Yanara Friedland is a writer, translator, and educator born in Berlin. She is the author of Uncountry: A Mythology (2016) winner of the Noemi Press Fiction Book Award and Groundswell (2021) selected for Essay Press's Book Award and Thanatographies (U Alabama Press, 2026). Her work explores the effects of dislocation on memory and language, engaging with multilingual and transhistorical spaces through archival research and in collaboration with other artists. She teaches creative writing and literature at Fairhaven College of Interdisciplinary Studies and co-runs the reading series Mutter Courage in the Pacific Northwest.

Thanatographies is a genre-defying meditation on disappearance, memory, and the porous boundaries between the living and the dead. In poetic prose, Yanara Friedland weaves together dreamscapes, historical fragments, personal recollections, and philosophical inquiry to explore the afterlives of loss and survival. Moving through rooms, cities, forests, and archives, the text becomes a living document of insomnia, exile, and the spectral presence of women across time, including artists, revolutionaries, caretakers, and ghosts.

Structured in four sections titled Room, Night, Medusas, and Burials, the book traverses inner and outer landscapes, from Berlin’s haunted streets to the intimate terrain of the body. Friedland’s voice is both lyrical and incisive, drawing on figures such as Unica Zürn, Rosa Luxemburg, and Else Lasker-Schüler to illuminate the intersections of gender, violence, and historical erasure. The result is a deeply embodied poetics of wakefulness, where hidden life remembers and speaks. Thanatographies is written for readers of experimental literature, feminist theory, and contemporary poetics. The book resonates with artists, scholars, and seekers who are compelled by the aesthetics of mourning, the politics of memory, and the radical potential of language to hold what is otherwise unspeakable.

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