Podcast Summary: MickeyJoTheatre Reviews "Second Best" at Riverside Studios
Episode Title: Second Best (Riverside Studios, London) - ★★★★ REVIEW
Host: Mickey-Jo
Release Date: February 4, 2025
Podcast: MickeyJoTheatre
1. Introduction to the Episode
In this episode, Mickey Jo delves into his review of the latest theatrical production, "Second Best," staged at Riverside Studios in Hammersmith, London. Known for his comprehensive theatre critiques across various platforms, Mickey-Jo offers an in-depth analysis of this play, highlighting its unique premise, performances, and technical aspects.
"This is auspicious because it marks the theatrical stage debut of Asa Butterfield, better known for his work on screen since an early age." [00:00]
2. Overview of "Second Best"
"Second Best," directed by Michael Longhurst and penned by Barney Norris, is an adaptation of David Fuanchinou's novel. The play introduces an alternate reality where a fictional individual narrowly misses out on the iconic role of Harry Potter, a role that ultimately went to Daniel Radcliffe. This alternate protagonist, Martin, grapples with the implications of this near-miss as he approaches a significant life transition—the impending birth of his first child.
"It essentially conceives the idea that there was this fictional runner up to the role of Harry Potter on screen, which of course went to Daniel Radcliffe." [00:00]
3. Mickey-Jo’s Reflections on Harry Potter's Cultural Impact
Mickey-Jo shares his personal stance on the Harry Potter franchise, acknowledging its deep-rooted influence on his generation. He expresses a nuanced detachment from the series, highlighting how its omnipresence in cultural consciousness contrasts with his current feelings.
"I have now sort of actively uncomfortable when I see it, when I encounter it, certainly when it is so heavily mentioned in a play." [00:00]
He reminisces about his childhood experiences with Harry Potter, from dressing up in school uniforms for World Book Days to the lasting imprint the series left on his life and those around him.
"I actually wear during this review to help to convey to you, you may see it, how many World Book Days. That's a thing in the UK. I too dressed as Harry Potter." [00:00]
4. Structural and Thematic Analysis of the Play
"Second Best" is structured as a one-act monologue spanning approximately 80 minutes. The narrative begins with Martin's present anxieties about impending fatherhood, swiftly transporting the audience into his past traumas related to missing out on the Harry Potter role. The play oscillates between comedic elements and deep emotional introspection, effectively portraying Martin's internal struggle.
"It's like he's digging at his own consciousness and he finds himself barreling down one particular tunnel a little bit like a therapy session, honestly." [00:00]
The themes explored include childhood trauma, the impact of unmet aspirations, and the challenges of impending parenthood. Mickey-Jo appreciates the play's exploration of these themes, especially its focus on the psychological ramifications of narrowly missing a life-altering opportunity.
"It's a meaningful exploration of him contending with his own PTSD, really, with his own historic trauma in anticipation of parenthood." [00:00]
5. Critical Evaluation: Strengths and Weaknesses
Mickey-Jo commends "Second Best" for its intriguing premise and cultural resonance, especially among British audiences familiar with the Harry Potter franchise. He lauds the play's ability to derive humor from the protagonist's awkwardly intertwined past with the famous wizarding world.
"The slightest connotation, the slightest awkward link, all of the comedy about this character as a child losing out in this role and then attempting to avoid the franchise for the rest of his life... effortlessly." [00:00]
However, he also points out certain shortcomings. The resolution feels somewhat insubstantial, leaving questions about why Martin's past traumas resurface at this particular moment. Additionally, Mickey-Jo wonders about the play's broader applicability, questioning its resonance with audiences outside those directly impacted by the Harry Potter phenomenon.
"I'm not convinced... it's only a reasonably insubstantial realization and fulfillment he finds it's." [00:00]
6. Asa Butterfield’s Performance and Casting Choice
Asa Butterfield’s portrayal of Martin marks his debut on the theatrical stage. Mickey-Jo highlights the metatheatrical significance of casting a well-known screen actor in this role, which adds layers to the narrative, especially considering the play's connection to the Harry Potter universe.
"He does a Daniel Radcliffe impression at one point during the play, which is hysterical funny." [00:00]
Despite Asa's strong screen presence, Mickey-Jo notes that his performance still leans towards screen acting, which might pose challenges in larger venues like the West End due to vocal delivery and expressiveness.
"He is pushing around these big set pieces and there are several curiosities about this set, but it is for the most part a very sort of oppressively empty, large white box without a front." [00:00]
Nonetheless, Asa's ability to convey sincerity and depth, especially during moments of stillness and reflection, earns high praise.
"There are so many moments of stillness and reflection that he really delivers best." [00:00]
7. Technical Aspects: Set Design and Lighting
The play boasts minimalist yet symbolically rich set designs by Fly Davis and lighting by Paulie Constable. The Riverside Studios' transformation into an expansive white box without a front emphasizes the internal nature of Martin's journey.
"It's essentially an art gallery... the museum of his mind." [00:00]
Lighting plays a pivotal role, shifting between cooler and warmer tones to denote changes in mood and memory. Specific visual elements, such as falling black clumps of dust, metaphorically represent Martin’s resurfacing traumas.
"There is this really eerie visual of falling black clumps of dust, these grains falling down from these grates in the ceiling." [00:00]
Mickey-Jo appreciates the deliberate staging choices that reflect the protagonist’s mental state, effectively complementing the narrative.
8. Conclusion and Final Impressions
Overall, Mickey-Jo rates "Second Best" with four out of five stars, commending Asa Butterfield’s confident theatrical debut and the play's cultural relevance. He encourages theatre enthusiasts, especially those familiar with the Harry Potter legacy, to experience the production.
"It's a really satisfying monologue piece. It's a very enjoyable evening at the theater." [00:00]
Mickey-Jo also expresses interest in future performances featuring Asa in ensemble casts, anticipating further growth in his stage career.
"I hope that we see him on stage again later, soon. I do think that it has the capability to speak to young men, to speak to new fathers or young men who are anticipating becoming fathers." [00:00]
He concludes by inviting listeners to visit Riverside Studios to witness "Second Best" firsthand and shares his satisfaction in supporting productions not directly profiting from franchises like Harry Potter.
"From what I can tell, JK Rowling is not making money off of this, which is why I can be at peace telling you to go and see it." [00:00]
Mickey-Jo wraps up the episode by encouraging audience engagement and promoting his ongoing reviews of smaller theatrical productions.
Notable Quotes with Timestamps
-
Opening Remarks:
"This is auspicious because it marks the theatrical stage debut of Asa Butterfield, better known for his work on screen since an early age." [00:00] -
Harry Potter Cultural Impact:
"I have now sort of actively uncomfortable when I see it, when I encounter it, certainly when it is so heavily mentioned in a play." [00:00] -
Play’s Premise:
"It's like he's digging at his own consciousness and he finds himself barreling down one particular tunnel a little bit like a therapy session, honestly." [00:00] -
Performance Analysis:
"He does a Daniel Radcliffe impression at one point during the play, which is hysterical funny." [00:00] -
Technical Design Praise:
"There is this really eerie visual of falling black clumps of dust, these grains falling down from these grates in the ceiling." [00:00] -
Final Recommendation:
"It's a really satisfying monologue piece. It's a very enjoyable evening at the theater." [00:00]
Final Thoughts
MickeyJoTheatre's review of "Second Best" offers a comprehensive look into a play that interweaves personal trauma with cultural icons. With Asa Butterfield's compelling performance and thoughtful staging, the production stands out as a meaningful addition to contemporary theatre. Whether you’re a Harry Potter aficionado or simply appreciate nuanced storytelling, "Second Best" at Riverside Studios is a must-see.
Stay Connected:
For more detailed analyses and reviews of the latest theatrical productions, follow Mickey Jo on his YouTube channel MickeyJoTheatre and social media platforms under the handle @ickyjotheater.