Audition Show – Adventures of the Scarlet Cloak (50-02-15)

Summary

Old Time Radio Westerns Podcast Episode Summary: "Audition Show – Adventures of the Scarlet Cloak (50-02-15)" Release Date: April 20, 2025 Host: Andrew Rines

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Introduction

In the "Old Time Radio Westerns" podcast, host Andrew Rines presents a meticulously restored classic Western radio drama titled "Adventures of the Scarlet Cloak." This episode, originally aired on February 15, 1950, serves as an audition show aimed at showcasing the versatility of the series across various media platforms, including radio, television, and film. Rines highlights the unique aspects of this particular episode, noting its special features designed to appeal to multiple venues and agencies:

Andrew Rines [00:43]: "This episode is going to be Western Stories Original Air Date February 15, 1950... It could be on radio, tv, movies, you pick it."

Plot Overview

Brad Carver's Return to Monterey The story centers around Brad Carver, a legendary figure known as El Diablo, who returns to Monterey after a 20-year absence. Monterey, a burgeoning city in California, serves as the backdrop where Brad seeks to avenge the tragic murder of his parents. Accompanied by his loyal friend McKeever, Brad's journey is one of vengeance, justice, and the rekindling of his father's legacy.

Meeting with Sancho Upon his arrival, Brad reconnects with Sancho, a steadfast friend of his father who once saved Brad from the fate that befell his family. Sancho reveals the truth about Brad's father, El Diablo, a protector of the innocent who upheld justice with his scarlet cloak and rapier. Together, they uncover plans for a nefarious attack led by a man named Daggert, who orchestrates mob activities to seize control of Monterey.

Discovery of the Hidden Cave Sancho takes Brad to a concealed cave, once a sanctuary for Brad's parents, where Brad discovers personal belongings and relics that cement his father's legacy. This discovery propels Brad to embrace his role as El Diablo, vowing to protect Monterey from the impending threat.

Confrontation with Daggert As tensions rise, Brad learns of Daggert's plans to attack the Castillo hacienda, home to Don Castillo and Senora, old friends of his father. Brad strategizes with Sancho to thwart the attack by leveraging their knowledge of the terrain and employing guerrilla tactics. The climax unfolds with a dramatic confrontation between Brad and Daggert, culminating in Brad's decisive victory and the restoration of peace to Monterey.

Character Dynamics

• Brad Carver (Wendell Niles): The protagonist who embodies his father's legacy as El Diablo. Brad is portrayed as a complex hero driven by a sense of justice and the desire to honor his father's memory.

  Brad Carver [30:10]: "Yes, I've seen him. But you'll never put one on me. He's right. El Diablo. This is your last mistake."

• McKeever: Brad's companion, representing the supportive friendship that aids Brad in his quest.

  Unknown [04:15]: "McKeever. Thought maybe you'd had enough of me."

• Sancho: A Mexican friend of Brad's father, whose unwavering loyalty plays a crucial role in Brad's mission. Sancho provides wisdom and assistance, guiding Brad through Monterey's challenges.

  Sancho [10:15]: "Nobody ever told me your father wished it so. Only he and I knew."

• Maria Alvarez: The niece of Don Ramon de la Torres and Brad's love interest. Her character adds emotional depth and personal stakes to Brad's mission.

  Maria Alvarez [16:05]: "I am most grateful, Senor Bradford."

• Don Ramon de la Torres: The richest man in California, whose interactions with Brad reveal the socio-political dynamics of Monterey.

  Don Ramon de la Torres [15:30]: "The officials determine what action is to be taken. Disperse this crowd at once."

• Daggert: The antagonist orchestrating chaos in Monterey, seeking to undermine Brad's efforts and seize control.

  Unknown [29:35]: "Why don't you join him? Here comes now."

Key Interactions and Notable Quotes

Brad and McKeever's Partnership Brad and McKeever's relationship evolves from skepticism to a strong partnership, emphasizing themes of loyalty and trust.

Brad Carver [04:18]: "Look, Carver. When we started out, you was just another Boston tea drinker to me. But back there on the trail, you proved I was wrong when the going got rough."

Revealing the Legacy Sancho unveils the truth about Brad's father, intertwining myth and reality, which propels Brad into his role as El Diablo.

Sancho [10:15]: "Nobody ever told me your father wished it so. Only he and I knew."

Confrontation and Vengeance The intense showdown between Brad and Daggert encapsulates the classic Western duel between good and evil.

Brad Carver [30:10]: "Yes, I've seen him. But you'll never put one on me. He's right. El Diablo. This is your last mistake."

Final Resolution Brad's victory over Daggert symbolizes the triumph of justice and the reestablishment of order in Monterey.

Brad Carver [31:22]: "There's already a price on my head, Sancho. The price of a life for a life. Because men like Daggert must die for every innocent and helpless person they kill."

Themes and Insights

Justice and Vengeance At its core, the narrative explores the thin line between justice and vengeance. Brad's quest is driven by a desire to avenge his parents, raising questions about the morality of retribution.

Legacy and Identity Brad's transformation into El Diablo highlights the influence of legacy on personal identity. Embracing his father's mantle signifies Brad's acceptance of responsibility and his commitment to uphold his family's honor.

Good vs. Evil The classic struggle between good and evil is personified in the characters of Brad (El Diablo) and Daggert, embodying the eternal conflict that defines Western genres.

Loyalty and Friendship Sancho's unwavering support underscores the importance of loyalty and friendship in overcoming adversity. His guidance is pivotal in Brad's journey, emphasizing communal bonds in the face of danger.

Production Insights

The episode features Wendell Niles as Brad Carver, whose seasoned voice acting brings depth and authenticity to the character. The production, enhanced by digitally restored audio, immerses listeners in the rich soundscape of the Wild West, complete with ambient noises like birds chirping and gunfire crackling.

Andrew Rines' introduction and closing remarks frame the episode as both a nostalgic homage and a revitalized rendition of classic Western tales, tailored for modern audiences across diverse media platforms.

Conclusion

"Adventures of the Scarlet Cloak" is a compelling episode that blends traditional Western motifs with nuanced character development and engaging storytelling. Through Brad Carver's journey of vengeance and justice, the narrative delves into timeless themes that resonate with listeners, offering both entertainment and introspection. Andrew Rines' dedication to digital restoration ensures that these classic tales continue to capture the imagination of new generations, preserving the golden age of radio Westerns for years to come.

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Notable Quotes with Timestamps:

• Andrew Rines [00:43]: "It could be on radio, tv, movies, you pick it."
• Brad Carver [04:18]: "When we started out, you was just another Boston tea drinker to me. But back there on the trail, you proved I was wrong."
• Sancho [10:15]: "Only he and I knew."
• Brad Carver [30:10]: "This is your last mistake."
• Brad Carver [31:22]: "Because men like Daggert must die for every innocent and helpless person they kill."

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Final Notes: This episode not only entertains with its adventurous plot and dynamic characters but also serves as a testament to the enduring appeal of Western narratives. By restoring and presenting these stories with enhanced audio quality, Andrew Rines ensures that the legacy of the Wild West continues to thrive in the digital age.

Transcript

[Ryan]

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[Unknown]

Welcome.

[Andrew Rines]

To the Old Time Radio Westerns. I'm your host, Andrew Rines. And let's get into this episode. This episode is going to be Western Stories Original Air Date February 15, 1950 this is going to be an episode of Adventures of the Scarlet Cloak. Now it is the only episode and it is an audition show. And you're going to hear some special stuff built into this audition show that you don't hear normally. Seems like it came from a record that they sent out to multiple venues, multiple agencies and trying to say, hey, look at our show. Look what you can do with it. It could be on radio, tv, movies, you pick it. It can be everywhere. Heck, it probably was on the Internet based on the way that they were selling it. So let's get into it. The title is the Audition Show. I hope you enjoy. And again, thanks for listening.

[Ryan]

Hello, it is Ryan and I was on a flight the other day playing one of my favorite social spin slot games on jumbacasino.com I looked over the person sitting next to me and you know what they were doing? They were also playing Chumba Casino. Coincidence? I think not. Everybody's loving having fun with it. Chumba Casino is home to hundreds of casino style games that you can play for free anytime, anywhere, even at 30,000ft. So sign up [e-mail] to claim your free welcome bonus. That's chumbacasino.com and live the Chumba life. Purchase necessary VGW void or prohibited by law. See terms and conditions 18 +.

[Unknown]

The.

[Wendell Niles]

Adventures of the Scarlet Cloak Starring Wendell Niles.

[Unknown]

This is a story of the golden west as it was more than a hundred years ago. A land of mystery and intrigue. A romantic paradise where the dons and senoritas held their ancient customs while rubbing elbows with rugged American frontiersmen and pioneers. Well, lace trimmed handkerchiefs from Barcelona were carried Next to the heart, under crude buckskin jackets, the territory was a melting pot. Quiet on the surface like the Pacific, but torn with undercurrents and riptides. It was a restless and growing land where the strong made their own laws and the weak obeyed or perished. This is the saga of Brad Carver. Fabulous man in a fabulous land. Some called him an angel. Some called him a devil. And many claimed that he never lived at all. But the story of Brad Carver is as colorful and exciting as were his roaring guns and flashing rapier as he cut a flaming swath this glorious land. Our story starts in October of 1842 as a dusty and batted wagon train at the end of the Santa Fe Trail paused within sight of a settlement of 200 people.

[Brad Carver]

Hold your teams.

[Unknown]

Hold them.

[Brad Carver]

Oh. We made it, Carver. Los Angeles dead ahead.

[Unknown]

So that's Los Angeles. Doesn't look like much, McKeever.

[Brad Carver]

Well, I guess it ain't Boston Carver. But it's gonna be a mighty big city one day. And it looks good to me right now. After 3000 miles of prairie and engines and mountains and desert.

[Unknown]

It still doesn't look like much to me. Well. Where you and I park, McKeever.

[Brad Carver]

Where you striking for north?

[Unknown]

Monterey.

[Brad Carver]

I'm heading north myself. San Francisco. Soon as I get these folks in and settled. I'll ride along with you if you're willing. Sure.

[Unknown]

McKeever. Thought maybe you'd had enough of me.

[Brad Carver]

Look, Carver. When we started out, you was just another Boston tea drinker to me. But back there on the trail, you proved I was wrong when the going got rough. And I'm admitting it. So do we ride together or don't we?

[Unknown]

We ride together, McKeever.

[Brad Carver]

Good. We'll hit the trail as soon as we get the train into town.

[Unknown]

Come on.

We're moving.

Get up. Everybody. Get.

[Brad Carver]

I ain't one for asking a man questions, Carver. But you're in a powerful hurry to get to Monterey.

[Unknown]

I haven't been there in 20 years. I've got an old score to settle.

[Brad Carver]

Old score? You couldn't have been more than a kid 20 years ago.

[Unknown]

I was old enough to remember my home on fire. My mother and father murdered.

[Brad Carver]

I'm sorry, Carver. Couldn't be a bad country. You're lucky they didn't get you.

[Unknown]

They would have. Except for the loyalty of a Mexican named Sancho who worked for my family. I don't know what happened to him afterwards. But he got me to San Francisco and put me on a ship that took me to my father's people in.

[Brad Carver]

Boston Know who murdered your folks?

[Unknown]

No. They rode in at night with their faces covered. My father wounded the leader through the shoulder with a rapier and one of the mob stabbed him in the back. I've got to find the leader.

[Brad Carver]

Well, it won't be easy. He may be dead by now.

[Unknown]

He may be. But if he isn't, he'll carry a rapier mark on his shoulder. If that man is alive, McKeever, I'm gonna find him and kill him.

[Brad Carver]

Now I know why we've been knocking on these ponies.

[Unknown]

We'll switch Mouse at the next station. I want to stay on the trail all night and make Monteray by dawn.

[Brad Carver]

All right. Get up there. Boy. Oh, boy. Oh. Is that the house in that grove of trees? Yes.

[Unknown]

What's left of it. My mother and father are buried in the grove down there. That's the only news of them I ever had. Well, goodbye, McKeever.

[Brad Carver]

If I thought I could help.

[Unknown]

Thanks. It's my fight. I want to get down into the grove and be alone for a while.

[Brad Carver]

If you. If you ever come up to San.

[Unknown]

Francisco, I'll look you up. I promise.

[Brad Carver]

Goodbye and Good luck.

[Unknown]

Goodbye, McIver.

[Brad Carver]

Get there, boy.

[Unknown]

Take care of yourself. J. Carver 17851822 Priscilla Carver 17951822 Dear Lord. Blessed be their memory. Senor, what are you doing here?

[Sancho]

I. I just come to place the flowers on the graves. And you are these people? They were my friends.

[Unknown]

Sancho.

[Wendell Niles]

You.

[Unknown]

You must be Sancho.

[Sancho]

I am Sancho, but I. I do not recall ever seeing this senor before.

[Unknown]

Sancho, you remember me?

[Wendell Niles]

I'm Brad Carver.

[Sancho]

You.

[Wendell Niles]

You are the little Brad Carver?

[Sancho]

Oh, Senor Brad.

[Unknown]

Don't call me senor. Not you. Sancho. I knew I'd find you.

[Sancho]

Oh, I. I prayed this would happen. I have been living in the ruins of the old house. But you should not be near the house. You must go away from here. For a long time. They try to find you. The men used to come at night.

[Unknown]

But that was years ago. They wouldn't know me now.

[Sancho]

Seeing you near the old house. They might suspect a stranger come from nowhere. Stranger of your age. No, no, no, Brady. You must go. They would kill you as they killed your father.

[Unknown]

That's why I'm back, Sancho. Because they killed my father. And I'm going to stay.

[Sancho]

Ben. You must go into town like any other stranger.

[Wendell Niles]

Hey.

[Sancho]

There is an inn. The Inn of San Bernamenturi. You must also change your name. You cannot use the name. A car in Monterrey.

[Unknown]

You're right at the inn. I'll be Senor Bradford.

[Sancho]

But we must not stand here talking. Rider might pass. Come, Brady. I lead your horse.

[Unknown]

But you said being near the house is dangerous.

[Sancho]

We do not go to the the house. I will show you something that you never saw before, even when you were a little boy. Through the grove and behind these bushes, huh?

[Unknown]

But. But this is the base of a cliff. It's solid rock.

[Sancho]

No, no, not solid, Bradito. Here, you help me push this big rock here.

[Unknown]

All right. It's a cave.

[Sancho]

See? See? But even without the rock, the bushes hide the entrance. Is best now to leave it open in case you should need shelter suddenly.

[Unknown]

Let's go in.

[Sancho]

Wait. I strike a light for you. Now you take the torch from w. Sancho.

[Maria Alvarez]

These.

[Unknown]

These things, I remember them from the house.

[Sancho]

See? See? I say what I could so that one day you could have them. Here. Look over here. The portraits of your mother and your father.

[Unknown]

I never knew this cave existed.

[Sancho]

Nobody ever told me your father wished it so. Only he and I knew. I see. I see now by the portrait. Your resemblance to him.

[Unknown]

My father. You know, Sancho, I never believed that anything could happen to him. He was strong. And that gave me faith. You gave me more faith with your fairy tales.

[Sancho]

No, I never told you fairy tales, Bradito.

[Unknown]

You don't remember the stories about El Diablo, the devil himself and the scarlet cloak who came riding at night to punish the wicked? It's too bad your El Diablo wasn't around the night my father was killed, Sancho. A child builds up a lot of hope in a legend, Bradito.

[Sancho]

El Diablo was not a legend. He defended the good against the bad.

[Unknown]

Perhaps you're right. When stories are told often enough, people begin to believe them.

[Sancho]

They were not your stories. I did not deceive you. Turn and look at the wall behind you.

[Unknown]

Masks. Masks in the image of the devil.

[Sancho]

See? And beneath the masks, a trunk.

[Unknown]

Open it, Sancho.

[Sancho]

Open it, Brady. To another church.

[Unknown]

A scarlet cloak, a black sombrero and a rapier.

[Sancho]

Do you remember, Brad Ito, when you were a little child? Bad men who did bad things in this land. Then one morning they would be found dead wearing the mask of the devil who had come to claim them. That was the work of El Diablo. And he lived in Monterrey while your father lived. Because, Bradito, your father was El Diablo.

[Unknown]

El Diablo. And that's why he was killed. Because they found out that he stood in the way of their robbing and plundering.

[Sancho]

And they were strong enough to destroy him. And they will Also destroy you, Brady thought. You must go away. Please.

[Unknown]

No, Sancho. This cave is mine now. And so is my father's rapier.

[Sancho]

But you have been raised in Boston. What do you know of such a weapon?

[Unknown]

I lived in Europe too, Sancho. I fenced with the greatest swordsmen in the world. Fenced with them until I could beat them. Because I knew that someday I must come back here to kill a man with a rapier. Now I have to find that man. Sancho, if I need you, I'll come here. But if you ever need me, ask for Senor Bradford at the Inn of St. Bonaventure.

[Brad Carver]

You slept well, Senor Bradford? Yes, very well.

[Unknown]

Say, what is that mob doing outside? Some kind of celebration?

[Brad Carver]

No, senor. There is much trouble. American gunboats from your country. There in the harbor, Monterey have taken down the Mexican flag and put up the American colors.

[Unknown]

I don't believe it. Not unless there's war.

[Brad Carver]

We have heard nothing of a war. But they say other nations would like to seize California.

[Unknown]

That's no secret. Half the world is after this territory.

[Brad Carver]

I am Mexican, senor, but Mexico is weak and his land is too big. Many of us would welcome the American flag. It is our hope for peace.

[Unknown]

That mob outside doesn't seem to agree with you.

[Brad Carver]

That mob outside is not led by Mexican, senor. It is led by American.

[Unknown]

Really?

[Brad Carver]

Si.

[Unknown]

Say, at times I don't return for the night. Think nothing of it. But if I'm ever gone for more than two nights, there's a note for one of your countrymen under my pillow. Please deliver it.

[Brad Carver]

Si, senor. Muchas gracias.

[Unknown]

I like things the way they are here. I ain't able to see them changed. They say they brought them gunboats in to protect the country. Protect it from what? I don't see nobody else trying to grab it. They're gonna get more than they bargained for. I got men riding in from all over the countryside. Men with guts and guns. Are you gonna join him? Here comes now.

Girl crossing the road. Look out there. I'll get her. Head was fast moving, stranger. She's fainted. Somebody get some water.

Thank you, Charlie.

That gals, Maria Alvarez. There'll be the devil to pay for this. There's always the devil to pay when a mob like this cuts loose.

[Maria Alvarez]

Yeah, but this just isn't a girl, stranger.

[Unknown]

This is the niece of Don Raymond Villa Thompson, the richest man in California. Thanks. Come on, miss.

[Maria Alvarez]

Drink this, Damia.

[Unknown]

Impossible. A horseman almost ran you down. Yes, would have too, if this fella hadn't grabbed you.

[Maria Alvarez]

Oh, gracias. I will be all right now.

[Don Ramon de la Torres]

What's this?

[Unknown]

Maria.

[Don Ramon de la Torres]

Maria.

[Unknown]

What has happened?

[Maria Alvarez]

I was almost trampled, but this gentleman has saved me. My uncle. Don't, Ramon.

[Sancho]

Deor Bradford.

[Don Ramon de la Torres]

I am most grateful, Senor Bradford. Who were the Horsemen?

[Unknown]

It isn't the Horsemen you want. Some madman named Daggard has been inciting his mob or it wouldn't have happened.

[Brad Carver]

I'm here, Don Ramon.

[Don Ramon de la Torres]

Who gave you the right to endanger the lives of the people of Monterey? Have you appointed yourself governor of this territory?

[Unknown]

They changed the flag at the customs house and we and you will let.

[Don Ramon de la Torres]

The officials determine what action is to be taken. Disperse this crowd at once. But I shall ask the governor to place you under arrest.

[Unknown]

All right. I guess we made a mistake. Man the governor's job. If you cannot stay in town peacefully, get out.

[Brad Carver]

I'll move on.

[Unknown]

Move on.

[Don Ramon de la Torres]

All of you should not have come into town. My dear Baggart is an impetuous fool.

[Maria Alvarez]

I am all right, thanks to Senor Bradford. I have invited him to visit with us this evening.

[Don Ramon de la Torres]

By all means. You will be most welcome, senor. And we shall try to erase this sad impression of Monterey.

[Unknown]

It's not Monterey I'm worried about, Don Ramon. It's that man Daggert. He was planning to lead an attack on the customs House tonight.

[Don Ramon de la Torres]

Please do not be so concerned. The mob is scattered. They will drink and gamble, and by night they will have forgotten. Now, come, Mario. I will take you home. Adios, Senhor Bradford.

[Maria Alvarez]

Adios, senor. Until tonight.

[Unknown]

Until tonight. Sancho.

[Sancho]

I am here.

[Unknown]

Brady, there's trouble in town.

[Sancho]

I know, I know. I was there this morning. Senor Dug it finds their anger.

[Unknown]

He was stopped by Don Ramon de la Torres. But I think he still plans to go through with an attack.

[Sancho]

I do not think there will be an attack. Not in the town. If there is one, it will be out here in the country.

[Unknown]

In the country? See, I don't understand.

[Sancho]

Well, the American ships have cannon. They have also taken the can in the customs house. A Dagger knows that an attack would be hopeless.

[Unknown]

But why is he bringing in armed men from all over the countryside?

[Sancho]

Well, perhaps to leave the countryside itself unprotected. Do you remember Don Castillo and the senora, your father's old friends and neighbors?

[Unknown]

Oh, of course I do.

[Sancho]

They have been receiving threats. Somebody wishes to drive them from their land. There has been no open attack against them because they have more than 30 men working on their place. But tonight, Bradito Dagger will have us men in town. The old couple will be alone.

[Unknown]

You're right, Sancho. They won't be alone.

[Sancho]

Oh, Bradito, you are only one man.

[Wendell Niles]

It will take the devil himself.

[Unknown]

That's what I mean. El Diablo, the devil himself. Tonight I wear my father's scarlet cloak, black sombrero and his rapier. If the castillo hacienda is attacked, it will be protected just as it would have been 20 years ago by El Diablo.

[Wendell Niles]

Let's take just a minute now to mention one or two of the many advantages this program provides for an astute advertiser. It's a western type story, utilizing the basic success pattern of galloping horses, gunfights and high adventure. However, through its authenticity, believability and imaginative presentation, we have widened its appeal to attract the young and the adult audience. The locale of Monterey a hundred years ago, which will be kept historically accurate, revives the romantic flavor of beautiful senoritas, colorful habits and costumes, Old World weapons, such as the rapier and interesting characters of Spanish, English, Mexican and American origin. It gives you a dramatic, exciting radio program, but is even more suited to a film television series. The performers have been selected for their ability and experience and also for their appearance, so that the television picture will bring you most of the same people you are hearing on this record. Our star for both the radio and television programs probably has talked to more people more often than any man who ever lived. The name of Wendell Niles is familiar to everyone. For 20 years he has announced and performed several times a week on the highest rated radio shows. The name is already universally associated with a pleasant, sincere, convincing voice. Through these programs, we now associate that familiar name with a likable, virile, adventurous personality who will quickly spring to life in the hearts of millions of Americans. As you listen to the second act, imagine, if you will, a television screen where you can watch this believable, exciting, romantic man of action, the wearer of the scarlet cloak and rapier, as he rides against the evil to bring hope to the oppressed.

[Unknown]

Returning to Monterey After a 20 year absence, Brad Carver has learned that his murdered father was the legendary El Diablo, protector of the weak and helpless. Through his father's old friend and servant, Sancho, he also learns that an attack by night riders is planned against the neighboring hacienda. Donning the scarlet cloak, black sombrero and red gear that his father wore, Brad and Sancho ride to a hill overlooking the threatened hacienda.

[Sancho]

There, the lamps of the Asenda are out for some time now and still.

[Unknown]

No signs of a raid.

[Sancho]

They would wait for sleep to come in the house.

[Unknown]

I hope you're right.

[Sancho]

Oh, Brado, I bless myself here in the moonlight with your father's cloak and sombrero. I feel that once again I ride with El Diablo.

[Unknown]

Let's hope the raiders feel the same, Sancho.

[Sancho]

There may be many of them.

[Unknown]

Will I have help? Come on.

[Sancho]

Where do we go?

[Unknown]

Down to the corrals to release the livestock.

[Sancho]

You have a plan?

[Unknown]

Yes.

If they expect no resistance, they'll take the easy approach to Hacienda. That means they'll ride in on the road from town across the bridge that forged the stream down there.

[Sancho]

See? See? That is the way they should come.

[Unknown]

Now, we'll herd the oxen and cattle and horses into that blind path between the hills just this side of the bridge. When they approach from the other side, I'll charge the bridge. From there on, it's up to you.

[Sancho]

Well, just tell me what to do.

[Unknown]

I want you to stampede the herd behind me, Drive them toward the bridge. In this life of the sound of the stampede, they won't know what's coming at them. They'll scatter and run.

[Sancho]

Here is the main corral.

[Unknown]

Move them out as quietly as possible. I'll get the horses from the stables. You drive them into the blind pass and I'll meet you there.

[Sancho]

I hear something. Radito horsemen.

[Unknown]

About 10 of them.

[Brad Carver]

Look.

[Sancho]

Coming over the hills. They're carrying torches.

[Unknown]

Good. They're on the road to the bridge. Just as they approach the far side, I'll make my right, turn the stock toward the bridge and stampede them behind me. Then keep after them and keep them moving, see?

[Sancho]

I understand. And lock right with you.

[Unknown]

Here they come. When you get across the bridge, cut into the hills. I'll double back and meet you near the old missions.

[Sancho]

Be careful.

[Unknown]

Now is the time. Sancho. Down the avalo.

Come back from the de.

Come back.

Come back. Come back.

Oh, boy.

[Sancho]

I'm here.

[Unknown]

Are you all right?

[Sancho]

See? All over my leg. I was caught for a little while in the stumped. It was just squeezed a little, that's all.

[Unknown]

I told you to stay behind the herd, see?

[Sancho]

I know, but I wanted to be closer to you in case they made a fight. Oh, but you were just like your father. Just like him. They were frightened.

[Unknown]

I'll help you back to the cave.

[Sancho]

No, no, no. You must not go there tonight. You must be in the company of others so they will not suspect.

[Unknown]

But I can't leave you while you're injured.

[Sancho]

You have taken your father's place. El Diablo returns On the same day a stranger comes to the town. They could make much of this. Unless you spend the evening with others.

[Unknown]

Yes. Senorita Maria, the niece of Don Ramon de la Torres, invited me to call.

[Sancho]

Ah, bueno. Then you must go there. He is known and respected. It will be perfect. I will take the cloak and sombrero. I'm the rapier now. You are once again, Senor Bradford, a stranger who stops at the inn of San Bonaventuri.

[Don Ramon de la Torres]

My niece plays that music box incessantly. Senor Bradford. I am afraid we are poor competition.

[Maria Alvarez]

It is so new and exciting and has come all the way from pal.

[Unknown]

Yes, I know. I've seen them there.

[Maria Alvarez]

You have been to Paris?

[Don Ramon de la Torres]

Arsenio Bradford seems to have seen a.

[Unknown]

Great deal of the world. I was in Europe about two years ago.

[Don Ramon de la Torres]

I thought I noted traces of European culture. Do you fence, senor?

[Unknown]

A little. It's part of a gentleman's training.

[Don Ramon de la Torres]

Excellent. I enjoy the sport. We must try it someday.

[Maria Alvarez]

It is fortunate for me I have the music box to entertain me.

[Don Ramon de la Torres]

Oh, forgive me, my dear. I have been monopolizing the conversation. Now, I have some work in my study. I will leave you alone. Why don't you show Senor Bradford the gardens?

[Maria Alvarez]

Perhaps the senor wouldn't care.

[Unknown]

I'd like to see the gardens.

[Maria Alvarez]

They are very lovely.

[Don Ramon de la Torres]

Adios. Senor Bradford must honor us again.

[Unknown]

My pleasure, sir.

[Maria Alvarez]

You must find Monterey different from the Lady Boston, senor.

[Unknown]

Different in many ways.

[Maria Alvarez]

Do you plan to stay here for a time?

[Unknown]

Do you think I should?

[Maria Alvarez]

I'm sure my wishes would not influence a man who has seen so much of the world. Are you. Will your family join you here?

[Unknown]

No. And Aunt and Uncle in Boston are the only family I have.

[Maria Alvarez]

I have not known many Americans. The man I am engaged to marry an official of the Mexican government. Our families arranged it when we were both children.

[Unknown]

Oh, I see. I hope he isn't riding the horse that's headed this way.

[Maria Alvarez]

No, he's in Mexico. That is probably some friend of my uncle's coming to play chase.

[Unknown]

Good, because I want to stay here a while longer. Maria, I'm very much taken with this. This garden.

[Maria Alvarez]

That is nice to know, senor.

[Unknown]

You fool.

[Don Ramon de la Torres]

Why do you come here?

[Unknown]

Let me in. I had to see you right away.

[Don Ramon de la Torres]

Did something go wrong at the castillo?

[Unknown]

Did something go wrong? Everything went wrong. We were driven off by El Diablo. He's back.

[Don Ramon de la Torres]

Have you been drinking? El Diablo has been dead for 20.

[Unknown]

Well, he wasn't dead tonight. I saw him as clearly as I'm seeing you.

[Don Ramon de la Torres]

You let yourself be frightened by an apparition. I tell you, the man is dead. You saw him die.

[Unknown]

Yeah. Well, maybe we were wrong. Maybe we killed the wrong man. Or maybe somebody's taking his place. Is it? How about the fellow try to make trouble for us in town today?

[Don Ramon de la Torres]

Don't be an idiot. His name is Bradford. He comes from Boston, and he is stopping at the inn. Besides, he is here in the garden with my niece at this moment. And he must not find you here when they come in. Now go. I talk to you tomorrow.

[Unknown]

I ain't waiting till tomorrow. I'm gonna see what I can find out tonight.

[Sancho]

Something wrong?

[Unknown]

Were you in town looking for me?

[Sancho]

I have been waiting here in the cave.

[Unknown]

I left De la Torres and rode to the inn. My room had been searched. A note I'd left for you was missing. A note with money for you to get out of California. If I were discovered.

[Sancho]

Then somebody knows about you now, Bradito.

[Unknown]

I'm afraid so, Sancho. Got to do something about that leg of yours.

[Sancho]

It will be all right in a few days.

[Unknown]

We haven't got a few days. We've got to get you away from here, to a safer place.

[Sancho]

No.

[Unknown]

No.

[Sancho]

You are the one who must go. Someday when the Americans really come, then the land will be safe. And to my return.

[Unknown]

The Americans are here now, Sancho. No. No.

[Sancho]

I met men returning from town after I left you at the mission. The racing of the flag was a mistake. The command of the ships had a false report of a war. Mexico again controls California. Quiet. Somebody calls.

[Maria Alvarez]

Quickly.

[Unknown]

Sancho, get down behind that truck.

All right, Bradford, don't move. Well, this is quite a layout, ain't it? So this was El Diablo's hideout, and you took it over.

How did you find this place?

I had to look through your room at the inn. And I stayed around until you came. I figured you'd run for cover when you found that note was missing. And I was right. So the devil had a son. Might have figured you'd come back. Only you're not gonna last as long as your father did.

[Sancho]

You can wipe your gun, Senor Doggy.

[Unknown]

All right, Dagger. I'll take that.

Pretty tricky, ain't you? Throwing down on me behind my back. Brave when you got an unarmed man.

Yeah, it didn't bother you when I was unarmed. Take this gun, Sancho. Throw it outside.

[Sancho]

Why?

[Unknown]

And throw your own out, too. Do as I say.

There's still two of you against one, you know.

No, Dagger. Just you and me. Sancho won't interfere. Can you use a rapier? Daggers?

Yeah, I can use one.

There's one on the wall behind you. Under the devil masks.

[Wendell Niles]

Take it.

[Unknown]

Seen those masks in the past, haven't you, Daggert? My father's mark for men like you.

Yes, I've seen him. But you'll never put one on me. He's right. El Diablo. This is your last mistake.

And you are good, aren't you, Dagger?

Next one.

You.

You won't be talking.

I had the pleasure of killing your father.

And this blade will do for you.

I'm glad you know that, dagger. Because that's going to cost you your life. This is your finish. There's a chance nobody else has seen it. I want to look at his shoulder. There must be a rapier mark there.

[Sancho]

See, Brady?

[Unknown]

Don't see no mark. Sancho. Dagger was one of the mobs that killed my father. But he wasn't the leader.

[Sancho]

And so from now on, you play a game of death in the dark with a. A man whose face you do not know.

[Unknown]

Yes. At least I know that the man responsible for the death of my family is still alive.

[Sancho]

Radito Daggett's men will search for him tomorrow. We must bury him.

[Unknown]

No, Sancho. He must be found with a mark of El Diablo. The mask of the devil. I'll put the mask on and then strap his body to his horse and leave him near the town.

[Sancho]

They. They will put a price on your head.

[Unknown]

There's already a price on my head, Sancho. The price of a life for a life. Because men like Daggert must die for every innocent and helpless person they kill. My father could carry that price on his head and pay it. Then so can I. As long as there's injustice, as long as the good people of this country are at the mercy of the lawless, they'll have El Diablo to protect them.

[Wendell Niles]

You have just heard An Adventure of the Scarlet Cloak Starring Wendell Niles Music by Lynn Murray Story by Joel Murcott Produced by the Hunter and Directed by by D. Engelbach.

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[Sancho]

This.

[Andrew Rines]

Has been a presentation of OTRWesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook join in the conversation by going to otrwesterns.Com Discord and don't forget to send us an email podcasttrwesterns.com this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and again, thanks for listening.