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In Treaty Ground: Diplomacy and the Politics of Sovereignty, from Roanoke to the Republic (U Nebraska Press, 2026), Professor Charles W. A. Prior offers a new account of the sovereign claims of Native Americans, the Crown, and colonies in early America, arguing that Native American diplomacy shaped how sovereignty was negotiated and contested among all three, from Virginia’s founding to the ratification of the U.S. Constitution. Previous scholars have focused on the contested relationship between the British imperial state and the colonies it established along the Atlantic Coast without addressing how sovereign Native nations shaped the colonial process through warfare, diplomacy, trade, peace-making, and treaty-making. Dr. Prior adopts a new interpretive framework for examining sovereignty in early America, arguing that the Native and colonial spaces of the Northeast were a treaty ground thickly layered with agreements and negotiated rules of interaction. Drawing on an extensive range of treaty records, writings on colonial and imperial affairs, letters, and official documents, Treaty Ground argues that sovereignty was negotiated within diplomacy and shaped the norms of war, the terms of peace and alliances, the rightful ownership of territory, and appropriate responses to treaty violations. This process in turn structured relations between the Crown and colonies and framed initial positions on how the power of congress related to that of the states. Treaty Ground offers historical depth to our understanding of how Native nations articulated Indigenous power within colonialism, cuts settler colonialism down to size, and expands contemporary understandings of the sovereign relationships between Native nations in the United States and Canada. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Museum of Imaginary Musical Instruments (Reaktion, 2026) by Dr. Deirdre Loughridge & Dr. Thomas Patteson is a guided tour through centuries of instruments that never existed. From ancient myths to futuristic media, these imagined devices appear in literature, theory, video games and art, at times echoing real instruments, other times pushing far beyond the bounds of technology. This book presents a wide-ranging collection of such creations, showing how they reflect changing ideas about sound, invention and the limits of the possible. At once a cultural history and a study of creative thought, it uncovers unexpected links between music, design and the human urge to make meaning through sound. These are not just fictional artefacts – they are windows into what music might mean, even when it cannot be played. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most people today understand contraception as central to women’s liberation, and when the birth control pill arrived in 1960, the media thought it would usher in a sexual revolution. But a surprising number of religious Americans in the mid-twentieth century also saw contraception as part of God’s plan—a tool to create happy, prosperous American families in the post–World War II era.In God Bless the Pill: The Surprising History of Contraception and Sexuality in American Religion (UNC Press, 2026), Dr. Samira K. Mehta traces the remarkable story of how mid-twentieth-century Catholic, Protestant, and Jewish voices promoted the use of birth control and made it more accessible for many Americans. They hoped birth control methods would curb divorce rates by encouraging sexually dynamic marriages and families unstrained by “too many” children—thereby creating a postwar upwardly mobile middle class. Religious leaders also promoted this understanding of the family as tied to Cold War capitalism and encouraged neither racial nor gender equity.But then came the backlash, both from the Right—which failed to anticipate the feminist potential of contraception—and from the Left, where women, particularly women of color, sought to ensure that birth control was a tool of liberation rather than one rooted in patriarchal and racial oppression. Ultimately, Dr. Mehta offers compelling new insights into the way religion accommodates itself to social, technological, and medical change. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Volatile Picture: War and the Political Work of Photography in Sri Lanka (U Washington Press, 2026) by Dr. Vindhya Buthpitiya is a groundbreaking ethnography that explores how, in the context of Sri Lanka’s protracted civil war and its turbulent aftermath, photography has become bound to the Tamil political imagination. From state-commissioned images meant to surveil and rebel documentation of armed resistance, to the fragile memorials created from identity photographs of the disappeared, A Volatile Picture traces the making and moving of images across borders, communities, and generations. Studio portraits, passport pictures, family albums, atrocity photography, social media posts, and more act not only as records of loss and horror but also as vital tools for protest, solidarity, and the realization of alternate political futures. Drawing on transnational archival and ethnographic encounters and long-term fieldwork in northern Sri Lanka, Dr. Buthpitiya situates photography as both a volatile medium and a political practice. Photographs emerge here as incendiary agents—simultaneously evidencing and triggering violence, sustaining memory, and inciting new visions of liberation.This is the first in-depth study of Tamil photographic practices in Sri Lanka, offering a major contribution to the anthropology of war, visual culture, and South Asian studies. Richly researched and deeply humane, A Volatile Picture demonstrates how, amid devastation and displacement, photographs continue to generate truths, solidarities, and hopes that resist erasure. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Greco-Roman world, gods were known to tame soundscapes, or acoustic landscapes. Zeus, Apollo, Orpheus, and other Classical deities demonstrated their power by bringing order to chaotic sound worlds, replacing cacophony with harmony. In late antiquity, Christians took up this archetype and applied it to Jesus. For many early Christians, the advent of Christ resembled the modern phenomenon of a musical key change, but on a grand scale: Jesus initiated a recalibration of the cosmic soundscape, ushering in a new world. However, according to many Christians in late antiquity, this universal key change was not yet complete. Late ancient Christians believed that they could participate in the ongoing sonic work of Christ by Christianizing the acoustic landscapes of the world.In Sounds for a New World: The Christianizing Soundscapes of Late Antiquity (Oxford UP, 2026), Dr. Philip Abbott explores how late ancient Christians envisioned themselves as participants in the worldwide retuning effort, harmonizing the Classical world to the new Christian reality. Rejecting the sounds of traditional Greco-Roman and Persian cultures, Christians advocated a variety of sonic practices to realize their grand retuning endeavor, including shouting, singing, silent meditation, chanting, and even belching. From the Latin West to the Syriac East, late ancient Christians formed a polyphonous chorus of diverse voices all joining in the great harmonizing work of Jesus as they Christianized the soundscapes of the world.For years, scholars have noted the monumental changes that took place in early Christianity during the so-called Constantinian Revolution. But Dr. Abbott turns our attention to an unexplored aspect of this transitional moment, arguing that it was not simply a political or religious revolution - it was a revolution of the senses. Central to this sensorial transformation was sound. As Christianity gained imperial power in the fourth century, Christians began the process of re-tuning the world for Christ. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the thirteenth-century Mediterranean, commerce transformed as merchants shifted from Roman to Indo-Arabic numerals—an alternative that better facilitated complex calculations. It has long been known that this transition stemmed from Europe’s increasing exchanges with India, Persia, and the Arabic world. Yet much remains to be understood about how Indo-Arabic numerals—and the practical arithmetic they enabled—actually spread across Europe. As Dr. Raffaele Danna shows in The Craft of Indo-Arabic Numerals: How Practical Arithmetic Shaped Commerce and Mathematics in Western Europe, 1200–1600 (Harvard University Press, 2026), it was hundreds of ordinary merchants, schoolmasters, and artisans who nurtured these changes, thereby driving key advances in both commerce and mathematics. Drawing on an original catalog of more than 1,200 practical arithmetic manuals, Dr. Danna charts the incremental spread of the new figures with unprecedented precision. While Italian merchants were the early adopters, it took nearly three centuries for Indo-Arabic numerals to become established in northern Europe. As Dr. Danna shows, adoption did not follow the routes of maritime trade. Rather, Indo-Arabic numerals moved gradually across the continent through inland networks of practitioners. Everywhere they went, the ten figures enhanced commercial practices and facilitated the emergence of a coherent language of mathematical craft. The growing social circulation of this knowledge, in turn, had a lasting impact on the economic trajectory of Western Europe. By the late sixteenth century, even academics were absorbing lessons from the vernacular tradition—a development that led to the first major breakthroughs in European mathematical theory since antiquity. Combining economic history with the social history of mathematics, The Craft of Indo-Arabic Numerals illuminates the integral role of practical arithmetic in both intellectual and commercial transformations across Western Europe. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

As detailed in Selling Opportunity: The Story of Mary Kay (Penguin, 2026) by Mary Lisa Gavenas, as the only woman in Forbes’ Greatest Business Stories of All Time and the first woman to chair a company on the New York Stock Exchange, Mary Kay Ash has a life story that reads like a Barbara Taylor Bradford novel. Growing up in Depression-era Texas, Mary Kathlyn Wagner is a dutiful daughter and diligent student with ambition aplenty and no place to use it. Married at sixteen, she is a grandmother at thirty-four. When she is not cooking or cleaning or taking care of the kids, she peddles cleaning products to other housewives. The work has no salary and no security but she sticks with it, sure that direct selling will make her dreams come true. In 1963, after she has been divorced three times and widowed twice, she sets up her own company, selling second chance and self-invention for the price of a skin care showcase. Soon millions know her as the little lady in the big wig who gives away pink Cadillacs. From its unpromising start in a 500-square-foot Dallas storefront, Mary Kay Inc. grows into a global phenomenon with 3.5 million reps in over 35 countries. She becomes the most famous saleswoman in the world. Maybe the most famous ever. Based on fifteen years of research, Selling Opportunity gives us a page-turning rags-to-riches story set against the background of direct selling in all its overstated, over-the-top glory. Here, for the first time, is the definitive history of a peculiarly American industry and a mid-century mindset that ennobled extreme self-reliance, sticking to your guns, and blind faith in the American dream. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Lithic Imagination from More to Milton (Oxford University Press, 2024) by Dr. Tiffany Jo Werth explores how stones, rocks, and the broader mineral realm play a vital role in early modern England's religious and cultural systems, a role that, in turn, informs the period's poetic and visual imagination. The scale of the human lifespan and the gyre-like turns of England's long Reformation provide a conceptual framework for the various stony textual and visual archives this book studies. The texts and images participate in specifically English histories (literary, artistic, political, religious) although Continental influences are frequently in dialogue. The religious orbit encompasses the Christian rivalry with Jewish culture, touches on Christianity's tension with Islam, but most intently centers on the antagonism between Catholic and variants of Protestant and Reformed belief.The volume features canonical writers such as Shakespeare, Spenser, Donne, Wroth, Herbert, Milton and Pulter, but puts them in company with lesser-known religious polemicists, alchemists, anatomists, painters, mothers and stonemasons. Accordingly, the multimedia archive includes drama, lyric and prose as well as biblical illustrations, tapestries, church furniture, paintings, anatomical drawings and statues. The lithic too is capaciously construed as a continuum of rocky as well as mineral forms ranging from bodily encrustations like the kidney and bezoar stone, to salt, iron, limestone, marble, flint and silicon. The assemblage of materials bears witness to aspirational imperial fantasies and looming colonial conquests; it engages in both syncretism and supersession; upholds and subverts gender hierarchies; limns the race-making category of hue with desire; and supports, and sometimes thwarts, elitist ideologies of an elect, chosen people. All come together via the storied pathways of stone as densely material and as a foundation for the abstract imaginary along the scala naturae. Across the lithic-human fold, stone promises, fascinates, betrays. As alpha and omega, stone can herald salvation or it can threaten with damnation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Electric Life: Utility Regulation and the Fight for Energy Democracy (MIT Press, 2026) by Dr. Nikki Luke traces the intertwined history of Atlanta’s racialized uneven development and growing electricity use to show how electricity infrastructure shapes everyday life. Nikki Luke looks at how quotidian relationships with the electric utility catalyze intersectional organizing for energy democracy. She also investigates the legal and material construction of the investor-owned utility as a regulated monopoly and the state public service commission that regulates it.Contemporary organizing for energy democracy questions how the utility and the systems that govern it need to change to ensure energy affordability, provide remedy and reparation for enduring environmental and energy injustice, and build a just and equitable energy transition from fossil fuels. Bridging urban, environmental, and labor studies, the author demonstrates how these demands to change the utility emerge from the tradition of civil rights, labor, and environmental organizing for fair treatment from the utility, affordable energy, protection from pollution, and good jobs. The book is available Open Access. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the 1990s, a largely underground upwelling of trans creativity has helped new trans identities, communities, and political movements come together. In Trans Cinema: Making Communities, Identities, and Worlds (University of California Press, 2026), Dr. Laura Horak provides an entryway to the wildly diverse and creative cinema made by trans creators, including those who are Black, Indigenous, and people of color. Overlooked until now, this rich collection of media ranges in genre from romantic comedies to horror films and asks essential questions about how to be human and how to craft a livable life in a world on fire. Okay.Using the fundamentals of film studies, Horak reveals the innovative approaches taken by trans and gender-nonconforming artists to explore how we relate to other people, what it's like to have a body, and how we survive in an oppressive society. These filmmakers tackle the challenging paradox of representing trans lives when greater visibility is associated with ever-increasing levels of harm. In the process, they produce art that emphasizes trans survival and resilience and imagines a more expansive world for trans communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices