Young Dr. Malone xx-xx-xx (534) Late

Summary

Podcast Summary: Harold's Old Time Radio – "Young Dr. Malone" (Episode 534) Late

Release Date: April 22, 2025

Host: Harold's Old Time Radio
Title: Young Dr. Malone
Episode: 534 – Late

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Overview

"Young Dr. Malone" transports listeners back to the Golden Age of Radio, weaving a compelling narrative filled with familial bonds, unexpected crises, and the resilience of ordinary individuals in the face of unforeseen challenges. Set in the quaint town of Three Oaks, the episode masterfully blends everyday domestic life with a gripping medical emergency, showcasing the depth and versatility of old-time radio storytelling.

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Setting the Scene: Home Life in Three Oaks

The episode opens with Joe Pringle returning home from a taxing day’s work as a plumber. His wife, Bess Pringle, is diligently managing household tasks despite their aging stove, reflecting the everyday struggles of mid-20th-century family life.

Notable Quote:

• Bess Pringle [00:40]: “Well, now, I might be able to fix you a small sandwich.”

This exchange underscores the Pringles' resourcefulness and the subtle humor in their marital interactions.

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Introducing the Pringles and Crisco’s Role

The conversation between Joe and Bess transitions into a lighthearted advertisement segment promoting Crisco, emphasizing its practical use in daily cooking. Bess mentions a pie in the oven, highlighting the product's role in creating homely comforts.

Notable Quote:

• Narrator [01:40]: “I said to her, madam, I said, what you need in your life is a can of Crisco. There's a pie crust recipe printed right on the label.”

This segment seamlessly integrates product placement into the storyline, a hallmark of old-time radio’s innovative advertising strategies.

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The Malone Family Crisis Unfolds

The narrative shifts focus to the Malone family, introducing Lynn Malone and her husband, Dr. Jerry Malone. Jerry, a dedicated physician, is seen battling an illness, prompting Lynn to stay by his side overnight.

Key Development:

• Lynn's unwavering commitment to her ailing husband sets the stage for the forthcoming crisis, highlighting themes of devotion and vulnerability.

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The Night of the Accident

As the night progresses, both Lynn and Jerry succumb to sleep, leaving Roger Deneen, a concerned colleague or friend, to notice their prolonged absence. The suspense builds as Roger senses something amiss, leading to frantic phone calls and a frantic search for Jerry.

Notable Quote:

• Roger Deneen [05:12]: “What are you doing up at this time?”

This moment heightens the emotional stakes, reflecting the anxiety and urgency that drive the plot forward.

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Unraveling the Mystery: The Car Accident

Roger’s investigation reveals that Jerry has not returned home, triggering a series of urgent actions. Enter Vito Corleone, a character whose notorious presence adds a layer of intrigue and complexity to the unfolding drama.

Notable Quote:

• Vito Corleone [07:43]: “There's been an accident.”

Vito's revelation about the accident serves as the emotional pivot of the episode, thrusting the characters into a turmoil of fear and uncertainty.

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Emergency Response and Emotional Turmoil

The narrative delves into the immediate aftermath of the accident. Vito Corleone assists Lynn in managing the crisis, coordinating hospital visits, and providing solace amidst the chaos.

Notable Quote:

• Lynn Malone [08:16]: “I'll go to the hospital.”

This declaration marks Lynn’s transition from a passive caretaker to an active participant in resolving the crisis, embodying strength and determination.

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A Family United in Crisis

As Lynn and Vito race to the hospital, they encounter Mrs. Malone, Jerry's mother, whose distress amplifies the emotional intensity of the situation. The interactions between the Malones depict a family grappling with potential loss, underscoring themes of love, fear, and resilience.

Notable Quote:

• Mrs. Malone [10:03]: “Wait here. I want you to take me to the hospital right away.”

Mrs. Malone’s urgency and protective instincts add depth to the narrative, illustrating the multifaceted responses to crisis within a family unit.

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Climactic Emotional Exchange

In the hospital setting, Mrs. Malone and Lynn share a poignant moment that encapsulates the episode’s emotional core. Mrs. Malone’s words offer both comfort and a stark reminder of the fragility of life.

Notable Quote:

• Mrs. Malone [11:06]: “Always remember this. No matter what, millions of people have gone through this experience before us and haven't been broken or beaten by it.”

This exchange serves as a powerful testament to human resilience, inspiring both characters and listeners alike.

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Conclusion: Reflecting on Resilience and Community

The episode concludes with the characters rallying together, fortified by their shared ordeal. The narrative not only resolves the immediate crisis but also celebrates the enduring spirit of community and familial support that defines small-town life.

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Themes and Insights

• Resilience in Adversity: The Malones’ ability to confront and navigate the crisis underscores the human capacity to endure and overcome unexpected challenges.

• Community and Support: The interdependence among characters like Joe Pringle, Lynn Malone, and Roger Deneen highlights the importance of community support during times of crisis.

• Everyday Heroism: Ordinary individuals rise to extraordinary circumstances, embodying the everyday heroism that often goes unnoticed.

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Notable Quotes with Timestamps

1. Bess Pringle [00:46]: “Which, by a curious coincidence, is exactly what we're having.”
2. Narrator [01:40]: “I said to her, madam, I said, what you need in your life is a can of Crisco.”
3. Roger Deneen [05:12]: “What are you doing up at this time?”
4. Vito Corleone [07:43]: “There's been an accident.”
5. Lynn Malone [08:16]: “I'll go to the hospital.”
6. Mrs. Malone [11:06]: “Always remember this. No matter what, millions of people have gone through this experience before us and haven't been broken or beaten by it.”

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Final Thoughts

"Young Dr. Malone" exemplifies the rich storytelling of old-time radio, blending relatable domestic scenarios with high-stakes drama. Through its well-crafted characters and emotionally charged narrative, the episode invites listeners to immerse themselves in the timeless themes of love, fear, and the unyielding human spirit.

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Transcript

[Narrator]

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[Vito Corleone]

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[Narrator]

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[Vito Corleone]

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[Narrator]

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[Vito Corleone]

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[Narrator]

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[Vito Corleone]

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[Joe Pringle]

It's Crisco's young Dr. Malone now in Three Oaks. Joe Pringle has just come home from work. He's saying to his wife Bess, any.

[Narrator]

Chance for a starving plumber to get a hen out here, lady?

[Bess Pringle]

Well, now, I might be able to fix you a small sandwich.

[Narrator]

Sandwich, eh? I'm in the mood for, oh, say, some nice roast beef and brown gravy.

[Bess Pringle]

Which, by a curious coincidence, is exactly what we're having.

[Narrator]

I know. I looked, and didn't I see a pie in the oven?

[Bess Pringle]

Mm. I put a Crisco apple pie in along with my roll. Well, I only hope it gets baked. This stove is getting so decrepit. I'm afraid any day now the oven will just give up. And speaking of this stove, Joe Pringle. I was in Morton's store today and just happened to ask where we stood on the list for a new stove.

[Vito Corleone]

Oh, me?

[Bess Pringle]

We're not even on the list.

[Narrator]

Well, I. I've been too busy to get over there.

[Bess Pringle]

Oh, it's all right. I put our name down today.

[Narrator]

You did?

[Bess Pringle]

Mm. Well, I better get my pie out of the oven.

[Narrator]

Oh, it sure looks good. Oh, say, while I was over at Mrs. Kennedy's on the job today, she was telling me how she served an apple pie at the bridge party hardly anybody could eat. I guess it was sort of embarrassing.

[Bess Pringle]

I should think so.

[Narrator]

Anyway, I said to her, madam, I said, what you need in your life is a can of Crisco. There's a pie crust recipe printed right on the label. You follow that recipe, and you'll get tender, flaky pie crust every time.

[Lynn Malone]

Well, good for you.

[Narrator]

My home training, you know.

[Bess Pringle]

Well, I think you should tell all your women customers what a wonderful shortening Crisco is and how Crisco and Crisco's pastry method turns out tender, flaky pie crust every time. And how digestible Crisco pie crust is.

[Narrator]

Yeah, and pretty soon, people would say, look, here comes Joe Pringle. The Crisco kid. You know, that tender, flaky plumber.

[Bess Pringle]

All right, but look, if you want some of the tender, flaky pie crust that's on my apple pie, you better go get washed up.

[Joe Pringle]

Bess and Joe Pringle had been asleep for hours by the time Jerry Malone was able to leave the Deneens. It was almost 2:00 in the morning when Jerry finally climbed in his car after reassuring Lynn that her brother was not as seriously ill as he first seemed when he suddenly collapsed earlier tonight. But reassured though she was, Lynn insisted on sitting at her brother's bedside the remainder of the night to watch over him. However, in spite of herself, Lynn has fallen off to sleep as Roger Deneen, kept awake by a strange feeling of anxiety, peeks in on her now.

[Vito Corleone]

Lynn? Lynn asleep in the armchair. Him? Yes, he's asleep too. Spoiled, good for nothing written all over his face. Oh, well, no point in disturbing them. Three o'clock. Dear me. I guess I won't get a wink of sleep tonight. Oh, confounded. Who the devil.

[Lynn Malone]

Oh, I'm dreadfully sorry, Mr. Deneen.

[Vito Corleone]

Mrs. Malone? Is this Mrs. Malone?

[Lynn Malone]

Yes. Please excuse me, but I'm worried. Is my husband still there?

[Vito Corleone]

Your husband? Why, he went home a long time ago. What? Wait. You mean to say he hasn't returned yet?

[Lynn Malone]

No, he hasn't returned.

[Vito Corleone]

You don't think. Did he have another call to make?

[Lynn Malone]

I don't think.

[Vito Corleone]

No, no, you misunderstand. I'm asking if he had another call.

[Lynn Malone]

No, he was coming straight home.

[Vito Corleone]

How odd.

[Lynn Malone]

I hope you don't mind my calling you at this hour.

[Vito Corleone]

No, no. Now please wait a moment. Don't begin thinking horrible things. It wasn't such a long time ago. I'm just beginning to remember clearly. Or probably nothing more than a flat tire.

[Lynn Malone]

Of course.

[Vito Corleone]

Now just hang up and I'll check. I'll call you back in 15 minutes.

[Lynn Malone]

All right, thank you.

[Vito Corleone]

Yes, he may have gone to Huber, the all night garage man.

[Lynn Malone]

Yes, of course.

[Vito Corleone]

You sit right where you are and I'll have track of your husband in 15 minutes.

[Lynn Malone]

You're sure you don't think.

[Vito Corleone]

My dear lady, of course not. Hang up now and I'll run him down to earth in a jiffy.

[Lynn Malone]

Thank you so much. I am frightened.

[Vito Corleone]

Naturally. Naturally. Naturally.

[Lynn Malone]

I'll wait.

[Vito Corleone]

I won't be long. Goodbye.

[Lynn Malone]

Thank you. Goodbye. Roger.

[Bess Pringle]

What are you doing up at this time?

[Vito Corleone]

It was a phone call from Malone's wife. She's not home yet.

[Mrs. Malone]

Roger.

[Vito Corleone]

He looked half asleep when he climbed into his Car here.

[Lynn Malone]

Oh, dear.

[Vito Corleone]

No, no, no. Let's not go thinking things. I'm going to get some clothes on and get the car out.

[Lynn Malone]

You're scared.

[Bess Pringle]

No.

[Vito Corleone]

No, I'm not. It's just extraordinary, that's all. A little disconcerting. I wonder if disconcerting is the right word. Well, it's a nice night. Roads are dry. Well, what's this? Some fellow waving on the road. Yes, what is it?

[Lynn Malone]

Hey.

[Vito Corleone]

Hey. Yes, yes, what is it? There's a tough one up there, mister.

[Joe Pringle]

I can't do anything by myself.

[Vito Corleone]

Who is it? I don't know. The car's a mess. There's a man inside.

[Narrator]

Maybe he's dead.

[Vito Corleone]

How is it? I'm Roger Deneen. Drive my car to the first house on your right toward Lincoln Falls. The lady will let you in. Call the hospital in Lincoln Falls. Call the state police and call. Oh, what produce is his name? Ames. Dr. Ames. Can you remember all that? Yeah, sure, sure. Where's the wreck? Up ahead there. You see? I was just driving. I don't give a hang where you were driving. Get into that car and do as I say. You're here. Yeah, yeah, yeah, yeah, sure. A green cross. Oh, Lord. Never mind the door. The windshield. Here. Alone. You put. Devil. Manson.

[Lynn Malone]

Mr. Deneen. I waited for your call. Something's happened.

[Vito Corleone]

There's been an accident.

[Lynn Malone]

Oh, please, let me sit down.

[Vito Corleone]

Hold on to me. We'll sit here a few minutes. Do you think you'll get hold of yourself?

[Lynn Malone]

It is Jerry. What happened?

[Vito Corleone]

The car is smashed.

[Lynn Malone]

Please.

[Vito Corleone]

We got him out. Dr. Reims arrived just after I got to him. We managed to get him out. He's on his way to the hospital now.

[Lynn Malone]

It's bad.

[Vito Corleone]

He was unconscious. That's all I know.

[Lynn Malone]

I'll go to the hospital.

[Vito Corleone]

Of course. I'll take you at once. What about his mother?

[Lynn Malone]

I don't think I can write. Would you put something on? A note? One of Jerry's pads is on that table. Just tell him it's been an accident.

[Vito Corleone]

I think I know what to say.

[Lynn Malone]

Will you? I'll go upstairs and put on a dress.

[Vito Corleone]

Can you manage it?

[Lynn Malone]

I think so.

[Vito Corleone]

And Anne? I've never called you Anne before.

[Lynn Malone]

Yes?

[Vito Corleone]

Nothing.

[Mrs. Malone]

What are you doing talking at this time of night? Jerry, you ought to have more sense.

[Vito Corleone]

Anne, is that you?

[Lynn Malone]

You'll have to say something.

[Mrs. Malone]

You must get sleep, Jerry. You're tired. Hasn't your wife told you that you. Why, Mr. Deneen.

[Vito Corleone]

Mrs. Malone. Please forgive us for disturbing you.

[Mrs. Malone]

What does this mean? What's the Matter with you, girl?

[Vito Corleone]

Mrs. Malone, there's been a bit of an accident. What?

[Lynn Malone]

Excuse me, I'll go upstairs.

[Mrs. Malone]

Accident?

[Vito Corleone]

Well, yes. Now, you needn't be too much alarmed. That is to say, I don't mean.

[Mrs. Malone]

Come, man, speak up. Don't stammer like a schoolboy. Where's your tongue?

[Vito Corleone]

Sorry.

[Mrs. Malone]

Is my son alive?

[Vito Corleone]

Yes, Mrs. Morrow. Yes, he's alive.

[Mrs. Malone]

Where is he?

[Vito Corleone]

At the hospital by now. Oh, yes, he must be there by now.

[Mrs. Malone]

It's serious.

[Vito Corleone]

Rather serious, I'm afraid.

[Mrs. Malone]

You don't mean rather serious. You mean serious, don't you?

[Vito Corleone]

Yes.

[Mrs. Malone]

I see.

[Vito Corleone]

You take this very well. I admire you.

[Mrs. Malone]

You have a car?

[Vito Corleone]

Of course.

[Mrs. Malone]

Wait here. I want you to take me to the hospital right away. Be good enough to call Mrs. Morrison. We'll have to take the baby there. You'll find her number on a card. Do it right away.

[Vito Corleone]

Yes, of course.

[Mrs. Malone]

I shan't be long.

[Vito Corleone]

By George.

[Mrs. Malone]

Anne.

[Lynn Malone]

I'm going to the hospital with Mr. Deneen.

[Mrs. Malone]

Mother, I'm going with you. We're taking Jill to Mrs. Morrison. I've told Mr. Deneen to call her and wake her. Are you all right?

[Lynn Malone]

Yes, I'm all right.

[Mrs. Malone]

He told you, has he?

[Lynn Malone]

It's serious, Mother.

[Mrs. Malone]

I know. Here now. Here, let me tie that. Your hands are trembling.

[Lynn Malone]

Thank you.

[Mrs. Malone]

There we are. Now, wait for me. I'll dress and everything is going to be all right. Keep telling yourself that.

[Lynn Malone]

Yes.

[Mrs. Malone]

And if we have to face worse consequences, we must be ready for that too.

[Lynn Malone]

I know.

[Mrs. Malone]

Always remember this. No matter what, millions of people have gone through this experience before us and haven't been broken or beaten by it. I know you're not going to be either.

[Lynn Malone]

I'm not thinking of myself. No.

[Mrs. Malone]

But I am. Because if your husband is dead when we get there, it will be you.

[Lynn Malone]

He's your son.

[Mrs. Malone]

I'm an old woman. The important thing is you, not me. Mother. Look, Anne. There's the dawn. Do you see?

[Joe Pringle]

Listen again, Monday. To young Dr. Malone and all the other Three Oaks people who are brought to you by pure all vegetable Crisco.

[Vito Corleone]

We hope that you've enjoyed this recording. And for more happy listening, please visit.

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[Vito Corleone]

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