Jeevan Braich (Starlight Express) - INTERVIEW

Summary

Podcast Summary: MickeyJoTheatre Episode Featuring Jeevan Braich (Starlight Express) - INTERVIEW

Podcast Information:

• Title: MickeyJoTheatre
• Host: MickeyJoTheatre (Mickey-Jo)
• Episode: Jeevan Braich (Starlight Express) - INTERVIEW
• Release Date: July 18, 2025

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1. Introduction

In this engaging episode of MickeyJoTheatre, host Mickey-Jo sits down with Jeevan Braich, the talented actor behind the role of Rusty in the acclaimed revival of "Starlight Express". The conversation delves deep into Jeevan’s unique journey, the challenges of performing on roller skates, his experiences with the cast, and his aspirations in the world of musical theatre.

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2. Casting Process and Stage Debut

Jeevan shares his unconventional path to landing the lead role in "Starlight Express."

• Discovery via TikTok:

  • [04:11] “Luck was on my side; I was spotted on TikTok where I was posting covers and singing.”

• Audition Experience:

  • [04:30] “Two weeks later, I walked into the room and saw Andrew Lloyd Webber himself. That was surreal.”

• Family Influence:

  • [04:35] “My dad mentioned that 'Starlight Express' was the only show he ever stayed awake for when my mom took him.”

Jeevan's story emphasizes the power of social media in modern casting processes and the importance of familial support in pursuing artistic dreams.

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3. Training and Challenges of Performing on Wheels

The role in "Starlight Express" is notably demanding due to the integration of roller skating with musical performance.

• Learning to Skate:

  • [08:19] “Skate school took about 12 to 14 weeks, but mastering skating while singing was a whole new level of endurance.”

• Physical Demands:

  • [09:44] “We are always in a bent knee position, which affects our singing mechanics and overall performance.”

• Safety and Coordination:

  • [10:55] “On wheels, a slight mistake can impact the entire ensemble. It’s not just about individual performance.”

Jeevan highlights the rigorous training required and the intricate balance between physical movement and vocal performance essential for the role.

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4. Interactions with Established Cast Members and Child Actors

Jeevan discusses the dynamics of working alongside seasoned actors and talented child performers.

• Respect for Experienced Actors:

  • [14:25] “The child actors had more credits than all of us combined. They were incredibly professional despite their young age.”

• Impressed by Child Performers:

  • [15:16] “One young actress made us all nervous with her flawless performances. It was inspiring and intimidating.”

Jeevan expresses admiration for his peers, particularly the young actors who brought a high level of professionalism and skill to the production.

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5. Experiences Participating in West End Live

Jeevan recounts his participation in West End Live, a significant milestone in his theatre career.

• Surprise and Preparation:

  • [17:34] “I thought it would be easy, but performing in costume and on skates backstage was a challenge.”

• Performance Highlights:

  • [17:07] “Singing two of my favorite songs with Sophie, the new Pearl, was a highlight despite the intense heat.”

Jeevan reflects on the exhilarating experience of showcasing his role to a broader audience and the logistical challenges that came with it.

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6. Vocal Techniques and Performance Practices

The conversation delves into Jeevan’s approach to singing while performing intricate choreography.

• In-the-Moment Adaptation:

  • [18:20] “Riffs and runs are spontaneous for me. They arise naturally during the performance rather than being pre-planned.”

• Balancing Movement and Vocals:

  • [09:44] “We can’t just sing; we have to be mindful of our skating and positioning, ensuring harmony on stage.”

Jeevan emphasizes the importance of adaptability and the seamless integration of singing with physical performance, highlighting his natural talent and training.

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7. Personal Confidence and Dealing with Imposter Syndrome

Jeevan opens up about overcoming self-doubt and building confidence in a high-pressure environment.

• Building Self-Assurance:

  • [24:14] “Being thrown into the deep end forced me to choose confidence over doubt. It’s about convincing yourself you belong.”

• Role of Mentors:

  • [05:24] “Having mentors like Dame Arlene Phillips and Sarah Angel Lloyd Webber has been invaluable in my growth.”

Jeevan discusses the mental strategies he employed to combat imposter syndrome and the crucial role mentors played in his development.

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8. Emotional Performance at the Olivier Awards

A poignant moment in the interview, Jeevan shares his heartfelt performance at the Olivier Awards amidst personal loss.

• Coping with Grief:

  • [26:22] “My mom passed two weeks before the performance. I decided to honor her memory by pushing through and giving my best.”

• Connecting with the Role:

  • [29:22] “Every time I sing 'I Am the Starlight,' I think of her. It's a treasured memory that fuels my performance.”

Jeevan illustrates the profound emotional depth he brought to his performance, turning personal grief into a source of strength and inspiration on stage.

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9. Future Goals and Dreams in Musical Theatre

Looking ahead, Jeevan shares his aspirations and the types of roles he hopes to embody.

• Dream Roles:

  • [32:13] “I’d love to play a role that hasn’t been created yet—something powerful, authentic, and with a bit of humor.”

• Inspirations:

  • [32:28] “Inspired by roles from 'Hamilton' and the desire to portray characters that truly resonate with who I am.”

Jeevan expresses a desire for innovative and meaningful roles that allow him to showcase his versatility and connect deeply with audiences.

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10. Conclusion

Mickey-Jo wraps up the interview by commending Jeevan’s remarkable achievements and expressing excitement for his future endeavors in musical theatre.

• Host’s Praise:
  • [34:04] “You are remarkable. I'm such a fan. I'm so impressed by you. I'm so proud of you as well.”

Jeevan’s journey from a TikTok singer to a leading role in a major West End revival exemplifies passion, resilience, and the transformative power of theatre. His candid reflections offer invaluable insights into the demanding yet rewarding world of musical theatre performance.

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Notable Quotes with Timestamps

• Casting Experience:

  • "[04:11] Luck was on my side; I was spotted on TikTok where I was posting covers and singing.”

• Training Challenges:

  • "[08:19] Skate school took about 12 to 14 weeks, but mastering skating while singing was a whole new level of endurance.”

• Imposter Syndrome:

  • "[24:14] Being thrown into the deep end forced me to choose confidence over doubt. It’s about convincing yourself you belong.”

• Emotional Performance:

  • "[26:22] My mom passed two weeks before the performance. I decided to honor her memory by pushing through and giving my best.”

• Future Aspirations:

  • "[32:13] I’d love to play a role that hasn’t been created yet—something powerful, authentic, and with a bit of humor.”

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Final Thoughts: Jeevan Braich's interview on MickeyJoTheatre offers a heartfelt and inspiring glimpse into the life of a young actor navigating the complexities of a leading role in a demanding production. His resilience, dedication, and passion for theatre shine through, making this episode a must-listen for enthusiasts and aspiring performers alike.

Transcript

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[Jeevan]

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[Jeevan]

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[Jeevan]

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[Jeevan]

Embarrassing and explosive things. Yeah.

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[Mickey Jo]

Give it up. Take a seat. Take a seat. Take a vocal rest. Oh, wow. That was beautiful.

[Jeevan]

Oh, thank you kindly.

[Mickey Jo]

That was really lovely.

[Jeevan]

How stupid.

[Mickey Jo]

I enjoy hearing you sing. I always enjoy hearing you sing, but I especially enjoy hearing you sing when you get to just stand there and sing. And you don't have to be on wheels at the same time. No.

[Jeevan]

Eight wheels, guys. Do I look that different without them? Yeah, I say that like I've chosen, like, more comfortable shoes, and I've not.

[Mickey Jo]

But I assume you're used to it at this point.

[Jeevan]

No, I am. If I. If I don't wake up and I don't have blisters, that's when I think something's. Something's up.

[Mickey Jo]

What's the ankle situation? How's the ankle health?

[Jeevan]

They're nonexistent. There's no health at all. But it's the sort of thing I've kind of got used to it now. It's like, now it's like being on skates actually didn't hurt. It's now being off skates that hurts more so I've just got used to that. But, hey, I mean, it comes with the package of the job, I think.

[Mickey Jo]

Sure, sure. Now let's talk about that job. So I met you for the first time on carpets for various awards shows where you kept winning awards.

[Jeevan]

Wow.

[Mickey Jo]

For your amazing debut as Rusty and Starlight Express. And I think I told you at the Stage Debut Awards, I was rooting for. Not that that category wasn't filled with fantastic talent, but they weren't doing it on roller skates. And I think that has to count for something.

[Jeevan]

I mean, I remember you saying that and I was like, you know what? None of them are on eight wheels. And so because of that, don't get me wrong, they're doing some great stuff, but at the end of the day, I'm getting blisters every day. And so when Mickey Jo said, I was like, you know what? Someone else is encouraging it, so, you know, I'll feed into that as well.

[Mickey Jo]

Imagine if Tom Francis had been doing the Sunset Boulevards.

[Jeevan]

Can you imagine the pond?

[Mickey Jo]

They'd have had to change the tempo.

[Jeevan]

He'd be whizzing by, almost knocking the common earth. Yeah, I can imagine it. I can. It wouldn't. I mean, we say it like it's that extortionate. It's still Andrew Lloyd Webber. We are.

[Mickey Jo]

You know it is. And don't put ideas out into the universe. Jamie Lloyd here. What do you think Jamie Lloyd's Starlight Express would look like?

[Jeevan]

Well, I'd end up in my pants, so, you know, covered in whatever. However we get there, that's going to be the end result.

[Mickey Jo]

So covered in oil, I imagine, I think, is probably the natural conclusion.

[Jeevan]

Yes, very. Yeah.

[Mickey Jo]

I'm seeing a disused railway line, Sonia.

[Jeevan]

Yeah. A lot of euphemisms coming into play.

[Mickey Jo]

Yeah. Anyway, let's go back to the very beginning because I want to hear about the casting process and how you came to that role, making your thrilling stage debut and let everyone know how old you were at the time that you were cast.

[Jeevan]

Well, I was 17, and it was a very unorthodox route. I was very. Luckily enough, I was spotted on TikTok. I was putting covers out and singing and doing all sorts of stuff. And it just so happened to land on a casting director's for you page on TikTok. And he got into contact. He was like, hey, do you want to audition for this thing? I was like, yeah, go on, what is it? He was like, it's Starlight Express. I was like, never heard of it. But Fine. I went to my parents, I was like, what's Starlight Express? And my dad was like, I remember back in the, back in the good old days, he said it was the only show he's ever watched that he, that my mom forced him to go to, that he's not fallen asleep in. And so I was like, oh, now I'm intrigued. And so I was like, absolutely. I did a self tape for it and then I did a few more rounds and then two weeks later, I was like walking into the room and Andrew Lloyd Webber was just sitting there like this. And I was like, oh, what is happening? But. And then I got the job. And now I'm sitting here with you.

[Mickey Jo]

You are. You are indeed. Stage Debut Award. What's On Stage Award. Arlene Phillips has your phone number.

[Jeevan]

Me and Arlene, my bestie. I love her. There's, you know, that's actually something which is so crazy to say because it's like being able to, like, say that these people are mentors. It's like if I ever needed to reach out to, like, someone like Angelo Webber or like, I mean, I say Arlene, I message her every other week saying, hi, Bob, how you doing? And she's like, yeah, I'm good, thanks. But, like, the people that, to me were like, the biggest things in the world, the fact that I even get to, like, have them in my phone book or know of them or see them so often and talk to them on a, like a regular basis is so crazy to me because these people shaped what I wanted to do when I was, you know, growing up and still growing up now. It's like, it's crazy. So it's brought so many opportunities, but I think just the education of it, because, you know, I skipped drama school and so I had this massive imposter syndrome, being like, oh, my goodness, everyone here has been to, you know, has been through five, six years of training, they know their stuff. And I was walking in going, hi. And I didn't know a single thing. They were like, okay, so now we're going to go downstage. And I went, who's that? I. I didn't know a thing. And so the fact that this, in my way, has been my education, it's been my drama school, you know, the fact that I've been lucky enough to have it practically, like, as opposed to on paper has been so amazing. And the fact that that's my education and my mentors are, you know, people like Dame Arlene Phillips and Sarah Angel Lloyd Webber is crazy. So I Think I'll always have that to be thankful for.

[Mickey Jo]

Yeah. Was getting. Because the Stage Debut Award, I think, is the first thing that you won for playing Rustic. Was that validating, having not come through a drama school route?

[Jeevan]

Absolutely. And I think it says a lot more about the Stage Debut Awards than it does just me, because it was like there were people there who were already established. Yeah, you had Miles Frost there, you had Jack Wolf there, you had, you know, Rose Ellis, who won the year before. And it's like these people, they know their stuff and they've, they've been in the industry, but it's like, it's actually acknowledging that this is someone's debut in this industry, they're taking that first bold step into it, into that very scary place, is so, like, so humbling, but also, like, it just, it makes me go like, oh, wow, okay, so this is what's really going to happen, you know, throughout the whole year there was so much press and stuff, but when I got into that room, it was when I went, oh, so this is what it's gonna be like. I could get used to this. And I did. So.

[Mickey Jo]

Yeah, yeah. But also, I mean, you could talk about. And the imposter syndrome is still a very valid thing, but, you know, you go to drama school, if people do and you train for years, there's still nothing can prepare you for playing a singing train in Starlight Express. No, you have to imagine the training is not that bespoke. And in particular, and this is the thing that not everyone might know about the show, you weren't roller skating beforehand. They're not casting, like, let's look for the musical theater stars who are also great skaters.

[Jeevan]

No, no, not at all. I mean, don't get me wrong, there were a bunch of people that came from the German production in Bockum or had done it before. However, even then, everyone gets taught at some point to do it. It's not people. I mean, don't get me wrong, they were like, there's been a couple of people who already knew how to skate and stuff, but for the most part, we honestly, we got practically sent to this rogue location and for six days a week, many hours a day, it wasn't like a nice putting on music and vibing in a, like a roller disco type place. It was blood, sweat and tears. And I was like, this is six days a week. And it was long days. And eventually we saw the progress. But yeah, none of us really knew how to skate before. So the fact that we had the amazing people that were able to train us is amazing. But then that was just the first part. You know, we learned to skate, and then, like, okay, now we've got a choreograph and do numbers and sing. The singing was hard. I was on those skates. I was like, starlight Express. But, you know, stamina and all of that. So eventually. Eventually, it builds up to it. But no, it took a lot of endurance.

[Mickey Jo]

I was going to say, what is the mechanism like of. Do you have a different kind of a process when you are standing still flat on the ground? Or when. Are there different things that you have to think about in terms of, like, diaphragm and activation? What's going through your head when you're singing on wheels?

[Jeevan]

A lot of the time it's so we always have to. I don't know if you can tell because of the costumes, but we are always in some form of, like, bent knee position, which means that, like, so it was like, the first thing we got taught. Benjides. Benjides. Benjides. I think one person even got it tattooed. They heard it that much. They were like, I must bend my knees. I must bend my knees. And so that's one thing. And then it's like, also, we can't just be singing and just go on the back burner and just go like. You know, like. Like how? I was just singing just then. I was like. At one point, I just, like, sat back a bit. I was like, if I did that, I'd be going flying, you know? So it's like, yes, I'm worrying about, okay, am I singing this right? Am I getting these lyrics right? Am I in time with everyone? But then it's also, Am I, like, standing right? Am I up right? Am I like. You've got a stagger. You've got to do this, you've got to do that. If you don't, not only does it affect you, but if you're, like, skating and singing and you do the slightest thing wrong on wheels, it doesn't just affect you. It affects the. You know, the domino effect that's gonna happen with the eight people behind you that are all gonna go. A word. I'm not gonna say they're all gonna crash as well. Because, like, it's. It's the sort of show. It really is not about you. It affects everyone you're on stage with. So.

[Mickey Jo]

Yeah. How many weeks or months did it take before it was in a place of muscle memory and you were like, this is just what I do.

[Jeevan]

I'd say it took about I mean, skate school is what we called it, and that took around 12 to 14 weeks. And even that then I think we came out of that going, okay, we know how to skate now, but do we know how to do a musical on skate? So I think it was that sort of timeframe that merging it between rehearsals that we were like, okay, now I feel confident enough to do it. But even, like, Even now, I mean, I'll go on skates and I'll be like, I've forgotten everything. I don't know what I'm doing. So I think never get too blase when you're on eight wheels, because just when you think you've got it, you ain't.

[Mickey Jo]

I never really saw anyone.

[Jeevan]

Well, now, see, this is the thing. We called it floor tax. And if you paid your floor tax, you've fallen over. I actually only fell over twice in the whole year, and I was quite proud about that. I was quite proud. However, the two times I did fall were drastic. And I made it everyone's problem. I made sure everyone knew I fallen down. Stop everything. But you know what? I got back up and carried on. One time I did. I got back up. I just wanted this. To the audience, I went, I'm okay. I just carried on. I'm not in the mood. I was like, guys, I'm fine. And I just carried on singing.

[Mickey Jo]

What point in the show was that?

[Jeevan]

My first number. My first number.

[Mickey Jo]

Because you have to worry about the drama tee where. The dramaturgy, where they're going. I don't think Rusty's going to win this race.

[Jeevan]

You know what I mean? Yeah. One time I went the wrong way in the race and I was supposed to win, so spoiler alert. I. I was winning at the end, and so at the end, I'm supposed to go all the way around and I go up the massive ramp and yay, I win. This numpty decides to go the wrong way completely. And so I'm supposed to go. How do I pitch? I'm supposed to go round and up, and I just go right onto the side where, like, there's this main stage. And so I'm now watching as everyone who's supposed to be behind me is going up the right way, winning. And I'm stood on the rest of the stage going, oh. And, you know, the audience couldn't tell, but the ushers, they knew and they were looking, they were going, what are you doing? I was like, I don't know what to do. And so I just, like. I just, like, sprinted as you could on the skates and just, you know. That being said, I was quite a fast skater because I managed to go round the whole track. I sprinted past all of them and still made it on time for my, like, winning entry. So if that doesn't tell you that I was trained well, then I don't know what will.

[Mickey Jo]

What did the child who was playing control do in normal.

[Jeevan]

I saw the face was going, it's the only race that they're on stage for. And, you know, they're. You know, I don't blame them. It's a kid. My. My co workers were doing the same. They're like, he's supposed to be in front of us. And I was standing way down there going, don't know what to do. And I just remember seeing everyone go. And so I just did it. I went all the way around, made my edge. I was like, guys, if that's convincing for you, then great. And if it's not, well, I can't do anything about that.

[Mickey Jo]

So waiting for a child actor to say, we moved the finish line.

[Jeevan]

You know what I mean?

[Mickey Jo]

Misty's the only one who knows.

[Jeevan]

Yeah, I would have loved some improv from the little kid, but no, that's okay.

[Mickey Jo]

They were very well seasoned. I remember when I came to either the dress run or press night, looking through the program, and it was so exciting seeing so many professional debuts and yourself and so many graduates. And I was like, do you know how has the most credits in this show is all of the children playing?

[Jeevan]

None of them were debuting. None of them. They had more credits than all of us combined.

[Mickey Jo]

And it was Wembley park and they'd all done West End shows, so you have to imagine they were all like, oh, no.

[Jeevan]

But on. But on top of that, we were nervous around them. There was. There were. There was this one. There was this one kid who was. She was so good. Like, she made all of us so scared every time that she was on, because we were like, we don't want to do badly in front of her because she's that good. She gets everything right. On top of that. What's annoying is the fact that she's a lovely person. That's what makes it worse. And I remember in rehearsals or something, and, like, you know, it's new, it's fresh, and I think I did some. I did the wrong line. I just remember looking at her and she went. I was like, please. I was like, I'm sorry I'm not a seasoned professional like you. But no, no, they know their stuff.

[Mickey Jo]

They've all wasting her time as well.

[Jeevan]

You know what I mean? But, yeah, no, I'm not surprised. And all of them were so amazing. When you actually put down how many lines the controls. That was the kids character. When you put down how many lines they had and how many times they were on stage, it was so much. And so you, you know, not only the kids, but their parents, the chaperones and the kids directors who were all training them, they were doing like the Lord's work because we couldn't do all that, let alone having 10, 11 year olds do it. It was, I think at one point, the youngest control we had was nine. And I was like, how are you remembering all that? Did you not learn your ABCs yesterday? But no, they were amazing and I'm very envious of all of them.

[Mickey Jo]

Yeah. Yeah. So you finished with the show like just over a week ago, I'm gonna say.

[Jeevan]

Yeah, like a week and a half ago.

[Mickey Jo]

Yeah. But then got the skates back on yesterday to go do West End Live.

[Jeevan]

I did indeed. I. Yeah, the train stopped for a pit stop. And then, you know, you should have seen, though, I was putting the makeup back on. I was like, I forgot about this. Or, oh, the skates. And they're like, jeevan, you've been gone a week. You were gone longer when you went on holiday. I was like, oh, I remember this building. And it was the Wembley Troubadour, you know, and no, but it was not. It was so lovely to be back in it. I mean, Western Live is something which is a bucket list that's, you know, crossed off. And I really want to do it again, but, oh, my goodness, that crowd. I've been nervous a bunch of times, but that was really nerve wracking because also, it's like, it's not just like the familiar faces that, you know, it is completely new people as well. And on top of that, it doesn't stop as far as the eye can go. It's like so much, so many people. And no, everyone was lovely. It was a lovely environment. Everyone backstage was lovely, but I was so scared, especially that stage on the skates.

[Mickey Jo]

You did so well.

[Jeevan]

Oh, thanks. No, it was so. And you know, especially singing two of my favorite songs as well from the show, performing with the amazing Sophie, who is the new pearl, which was nice. It was a nice. It was a new dynamic. And yeah, I just loved it. That heat, though, that was crazy.

[Mickey Jo]

I did say to you earlier that it kind of put to shame the cast members, like, I love you, Moulin. Rouge, but they were wearing T shirts and jeans. And I was like, if the trains can do it, I feel like.

[Jeevan]

You know what I mean? So when they first talked to me about West End live, I was like, this is amazing. I'm gonna be there. I'm gonna be in, like, a Starlight hoodie or something. I'm gonna put some skates on. Piece of cake. Walk in the park. And they were like, yeah, amazing. So we're gonna plug up your rusty jacket now and your backpack. And I went, who for? They went for you, babe. And I was like, we're doing this in costume. They were like, yes, my love, we are. And I was shocked. I was bamboozled. And I. No, hey. I mean, it was fine once we were in it, but, I mean, the heat was. It was hilarious. Us both coming off backstage and just having, like, ice packs, like, just spacked, like, straight onto our faces was. It was needed. It was needed.

[Mickey Jo]

So I am always a nerd about vocal choices. And so many of the little riffs and runs yesterday in I do, it was so good. Is it something that. Do you have a whole pre planned map of, like, this is how I'm gonna sing this song, or is it in the moment? Is it felt even with the performance you just gave? Are you thinking about it? Are you crafting them?

[Jeevan]

What's the. My favorite question? So anyone. Anyone who's been to Starlight will know. And no, like. And I shouldn't really say this, but, like, no two performances are ever the same. Not because I'm, like, going, like, doing these crazy things, but, like, for that performance specifically, I was like. I went to the amazing MD and I was like, okay, so I'm gonna do it how I did it in the show. And so I did it in soundcheck. I was like, the whole time. And she went, that's not how you did it in the show. I went, no, I meant, like, I'm just gonna merge everything out of the year. I did. And put it in that one verse. And she was like, you can't do that. And so I did tone it down. And even if you could tell in that it was toned down, but that.

[Mickey Jo]

Is not my assumption.

[Jeevan]

Oh, great. No, but for me, it's very much in the moment. Unless it's like a big riff or a run. Cause riffs are my favorite thing ever. And anyone who's heard me sing or knows me knows that, like, oh, I love a good riff. I do. And so they're never really like, okay, I'm going To do this, I'm going to plan it a few songs before and make sure I do that unless it's like, a big thing. And I remember the run that I do in. I do. Nah, Daidu. That's my favorite one. Yeah. I remember being in the Music Week, and I went to the md and I was like, guys, I want to do something. You know? They're like, what do you want to do, my love? And I was. I don't know why. I don't know why I'm doing Bristol.

[Mickey Jo]

Everyone's from the west country.

[Jeevan]

None of them are from there, but still, they're like, so, what do you want to do? And I was like, well, I really want to put a run, because this song's amazing. It's very. Like, I do, but I do. And I was like, yeah. You know? And so I was like, could I do, like, a little something? I was like. They went, okay, do it for us. I did it. And they were like, andrew's coming in later. Don't do that in front of Andrew. And I went. I went, oh, okay. And I was doing it. I was singing the song, and I was like. I looked over it. I was like, screw it. I went, that I do. And I just remember seeing so many people's faces going, oh. And I just remember seeing Andrew go packages by Expedia.

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[Jeevan]

And hammocks for less.

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[Jeevan]

And I went, yes, it's in. Because. Because that's all that really matters. Honestly. It's like. It's the notion of, like. And it's the notion of, like, asking for forgiveness, not for permission. I mean, I am saying that very lightly. I'm not saying go and, like, totally butcher your songs like I do with, like, all these warbles. But, like, in that aspect, all someone would have said is no. And I would have gone, okay, fine. You know, but someone said yes, because I actually tried it, you know, so it's that sort of like mentality of if they say no, they say no, and you respect that. But if they're like, try it and see. And I tried it and see, and it worked off, then it pays off. And I've got something in the show which I could do all year, and I did it. And that is my favorite run to do in the whole entire show. I literally look forward just for. I do just to do that one run, and everyone knows that. So that it's very much an in the moment type thing with me.

[Mickey Jo]

That's amazing. And I think he likes, like, contemporary vocals.

[Jeevan]

Well, now, see, this is the thing. I was very scared because I was like, this is. You know, this is Andrew Lloyd Webber. I thought he was going to be very linear, very, like, we stick to what it is. But I mean, if Starlight taught me anything, I think Starlight was also. We were very lucky because we had a revival which was so different to anything else. You know, if we were coming in with, like, a phantom or like, even. Even maybe with like a sunset or something, I think there are some things which you'd be like, okay, but this is a sort of song that. It's a very typical musical theater song or, like, typically classical song. You can't go changing it. Starlight was so weird that it was. No. In the best way that it was like, we're doing this revival that 40 years ago, it was the thing that was ahead of its time. However, now that looks, you know, some bits look dated the same way that now we're trying to make things that seem really modern and fresh. So I just loved the authenticity from Andrew and everyone on the music team that was like, we actually want to hear what you want to do, and we'll entertain it. If it doesn't go in, it doesn't go in. But we still want to. Like, they actually worked with me. We sat down and picked apart things that we wanted to do and pieces that we wanted to put in, and they were all ears.

[Mickey Jo]

And what would be the point of bringing you and your voice into that show to not use it to its full effect? I also think just to. There's something else I really want to talk about. I'm so struck by the brilliant confidence and sense of self that you have still at such a young age. And I'm wondering where that comes from for you.

[Jeevan]

I think it comes from a place of being put in the deep end when you're in a place where, like, for example, for me, I was so happy. I was over the moon that I got starlight, you know, And I was like, oh, my goodness, I'm 17. I've moved to London to be the lead in this massing, massive, whopping revival. And then I was like, wait a minute, I'm 17, I've moved to London, and I'm going to be the lead in this massive, whopping revival. I was like, this is scary. But it's like when you accept the fact that you are in the deep end, it's like you only really have two choices. You can either warble about it and be like, okay, I don't know what to do. I'm going to cry about it. Or you can be like, okay, but what can I make of this? And so for me, it was like, okay, well, I'm going to be confident about it because it's my only choice, really. And it wasn't my only choice, but I convinced my brain that it was. And that works for me. That might not work for everyone, but for me, I was like, I'm going to be self assured. I'm going to walk into the room on that first day like, I belong there. Even though I was there going, oh, my God, I'm the only one that doesn't know anything. I don't know what downstage means. But I still walked in going, you all right, mate? How you doing? And Andrew was like, but it's the sort of thing. It's like, you know, acting confident and these sorts of things. It tricks not only your brain into thinking that you are, but it tricks other people to. And. And that's all you really need, because we're in theater, we are a world of actors, and we're a world of, like, facades. And if you do a facade in a good way, I don't think there's any harm into it. And I think, see, they agree. And I think it's the sort of thing that you can, like, promote yourself as being confident as much as you want to.

[Mickey Jo]

Yeah, you've had an amazing year in the show. It's also been a difficult year in ways. We talked about Western Live, but you also gave a really stunning, moving performance on the Olivier Awards. I cried. Do you want to tell us a little bit about why that meant so much to you?

[Jeevan]

I mean, apart from the fact that I had an amazing outfit, which moved me to tears, I think it was just, you know, like, everything was so fresh. Everything was so raw, and I was like, you know, so my. My mom passed, like, two weeks before the actual performance, and I was like, oh, my goodness, what am I going to do here? And again, I told myself, I've got two options. I either don't do it, which is totally valid. And no one in the company. Everyone literally came to me. Every managing person came to me and said, if you don't want to do it, no one will blame you. Also, you have every right not to. And I was like, okay, so that's option A, which is valid. Option B is saying, I am going to do it, and I'm going to do it to the best of my ability. And again, it's when I give myself those two options, I say to myself, well, for me, it's only going to be option B because you use it as motivation. Okay, well, whoever is motivating you to do this. In this case, it was my mom. I was like, well, she wanted me to do it. She was the most excited when I said I was going to be at the Oliviers. Olivier's. And I was going to be, you know, like, she. She got three tickets straight away. She went to a dressmaker because, you know, she had to look amazing and stuff. And I was like, you know, it was weird because I was thinking about the fact that, you know, there was an empty seat there. You know, my family were there, and I was like, this is really, really hard. And it was. But it's also remembering that there's nothing wrong with that, I think so. So much of the time we force ourselves to. To have a smile on our face and stuff like that, and you actually don't have to. Realistically, you're. You know, there's one thing forcing yourself to be confident and stuff, but it's another thing. I was there on the day, and I was backstage, I was in the dressing room, and I was like, I'm not at my happiest. I'm not at my best, but I'm going to smash through this performance because I want to, and I know she would want me to. And so I went out on there and I was like, you know, I sent her a little voice message to her phone. I always do that whenever there's something big. I just moved house. I did the Oliviers. I did it, stuff like that. And I was like, hi, Mom, I'm about to go out on the Olivier stage. I know you're going to be there with the best seat in the house, and I'm going to do what you wanted me to do. And, you know, I remember going out on there, and I was like, oh, my goodness, I'm at The Royal Albert Hall. And I just. It really all got to me. And I was like, wait, no, don't cry yet. I've still got to sing. And so I was like. I was sucking in the tears and I was like, okay, I did it. I sang. And also, the song that we were singing was called I Am the Starlight. And that song is so monumental for.

[Mickey Jo]

Starlight with a maternal character, you know what I mean?

[Jeevan]

Like, she's literally called Mama. I mean, how on the nose is that, you know?

[Mickey Jo]

And that last line that you had to give.

[Jeevan]

Yeah. And so that. That changed the perspective of that song for me.

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[Jeevan]

Every single time I sang it since I hadn't been to work. So I came back to London from Birmingham just to do that. And I think I did, like, one rehearsal, and we went straight into it, and I just remember thinking the last line. I was like, I've made it. I've made it. And I just remember being on that stage with the last bit. I was like, okay, I've got to look up and I've got to say the line. And I said it, which is, I won't let you down as you look up. And I was like, ah. I just went completely. I was like, no, no, no, I can't do it. And I was like, no, no, no, no, you can do it. And so right before, I literally said in my head, you've got this. Just say it. And I said, I won't let you down as I was crying. But I was like, it's that which. It was just so monumental. And it was just the. The ability to have the choice to not do it or do it was amazing, and it was needed. And everyone reacts to grief in very separate ways. And that's totally valid for me. I really wanted to push through with work at the time and, yeah, since then, going back to work, you know, it was really, really, really hard. But, you know, I had an amazing family of a cast around me, a crew, the whole company were amazing. And it was just. It's crazy though, how every single song I sang, the perspective was completely changed, completely changed. And, you know, every time I hear I Am the Starlight or I will sing I Am the Starlight, that song specifically, the whole way through, I only think about her. Anything else that's going on, like in other songs, I'd be thinking, okay, am I on my cue? Am I in time with this? When it gets to I am the Starlight, I don't think about anything else. And so if anything, I kind of like it. It's like that little treasured memory. And so I just reminded myself I am now every time I am up on stage, even this stage as well, I'm doing it for her and she would have loved to see it. So that's how I think about it. Oh.

[Mickey Jo]

You are remarkable. I'm such a fan. I'm so impressed by you. I'm so proud of you as well. I'm not, I'm. Yeah. Anyway, finally then, you're at the start of what I think is going to be a really exciting musical theatre career. Are there any dreams, goals? I mean, you've done so much already, but roles you'd like to manifest here on the stage of Mickey Joe Theatre Live.

[Jeevan]

I mean, I remember actually, I remember you asking me this question. So Mickey was actually one of the first friendly faces I saw at these, like, press stuff and this sort of stuff. And I was like, I know you. Where do I know you from? Not knowing. It was like YouTube and stuff like that, which know growing up I'd watched and stuff like that. And it's like you were like the first friendly face. And I remember you asking me that question and the answer hasn't actually really changed. I remember saying, I like to think that my dream role hasn't been created yet, just because I think there's a role out there that will be so perfect for me that if there is any other role right now that I like, it's a role that I like doing. But the role that I meant to play is yet to be created and I can't wait to meet him, I really can't. But I mean, there's so many inspirations, you know, I've got so many from Hamilton the Wiz. If there was like a gender swapped version of the Wiz. Dorothy. Oh my goodness. Whoever is auditioning for that, you better. You better. You know you better. Yeah. I just think that's the sort of role which I would want. I want a powerful role. I want something which, you know, shows who I am. I would really love to be in a play. That's something which really, really motivates me. But anything, I don't really care about what the context of it is, something which is so authentic and true that I also get to have a bit of a laugh about. I think that's, that's what's out there for me.

[Mickey Jo]

Yeah. I cannot wait to see it. You are so talented. Thank you so much.

[Jeevan]

Thank you guys. Thank you.

[Mickey Jo]

Thank you. Give it up for jeevan, everybody. For 10 more seconds, I'm Mickey Jo Theatre. Oh my God. Hey, thanks for watching. Have a stagey day. Subscribe.

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