Greece gave way to Rome and the Roman Empire too declined, but Helen of Troy survived. Forever young and relevant, she has been reimagined by generation after generation. In the last episode of this mini-series, Mary and Charlotte look at Helen’s enduring appeal in the modern age.

They show how she appeared in the poetry of medieval bards, inspired playwright Christopher Marlowe to create one of the most famous lines in English literature (the face that launched a thousand ships) - and how Shakespeare, not wanting to be outdone by Marlowe, said her face launched ‘over’ a thousand ships.

Mary describes some of her favourite 19th century paintings of Helen - and discusses the problem of how you paint a face that, by definition, is more beautiful than the face of any artist model. Charlotte talks about how that problem continues in cinema (with a side anecdote about asking Brad Pitt the wrong question at the launch of the film Troy).

Finally, Charlotte and Mary compare some of their favourite Helens in modern literature, including Margaret Atwood’s Penelopiad (2005), Pat Barker’s The Silence of the Girls (2018) and Natalia Haynes’ A Thousand Ships (2019)

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Paintings referred to:

G Moreau, Helen at the Scaean Gates

https://commons.wikimedia.org/wiki/File:Helene_a_la_porte_scee_-_gustave_moreau_-_2.jpg

F. A Sandys, Helen of Troy

https://www.liverpoolmuseums.org.uk/artifact/helen-of-troy

(The original magazine illustration from which the painting is excerpted:

https://collections.vam.ac.uk/item/O783702/illustration-to-helen-and-cassandra-print-sandys-frederick/ )

E de Morgan, Helen of Troy:

https://www.demorgan.org.uk/collection/helen-of-troy/