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We know Abraham Lincoln as the eloquent, compassionate leader of a nation torn by civil war. But he had another, less visible side, equally central to his character and leadership: Lincoln was a master of party politics. Schooled as a Whig in the rough-and-tumble of Illinois electioneering in the 1830s, Lincoln skillfully navigated treacherous partisan crosscurrents and helped build the Republican party into a viable force. His decades of experience as a party leader proved invaluable to him as president and commander in chief during the Civil War. Matthew Pinsker’s groundbreaking Boss Lincoln: The Partisan Life of Abraham Lincoln (W.W. Norton & Company, 2026) draws extensively on Lincoln’s private correspondence to move beyond the marble icon and realize a flesh-and-blood character in Boss Lincoln. Behind closed doors he was shrewd and insistent, capable of deft manipulation, blunt intimidation, or thoughtful argument as needed. As a decision-maker he was attentive to detail but kept his own counsel and trusted his own acumen. His aides noted that in cabinet meetings Lincoln had the final say, and “there is no cavil.” Devoted to elections, he kept careful, handwritten tallies of party turnout, even gifting one to Mary Todd, another partisan, during their courtship. His hymn to democracy at Gettysburg in 1863 carried a partisan message to the political leaders gathered there: The fight for the union would take place at the polls as well as on the battlefield. Boss Lincoln often sacrificed candor for purpose. He used his White House meeting with Frederick Douglass in 1864, ostensibly about emancipation, to send a message to radicals about his need for their support. With emancipation and the war’s outcome at stake, facing withering criticism from all sides, Lincoln won reelection by building a new political coalition through the Union party. Here was Boss Lincoln at his height, captured in absorbing detail in this indelible portrait of our greatest president. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Ethics of Argumentation (Routledge, 2025) offers a new approach to the theory of argumentation that conceptualizes argumentation as a fundamentally ethical activity whose norms are grounded in, and must be selected according to, moral reasons. Current normative approaches to argumentation do not treat ethics as an integral part of argumentation theory. This is at least in part due to a methodological commitment not to address internal states of the arguers, such as intentions and beliefs, which makes moral theorizing about argumentation difficult. This book presents three arguments for why ethics ought to be a central element in normative theorizing about argumentation. First, it shows that ethics is needed for providing normative argumentation theory with its foundation and for offering arguers reliable guidance for decision-making both about which norms ought to govern their arguing and how they should shape each argument they make. Second, it addresses some of the most persistent problems faced by currently dominant normative approaches to argumentation, most notably that they are only reliable under the assumption that unrealistic background conditions are fulfilled. Finally, it provides the groundwork for a systematic ethics of argumentation. It does so by showing how a function of argumentation can be justified via moral reasons and by providing the outlines for both an applied ethics of (meta-level) normative argument design and an applied role-ethics of object-level arguing. The Ethics of Argumentation (Routledge, 2025) is essential reading for researchers and graduate students in a wide range of disciplines-including philosophy, communication studies, linguistics, and rhetoric-who are interested in argumentation, critical thinking and social epistemology" Katharina Stevens is a philosopher and argumentation theorist working at the University of Lethbridge in Alberta, Canada. She is one of the editors of the journal Informal Logic and one of the directors of the Critical Thinking and Citizen Engagement Lab at the University of Lethbridge. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley’s influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanization of the Holocaust, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harbored profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyze these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish, Hannah Pollin-Galay uses cultural history, philology, and literary interpretation to explore Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions. Join YIVO for a discussion with Pollin-Galay about this new book, led by historian Samuel Kassow. Buy the book: here This book talk originally took place on December 2, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Queer theory and reproductive justice need each other—now more than ever. As liberals and leftists increasingly frame reproductive justice in terms of LGBTQ+ rights, often adopting the language of “queerness,” it has become difficult to see that their political demands and strategies are often quite conservative. In Reproductive Justice, Queerly (U California Press, 2026), Carly Thomsen examines typical reproductive justice issues—including abortion, surrogacy, crisis pregnancy centers, paid parental leave, and parenting—in queer ways. She shows what can happen when we bring queer theory and reproductive justice together: a queerer, more powerful articulation of what we are fighting for. Your host Yining Pan is a Ph.D. candidate in anthropology at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this conversation, we are entering an Indian Ocean world connected by steamships, telegraphs, pilgrimage routes, and print. From Bombay and the Gulf to Cairo and Mecca—and onward to Moscow and Geneva—merchants, scholars, activists, and political exiles debated a question that still feels urgent: how can different communities live together without being reduced to permanent majorities and minorities? Bombay sits near the center of our story. Under British rule, it was a major imperial port. But it was also a meeting place where Indian Ocean merchants financed publications, hosted traveling scholars, and helped ideas cross borders. At the same time, British censuses and representative politics produced a striking paradox. South Asia contained the world’s largest Muslim population, yet Muslims were increasingly classified as a political minority within India. Dr. Roy Bar Sadeh is a historian of modern South Asia and the broader Islamic world, joining the University of Oxford in September 2026 as an Associate Professor in the Faculty of History and at St Antony’s College. He is currently a Lecturer at the University of Manchester. His many articles and forthcoming book with University of Chicago Press, Muslims and the Minority Question: A Global History of South Asia, 1856–1947, follow the people who refused to accept that minority label as their political destiny. Along the way, we’ll talk about food and language, Gulf pearl merchants and printing presses, rival plans for Mecca, an unlikely Soviet-Saudi partnership, and the search for protection beyond the nation-state. Host: Dr. Ahmed Y. AlMaazmi, an assistant professor of history at New York University Abu Dhabi. Co-host: Dr. Mohammed Alsudairi, a Lecturer of Politics and International Relations of the Arabic-speaking world at the Centre for Arab and Islamic Studies at the Australian National University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Palace of the Ether: Broadcasting House and the Architecture of the BBC, 1922–1932 (Lund Humphries, 2026) by Dr. Elizabeth Darling is about the architecture and design of broadcasting in the 1920s and 1930s, examining the buildings which the BBC occupied in its founding decades, with a particular focus on Broadcasting House in London. It argues that these environments were as constitutive of the Corporation’s identity as the programmes and people that they housed. Borrowing from the architectural writer Christopher Hussey’s characterisation of Broadcasting House as a ‘palace of the ether’ Dr. Darling asks how the immaterial medium of the broadcast was given material and spatial form by the BBC, and the engineers, architects and designers whom they commissioned. The book traces the development of the BBC both technologically and organisationally, and the changing demands it had of the spaces which accommodated it. It shows how associational networks and personal affiliations affected who was commissioned to work on what became Broadcasting House and offers a detailed account of the work of Val Myer, who designed the exterior and shell of the new building, and the team of architects who designed the studio interiors (Serge Chermayeff, Wells Coates, Edward Maufe, Raymond McGrath and Dorothy Warren). In documenting the design of Broadcasting House, and the responses to it, Palace of the Ether offers new insights into British architectural culture at a pivotal moment in the profession’s history. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Beyond the Facts: Tacit Knowledge and the Hidden Infrastructure of Our Informed Times (Bloomsbury, 2025) describes tacit knowledge, what it is, how it used and its role in our current data driven world. Author James Cortada argues that fuzzy, hard-to describe information is greater and more, important than just hard facts. What is tacit knowledge? It is what we might consider knowledge that is unable to be fully communicated; knowledge that we understand implicitly, but it is a bit hard to explain. For example, it is the kind of knowledge one needs to ride a bicycle, but that cannot be described precisely on paper in the way one might be able to explain how to cook a dish. Tacit knowledge is the least understood type of information and one of the most difficult to communicate. Yet there is more tacit knowledge in our lives than the specific facts one can find in a book, on the Internet or in the simple form of a fact. This book is designed to introduce the reader to the concept of tacit knowledge and how to recognize and use it. This book offers definitions of tacit knowledge and compares the topic to explicit knowledge, then describes how the former is used today. The author argues that both types are used today and explains how one can use both types of knowledge in their lives. This book is essential primer to understanding tacit knowledge and learning how to use it to your advantage. Guest: James (Jim) Cortada is a senior research fellow at the University of Minnesota. He is a leading authority on the role of modern information. He holds a PhD in modern history but worked at IBM Corporation for nearly 40 years in sales and consulting. He has written several books on the business history of the computer industry and just over a dozen on the history and use of information over the past two centuries. So, he straddles the subject between historical evolution and its current uses. Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

J.J. Crayhill's Raleigh and the Pirates (Raconteur Press, 2026) is the launch of The Adventures of Midshipman Raleigh — a science fiction adventure series built on the bones of the great naval tales, transplanted to the lawless frontier of space. Anthony is small, undertrained, and deeply motivated, which turns out to be a dangerous combination — for everyone involved. Midshipman Anthony Raleigh wasn't supposed to be the hero. He was barely supposed to be on the bridge. When a pirate warship drops out of hiding to ambush the cargo freighter Pegasus, Captain Smith has one mission for his youngest crew member: take the shuttle, run, and bring help. Simple enough — except the pirates got there first. With the shuttle sabotaged and the crew captured at gunpoint, Anthony is alone, unarmed, and hunted through corridors, air ducts, and — when things get truly desperate — across the outside of the ship in a malfunctioning spacesuit. He has three things going for him: an AI named Fuse who enforces regulations with terrifying consistency; a security key the pirates will do anything to obtain; and a grudge against pirates that burns considerably hotter than fear. That is going to have to be enough. When he gets his hands on a classified space fighter hidden inside the Pegasus' sealed cargo pod, the pirates are going to find out exactly what a midshipman with something to prove looks like when he decides he has had enough. And when the pirate captain makes one final play — a shocking claim about Anthony's supposedly dead father — the stakes shift from saving a ship to something far more personal. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio; the second conjures memories of 9/11. Both show domesticity under great strain as families and infrastructures break down; one ends with hope while the other simply stops. Incredible bumper music by John Deley. The War of the Worlds is based on H. G. Wells’s 1898 novel, which you can purchase here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network