Transcript
Tim (0:00)
I'm here on a job site with Tim, who owns his own electrical contracting business.
Micky Jo (0:04)
Three employees and two work trucks.
Tim (0:05)
Tim traded up to Geico Commercial Auto Insurance. We're positively here where he needs us most.
Micky Jo (0:11)
They sure are.
Tim (0:11)
With step by step help on all his insurance needs. All for shockingly low rates.
Micky Jo (0:17)
Shockingly low, huh?
Tim (0:18)
Just a little bit of electrician humor. Do you get it?
Micky Jo (0:20)
I got it.
Tim (0:21)
You know, it feels like we have a real connection.
Micky Jo (0:24)
Alright, I'll stop. Get a commercial auto insurance quote today@geico.com.
Herobread Advertiser (0:27)
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Micky Jo (0:29)
Get more with Geico. ACAST powers the world's best podcasts. Here's a show that we recommend.
Joanna Coles (0:39)
Hi, I'm Joanna Coles.
Michael Wolff (0:41)
And I'm Michael Wolff.
Joanna Coles (0:43)
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Michael Wolff (0:53)
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Joanna Coles (1:09)
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Micky Jo (1:26)
Acast helps creators launch, grow and monetize their podcasts everywhere. Acast.com before we even begin with the whole critical appraisal dramaturgy thing, I do want to point out that the one mathematics question that pops up in this show does not begin to approach a university level mathematics question. This is like GCSE Y equals MX C Basic equation nonsense. And you know what? Had that been the caliber of degree level mathematics, I would be sitting here right now with very different qualifications. Oh my God. Hey, welcome back to my theatre themed YouTube channel. Or hello to those of you listening to this on podcast platforms. My name is Mickey Jo and I am obsessed with all things theatre. I'm a professional theatre critic here on social media and today I'm going to be letting you know what I thought of the new musical starter for 10, currently playing at the Birmingham Rep. It was previously produced at Bristol Old Vic, the same venue where I believe it was first seen in an initial production a year ago. It's had a little bit of a glow up from what I understand, but this was my first time seeing the show. I'm not particularly familiar with the source material. I think it's based on a book that was also adapted for screen, but it's set in the mid-1980s and it tells the story of a young man going to Bristol University with the dream of appearing on University Challenge, which, if you don't know, is a TV competition show here in the UK in which teams from different universities compete in a fiendishly difficult general knowledge quiz, testing them on everything from classics to classical composers. Now, University Challenge itself is decently spoofed and heavily featured featured in this show, but it's also contained within an entire plot of its own, which we're going to talk about, as well as talking, of course, about the performances and the material. Stay tuned for all of my thoughts on starter for 10, but as always, I would love to hear yours as well. If you have seen this show in any iteration, either at the Birmingham Rep or at Bristol Old Vic, then let us all know in the comments section down below what you thought of it. In the meantime, if you enjoy listening to my review, then make sure to subscribe to my theater themed YouTube channel for many more coming very soon. Or go follow me on podcast platforms. For now, let's talk about starter for 10. So let's explain a little bit what this show actually is. It is based on the novel by David Nichols as well as the HBO and Play Tone film. It's a stage musical adaptation, 10 years in the making, written by something of a collective, so the book and lyrics are credited to Emma hall and Charlie Parham. Charlie Parham is also the singular director. The music and lyrics are credited meanwhile to Hattie Carman and Tom Rasmussen. So really, a whole cohort of people who have come together to write this show. And like almost all new musicals in development, the show has been evolving. I'm given to understand that this latest incarnation is very much changed from the version that was seen at Bristol old Vic in 2024. And like I said, it tells the story of a young man named Brian, played by Adam Bregman, who is heading off to Bristol University after we get a little glimpse of his backstory. He grows up as a devotee of University Challenge that he enjoys watching with his father, the tragic backstory being completed here when his father sadly passes away before he heads off to and aside from the University Challenge obsession, he has a pretty traditional and familiar route to university, not only his mum in something of an emotional frenzy, trying to convince him to take various different cooking utensils with him and imploring him to remember to eat fresh fruit, but also his arrival in a freshers fair being slightly overwhelmed by all of the different activities on offer as well as all of the different personalities. He forms something of an instant rivalry with a young woman who is a classmate of his with whom he shares tutorials. But there's also an undeniable spark between them, however, that gets very much lost in the back of his mind behind the instant attraction to a gorgeous young blonde who he meets at a party with. His instant infatuation towards her being the only thing that eclipses his real main goal, which is not his study of poetry and English literature, but it is his determination to make the University Challenge team, for which there are startlingly few applicants, and which is being run by the team's default captain, a particularly eccentric character who has participated in years past. He's played by Will Jennings, and he has previously embarrassed himself somewhat on national television, but is demonstrably, hugely devoted to University Challenge and the notion that this might be their year. And there's a lot of good entry points in this story. Not only is it ultimately talking about family and a little about grief, when he's eventually actually able to connect all the dots of why he is behaving in the way that he is and really interrogate his own emotions that he hasn't been able to unpack since the death of his father during his childhood, but it's also talking about, you know, this coming of age idea, going to university, this kind of big emotional turning point in life, this thing that a lot of people in the audience will be able to relate to. And then there's also just the very charming University Challenge aspect of it all. Not only when we actually get to see them playing and participating on stage, but also the audience's ability to kind of, sort of silently play along. And not for nothing but the recognition that we have of it as well. I think it goes a lot further than similar stories that have been based around fictional quizzes or competitions or TV shows. And the real reckoning for Brian as a character comes when he is forced on more than one occasion to weigh his attraction towards this young woman and his commitment to University Challenge as well as his own university he study as well as his pursuit of his degree, and the very gradual and perhaps unsurprisingly slow realization for him of what actually matters. Let me tell you a little bit more about the material. The score is very retro, very of the era. Reminded me a little of some of the songs that I heard earlier in the summer in Sing street at the Lyric Hammersmith. They were kind of going for the same kind of time period, the same kind of feel. There's one really great standout song in this score called Touched by An Angel. It's the song that he sings when he first glimpses this very glamorous young girl at a party, whose name it would be helpful for me to tell you. Alice. Her name is Alice. She's all blonde hair and upper middle class affectation. She's studying French and Italian, I believe, something in Italian. But her real passion is drama and she longs to be an actress. And so she is trying to make the University Challenge team in the hopes that she just gets seen on television and perhaps batting her eyelashes at Brian a little bit to help her get there. And, you know, he is instantly seduced into making all of the wrong choices. But that song that he sings when he first notices her is a really great one. Not only is it a banger of a melody, but it also uses a lot of imagery that would be the way that he would experience love for the first time because he invokes characters from Wuthering Heights, but in a very playful way. And he's singing, I'm Heathcliff, stuck at your window Kathy is sipping a strongbow. Great lyric, Great song. Loved that one. I don't know if there are as many real defining moments in the rest of the score that got me quite as excited. One interesting thing that the show is grappling with a little bit, I think, is a little bit of a tonal struggle and moments that from night to the next, one audience member to another, could be interpreted as deliberately comic and sort of spoofy or sincere. Especially every time we introduce the idea of University Challenge and they actually sing like University Challenge. I don't know if that's meant to get a laugh or it's meant to be legitimate because it sort of starts to become a thing that you can't slice both ways. We either have to understand his adoration of University Challenges, this very sincere thing, and this thing that he watched and enjoyed with his father and means so much to him, or we can constantly make fun of it and, you know, it's so nearly there in terms of balancing this inherently light hearted and comedic plot. There's just a couple of moments where I'm not sure if we're meant to be laughing or not. I will also say in a plot that has a lot of plot to get through, the opening of the second act doesn't really do that much for me either. It's a sort of a workout song in which he is trying to like get stronger and get fitter and try and realize all the things in his life that he wants to. It doesn't super go anywhere and it kind of gets abandoned within a few moments. As far as the writing goes in the book, I don't know how much is pulled from the source material in terms of adaptation because this was my first exposure to the story. I do, I think, take issue with some elements of this story and some of its shortcomings, but also more than anything else, its central protection.
