Allie Daniel (Hadestown, Legally Blonde, RENT, Happy Meal) - INTERVIEW

Summary

Podcast Summary: MickeyJoTheatre Episode featuring Allie Daniel

Release Date: May 11, 2025

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Introduction

In this engaging episode of MickeyJoTheatre, host Mickey Jo welcomes Allie Daniel, a distinguished performer known for her roles in acclaimed productions such as Hadestown, Legally Blonde, RENT, and Happy Meal. With her extensive experience across West End, Broadway, and international stages, Allie provides insightful perspectives on her career, the evolving landscape of theatre, and her personal journey.

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Allie Daniel’s Early Career and Influences

Mickey Jo opens the conversation by expressing admiration for Allie’s vocal talents, reminiscing about the first time he encountered her work through a screen performance of RENT at the Hope Mill. Allie describes this period as “a little time bubble of loveliness” (00:31), highlighting the unique energy of creating art during the pandemic. She reflects on the meaningful connections made and the resilience of artists during challenging times.

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Transitioning and Its Impact on Her Career

A significant portion of the discussion delves into Allie’s personal journey with gender transition during the lockdown. She shares, “It was like my first foray into performance” (02:39), emphasizing how this period marked her emergence into the public eye as her authentic self. Allie underscores the supportive environment she found in theatre communities, which played a crucial role in her personal and professional growth.

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Role in “Legally Blonde” Outdoors

Allie discusses her experience starring in Legally Blonde Outdoors, set against a corn-filled backdrop at Regent's Park Open Air Theatre. She humorously recounts the challenges of performing under high pollen counts: “The pollen count… was absolutely diabolical” (03:14). Despite the environmental hurdles, Allie praises the immaculate vibes and iconic choreography that made the production a joyous endeavor.

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Transition to “Hadestown” and Audition Process

The conversation shifts to Allie’s current role in Hadestown at the Lyric Theatre, where she has been performing since its return last year. She elaborates on her audition process, revealing the dedication it took to secure her role: “I pre-filmed self tapes… I’m not letting this pass me by” (09:15). Allie candidly shares the challenges she faced, including undergoing facial feminization surgery during the first round of auditions, and how she overcame them with resilience and creativity.

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Experiences with the Original Cast and Filming the Pro Shot

Allie reflects on the unique experience of working alongside the original Broadway cast during the pro shot filming of Hadestown. She describes the environment as “overstimulating” and “intense” but immensely rewarding: “It was some of the most surreal month of my life” (19:32). The collaboration with seasoned actors enriched her understanding of the show’s lore and character dynamics, fostering a deep sense of community and shared passion.

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Insights on Being a Trans Actor in Theatre

A pivotal segment of the interview addresses the representation and experiences of trans actors in theatre. Allie passionately discusses the importance of authenticity and visibility: “When I go on, like, that's… That's the vibe” (17:39). She highlights the empowerment that comes from portraying complex characters like Hermes, allowing her to carve out a unique identity within classic narratives. Allie emphasizes the positive reception and inclusivity fostered by her peers and the production team.

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Future Performances and Closing Remarks

As the conversation draws to a close, Allie announces her upcoming performances as Hermes in Hadestown from May 16 to May 25, encouraging listeners to witness her portrayal firsthand: “From May 16 to May 25 of this year, I will be going on as Hermes” (23:17). Mickey Jo expresses his excitement and support, acknowledging Allie’s exceptional talent and the vibrant energy she brings to the stage.

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Notable Quotes

• Allie Daniel: “It was like my first foray into performance because I did some forbidden jobs that we don't talk about pre-transition” (02:39).

• Mickey Jo Theatre: “You were giving us the life support scene, among other moments” (01:53).

• Allie Daniel: “I will be going on as Hermes” (23:17).

• Allie Daniel: “I feel very, very, very lucky” (23:12).

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Conclusion

This episode of MickeyJoTheatre offers a profound exploration of Allie Daniel’s artistic journey, her role in revitalizing classic and contemporary theatre productions, and her inspiring personal narrative as a trans actress. Through heartfelt discussions and candid reflections, Allie elucidates the transformative power of theatre and the importance of representation, leaving listeners with a deeper appreciation for the nuances of performing arts.

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For more insights and reviews on the latest theatre productions, subscribe to MickeyJoTheatre’s YouTube channel and join a community of over 60,000 passionate theatre enthusiasts.

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Timestamp Reference

• 00:31 – Allie’s initial experience with RENT at Hope Mill.
• 02:39 – Discussing her transition and first public performance.
• 03:14 – Challenges during Legally Blonde Outdoors.
• 09:15 – Auditioning for Hadestown amidst personal changes.
• 17:39 – Insights on portraying Hermes as a trans actor.
• 19:32 – Experiences working with the original Hadestown cast.
• 23:12 – Allie’s reflections on being part of the Hadestown pro shot.
• 23:17 – Announcement of upcoming performances as Hermes.

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Note: This summary excludes advertisements, introductions, outros, and non-content segments to focus solely on the substantive discussions and insights shared during the interview.

Transcript

[Mickey Jo Theatre]

And I am very excited to welcome to the stage one of my absolute favorites. Allie Daniel is here, everybody. I love your voice. I'm obsessed with your voice. I have been for a very long time.

[Allie Daniel]

Thank you. That's so kind of you to say.

[Mickey Jo Theatre]

I was trying to remember the first time I saw you on stage, and I was thinking I was already aware of you by this point. And it's because it wasn't on stage in person. It was via screen.

[Allie Daniel]

It was disenchanted.

[Mickey Jo Theatre]

It was not disenchanted. Was not what I was going to say. It was rent at the Hope Mill.

[Allie Daniel]

Oh. Oh, my gosh. One of my favorite jobs of all time. Like a little time bubble of loveliness.

[Mickey Jo Theatre]

Yeah. For people who don't know, this was. I mean, talking about shows getting interrupted barely in performances, and then everything got shut down. So you made a movie.

[Allie Daniel]

Yeah. We had under seven. Like, something so. So depressing. Like a tiny amount of performances, but. But it was. It had that energy of things when things are just. They've all come together, and it's like you are doing a show about artists creating art during an epidemic, and we were artists creating art during an epidemic. So it had that, like, it was so meaningful, and I met some incredible people. So it was a good time. So I'm glad you enjoyed it.

[Mickey Jo Theatre]

Brilliant cast as well. That was Tom Francis, one of his first gigs before he started walking around the Savoy Theater.

[Allie Daniel]

And now I think it might have been his first job.

[Mickey Jo Theatre]

I think it may have been. Yeah, yeah, yeah.

[Allie Daniel]

Oh, Adam Pascal reborn. Honestly, just so amazing. It was one of those, like, you sit around. For those who didn't get to see it, you, like, sit around the stage and you have to, like, be engaged the whole time. Not actually dissimilar to what I do now. So I got to watch him do it every day. All of these iconic people doing iconic things every day. It was amazing.

[Mickey Jo Theatre]

Yeah. You were giving us the life support scene, among other moments.

[Allie Daniel]

Paula. Yeah, they changed it from Paul to Paula for me. Yeah. Oh, allyship. I mean, I'm being sarcastic, but actually really lovely. I transitioned during lockdown, so it was like my first foray into performance because I did some forbidden jobs that we don't talk about pre transition, but this is like my first, like, hello, everyone, here I am. It's me. I'm going to sing and dance. And it, like, it was amazing. What a group of people to, like, be around while you're, like, finding your feet as who you are. And what a show to do before.

[Mickey Jo Theatre]

We Talk about Hadestown, which you're currently starring in, which. Which you've been with since it came back over here to the Lyric Theatre last year. Before we get onto that from the very profound and moving rent, something equally joyous, but in a very different way. Legally Blonde outdoors.

[Allie Daniel]

Legally Blonde outdoors with a set of what looked like corn. We were just talking about the set earlier. Now, listen, I will have no Legally Blonde slander. The vibes on that job were just immaculate. So much fun. Iconic choreography.

[Mickey Jo Theatre]

How was the pollen count?

[Allie Daniel]

The pol. Oh, my goodness. Unacceptable. A rug of pollen. Dear Elle, it was absolutely diabolical how people let you know how people do that, how we did that.

[Mickey Jo Theatre]

And Regent's park is a magical space. We talked about this last month and I will always talk about Regent's Park Open Air Theatre, but for years they've staged all of these classic shows and it's like Carousel in the outdoors and the Sound of Music in the outdoors. And those scores were not written for people to be belting at this part of their range in the middle of the day in the blistering sunshine with hay fever happening at the same time.

[Allie Daniel]

Yeah. And we had. We had heat waves. We had the lot. We actually didn't have any rain shows, which was great. It tried. God, it's an extreme sport, performing outside.

[Mickey Jo Theatre]

Do you want to tell us which iconic character you played?

[Allie Daniel]

I played Courtney. The gasp.

[Mickey Jo Theatre]

Not the gasp.

[Allie Daniel]

Gay gasp. I played Courtney the can. I swear. The shop bitch. I mean, Scandal. The beatbox. You can say that. No, like, you know the one. Blondes made commissions so easy. That was me. And that was, like, great fun.

[Mickey Jo Theatre]

Yeah. And Billy nevers giving an all time, like, hall of fame. Courtney, take your break.

[Allie Daniel]

The most iconic choices.

[Mickey Jo Theatre]

Talk about a scene partner giving you material to work with.

[Allie Daniel]

Oh, so good. Just ignore her. She hasn't been well. So, so, so iconic.

[Mickey Jo Theatre]

But it was your face as well when Courtney with Courtney Bowman, real life Courtney calls you out for it and you do the. The turn forwards and the. Oh, just.

[Allie Daniel]

Yeah, I feel like I'm. I'm quite cartoony facially. I'm quite malleable. I think I grew up watching a lot of, like, Jim Carrey and, like, the Grinch. So I think that kind of informed a lot of my, like, styles of, I don't know, moments like that. So, yeah, yeah.

[Mickey Jo Theatre]

Cut to me seeing you at the Edinburgh fringe dressed as a penguin.

[Allie Daniel]

There we are. Acting, acting, character acting. Happy Meal. Wow. I think that was, you know, my first time playing. I mean, in my head, secretly, like, all my characters are trans meta. I don't know. Not really, but this is the first time I'd like to played a kind of had a coming out, coming of age romance, a trans romance. It was the most like meaningful, deeply touching, stupid, funny, wonderful little play and had a great time. We did a regional tour of a two handed trans play. Couldn't be done now. Couldn't be done now, darling. No. It was so much. It was so much fun. Sam Kreira, who I played opposite with, was actually just at the Globe. Love that. And I think they're now doing their school's versions of Happy Meal.

[Mickey Jo Theatre]

Wow.

[Allie Daniel]

Yeah. How, how crazy. They've been like commissioned somewhere. There's been a little. A trans coming of age play at a school. Like not even a patronizing. Oh, like actually that's really touching. How beautiful.

[Mickey Jo Theatre]

Yeah.

[Allie Daniel]

Yeah. And that was the first time I met you in person. We were in the lobby of the Traverse and I was like, hello, I know who you are. Yeah.

[Mickey Jo Theatre]

And that was pre how to succeed happened afterwards.

[Allie Daniel]

How does it see it happened? I mean, the years, they do blur. Yes. That was after that and after Legally Blonde.

[Mickey Jo Theatre]

Yeah.

[Allie Daniel]

How does it seed in business? Not really trying. When I say that doing a kind of like a dry sarcastic comedy in a very, very intimate space is incredibly hard. The design of that show is to be like so satirical and I feel like, I don't know if people like fully got it. I thought it was hilariously fun and I wore a wig that looked like an octopus. So it was just great times all around. And that was my first role, proper role to play. It was so much fun.

[Mickey Jo Theatre]

You were fantastic in that show.

[Allie Daniel]

Thank you.

[Mickey Jo Theatre]

And it was exciting because we see these revivals and then to see something with new, vital, queer energy in something classic and old timey is. It's fun. It's just nice to see a different way of looking at it that empowers these brilliant performances.

[Allie Daniel]

Totally. And Tracy Bennett playing bigly.

[Mickey Jo Theatre]

Oh, yeah.

[Allie Daniel]

Just the most unhinged in the most amazing way.

[Mickey Jo Theatre]

Yeah.

[Allie Daniel]

Trans Rosemary. It was just really. It was really good fun. We had a good time.

[Mickey Jo Theatre]

What was it like going in for? Was it explicitly on the casting? Because in terms of the whole production, how it's put together was very much like breaking down the traditional way that we would look at gender in that show. What was, I guess the casting process like and building that character from your perspective?

[Allie Daniel]

It was one of those. I think it's a conversation that I think could have maybe gone on and on and on because I think it was. It's very meta. Like, I didn't. I mean, I know I did just not 5 minutes ago say that all my characters are trans. I lied. I don't think I'd specifically played this as trans, but if I did, it was like, I can't hide the fact that I'm trans, so obviously that's what people are going to see. But what is my body in this space saying about the. Like, what does that add to the words I'm saying? The way that it's constructed, the kind of. The way the jokes are being told, the way the romance is being told. How is that kind of coming together with what you physically see and what you know, how does that all become a thing? But I think in terms of, like, the casting process, I can't remember how long ago it was about like two, three years ago. I suddenly, like, allowed myself to not stop caring. But, like, I absolved myself of the responsibility of, like, this has got to be the best audition I ever do. And in doing so, it allowed me to kind of be a lot more authentically unhinged in audition rooms. And I think I was just really unhinged. Just make some really crazy choices. And it paid off on that.

[Mickey Jo Theatre]

Then what was the audition like for Hadestown?

[Allie Daniel]

I knew this was coming. I had kind of, you know, they'd announced that Hadestown is coming to the West End. And I was like, sniffing around. I think the audition is going to be coming soon. But I had facial feminization surgery right over when the first round of auditions were. So what did I do? I filmed. I pre. Before I even got an audition. I pre filmed self tapes. Wow. Yes, I did. I was like, I'm not letting this pass me by. This is for me. This was for me. And I was not letting it. Passing me by. Okay, So I. I pre filmed tapes and I. I didn't play the accordion. I learned the accordion for the show, but I played the piano, which is basically the accordion, but just the other way.

[Mickey Jo Theatre]

Sideways.

[Allie Daniel]

Yeah. And I arranged something on piano, an or, like, folk song, and I gave it to my agent and I said, I'm gonna be uncontactable for three weeks while I recover from having my head cut open. And sure enough, on the plane home, I got the email from my agent. If the auditions come in, you've been submitted. Now we wait. Tell me why I was doing a dance Call of when the chips are down. Like three. Three weeks and two days after full surgery. Wow. But I mean, the thing is, it's not, you know, it's not really a cardio. So it's fine. It's just lots of, like, witchy wooing here and there, which I'm particularly good at, I think. And I. I let them know. I said, you know, in the spirit of trans inclusivity, like, I have just had facial feminization surgery, so if I need to sit down, that's how it's going to be. And they were like, yeah, like, fine.

[Mickey Jo Theatre]

Yeah.

[Allie Daniel]

I was like, okay, cool. And it just flew. It just flew by. I felt so in my bag, as the kids say. I felt so in my bag in those auditions. And I actually had a lot of fun. I had a lot of fun and I think it paid off because they gave me the job and I'm still here.

[Mickey Jo Theatre]

And you are fantastic in the show. And it was. And when that first cast came out and we were like, ali's gonna be great in this.

[Allie Daniel]

Oh, that's so kind of you, your.

[Mickey Jo Theatre]

Voice and that score and the serving face of it all. I think it's a great costume for you.

[Allie Daniel]

Jennifer Coolies was about to come through me there. I'm not quite sure what.

[Mickey Jo Theatre]

I stopped channeling her.

[Allie Daniel]

Yeah, she really. She was really there.

[Mickey Jo Theatre]

She'd be great in Hadestown.

[Allie Daniel]

Who would she play Hermes to know how it ends and still begin to sing it again as if it might turn out this time? I learned that from a friend of mine. She's here. She moves through me often, actually.

[Mickey Jo Theatre]

Persephone is too at her fingertips. She needs the chat. She needs.

[Allie Daniel]

Yeah.

[Mickey Jo Theatre]

Who is. Because if Jennifer Coolidge is on stage, there's no one who can play Hermes and kind of be that more controlling presence. No one has that in them. So you play one of the Fates.

[Allie Daniel]

I do. I play Fate three, the accordion. Fate.

[Mickey Jo Theatre]

Have you ever corresponded with the performer whose fault it is that you have to play the accordion? Because this is from the development of the show. Like, the reason that those Fates play those specifically specific instruments is because of the people who developed the roles.

[Allie Daniel]

No correspondence with the originals. I mean, they didn't respite reply to all of my. The threats that I sent. How dare you maybe play the accordion? No, but, you know, Hadestown actually has like a long, like 10 year history, like back to like being in a bus on Vermont, like with Anais. Just like in a little guitar, like. So I think it kind of. I wonder if it developed out of a need of kind of needing to expand the band. And then actually slowly they realized that it really worked. Having these characters that, you know, sometimes they play instruments. What does that mean? And they sing in these, like, killer harmonies. So one day I'll receive a reply to my. It's not that bad. Just lots of physio on the shoulders.

[Mickey Jo Theatre]

Sure.

[Allie Daniel]

Yeah. It's not that bad. The song I played for my audition was harder than anything I play in the show. I know that sounds like a huge brag. It's not. I was fuming. I was ready. I was like, okay. But it was, like, both hands and I was, like, singing along. Got to the festive rehearsals, and I was like, minims, open notes. Thanks, Aeneas.

[Mickey Jo Theatre]

You know what's gonna happen now is years down the line. They're Dr. Muzo shows. You'll be like, we need someone who can play accordion. They're gonna go, do you remember who played accordion in Hadestown and is gonna be great at this?

[Allie Daniel]

Not me. No. I couldn't possibly. No, No. I don't think it's gonna be going on my Spirit Spotlight. I don't think it's gonna be going on my cv.

[Mickey Jo Theatre]

And when you're not being Fate three, you're also understudying the role of Hermes.

[Allie Daniel]

Yes.

[Mickey Jo Theatre]

Which I got to see you do. I got to see you do.

[Allie Daniel]

She.

[Mickey Jo Theatre]

Hermes.

[Allie Daniel]

Thank you. A pronoun joke that took me a minute.

[Mickey Jo Theatre]

I got to see you do it last summer, the first day that you played the role.

[Allie Daniel]

The only. The only day during that first year.

[Mickey Jo Theatre]

Yeah.

[Allie Daniel]

Yeah.

[Mickey Jo Theatre]

And this was like, August, July, August 8th.

[Allie Daniel]

It was a rogue day.

[Mickey Jo Theatre]

Yeah.

[Allie Daniel]

It was, like, simultaneously, like, the best day ever and, like, just another day at the office. I was so, like, hungry and ready. I had so much fun. I had so much fun. Like, walking in the footsteps of Melanie LaBarrie, icon, queen. I felt very certain about the kind of Hermes I wanted to be and still do feel very sure about what I want to say with that.

[Mickey Jo Theatre]

Yeah.

[Allie Daniel]

So I had a great time, and you were there.

[Mickey Jo Theatre]

I was. I was.

[Allie Daniel]

I saw it.

[Mickey Jo Theatre]

I had tickets to go and see Romeo and Juliet with Tom Holland for the second time, and I didn't even sell it. I gave it away. I handed it to a friend. I was like, grace, you want this? I'm running down Shaftesbury Avenue and I ran to the Lyric Theatre box office. I was like, what do you have left? And they were like, no, we haven't. We have some tickets. It's okay. It's not. It was raining. I was dramatic.

[Allie Daniel]

I love that you thought it was gonna be like, we have the back of the. Of the balcony. Ali's on, so it's all gone now. That's so, so touching to hear that kind of little story about, you know, trying to come and see me do it and. And I will say shout out to that. They don't have a collective name, but the Hadestown fans are truly, like, loyal, wonderful, very, very kind people. So it was a really great audience to perform to.

[Mickey Jo Theatre]

Oh, I met so many people before the show and in the interval who were there to see you do it and were so excited that it was finally happening. And we were just like, isn't it like how she does this at this moment? And. Oh, my gosh.

[Allie Daniel]

And so crazy. Wow. It's just a little old me being like, hello.

[Mickey Jo Theatre]

I mean, you're so talented. And a lot of the excitement alongside it as well is in that show and in particular with Hermes, you get. It's so malleable and you get to bring so many different qualities to it. I mean, look at the first recasting. It was Andre de Shields, Tony Award winner, and then Lillias White. That alone is a big pivot and.

[Allie Daniel]

What an amazing, crazy casting choice. I think it's always been super interesting. Even like Mel to Cedric is like, yeah, amazing. I do want to very, just very quickly talk about, like, being trans playing Hermes. I think when we think of, like, trans people telling stories, we don't. Don't know if we always think about trans people as community leaders or parenting, but not in the role of mother or father or. You know what I mean? Like that. And that's for me, very much what I have discovered for it. And I think it's. I feel very grateful that they've let me do that, like, carve out my own version of that and that they let all the Hermes, this is, do their own version in that way. Has anyone come and seen this cast of Hadestown? Anyone seen Cedric? I have never been on stage with live vocals like that before in my life. Oh, my God.

[Mickey Jo Theatre]

Circa the first year of Hadestown, four of you in the building playing Hermes. Very different costuming and different pronouns at different performances because Mel was using, like, gender neutral pronouning the whole show.

[Allie Daniel]

Yes, I think. Yeah. I don't think Mel was so much playing a gender neutral Hermes as I think she wanted her Hermes to be a storyteller. That where the focus wasn't gender, which.

[Mickey Jo Theatre]

Is very much what I got from it. Yeah.

[Allie Daniel]

Yeah. And that's kind of similar to me. I feel like they said you can be Mrs. Hermes if you want, because I refer to Myself as she. Her all the time. And I was like, well, I don't really want to be Mrs. Hermes, because that implies the existence of a Mr. Hermes. And I'm not just like, the wife Hermes. Do you know what I mean? Like.

[Mickey Jo Theatre]

Like Mrs. Claus.

[Allie Daniel]

Yeah. Do you know what I mean? No, I'm Hermes, bitch. So, like, when I go on, like, that's. That's the vibe. And they. I did want them to not have to change too many pronouns because, I don't know, the fear of it being, like, misgendered on stage is, like, very real.

[Mickey Jo Theatre]

Sure.

[Allie Daniel]

But there's actually not that many.

[Mickey Jo Theatre]

Is there another mon. Can we do, like, Madame Hermes? Like.

[Allie Daniel]

No, because that sounds a bit like, salacious. Do you know what I mean?

[Mickey Jo Theatre]

Opening up a saloon. Yeah.

[Allie Daniel]

Why don't you come up and tell the story sometime? They do say down there is a bunch of stiffs, sister. I'll be bored to death instead of brother, which I love. Which, by the way, Gloria Andytry did on the fly. She did it on the fly. I was gagged. Cause we hadn't discussed it, but I think because she was referring to me directly in that moment, and she just turned to me, sister, and I was like, yeah, lovely.

[Mickey Jo Theatre]

You've had some very exciting months recently at Hadestown with the whole new cast joining, but before that, an exciting few weeks with the original Broadway principal cast coming over here. And I was at that first performance, and that was like a rock concert crowd.

[Allie Daniel]

Every day, every show. Every day was like, the fates were in ear monitors in the show. Had a lot of Iems for. Because we play instruments and also because we get fed our note for nothing changes. I basically had to have mine off. I couldn't hear any cues. I couldn't hear anything because the screaming was so loud. I've never done anything like it. It was so overstimulating. It was so intense. But I mean, you know, I'm not complaining about having amazing applause. That would be ridiculous. That, honestly, was some of the most surreal month of my life. Getting to do a show that you love so much and that you're currently doing with the people and the voices that made you fall in love with the show. It's amazing. And they're nice.

[Mickey Jo Theatre]

Yeah.

[Allie Daniel]

So such, like, hilarious group of people. So lovely. I learned a lot of. Lot of lessons also. I don't even know anything about, like, the. The stereotypes of American actors versus English actors. I think the main. The main thing that I've come away with that is, like, if you need something, you can Ask for it. If you need something, you can say, hey, can I have this? Whereas the British way is very much. I'm so sorry.

[Mickey Jo Theatre]

So sorry.

[Allie Daniel]

You've got two minutes. No, no, no, no. Well, actually, you see, would it be at all possible if I could maybe just, like. Please, like, maybe just like, have my shoes that I need to wear for.

[Mickey Jo Theatre]

This show and I'm sorry I asked.

[Allie Daniel]

I'm sorry. No. Oh, no, no, Absolutely. Don't worry about it. I'll just wear my trenches. I'll wear my trainers. I'll wear my trainers. Whereas I feel like spending five minutes with them and you're like, oh, no. I can actually be like, hey, can I have my shoes? Thank you. I learned so much about Hadestown. I learned so much about the lore of all of these characters, all the little moments. Why Persephone does this when she puts her hand through the bag. Why the Fates do this? Why this? Like, all these, like, tiny things, like film filming the show with Rachel Chavkin, with all of these people here, like, it was just absolutely amazing. Though I will say, never will ever, never, ever will I again do what is effectively a cast change into a pro shot during a cast change. I have never rehearsed so much in my life.

[Mickey Jo Theatre]

To put this in perspective, you're doing the show, they're rehearsing the new company in for the cars change. You're rehearsing with them because you're continuing with the show. You're rehearsing for the pro shot at the same time filming the pro shot. Just all day, every day, just. Only just hadestown, 24 hours of your life.

[Allie Daniel]

It was. It was a time. It was a time. I learned a lot about resting. I learned a lot about what. Because this is my first, like, long year, long contract. Already learning a lot about what it takes to do that. Eight shows a week, and then suddenly you've got a schedule that is for the next, like, three months, three months solid of, like, 10 till 10, of, like, minute, tiny changes that are so. And listen, I love it. Tell me what to do. I love it. But they're so tiny. They're so, like, so at the moment, the way you're looking is like this way. But I need you to lead it with this side of your jaw and to look just over your nose like this, because that's the status of the Fates. What an amazing note to get so detailed and lovely. Really, really hard to remember that when it's like. It's like 9, 9:30 in, like, a filming day and you've been doing, like, another version of the show before, and you're like, okay, that's absolutely fine. I'm going to remember that. No, no, no. Yeah, yeah, absolutely. I remember that along with the other. It was amazing.

[Mickey Jo Theatre]

Yeah.

[Allie Daniel]

And I can't wait to see the film in 2054. Exactly.

[Mickey Jo Theatre]

But now that it's done and now you're back to just doing the show, normal schedule, what does it mean to you, personally and professionally, to forever be a part of the Hadestown Pro shot that there is going to be?

[Allie Daniel]

Oh, my gosh. It's. I mean, it's everything. It's so surreal. When they told us, I said, no, no, it's. It's incredible. I feel like it was being able to do it with so many of the old cast and then with the new cast and bonding with them and having this experience. And because they all left, the original Broadway company fetish Han all left. They didn't all leave at the same time. So I think for them it was like a kind of last hurrah to, like, revisit and put their final full stop on the sentence that was the show for them. It's amazing. And like I said, I can't wait to see it in 25 years when it comes out.

[Mickey Jo Theatre]

Exactly.

[Allie Daniel]

I mean, that's not actually the time. I just, you know, like, I want to see it now, but these things take time. Yeah. I feel very, very, very lucky.

[Mickey Jo Theatre]

Do you have dates for when you might be playing Hermes? Find Ali and his.

[Allie Daniel]

Yes, I do.

[Mickey Jo Theatre]

When you might be.

[Allie Daniel]

I'll say them now. Go for it as Jennifer Coolidge or just as me?

[Mickey Jo Theatre]

I think just as you. I think we need clarity in this moment.

[Allie Daniel]

Just as me. From May 16 to May 25 of this year, I will be going on as Hermes. Thank you very much. Come and see me.

[Mickey Jo Theatre]

For 10 more seconds. I'm Mickey Jo Theatre. Oh, my God. Hey, thanks for watching. Have a stagey day. Subscrib.