
We Love And Learn 49-04-29 xxx Thelma Visits Dixie
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Trip Planner by Expedia. You were made to have strong opinions about sand. We were made to help you and your friends find a place on the beach with a pool and a marina and a waterfall and a soaking tub. Expedia made to travel. The makers of Sweetheart soap present the comedy drama we love and learn. Ladies, when you shop today or tomorrow, save nearly 25% in this sensational $0.01 sale of sweetheart soap. You get a full size cake of pure mild sweetheart soap for only one cent when you buy three cakes at the usual price. And that applies to the regular size cake and the big new bath size sweetheart. It's your best soap. Buy today. Simply buy three regular size cakes Sweetheart of and get one regular size cake for only a penny more. Or buy three bath size cakes and get one bath size cake for only a penny more. Offer good only. While $0.01 sale packages last today, get Sweetheart with soap that agrees with your skin. We love and learn in hair curlers and a bathrobe munching an apple, Dixie Blake lies comfortably ensconced on her sofa. As she turns the pages of a magazine, she occasionally sniffles.
Dixie Blake
Oh. Oh, murder. Either I'm getting that cold or I'm allergic to the stuff I'm reading. Yeah, who is it?
Thelma
It's Thelma.
Dixie Blake
Oh, come on in, kid. The door's unlocked. Hello?
Thelma
Hello, Dixie. Don't you feel well?
Dixie Blake
After the day I've had, honey, it's a wonder. I feel it all. Did it rain all day here too?
Thelma
Why, where were you, Dixie?
Dixie Blake
Out in the wide open spaces part of the time nearly drowning in mud and water. And the rest of the time chasing ghosts through a haunted old rattle trap of a house.
Thelma
Maybe you better have a doctor, Dixie.
Dixie Blake
I sound like I'm out of my head. Huh? Well, I'm not. Oh, that Madam Selfie, what a character. The longer I'm with her, the oftener she floors me.
Thelma
I still don't know what you're talking about.
Dixie Blake
A house, Thelma. A hundred year old relic, complete with bats, mice, cobwebs and ghosts. A house buried in a wilderness of overgrown weeds and bushes.
Thelma
You mean Madam Sophie bought a house?
Dixie Blake
Yeah, and she's gonna live in it.
Thelma
Well, what's wrong with that?
Dixie Blake
Madam Sophie's heard the call of the wild. Her peasant blood is cooking like the inside of a volcano. Imagine, Fifth Avenue's smartest designer is gonna be a gentleman farmer.
Thelma
Well, it sounds like a good hobby to me.
Dixie Blake
Hobby? A job like she's undertaken will land her in the booby hatch and me with her today was one long nightmare. And it's only the beginning. Look at these magazines. Yeah, magazines. Everyone she could lay her hands on. Scientific farming, raising chickens, cattle care, successful gardening, planting the vegetable garden. Murder.
Thelma
But why do you have to read them?
Dixie Blake
Because I'm nuts and Madam Sophie is my boy.
Thelma
Sucker.
Dixie Blake
Dollars to doughnuts, that's her again. She's called me three times since I got home. Excuse me, honey.
Madam Sophie
Hello, Dixie, you are reading the ma.
Dixie Blake
Yes, Madam Sophie. In between phone calls.
Madam Sophie
So who is bothering you so much?
Dixie Blake
A gentleman farmer by the name of Madame Sophie. Huh? It's okay, I'm getting along fine. Only one thing.
Madam Sophie
What?
Dixie Blake
One magazine you missed out on. Which? How to catch a Ghost.
Madam Sophie
Ah, again with the ghosts. We marched with Mr. Jasper all over the house from the roof to the cellar. Dixon, one ghost.
Dixie Blake
Did you see ghosts work only after midnight, Madame Sophie. They have a strong union.
Madam Sophie
Then I have a strong patience to listen to your jokes. Be so good. Dixie, stop the foolishness. I got another idea.
Dixie Blake
I know now you want to buy an elephant to plow the garden.
Madam Sophie
An elephant? Dixie, that is a.
Dixie Blake
Forget it, Madam Sophie. Forget it. I didn't say a word.
Madam Sophie
Dixie. An elephant, even a baby could do more work than Mr. Jasper.
Dixie Blake
Three flies could do more than Jasper. But please wait with the zoo for a while, huh?
Madam Sophie
All right, all right, I will sleep on the elephant. But now I got something else to talk about.
Dixie Blake
What?
Madam Sophie
Furniture. I got to start to buy some furniture for the house.
Dixie Blake
What's the rush?
Madam Sophie
The rush?
Dixie Blake
Yeah. There isn't even a decent floor in the place that will hold up under a piece of furniture. With Jasper on the job, it'll take a couple of months, maybe years.
Madam Sophie
You think I'm going to wait for months before I move in?
Dixie Blake
But you've got to.
Madam Sophie
I do not got to. The minute one room is finished, I am in it. What is more, I'm not so foolish to think Mr. Jasper can do all the work alone.
Dixie Blake
You're gonna pitch in?
Madam Sophie
Sure. I'm going to roll up my sleeves and get more men. I am going to be superintendent.
Dixie Blake
Oh brother.
Madam Sophie
You think when I fixed my shop, Dixie, I sat on the telephone?
Dixie Blake
No.
Madam Sophie
Madame Sophie was there underfoot every minute.
Dixie Blake
Okay, okay. But furniture?
Madam Sophie
Uh huh. That will take time. Yes, to find real antiques.
Dixie Blake
Antiques?
Madam Sophie
But of course, a house in the country a hundred years wants furniture with holes from real worms. Tomorrow we commence to look.
Dixie Blake
But we can't both sit around at auctions. Madam Sophie, with Andrews away too, what's going to happen to your business?
Madam Sophie
Couple of hours a day. Solid rock, like my business can wait.
Dixie Blake
Well, I guess you know what you're doing.
Madam Sophie
What? Then you know what I'm doing.
Dixie Blake
So.
Madam Sophie
All right, Dixie, in the morning. Tomorrow you come in a little early. We will get cleaned up and start looking.
Dixie Blake
Okay? If I don't develop pneumonia during the night, I'll be there.
Madam Sophie
Don't develop nothing, Dixie, you hear? We've no time now for foolishness, so goodbye. Half past eight in the morning, I will see you.
Dixie Blake
How do you like that? Did I tell you I was gonna land in the boobies hatch?
Thelma
Thelma, Madam Sophie wants you to help her buy furniture.
Dixie Blake
Antiques, no less. The real thing. And she's moving into that ghost rookery as soon as she can park a bed in one of the rooms.
Thelma
Why do you keep saying ghost, Dixie?
Dixie Blake
Because the place is crawling with them.
Thelma
You didn't see anything or hear anything, did you?
Dixie Blake
Madam Sophie insisted they were just sounds any old house makes. But you can't fool me.
Thelma
Oh, our house in the country. Talks all night. Used to scare me half to death when I was a child.
Dixie Blake
Well, it gives me the creeps now. The silence of the country. Nuts. Give me an apartment in the city anytime where you know what you're listening to. An automobile horn is just that. And not a ghost blowing his nose.
Thelma
Who's this Jasper, Dixie?
Dixie Blake
A cockeyed wonder who can build the world with his own bare hands, he says.
Thelma
Where'd Madam Sophie find him?
Dixie Blake
We found him haunting the house. Came out of the rain, he said. My guess is that's all he knows enough to do. But Madam Sophie hired him for a.
Thelma
Sort of a handyman.
Dixie Blake
Yeah. Well, let's talk about things around here. How'd you make out with Markov?
Thelma
Well, that's what I came to tell you.
Dixie Blake
Well, give.
Thelma
You're in for a surprise, Dixie.
Dixie Blake
The old girl never said a word about you and Jim getting out.
Thelma
That's right.
Dixie Blake
Well, that's a load off my mind. I was sure she'd ask you and Jim to move into a furnished room.
Thelma
She's done the reverse, Dixie.
Dixie Blake
The reverse. What do you mean?
Thelma
She's moved out herself.
Dixie Blake
What?
Thelma
She's the one who's taken a furnished room.
Dixie Blake
Oh, now, look, kid, I'm hearing things. Do you mean to stand there and tell me that Mrs. Carlton handed over her little nest to you?
Thelma
We tried to stop her, Dixie. Jim was just beside himself, but it didn't do any good.
Dixie Blake
Ma's moved out. She's actually gone? Yes. I'll be darned.
Thelma
I knew you'd be surprised.
Dixie Blake
Surprised? I'm out cold, for Pete's sake, honey. Aren't you?
Thelma
Well, after what you told me, how angry and bitter she still was, I certainly didn't expect her to behave that way when she came back.
Dixie Blake
She didn't fall on you and Jim like a ton of bricks?
Thelma
No, on the contrary, she said a lot of nice things.
Dixie Blake
Nice?
Thelma
Ma, she called us her children and asked me to call her mother.
Dixie Blake
Oh, this I can't stand. I don't get it. I don't believe it. I don't trust it.
Thelma
It's a little hard for me to believe too, after all those horrible things she said before.
Dixie Blake
I smell a rat, Thelma. A rat as big as a house. Ma's pulling one of her tricks.
Thelma
Maybe not, Dixie. Maybe we ought to give her the benefit of the doubt.
Dixie Blake
Mrs. Carlton runs benefits for herself and no one else. She's up to something and no one can tell me different. Thelma, where is Jim now?
Thelma
With her, helping her get settled. He barely bolted his supper down.
Dixie Blake
Uh huh. I've got it.
Thelma
Got what?
Dixie Blake
Thelma, you've been had. We've all been had. She's put one over on you but good.
Thelma
But I don't see what you mean. Dixie, I. Come in.
Madam Sophie
Oh, Jim, I thought I'd find you here.
Jim
Thelma. Hello, Dixie.
Dixie Blake
Hello yourself. Come on in.
Jim
I'm kind of tired, but okay. Just for a minute. Well, what have you two girls been gabbing about?
Dixie Blake
Oh, things Thelma's just told me about your mother, Jim.
Jim
Yeah. What do you think about that, Dixie? Bet you never expected my mother to do anything like that, to make such a sacrifice.
Dixie Blake
Sacrifice, my foot.
Thelma
Really, Dixie.
Dixie Blake
Maybe Ma's kidding you two babes in the woods, but she isn't kidding me.
Jim
Oh, now look here, Dixie.
Dixie Blake
Your old lady is one smart cookie, Jim. And moving out on you was no sacrifice, believe me.
Jim
Is that so? I suppose it's easy for an old sick woman to give up her own.
Dixie Blake
Home a cinch when she's taking with her the only thing in the whole cockeyed world she wants.
Jim
And what's that?
Dixie Blake
You, my dear little simple Simon. You, her one and only angel child.
Jim
Oh, aren't you a little off the beam, Dixie?
Dixie Blake
No, pal. I'm on the beam, right smack on it. If Ma stayed with you and Thelma, she'd have to share you now, cooped up in a small hole in the wall. She's got you just where she wants you.
Thelma
I think I'm beginning to see what Dixie means, Jim.
Jim
Well, then you're all alone. I don't see it.
Dixie Blake
Let me open your eyes. Jim. Where were you tonight?
Jim
Helping mother get settled. What's wrong with that?
Dixie Blake
She called you at the office, no doubt, and asked would you mind.
Jim
So what?
Dixie Blake
How much settling is there to do in a furnished room? Well, yeah. Well, tell the truth, Jim. What did you do for your mother tonight? Except listen again to how much she sacrificed for you?
Jim
Well, just having me there helped the first night alone.
Dixie Blake
She's gonna be just as alone the second night and the tenth night and the skatey eighth. And she's depending on you to realize how sad and lonely and unhappy she is. And you'll keep running over there. Well, mister, now do you see what I mean?
Jim
Yeah.
Dixie Blake
So what are you gonna do, Jim? What Ma expects.
Jim
Well, how do I know, Dixie? How can I see?
Dixie Blake
What? What?
Jim
Oh, nuts.
Dixie Blake
Okay, Thelma, you're on the 40 yard line and here's where you start carrying the ball. I wish you luck.
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Podcast Summary: "We Love And Learn 49-04-29 xxx Thelma Visits Dixie"
Release Date: June 11, 2025
Podcast: Harold's Old Time Radio
Host: Harolds Old Time Radio
Episode Title: We Love And Learn 49-04-29 xxx Thelma Visits Dixie
The episode introduces listeners to Dixie Blake and her sister Thelma as they navigate familial tensions and mysterious occurrences surrounding their friend, Madam Sophie. The setting is Dixie’s cozy living room, where she shares her frustrations and suspicions about Madam Sophie's recent endeavors.
Dixie reveals her exasperation with Madam Sophie’s decision to purchase and move into an old, seemingly haunted house in the countryside. The conversation sheds light on Madam Sophie’s drastic lifestyle change from a sophisticated designer on Fifth Avenue to a "gentleman farmer."
Dixie Blake expresses her worries:
“Madam Sophie's heard the call of the wild. Her peasant blood is cooking like the inside of a volcano.” ([02:10])
Thelma tries to understand:
“Maybe you better have a doctor, Dixie.” ([02:20])
Madam Sophie’s ambitious plans clash with Dixie’s skepticism. She intends to fully invest in the rural lifestyle by tackling extensive renovations and purchasing authentic antiques, leaving Dixie doubtful about the feasibility.
Dixie Blake laments the overwhelming amount of work:
“I sound like I'm out of my head. Huh? Well, I'm not.” ([02:23])
Madam Sophie outlines her commitment:
“I'm going to roll up my sleeves and get more men. I am going to be superintendent.” ([05:12])
This segment highlights the stress and differing perspectives between Dixie and Madam Sophie regarding the renovation and furnishing of the old house.
Dixie remains unconvinced by Madam Sophie’s dismissal of supernatural occurrences in the house. She insists that the sounds and disturbances are not merely typical noises of an old house but signs of actual ghostly presence.
Dixie Blake asserts her disbelief in the ghost explanations:
“An automobile horn is just that. And not a ghost blowing his nose.” ([06:45])
Thelma reflects on her childhood fears:
“Oh, our house in the country talks all night. Used to scare me half to death when I was a child.” ([06:40])
The narrative intensifies as Thelma shares surprising news about their mother, Mrs. Carlton, having moved out and taken a furnished room herself. Dixie suspects ulterior motives behind this sudden change, believing Mrs. Carlton is manipulating the situation to her advantage.
Thelma reveals the unexpected move:
“She's moved out herself. She's the one who's taken a furnished room.” ([07:39])
Dixie Blake voices her distrust:
“Mrs. Carlton runs benefits for herself and no one else. She's up to something and no one can tell me different.” ([08:00])
Jim, Thelma’s partner, enters the scene, adding another layer to the family drama. Dixie confronts him about his role in assisting Mrs. Carlton, suggesting that he is being controlled and used to keep Mrs. Carlton isolated.
Dixie Blake accuses Jim:
“What did you do for your mother tonight? Except listen again to how much she sacrificed for you?” ([10:54])
Jim defends his actions:
“Well, just having me there helped the first night alone.” ([11:08])
The tension culminates in Dixie accusing both Jim and Thelma of being deceived by Mrs. Carlton. She implores them to recognize the manipulation and break free from their mother’s influence.
Dixie Blake declares:
“Thelma, you've been had. We've all been had. She's put one over on you but good.” ([09:17])
Jim responds skeptically:
“I suppose it's easy for an old sick woman to give up her own.” ([10:07])
The episode concludes with unresolved tensions, leaving listeners anticipating how Dixie, Thelma, and Jim will navigate their strained relationships and the mysterious happenings in Madam Sophie’s new home. The interplay between skepticism and belief in the supernatural, coupled with family loyalty and manipulation, sets the stage for future developments.
Dixie Blake on Madam Sophie’s transformation:
“Imagine, Fifth Avenue's smartest designer is gonna be a gentleman farmer.” ([02:49])
Madam Sophie on her dedication:
“Madame Sophie was there underfoot every minute.” ([05:24])
Dixie Blake on her distrust of Mrs. Carlton:
“Mrs. Carlton runs benefits for herself and no one else. She's up to something and no one can tell me different.” ([08:00])
This episode of "We Love And Learn" delves deep into themes of trust, familial obligations, and the supernatural, all set against the backdrop of Madam Sophie’s ambitious country life transformation. Dixie’s protective instincts and skepticism create a compelling narrative that engages listeners, prompting them to ponder the true intentions behind Mrs. Carlton’s sudden move.