Carly Mercedes Dyer (Anything Goes, A Chorus Line, The View Upstairs, The Beautiful World Cabaret) - INTERVIEW

Summary

Podcast Summary: MickeyJoTheatre with Carly Mercedes Dyer

Episode Title: Carly Mercedes Dyer (Anything Goes, A Chorus Line, The View Upstairs, The Beautiful World Cabaret) - INTERVIEW
Release Date: May 25, 2025
Host: MickeyJoTheatre
Guest: Carly Mercedes Dyer

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Introduction

In this engaging episode of the MickeyJoTheatre podcast, host Mickey-Jo Theater sits down with the illustrious Carly Mercedes Dyer, a powerhouse in the theatre world known for her performances in productions such as Anything Goes, A Chorus Line, The View Upstairs, and The Beautiful World Cabaret. With a following of over 60,000 subscribers on YouTube, Mickey-Jo brings his expertise in theatre criticism to the forefront, delving deep into Carly's experiences, insights, and upcoming projects.

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Early Career and Initial Impressions

Mickey-Jo opens the conversation by expressing his long-standing admiration for Carly, reminiscing about the first time he saw her perform in Ain't Misbehavin' at the Southwark Playhouse.

Mickey Jo Theater [00:00]: "The wonderfully talented Carly Mercedes Dyer, everybody. Honored because I've enjoyed you on stage many, many times. First time I ever saw you on stage, we decided was Ain't Misbehavin'."

Carly responds with enthusiasm, highlighting the energy she brings to the stage versus her more subdued persona offstage.

Carly Mercedes Dyer [00:12]: "If you're in my mind, you would know because it's, it's all over the place."

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Sustaining High-Energy Performances

The discussion shifts to Carly's remarkable onstage energy and how she manages it outside of performances.

Mickey Jo Theater [00:26]: "Is it in those moments after a performance, are you just drained or are you a Duracell Bunny throughout the day?"

Carly Mercedes Dyer [00:37]: "Duracell Bunny. And that's really hard for me to get up in the morning because I'm horizontal, I'm comatose."

Carly humorously contrasts her dynamic stage presence with her restful offstage life, emphasizing the dichotomy between her public and private selves.

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Challenging Roles and Resilience in 'A Chorus Line'

Mickey-Jo brings up Carly's role as Cassie in Leicester Curve's production of A Chorus Line, acknowledging the demanding nature of the role.

Mickey Jo Theater [01:02]: "To play Cassie, one of the most like demanding triple threat roles in musical theatre history."

Carly delves into the challenges she faced, especially during the pandemic, describing the physical and emotional toll of auditioning and performing such an intense role.

Carly Mercedes Dyer [01:18]: "I was dry heaving. There was nothing in my body but my body was still like, because I was exhausted. ... but somehow I managed to get there the second time round being all sensational."

Her resilience and dedication shine through as she recounts overcoming exhaustion to deliver a performance she proudly describes as "sensational."

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Impact of 'A Chorus Line' During the Pandemic

Mickey-Jo reflects on the significance of A Chorus Line returning during the pandemic, sharing his emotional response to the production.

Mickey Jo Theater [02:39]: "I was in floods of tears... Chorus Line just like flying at me."

Carly underscores the importance of such performances, not just for artists but also for audiences seeking normalcy and inspiration during challenging times.

Carly Mercedes Dyer [02:39]: "It means so much... to watch these people on stage really trying and making themselves vulnerable and putting yourself out there is something so beautiful and so just like heartbreaking."

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Navigating Ensemble and Lead Roles

The conversation transitions to the dynamics of moving between ensemble and lead roles, a journey Carly herself has navigated.

Carly Mercedes Dyer [04:46]: "Sometimes it can be a bit lonely being a lead. And also if you want to stay there, the jobs are far and few between."

Carly shares her experiences from starting in the ensemble in High School Musical at age 12 to aspiring for lead roles, highlighting the challenges of maintaining a sustainable career in theater.

Carly Mercedes Dyer [04:46]: "There's no sort of fallback. So if you want to Kind of like step back. ... it's just like, we all want to be creative."

She emphasizes that transitioning between different roles is a natural and respectable part of an artist's journey, advocating for flexibility and resilience.

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Absence of a Definitive Breakthrough Moment

Mickey-Jo probes into whether Carly has experienced a definitive breakthrough moment in her career.

Mickey Jo Theater [04:39]: "Was there a moment where you felt like you had a role where you'd really broken through?"

Carly candidly responds that such moments are often fleeting and that the industry demands constant reinvention.

Carly Mercedes Dyer [05:57]: "No breakthrough moments, just always trying to survive."

She recounts her time in West Side Story in 2019, right before the pandemic hit, highlighting how unforeseen events can shift one's career trajectory.

Carly Mercedes Dyer [05:16]: "I was like, I think this is it. I'm a star. ... Covid said, star where? Get in your house and stay at home."

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Stellar Performance in 'Anything Goes'

The host lauds Carly’s performance in Anything Goes, noting her portrayal of Irma as both humorous and show-stopping.

Mickey Jo Theater [06:04]: "That performance in Anything Goes was remarkable and thoroughly deserved."

Carly reflects on her experience, describing the joy and camaraderie of performing alongside a talented cast.

Carly Mercedes Dyer [06:39]: "Sorry to your sister. She's fine."

Their light-hearted banter underscores the supportive relationships within the theater community.

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Upcoming Cabaret Show at Crazy Cox

A significant portion of the interview focuses on Carly’s upcoming cabaret debut at Crazy Cox at Graceroos, aptly named Beautiful World Cabaret.

Micky Jo Theater [09:24]: "You're doing a cabaret show at the Crazy Cox at Graceroos."

Carly shares her motivations, drawing inspiration from Janie Dee’s work and emphasizing themes of community and environmental consciousness without being preachy.

Carly Mercedes Dyer [09:24]: "Let's just take a look around. Let's look up from our phones and really embrace, you know, climate change without it being like doom and gloom."

She outlines the diverse musical repertoire, blending jazz influences with selections from beloved musicals, ensuring a captivating and varied performance.

Carly Mercedes Dyer [12:40]: "There's a bit of Color Purple in there ... maybe something from Dirty Rotten Scoundrels."

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Collaborations and Event Details

Mickey-Jo highlights other notable performers participating in the cabaret festival, fostering a sense of community and collaboration.

Mickey Jo Theater [13:36]: "We've got Em Hoggett who's doing her show and she is phenomenal."

Carly enthusiastically promotes the event, encouraging listeners to attend and support fellow artists.

Carly Mercedes Dyer [08:41]: "And Cedric Neal, Tyrone Huntley, just. It was a stellar company."

She details the event schedule, including special mentions of performances and the diverse talent lineup.

Mickey Jo Theater [15:07]: "Davie Gigana and Janie Dee's niece, who's Jo, she's tomorrow, I think, and she's phenomenal."

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Commitment to Sustainability and Personal Values

The conversation touches upon the broader impact of theater beyond performance, with Carly highlighting Janie Dee’s commitment to sustainability and personal values.

Carly Mercedes Dyer [12:08]: "She's just embracing her morals and the standards that I've set now. And my children have been so inspiring."

She narrates Janie Dee’s decision to forego Broadway opportunities in favor of environmental sustainability, painting a picture of dedication and integrity.

Carly Mercedes Dyer [12:36]: "She's still going. Yeah."

Their discussion underscores the importance of aligning personal values with professional choices, inspiring listeners to consider the broader implications of their work.

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Closing Remarks and Event Promotion

As the interview wraps up, Mickey-Jo and Carly reiterate the details of the upcoming cabaret show and express their excitement for the event.

Mickey Jo Theater [15:37]: "It's been so nice. Amazing. Carly Mercedes Dyer."

Carly extends an invitation, passionately encouraging the audience to join the festivities and celebrate the vibrant theater community.

Carly Mercedes Dyer [15:42]: "If you want to see more of that, Tuesday the 27th, come to the Cabaret."

The episode concludes on a high note, with mutual appreciation and anticipation for the vibrant performances scheduled.

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Notable Quotes

• Carly on Stage vs. Offstage Energy:

  “So much energy. So much energy. If you're in my mind, you would know because it's, it's all over the place.” [00:21]

• Carly on Overcoming Exhaustion in 'A Chorus Line':

  “There was nothing in my body but my body was still like, because I was exhausted. ... but somehow I managed to get there the second time round being all sensational.” [01:18]

• Carly on the Reality of Breakthrough Moments:

  “No breakthrough moments, just always trying to survive.” [05:57]

• Carly on the Importance of Representation:

  “It means so much because anyone has a dream that they want to do something and then to see these people living it out every day.” [03:37]

• Carly on Her Upcoming Cabaret:

  “Let's just take a look around. Let's look up from our phones and really embrace, you know, climate change without it being like doom and gloom.” [09:24]

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Conclusion

This episode of MickeyJoTheatre offers a profound glimpse into Carly Mercedes Dyer’s journey in the theatrical landscape. From her early days in ensemble roles to her standout performances in iconic productions, Carly embodies the passion and resilience necessary for sustained success in the arts. Her upcoming Beautiful World Cabaret promises to be a testament to her commitment to community, sustainability, and artistic excellence. Listeners are left inspired by Carly’s dedication and are encouraged to support her endeavors, further enriching the vibrant world of theatre.

Transcript

[Mickey Jo Theater]

The wonderfully talented Karlie Mercedes Dyer, everybody. Honored because I've enjoyed you on stage many, many times. First time I ever saw you on stage, we decided was ain't misbehaving.

[Carly Mercedes Dyer]

Yes. Ain't misbehaving at the Southwark Playhouse.

[Mickey Jo Theater]

Yeah. And the thing that captured my attention immediately is the energy that you bring to the stage.

[Carly Mercedes Dyer]

So much energy. So much energy. If you're in my mind, you would know because it's, it's all over the place.

[Mickey Jo Theater]

It feels. I mean, you're so impressive on stage. Is it in those moments after a performance, are you just drained or are you a Duracell Bunny throughout the day? What's going on here?

[Carly Mercedes Dyer]

Duracell Bunny. And that's really hard for me to get up in the morning because I'm horizontal, I'm comatose. And then to get up, I'm like. Because I know what the day is going to entail. So it's 0 to 100. I'm a different person at home. Just like, doesn't speak. Always saving my voice.

[Mickey Jo Theater]

And I mean, some of the roles that, that you've done. Did anyone see the Lester Curve production of A Chorus Line that then came down to south as well? We had a mini round of applause.

[Carly Mercedes Dyer]

Thank you.

[Mickey Jo Theater]

I mean, to play Cassie, one of the most like demanding triple threat roles in musical theatre history.

[Carly Mercedes Dyer]

Yes. I mean, I did the show that was pre. When was it? 2019, I think. No, it was after 21.

[Mickey Jo Theater]

I was front row masked. That was a thing.

[Carly Mercedes Dyer]

And then we didn't know if we were going to be able to do the show again because it was the variance. It was all very strange. But when I went back to the show, I was not Cassie fit. So I remember with Ellen Kane, who is phenomenal, the choreographer, she was just like, okay, let's get into it. I'm there thinking, get into what? Because this body is saying, I want to lie down. And I remember we kind of did a run through and she was talking to me, giving me notes and I was dry heaving. There was nothing in my body but my body was still like, because I was exhausted. I'm just the amount that you have to give in that solo and just like the energy and then having to go back and sing again is so much. But somehow I managed to get there the second time round being all sensational. Thank you.

[Mickey Jo Theater]

Fantastic. And it was a really exciting performance and a really exciting production. That was one of those shows coming through the pandemic. 2021, I think. And the Leicester Curve stage is massive. And you used the, the full width of it, all of these lights. And I'm sat front row, which I don't know if I'd even recommend at the Leicester Curve because, you know, it's almost overwhelming. If you want to get a great overview of everything, you'd have to sit at least a little bit further back. But I was in floods of tears at like this amazing thing happening up there and Chorus Line just like flying at me.

[Carly Mercedes Dyer]

Yeah, it's a phenomenal show. And I think for any artist, actor, dancer, singer, anyone that's creative, what watching that show, it means so much because. Or anyone actually, I think anyone that's got a dream or want to do something, to watch these people on stage really trying and making themselves vulnerable and putting yourself out there is something so beautiful and so just like heartbreaking because it means so much. And I remember I had a friend that was auditioning at the same time that we were in the show together. And she was on stage and she didn't make the cut because she didn't look a certain way and she wasn't of a certain ethnicity and it was all just like hit home so much. And she was sitting there on stage and she was like weeping and I went into my like pretend dance bag and I was like, do you want to tissue? Because it was just so much. It's so devastating to know that we've moved on so far, but at the same time these things still happen. So I think for the audience it means something so beautiful and so much because anyone has a dream that they want to do something and then to see these people living it out every day and knowing that you've got to be good because you've got to get the job at the end is really difficult as well.

[Mickey Jo Theater]

Yeah, I guess. Cassie also talks about in the show going from the ensemble into playing roles, playing these show stopping roles, which sort of mirrors some of your professional experience as well.

[Carly Mercedes Dyer]

Yeah, I mean, I started off when I was in the ensemble in High School Musical when I was 12, and now I'm just at this stage where you go, oh, I want to play parts. And I remember I did a Q and A at Art Said and everyone's like, I want to be a lead. I go, do you know what? Sometimes it can be a bit lonely being a lead. And also if you want to stay there, the jobs are far and few between because unless you're right for it, then you're just like, okay. And there's no kind of fallback. So if you want to Kind of like step back. And it's not to say that there's anything lesser than that, but if you want to be able to be flexible with what you're doing, you just want to have a long, sort of sustainable career. And I think, you know, playing Cassie shows that there isn't any sort of bad look at going from a lead to going back to the ensemble. It's just like, we all want to be creative. We all want to make something and be in the industry or being creative and dram anything. So, yeah, it's a beautiful show that really represents everybody.

[Mickey Jo Theater]

Was there a moment where you felt like you had a role where you'd really broken through?

[Carly Mercedes Dyer]

I think it's really funny in this industry because you're like, this is my time. It's never the time. Literally never. You're like, now I'm a star. No. I remember doing west side Story and almost said to my best friend, I was like, I think this is it. I'm a star. I literally said it. It was New Year's Eve. Cut to. And you know what year it was? 2019. Going into 2020. Cut to. Covid said, star where? Get in your house and stay at home. I was like. She literally was always like, remember that time when you're like, I'm a star. She's like, shut up.

[Mickey Jo Theater]

So 2020 is going to be my year.

[Carly Mercedes Dyer]

That was me. It's time to stay inside, go for one walk. But I feel like when I did Anything Goes and I played Irma, that was like, wow. I was on stage for 15 minutes and was nominated, Glenn. And it was amazing, but it's still that thing. You go, they're going to call me for all the things they're going to send me to Broadway. And it's just not that it's like, amazing and you should really bask in that feeling. But at the same time, every time you get the opportunity to be on stage, it's like a new time to reinvent yourself, to just go back to being humble and start again. So, no, no breakthrough moments, just always trying to survive.

[Mickey Jo Theater]

But that performance in Anything Goes was remarkable and thoroughly deserved. Olivier, wardrobe. Cheers from the room.

[Carly Mercedes Dyer]

Thank you.

[Mickey Jo Theater]

That was also one of the shows again. Arriving through. We all went home and all of us who were so desperate to see theatre again while you all were getting back to performing it. That was one of those shows that brought us so much joy. It was a wonderful production and you were hilarious show stopping, all those great adjectives. I did an amateur production years ago of Anything goes with my sister. And she played Irma. And you know when you go and see it and you're like, they weren't as good as you were. And I think she asked me and I was like, no, she was really good. She was, actually. She was. I can't even lie to you. She was great.

[Carly Mercedes Dyer]

Thank you. Sorry to your sister. She's fine.

[Mickey Jo Theater]

No, she enjoyed you as well. It's all good. Did you have a favorite little character line that you did?

[Carly Mercedes Dyer]

No, it was all sensational. It was all just, like, joyous. I just remember cackling as I walked off and just all of it was just top tier. And, I mean, I was there for 15 minutes. I was barely there.

[Mickey Jo Theater]

Was it nice to watch them all doing the tap? And you're just like, that looks really exhausting.

[Carly Mercedes Dyer]

It looks really exhausting. But I was also being a cheerleader in the wing, I was literally just like, go on, Maddie. Because they were literally, like, really sweating their tits off. And I was like, oh, my goodness. And it was just phenomenal. But there were times when we did do the dancing in the wing, so we were there.

[Mickey Jo Theater]

I would have loved for this sounds horrible. I'd have loved for, like, the right combination of people to become unwell. So the only option was, like, you going on as Reno Sweeney.

[Carly Mercedes Dyer]

Oh, well, that would have been interesting, wouldn't it? Would it be Reno Irma pretending to be Reno, or is it just Reno?

[Mickey Jo Theater]

There's layers to what we could imagine is happening here.

[Carly Mercedes Dyer]

It's Irma in disguise playing Reno. Yeah, that's quite fun.

[Mickey Jo Theater]

Just like one matinee where everyone just swapped parts or something.

[Carly Mercedes Dyer]

Oh, excellent. Yeah.

[Mickey Jo Theater]

And Robert Lindsay is maybe Irma. I think that was what?

[Carly Mercedes Dyer]

Sensational. Yeah. He's wild.

[Mickey Jo Theater]

Yeah. Some of the other shows that we have to talk about include the View, the View Upstairs. The View from Upstairs.

[Carly Mercedes Dyer]

Oh, my goodness. Just that show. Just the cast that we had were insane. You know, you go, sorry, I want a competition to be here. So I'm thrilled about it. But Victoria Hamilton Barrett, one of my, like, really good friends now, I remember thinking, oh, my God, it's gonna be me in a dress room, just me and her. What am I gonna say? But we're literally the same person, the same brain, the same nonsense that goes on. And Cedric Neal, Tyrone Huntley, just. It was a stellar company. But also the story that is true was just so heartbreaking to hear about all those people that lost their lives and to do that soho Theatre as well, was just astounding. And the audiences that Came. It was just one of those pieces that you go, you really should keep bringing it back. I think definitely during, like, Pride Month, it should always make a comeback because it's so important and there were a lot of people that didn't know the story, so. Yeah, yeah, yeah.

[Mickey Jo Theater]

That was a really special production and like you said, phenomenal cast. What's a show that you and Victoria could do together again? That's something we need. That's energy we need back on stage.

[Carly Mercedes Dyer]

Death becomes her colorblind casting.

[Mickey Jo Theater]

That answer was ready. You thought about that.

[Carly Mercedes Dyer]

Go. I think when we were younger, we liked when we were younger. It's been 84 years. I did think about Chicago. That could have been fun.

[Mickey Jo Theater]

Oh, yeah.

[Carly Mercedes Dyer]

But do I want to dance?

[Mickey Jo Theater]

Yeah.

[Carly Mercedes Dyer]

Can she dance? Yeah.

[Mickey Jo Theater]

I'd see you do sideshow. The two of you together.

[Carly Mercedes Dyer]

Oh, my goodness. Could you imagine? Us too.

[Mickey Jo Theater]

Yeah.

[Carly Mercedes Dyer]

Mayhem. It'll be mayhem.

[Mickey Jo Theater]

Now, the reason or the reason, the thing we have to talk about this evening is, is you're doing a cabaret show at the Crazy Cox at Graceroos. Adele.

[Carly Mercedes Dyer]

My first cabaret. I am terrified, but I'm so excited. I met Janie Dee when we did Dirty Rotten Scoundrels at the Palladium, and she had already done her Beautiful World cabaret, which is embracing the world that we live in and how we can, you know, make a change, make a small ripple. Just being one person, it doesn't have to be this overbearing thing of the world is coming to an end. What have we done to destroy it? And it has this essence of being like, let's just take a look around. Let's look up from our phones and really embrace, you know, climate change without it being like doom and gloom or that we're being preached at, berated for our choices, but, you know, step outside. And I think my cabaret focuses on community and, you know, going outside into the world, taking a walk with a friend instead of thinking that you've got to go to a fancy restaurant or you've got to consume lots of clothes and social media, but you can actually step outside, take a breath of fresh air and see all that there is out there to take in. So. So, you know, that's what it's about, really. But there's a whole season 12 artists and their interpretation of the Beautiful world.

[Mickey Jo Theater]

Yes. Yeah. So I had a chance to see Janie's show at the Edinburgh Fringe last summer, and it's lovely. I mean, she's wonderful and luminous and she cares so deeply and she's so passionate about this she spoke at the musical theater conference last year about her kids inspired her to become more aware of this. And now she is engaging with it in her world and using musical theater cabaret as a means of spreading excitement and passion and awareness and ideas. But she's also, like, going to Cameron Mackintosh and telling him to get rid of single use plastic cups, which they've done now. Like, that's change that's happened in Delphi. We were in a Delphi Macintosh theater the other day, and they have this reusable plastic cart. There's a name for whatever it is. And I was drinking from it and saying, this is Janie D right here. Janie Dee has done this cup.

[Carly Mercedes Dyer]

This cup is Janie D. It's so just. It's amazing what she's doing because she was actually meant to go to Broadway with old friends. And she said she was like, I can't do it. She's like, I just have to live by my morals and the standards that I've set now. And my children have been so inspiring. So she's actually not on Broadway with them because she's like, I don't fly anymore. And we meant to go, we're going to Japan with Dirty Rotten Scoundrels. And I was like, you doing. She's like, no, I don't fly. And I was like, that is commitment. And it's not to say that everyone else has to live their life like that because you want to explore this beautiful world that we live in. But at the same time, there are things that we can be doing. And it's just testament to the person that she is, that she's that committed, that she said those opportunities that obviously hit home, that you're like, I'd really love to be on Broadway. That she said, there's more to this world than just being on Broadway.

[Mickey Jo Theater]

Yeah. Which is a really remarkable sacrifice. I'd heard that as well, that she'd said that she wouldn't be. That she wouldn't fly to New York to go do old Friends. And I thought, wow. And then I also thought, Cameron must have a boat.

[Carly Mercedes Dyer]

She's there in a canoe.

[Mickey Jo Theater]

Yeah. Just singing like lady to lunch for hours. Just paddling her way. Yeah.

[Carly Mercedes Dyer]

It's been eight, four years. Yeah. She's still going. Yeah.

[Mickey Jo Theater]

What kind of songs can we expect from your cabaret show?

[Carly Mercedes Dyer]

From my cabaret show. So I'm thinking a bit of Nature Boy, with a little interlude into Summertime maybe. There's a lot of sort of jazz influence, I think, because I love that And I just didn't want it to seem preachy or just like overbearing. So I think when you're kind of laid back and you're letting these songs wash over you, it feels a lot nicer than anything. That's just like you're a bad person. We've got a bit of Color Purple in there that's a bit of like. Makes sense, doesn't it? Beautiful world, the color purple out in a beautiful field. We have maybe a surprise Little Shop of Horrors, but not what you think it would be. A little funny moment there. Oh, we've also got something from Dirty Rotten Scoundrels. Nothing is too wonderful to be true. Lovely, lovely, lovely. Trying to think, what else? And you get your gun in there. Why not?

[Mickey Jo Theater]

Yeah.

[Carly Mercedes Dyer]

Do you need more? Do you need more?

[Mickey Jo Theater]

No, no, no. This is more than enough to make me excited and I'm sure many other people as well. So when are you going to be at crazy cough?

[Carly Mercedes Dyer]

Tuesday 27th May at 7pm Come and see me at Crazy Cox. And also if you want, you can have dinner afterwards. We've got a Beautiful World menu that's been designed especially for us. And then at 9:15 we have Em Hoggett who's doing her show and she is phenomenal. She's written her own music. She did a song about being like this sexy pimp octopus thing. And you decide what, like I couldn't believe it. She was down in her like.

[Mickey Jo Theater]

Yeah.

[Carly Mercedes Dyer]

And I was like, what is happening? And she's this beautiful, just like so well spoken woman. I was like, ah, hot gangster. What now? Just amazing.

[Mickey Jo Theater]

So no one was ready for the word octopus in that sentence.

[Carly Mercedes Dyer]

I mean, I probably got it wrong, but I was like, what am I? It was amazing. Phenomenal. So do.

[Mickey Jo Theater]

Now I have to go see that one as well. There you go. You've got a whole evening planned on Tuesday the 27th. Yeah, I'm too fascinated now. It has to be done. So that was Tuesday the 27th of May of May. Mark your calendars. But if you're already booked, if you're seeing a show, this is a whole festival of cabaret curated by Janie Dee. You have to go see Janie Dee as well because she's divine and wonderful.

[Carly Mercedes Dyer]

Divine.

[Mickey Jo Theater]

She was at the West End flea market yesterday. I saw her kick. They were doing a little penalty shootout and she kicked a football through the top ring. Wearing heels, wearing an open toed heel shoe like it was nothing. And she didn't seem impressed with herself, as though she does this every day.

[Carly Mercedes Dyer]

The woman is phenomenal. Phenomenal. A legend, an icon.

[Mickey Jo Theater]

Yeah. But. Yes. So go and check out some of those. I know Laura Pitt Pulford, I think, is doing one as well.

[Carly Mercedes Dyer]

Gypsy. There's just a whole host. Janie Dee's niece, who's Jo, she's tomorrow, I think, and she's phenomenal. Just phenomenal. There's a whole glitter and be gay, but it's litter and be gay. See what she did there?

[Mickey Jo Theater]

I'd forgotten about that Gypsy. I saw that Gypsy concert and as well.

[Carly Mercedes Dyer]

With Seven Roses.

[Mickey Jo Theater]

With seven Roses.

[Carly Mercedes Dyer]

Seven iconic roses.

[Mickey Jo Theater]

Yeah.

[Carly Mercedes Dyer]

Lost my mind again. Another competition that I won.

[Mickey Jo Theater]

Yeah. That was a fascinating and wonderful evening at the theatre. And another great part for you as.

[Carly Mercedes Dyer]

Well, being zany and off the wall.

[Mickey Jo Theater]

Yeah.

[Carly Mercedes Dyer]

That's a theme.

[Mickey Jo Theater]

Yeah. And if you want to see more of that, Tuesday the 27th, come to the Cabaret. Thank you so much for joining us this evening.

[Carly Mercedes Dyer]

It's been so nice.

[Mickey Jo Theater]

Amazing. Carly Mercedes Dyer. Every given for 10 more seconds. I'm Mickey Jo Theater. Oh, my God. Hey, thanks for watching. Have a stagey day. Subscribe.