]

I remember that.

[Peter Troy]

The exception or the scotch?

[Julie]

Both. 8:30. I'll see you then.

[Peter Troy]

Hi. 8:30 on the lows.

[Julie]

I like punctuality in a man. Come in.

[Peter Troy]

Thanks.

[Julie]

Do you get many of these sort of assignments, Mr. Choy?

[Peter Troy]

Oh, well, I was. I was going to talk to you about that. £100. That's a lot of money just to dissuade a guy from carrying a gal off to the order.

[Julie]

Why don't I go to the police?

[Peter Troy]

Uh huh.

[Julie]

I value my privacy, Mr. Joy. Don't you? Yeah. Scratch.

[Peter Troy]

Thanks. £100 worth of privacy. Has he phoned you or anything yet?

[Julie]

Oh, he won't phone. He'll just arrive. In the meantime, let's relax. Do you like music?

[Peter Troy]

Me and Beethoven were just like that.

[Julie]

You can't dance to Beethoven.

[Peter Troy]

Well, that's the point.

[Julie]

You dance very well.

[Peter Troy]

Thanks. It's a nice place you have here.

[Julie]

It's home.

[Peter Troy]

No place like it. Hold it right there, Mr.

[Carol Farley]

Troy.

[Peter Troy]

Company, huh? Don't turn around and don't move, Mr.

[Carol Farley]

Troy.

[Peter Troy]

Nasty way to break in on a dance, mister.

[Carol Farley]

Isn't it, though?

[Julie]

Oh, poor Mr. Joy. He danced so nicely.

[Carol Farley]

All right, Carol, help me set the scene. We have much time.

[Peter Troy]

Oh.

[Carol Farley]

Oh, brother.

[Peter Troy]

My aching head.

[Carol Farley]

Troy, you must have a head like a cannonball.

[Peter Troy]

Oh, that's all I need. The charming and benign features of Detective Inspector Mellonby of New Scotland Yard bending over me.

[Carol Farley]

Oh. Oh, brother.

[Peter Troy]

What are you doing here anyway?

[Carol Farley]

Investigating.

[Peter Troy]

Yeah? Well, I want to report a case of assault and battery. I was just a. Hey, where's a cute little blonde bombshell?

[Carol Farley]

Which cute little blonde bombshell?

[Peter Troy]

The gal who owns this apartment.

[Carol Farley]

That smack on the head must have addled your brains, Troy. This apartment belongs to a man, or at least it did. A Mr. Laurie Webster.

[Peter Troy]

What do you mean, dead?

[Carol Farley]

The aforementioned gent is, I regret to say, very dead. Shot at close range. That's what I'm investigating.

[Peter Troy]

Now, wait a minute. Where did all this happen? You got a suspect or anything? Because if you haven't, I might ask.

[Carol Farley]

Your first question is right here in this apartment. In fact, right here in this room. If you move your head a fraction, you'll see the late Mr. Webster stretched out on the floor just a couple.

[Regan]

Of feet away from you.

[Peter Troy]

This just doesn't make sense.

[Carol Farley]

As for your second question. Yes, I do have a suspect. A private investigator called Peter Troy.

[Peter Troy]

Oh, very funny. But I'm not in the mood for jokes.

[Carol Farley]

Want to tell me about it?

[Peter Troy]

Tell you about it? What would I want to kill Webster for? I've never even seen the guy.

[Carol Farley]

Guns on the floor beside you, The Smith & Wesson.32. And I've no doubt your fingerprints are splattered all over the butt.

[Peter Troy]

Now, you know I don't use a Smith and Wesson. I got a license to carry a Browning automatic.

[Carol Farley]

A license which I regret to say must be withdrawn.

[Peter Troy]

Now, look, there's a frame and you know it. Inspector, they set me up. I. How did you know about all this anyway?

[Carol Farley]

A phone call, Mr. Troy. The caller said there was some trouble here in Carlisle Road.

[Peter Troy]

Yeah, with me right in the middle, huh? Well, it's nothing that. The trouble is going to be just as soon as I.

[Carol Farley]

Your secretary Julie's outside. Have Ms. Summers come in. Constable Rocher.

[Regan]

Ms. Shovels, please.

[Peter Troy]

Pete.

[Julie]

Pete, they made me Tell them about that girl.

[Peter Troy]

I get it. I get it all now. Julie told you about the blonde that came to see me this afternoon. The girl who wanted a bodyguard to protect her from an over anxious suitor. And you think.

[Carol Farley]

I think you took your duties too seriously. You didn't have to shoot him, you know.

[Peter Troy]

I didn't shoot anybody.

[Carol Farley]

Well, maybe the Smith and Wesson belongs to him, eh? He pulled it on you, There was a struggle, you got possession of the gun, pulled the trigger.

[Peter Troy]

Oh, look, you know me. Am I the sort of guy that goes around giving people lead poisoning? I could take that weasel lying over there, my hands tied behind my back.

[Carol Farley]

That weasel gave you a fair sized clout on the noggin ladding.

[Peter Troy]

Julie, you better get hold of Randell. Looks as though I'm gonna need a lawyer.

[Regan]

You're already legally represented, Mr. Troy.

[Carol Farley]

Huh? All right, you can come in now.

[Regan]

Thank you.

[Peter Troy]

Who are you?

[Regan]

Oh, my name's Regan, of Regan, Regan and Forsyth, Solicitors. My card. I shall be happy to look after your case. And for the moment, I strongly advise you not to answer any more questions.

[Peter Troy]

Who sent for him?

[Regan]

Yeah, I heard about the disturbance and thought you might need help. Furthermore, I think I can furnish the police with a witness. A witness whose testimony will clear you completely, Mr. Troy.

[Peter Troy]

Well, now, that's more like it.

[Carol Farley]

Where are you going to get this witness from, Mr. Regan.

[Regan]

Now, Inspector, you should know better than that. The defence cannot give away its sources of information at this particular juncture. Now, I should like word in private with my client, please. This way, Mr.

[Carol Farley]

Troy. Just don't try and leave this flat, either of you.

[Peter Troy]

Well now, Mr. Regan, I think it's all very charming, but you're in trouble, Mr.

[Regan]

Troy, bad trouble. In fact, it would seem that you could wind up with a rope around your neck.

[Peter Troy]

I thought you said something about a witness.

[Regan]

Yeah, I did, but I omitted to say in front of the inspector that my particular witness, if she gave her testimony, would most certainly take you straight to jail. You see, Ms. Carol Varley was here when you shot down Laurie Webster.

[Peter Troy]

I know that she was. Ah, you mean she's part of the frame?

[Regan]

A rather luscious frame, don't you think? To coin a phrase. Yes, I'm afraid you're in trouble, Mr.

[Carol Farley]

Troy.

[Regan]

Real trouble.

[Peter Troy]

Well, this was certainly cute. This was really cute. This was the tender trap. The more you struggle, the deeper you get into it. But this guy Regan. Now here was an angle.

[Regan]

Yes, a rather delicate predicament, isn't it? Of course, I'd like to help you, Mr.

[Carol Farley]

Troy.

[Peter Troy]

The lady send you?

[Regan]

As a matter of fact, yes.

[Peter Troy]

How come?

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[Carol Farley]

Chum to papa. Welcome bonus.

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[Peter Troy]

She had one before. Look where it got me.

[Regan]

This could be an answer to your problem. You see, I can tie up the legally and demand your formal bail. Without Ms. Varley's testimony, they have very little real evidence.

[Peter Troy]

You ever watched Inspector Mellonby at work? He makes Dick Tracy look like an amateur.

[Regan]

Nevertheless, I can get you out of here. And naturally, we shall want a small favor in return.

[Carol Farley]

How small?

[Regan]

From here you are to go home and you are to make no phone calls. Tomorrow morning you get to your office as usual. And you pay particular attention to the parcel mail. When it arrives, there'll be a package for you. It'll be double wrapped.

[Peter Troy]

Well, keep talking.

[Regan]

Undo the outer wrapping and you will see a letter addressed to you. In it there will be some instructions. You follow them, but you do not, I repeat, you do not open the inner package. It's been specially sealed and we shall know immediately if it's been tempered with.

[Peter Troy]

You're an untrusting lad, aren't you, Mr.

[Regan]

Troy? All you have to do is deliver that package. It's not a very difficult job. In return for doing that, I offer you your freedom.

[Peter Troy]

I've got another suggestion, Mr. Regan. Why don't I just bop you one and make a quick exit?

[Regan]

I may not have seen Melon be at work. But you have. How far do you think you'd get?

[Peter Troy]

Whoa. About a block and a half.

[Regan]

You see, my way. You've got Nothing to lose, Mr.

[Carol Farley]

Troy.

[Peter Troy]

Okay, so I got along with it.

[Regan]

But just tell me one thing, if I can.

[Peter Troy]

Who really did kill that fellow Webster?

[Regan]

But you did, Mr. Troy. Ask Inspector Mellende. He's positive you did.

[Carol Farley]

Troy didn't kill that man. Oh, I know I've cursed that wretched Canadian troublemaker in my time. But I will say one thing in his favor. He's no killer. But the evidence, sir. What evidence? Look, a man lies dead on the floor with a bullet in him. The police surgeon maintains that he's been dead for 24 hours. Troy didn't even know a man called Webster existed 24 hours ago. Well, I still don't think it was wise to let Troy go. Inspector Regan knew we couldn't hold him. We had to let him go. Incidentally, Troy's being shadowed. Best team in the yard looking after him, sir. Good. He's no fool. And I think he's purposely sticking his neck out. You mean he may be setting himself up as a bait, sir? Yes, the fool. When will he learn to start poking his nose into police matters? Well, this time he really didn't have.

[Peter Troy]

Any options here, did he?

[Carol Farley]

I wonder what's behind all this. Anything from ballistics yet? They're still working on the serial number. It's been burnt off with acid. They're putting it through photo analysis. But it takes time. Unfortunately, yes. Yes. Anything on the deceased yet? Well, we know one thing. He has a criminal record. Spent a couple of years in Dartmoor. Worked an old confidence game. But that was five years ago. Not a thing since then. Why was he killed? We get the answer to that. And oh, to the devil with Troy. Why didn't he stay in Montreal?

[Julie]

What's the package, Pete?

[Peter Troy]

Present from Santa Claus for being a good boy all year.

[Julie]

Pete, I'm sorry about blabbing to the police. I had no idea.

[Peter Troy]

That's okay, honey.

[Julie]

I just wanted to help.

[Peter Troy]

That's nice.

[Julie]

How is it you get yourself into so much trouble, Pete?

[Peter Troy]

Trouble and me got married a long time ago, baby.

[Julie]

Will they arrest you again?

[Peter Troy]

No.

[Julie]

How can you be so sure?

[Peter Troy]

Because Melanie knows it didn't kill Webster. She was looking for a patsy, too. You got your notebook, Andy?

[Julie]

Yes.

[Peter Troy]

I'm going to take this down. Troy, Deliver the enclosed package to a Mr. Giles Nolan. Honeywick Cottage, Levendalendale. Where's that?

[Julie]

Buckinghamshire. About 40 miles from London.

[Peter Troy]

Deliver it today. Deliver it unopened. You're being watched, Paige. I make with the pencil, honey. You're being watched. And if you attempt to contact anyone else, there'll be trouble. That old word again? Don't allow yourself to be followed by plain clothesmen. Hmm? And, my angel, our anonymous letter writer has enclosed 20 crisp little fibers.

[Julie]

They look real, too.

[Peter Troy]

Oh, there's a postscript. No matter what happens, this package must reach Lavendale.

[Julie]

Pete, I'm getting that old feeling again.

[Peter Troy]

Looks as though someone's gonna try and stop me from getting this package to Mr. Nolan, doesn't it?

[Julie]

Well, let me Ring through to Inspector Mellon.

[Peter Troy]

Oh, no. You just put that copy of the letter into an envelope and send it to him express, addressed to his home, not Scotland Yard.

[Julie]

Okay, but it'd be so much easier to phone.

[Peter Troy]

You're a sweet, innocent babe and I love you like a brother.

[Julie]

I've got a brother.

[Peter Troy]

You know something? I'll bet our phones are tapped this morning.

[Julie]

Oh, Pete, don't go.

[Peter Troy]

Judy calls.

[Inspector Mellonby]

See you.

[Julie]

Oh, men. Peter Troy Investigations.

[Regan]

Ms. Summers.

[Julie]

Yes.

[Regan]

I gather Mr. Troy has left.

[Julie]

Who is this?

[Regan]

Never mind. Just don't make any phone calls today, Ms. Summers. Otherwise I'm afraid you'll never see your employer again. And don't answer the phone if it should ring. Don't attempt to leave the office until 5:30 this evening. Stay just where you are.

[Julie]

But I have to go to the post now.

[Peter Troy]

Certainly.

[Regan]

Attempt to leave the office. You are being watched. Leave the post till tomorrow or you won't live till tomorrow.

[Julie]

But. Hello?

[Peter Troy]

Hello?

[Carol Farley]

I couldn't care less who makes the delivery, Ms. Valley. Just so long as I get the stuff.

[Julie]

Oh, you'll get it, Mr. Nolan. No need to worry about that.

[Carol Farley]

Yes, and what about Webster?

[Julie]

He had an unfortunate accident.

[Carol Farley]

Yes, in other words, he was hijacked and killed. Sounds like Cragg's work. Is Craig making the delivery then?

[Julie]

Oh, no, that wouldn't be very smart, would it? Webster's men know Cragg too well. They intercept him before he left London. Well, then the delivery will be made by a rather dashing young Canadian private investigator called Peter Troy.

[Carol Farley]

Private investigator?

[Julie]

Oh, don't worry, Mr. Nolan. He's completely trustworthy. He had to be. He's living very close to a noose at prison.

[Carol Farley]

I've heard of Peter Troy. He's tough. He's very tough.

[Julie]

But of course, that's the whole idea. No one's going to hijack that messenger.

[Carol Farley]

And what happens after he's made the delivery?

[Julie]

Now, what would you think?

[Carol Farley]

I see.

[Julie]

Occupational hazard, Mr. Nolan.

[Carol Farley]

He was going to do it.

[Julie]

You are.

[Peter Troy]

No, no, no, no.

[Carol Farley]

Wait a minute.

[Julie]

Because if you don't, Peter Troy will get you, Mr. Nolan, one way or another. I doubt very much whether he's in the sweetest temper just at present. As soon as he hands over the package to you, you give me the money. And then, mister.

[Carol Farley]

Excuse me, sir. These seats taken now?

[Peter Troy]

Be my guest. Nice weather for this time of year, isn't it? The going far? Oh, just as far as Lavendale. Say, excuse me a minute, will you? I'd just like to get something from the Rack above you.

[Carol Farley]

Can I give you a hand?

[Peter Troy]

No, thanks, I can manage. All I really want is the spring case. Ah, there we are. Just want to get something out of it. My gun, as a matter of fact. Now, look, I'm a very nervous sort of guy, so just don't make any sudden moves. Well, now, I guess you're a couple of Caroline Varley's little playmates, huh, Mr. Regan Senior.

[Carol Farley]

Now, Troy.

[Peter Troy]

Oh, you know my name. Well, that's neighborly. Now, just take off your neckties.

[Carol Farley]

Our ties.

[Peter Troy]

All the better to tie you up with, Troy.

[Carol Farley]

We're police officers. I'm Sergeant Betson, and this isn't.

[Peter Troy]

Don't make me laugh. You characters have been tailing me ever since I left my office this morning. Okay, get those ties off or I'll have to do it the hard way. Old place.

[Inspector Mellonby]

Come in, Troy. With those on the latch. All right, put the package on the table in front of you.

[Peter Troy]

I have to make a personal delivery. Mister, put the package on the table. Look, it's kind of dark in here. Okay. Don't even get to see who you are.

[Inspector Mellonby]

You don't need to, Troy. You don't ever need to see anyone again.

[Peter Troy]

I don't like the sound of that.

[Inspector Mellonby]

Don't turn around. Stay. Check visual.

[Peter Troy]

You know, when people say that to me, mister, I get nervous. I start looking around for something like this tape.

[Inspector Mellonby]

All right, Troy, come on out.

[Peter Troy]

Give me a good reason. Not good enough, buster.

[Inspector Mellonby]

He's got a gun.

[Julie]

So what? You've got him trapped.

[Peter Troy]

Ah, the lady Caroline. It figures.

[Inspector Mellonby]

Well, this is your last chance. Throw out that gun, Troy.

[Peter Troy]

You want it? Come and get it.

[Inspector Mellonby]

What the devil?

[Julie]

Something came through the window.

[Inspector Mellonby]

Gas. Tear cats. Troy, this is Melon B. You all right?

[Peter Troy]

Yeah, but hold everything.

[Inspector Mellonby]

Inspector, Police. I have a cordon of men surrounding the place.

[Peter Troy]

We'll keep him outside. I might be able to reason with this guy now.

[Inspector Mellonby]

Not a chance, Toy. I'll give you two minutes, then we're coming in. That ought to do it.

[Peter Troy]

All right, fella, you got no chance against the police. You may as well call it a day.

[Inspector Mellonby]

Give myself up? Not a chance.

[Julie]

Are you crazy?

[Carol Farley]

They've got us cold.

[Peter Troy]

The lady's right, you know. They'll never take me a lot.

[Inspector Mellonby]

Watch it.

[Carol Farley]

Melanie's making a break for it.

[Peter Troy]

You fool. Come back.

[Julie]

No.

[Peter Troy]

Tear gas. Well, couldn't you find some other way, Inspector? In any case, how come you got to the scene of the nickoff?

[Carol Farley]

Well, Troy, you can thank your lucky.

[Julie]

Stars you've got an efficient secretary well, yeah.

[Peter Troy]

I'm glad you delivered a message.

[Julie]

I delivered the message. You don't know the trouble I had doing that little chore. I was being watched. I couldn't leave the office, nor could I use the phone. But at 9:30 this morning I had a visitor.

[Carol Farley]

Guess who you got me?

[Julie]

Our very irate landlord. Demand. I gave him the letter and told him to take it straight round to Inspector Melanby.

[Peter Troy]

Okay, so you're a genius, Troy.

[Carol Farley]

Did you have any conception of what was in store for you?

[Peter Troy]

Yeah, sort of. I had to play it out, otherwise we're going to lose track of our playmates. It is dope, isn't it?

[Carol Farley]

Heroin. There was enough of the pure stuff in that package to poison a herd of elephants. It was hijacked from the dead man, Webster. He had it smuggled in. Carol and her boyfriend decided to take it from him and make the delivery themselves.

[Peter Troy]

And the difficulty was getting it to Nolan.

[Carol Farley]

Webster's boys knew Carol's boyfriend. The delivery had to be made by a stranger and a Troy.

[Peter Troy]

Well, I'm glad I was ready for the ambush.

[Carol Farley]

Oh, and in future, Troy, please try to refrain from tying up my police officers in trains. They don't appreciate it.

[Peter Troy]

They really were your men.

[Carol Farley]

They were.

[Julie]

You heard what the man said. Walk softly. Peter.

[Peter Troy]

Troy.

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