Bloody Hands | Gunsmoke (07-14-57)

Summary

Old Time Radio Westerns: "Bloody Hands" | Gunsmoke (07-14-57)

Host: Andrew Rhynes
Release Date: May 9, 2026
Original Air Date: July 14, 1957

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Episode Overview

This episode of Old Time Radio Westerns features a digitally restored broadcast of the classic Gunsmoke episode "Bloody Hands." The story centers around U.S. Marshal Matt Dillon as he confronts the psychological toll of his duty—a life spent confronting and taking the lives of dangerous men. When Matt is forced to kill three outlaws, doubts and criticism from the townsfolk and his own conscience threaten to push him toward resignation. The episode explores themes of guilt, necessity, and the inescapable burdens of leadership on the Western frontier.

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Key Discussion Points & Highlights

1. Marshal Matt Dillon’s Deadly Duty and Guilt

• After apprehending notorious outlaw Jack Brand and his gang, Matt returns to town with Brand under arrest and the other three outlaws dead in the wagon.
• The townsfolk and Matt’s own deputy, Chester, are shocked by the carnage, sparking a town-wide debate about the necessity and morality of such violence.
• Matt is deeply affected by the killings, suffering nightmares and questioning whether he has become too quick to kill (08:24–08:51).

Notable Quote:
“Brand's right, Doc. It's a lot of killing. An awful lot.”
— Matt Dillon (08:24)

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2. Challenge from Joe Stanger and Pressure from the Town

• Joe Stanger, a friend of Jack Brand, fans the flames of public opinion against Matt, taunting him for his reputation as a “bloodiest marshal.”
• Stanger insinuates that Matt enjoys killing, planting further seeds of doubt in Matt’s mind (16:10–18:22).

Notable Quote:
“Don’t it ever bother you, killing people the way you do?”
— Joe Stanger to Matt Dillon (16:15)

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3. Matt’s Internal Struggle and Decision to Resign

• Wracked with guilt and unwilling to bear more blood on his hands, Matt writes a letter of resignation to the War Department—a moment of profound crisis for the marshal (19:09).
• Chester, loyal but confused, pleads with Matt, struggling to understand his decision and reinforcing Matt’s humanity (19:16–20:20).

Notable Quote:
“That’s my resignation, Chester... I killed my last man.”
— Matt Dillon (19:19)

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4. Life After Law—A Glimmer of Peace

• Matt tries to embrace a quieter life, spending time fishing with Kitty and reflecting on the rarity of being unarmed (22:05–23:22).
• The moment offers a stark contrast to the violence of his profession and highlights what’s at stake for Matt as he considers a different future.

Notable Quote:
“You know something, Matt? I think this is the first time I've ever seen you that you weren't wearing a gun.”
— Kitty (23:09)

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5. The Inevitable Call of Duty

• Chester rides in to break the news of a tragedy: Joe Stanger, now in Dodge, has killed a woman and gravely wounded a bartender at the Long Branch (23:37–24:12).
• Chester appeals to Matt’s sense of justice and the unique burden of responsibility bestowed upon him as the only man capable of stopping Stanger (24:28–25:16).

Notable Quote:
“Men like Stanger and Brand, they gotta be stopped. I'd do it if I could, but I can't. Most men ain't. But you are. It's kindly too bad for you that you are. That's the way it is, Mr. Dillon. And there's nothing you can do about it. Not now. It's too late. It's way too late.”
— Chester (24:39)

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6. Resolution—The Gun is Taken Up Again

• Realizing the truth in Chester’s words, Matt accepts that he cannot escape the violence that fate and his own skill have chosen for him.
• He asks for his gun and heads back to confront the threat, returning to his role as marshal—though changed by his self-doubt and pain (25:16–25:22).

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Timestamps for Key Segments

• Matt returns with Brand and the dead outlaws: 06:28–08:12
• Matt's Nightmares & Guilt: 11:22–12:09
• Joe Stanger’s taunts: 16:10–18:22
• Matt’s resignation: 19:09–20:19
• Fishing Scene (Matt unarmed): 22:05–23:22
• Stanger’s crime & Chester’s Appeal: 23:37–25:16
• Matt reclaims his gun: 25:16–25:22

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Memorable Moments & Quotes

• Doc's assessment:
  “Bloodiest marshal I ever seen. That's just a wagon load of meat.”
  — Doc (07:13)

• Matt’s reluctant sense of destiny:
  “I've hated this job since the day I took it. I never did have a taste for killing.”
  — Matt Dillon (20:10)

• Chester’s poignant summary:
  “It's kindly too bad for you that you are [the man who can stop them]. That’s the way it is, Mr. Dillon. And there’s nothing you can do about it. Not now. It's too late...”
  — Chester (24:39)

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Tone and Style

The episode balances melancholy introspection with the grit and tension characteristic of Gunsmoke. Matt’s existential struggle is handled with restraint and hardened Western stoicism, while side characters provide both comic relief and moral counterpoints. The soundscape, enhanced by the restoration, immerses the listener in a vivid, sometimes unnerving frontier world.

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Conclusion

“Bloody Hands” stands as a powerful exploration of duty versus personal conscience in the lawless West. This episode of Old Time Radio Westerns not only resurrects a classic audio drama but also invites listeners to ponder the timeless burdens of justice and the humanity behind legends like Matt Dillon.

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Transcript

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[Old Time Radio Westerns Host (Andrew Rines)]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and let's get into this episode. This episode is going to be Gunsmoke. Original air date is July 14, 1957 and the title is Bloody Hands. Thanks for listening.

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[Narrator]

Around Dodge City and in the territory on west, there's just One way to handle the killers and the spoilers. And that's where the U.S. marshal and the smell of gun smoke. Gun Smoke. Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes

[Chester]

a man watchful and a little lonely.

[Matt Dillon]

Oh, Anastasia, my darling.

[Narrator]

Say you will be mine.

[Chester]

No, Charles, I can never marry you.

[Matt Dillon]

But why? I have wealth, position, a new 57 car.

[Chester]

That's just why I won't marry you. Charles, your 57 car is so old fashioned and boxy looking, it's been outmoded by the 57 swept wing Dodge.

[Matt Dillon]

Oh, but understood you. I got such a bargain deal on that car.

[Chester]

Oh, Charles, there's no such thing as a bargain on a 57 car that isn't really new. But Anastasia, has your car got torsion air ride or no twin set headlights? No swept wing styling or no.

[Matt Dillon]

Only Dodge has all that.

[Chester]

Well, you paid for a new car, but you didn't get one.

[Narrator]

Or marry me anyway.

[Chester]

Not until you get a new Dodge.

[Narrator]

I'll do it tomorrow.

[Chester]

Oh, Charles, adjust your wig.

[Matt Dillon]

Shall we dance, darling?

[Chester]

Yes. Turn on Lawrence Welk. Hello, Chester. Come on in, Doc. Where's Matt? He ain't here. Huh? He's not? Where have you two been the last couple of days? I haven't seen either one of you. Well, I just got back from Hays City. Mr. Jones sent me over there to fetch some government papers. And you know what, Doc? I took the Santa Fe both ways. You did? Well, that beats riding a horse, huh? Where's Matt? You say he left a note here, but he didn't say exactly where he was at. You mean he's out of town? That's what the note says. Seems somebody told him where he could find Jack Brand. Jack?

[Matt Dillon]

Jack brand?

[Chester]

That's right. Mr. Jones says Bran's got three of his gang with him. You mean Matt's gone out there alone after four men? Well, now, if I knew where he was, I'd go help him.

[Matt Dillon]

Doc.

[Doc / Kitty]

I. I know.

[Chester]

But there's nothing you can do about it. Chester worries me though. Doggone if it don't. Chester. Chester. Well, there's Mr. Dillon, Doc. Where is he? There he is, sitting on that wagon. Who's that with him? Oh, some fella gave him a ride, I guess. Hello, Mr. Dillon.

[Matt Dillon]

Hello, Chester. Doc.

[Doc / Kitty]

Pat.

[Chester]

You lose your horse?

[Matt Dillon]

No, I left him out at Barr's ranch and borrowed this wagon. One of his riders will bring him in tomorrow.

[Chester]

Who's this with you?

[Matt Dillon]

You've seen his picture. Chester. What?

[Chester]

Where's Jack Brand?

[Matt Dillon]

Let's get on. Brand. You first. Sure.

[Chester]

How come you to let him drive the wagon, Mr. Dill?

[Matt Dillon]

To keep his hands full, Chester. Here, take my shotgun. Lock him up.

[Chester]

Yes, sir. Where's the others? I thought he had three men with him.

[Matt Dillon]

Go on. Tell him, Marshall. Tell him where they are. And the wagon under that canvas. Oh.

[Chester]

Are they all dead, Matt? All three of them?

[Matt Dillon]

Yeah, they're all dead, Doc. Bloodiest marshal I ever seen. That's just a wagon load of meat. It ain't hardly enough. I never seen such a killing.

[Chester]

What happened, Mr. Jones?

[Matt Dillon]

They put up a fight and I had to take them.

[Chester]

That's all.

[Matt Dillon]

That's all. Your lawman here hid himself in the grass and just waited for us to come out of that cabin. And then he yelled. So naturally we headed for cover.

[Chester]

Who wouldn't?

[Matt Dillon]

And he just laid there. And he cut loose of that shotgun. Tore up two of the boys that way. Then he stood up and cut down Hank Smith with a six shooter.

[Chester]

How come you got out of it, Brian?

[Matt Dillon]

I jumped back in the cabin and I give up. You blame me.

[Chester]

I suppose you're trying to say that you wouldn't have shot him.

[Matt Dillon]

Sure we tried to shoot him. Any man got a right to defend us here.

[Chester]

Never heard of resisting arrest called self defense.

[Matt Dillon]

I never heard of no marshal shooting down everybody on the landscape. Lock him up, Chester.

[Chester]

Get going.

[Matt Dillon]

Brand think he was killing a hog? Not man. Bloodiest marshal I ever seen.

[Chester]

Shut up and keep walking.

[Matt Dillon]

Oh, man.

[Chester]

See, you were mighty lucky taking on four outlaws that way. Yeah, and you killed three. Say, wait till people hear about this.

[Matt Dillon]

Brand's right, Doc. It's a lot of killing. An awful lot.

[Chester]

Oh, now, don't get to thinking about it too much, Matt. It's your job. You did it. And so it's over.

[Matt Dillon]

It's over, huh? Wait till tomorrow or the next day there'll be somebody else and there's always another man to kill. Oh, no, Matt.

[Chester]

I never heard of you shooting anybody. You didn't have to.

[Matt Dillon]

No, I never did. But sometimes that doesn't help much.

[Chester]

Say, you look tired, man.

[Matt Dillon]

Well, I haven't slept since I rode out of here two days ago. Yeah.

[Chester]

Now, you're gonna get some rest. Then you'll feel better.

[Matt Dillon]

Yeah, sure enough.

[Chester]

Bran snug in jail with your dog. He don't like it.

[Matt Dillon]

Much.

[Chester]

But I told him not to try kicking his way out, that I'd be sleeping in the office.

[Matt Dillon]

We'll both be sleeping in the office, Chester. I'm too tired to walk in my room. Oh, take care of this wagon and what's in it, will you?

[Chester]

Yes, sir.

[Matt Dillon]

You and Doc can identify those men. We'll write it on paper in the morning, huh?

[Chester]

All right. Sure. I'll be coming to bed about midnight, but I'll be real quiet.

[Matt Dillon]

Nothing can wake me, Chester. Not tonight.

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[Matt Dillon]

No. No. Don't go for your gun.

[Chester]

Don't. Don't go for my.

[Matt Dillon]

What?

[Narrator]

No.

[Matt Dillon]

Do it, I tell you. Leave a gun alone. Leave it. Don't make me kill you. Don't make me kill it on a man.

[Chester]

Don't wake up.

[Narrator]

Okay.

[Doc / Kitty]

Full enough blood.

[Matt Dillon]

I don't want to kill you.

[Chester]

Mr. Dylan.

[Matt Dillon]

Wake up.

[Doc / Kitty]

No, no.

[Matt Dillon]

It's me.

[Chester]

Mr. Dylan. It's Chester. Ain't nobody here. You. You was asleep. You've been dreaming.

[Matt Dillon]

Oh, yeah? Yeah.

[Chester]

Here, let me light the lamp.

[Matt Dillon]

No, no. Don't. Don't do that.

[Chester]

Chester.

[Matt Dillon]

It's all right.

[Chester]

My gracious. I come in and heard you talking and I thought sure somebody was here. Moonlight ain't bright and I couldn't see good at first.

[Matt Dillon]

Sure.

[Chester]

My. I had to yell at you a couple times before you woke up. You was dreaming. You was in a fight, I guess.

[Matt Dillon]

Yeah. Yeah, that's what I was dreaming.

[Chester]

Nightmares like that, they're just terrible, ain't they?

[Matt Dillon]

What time is it?

[Chester]

A little past midnight.

[Matt Dillon]

Is Jack Bryant awake?

[Chester]

No, he'd be Bellerin if he was. Oh, but, Mr. Dillon, now that you're awake, there's something hard to tell you.

[Matt Dillon]

Oh, what?

[Chester]

Well, me and Doc was having a drink over at Long Branch and a fella come in there started talking real loud.

[Matt Dillon]

Talking about what?

[Chester]

Well, sir, mostly about how he's a friend of Jack Brand's and he heard about how you caught him and all.

[Matt Dillon]

What's his name?

[Chester]

Chester Stanger. Joe Stanger.

[Matt Dillon]

Oh, yeah, I know him.

[Chester]

Do you think he will cause trouble?

[Matt Dillon]

Probably. And I'm not gonna worry about him tonight.

[Chester]

No, sir. That's what me and Doc figured. He won't try nothing tonight.

[Matt Dillon]

All the same, keep your gun handy, Chester. Let's try to get some sleep.

[Chester]

Chester.

[Matt Dillon]

Oh, Chester, come on out of here. Oh, my goodness.

[Chester]

Wake up jester

[Matt Dillon]

for breakfast. Yes, sir. Oh, will you go shut him up, Chester? It's hardly dawn.

[Narrator]

I can throw a bucket of water on him.

[Chester]

Will you shut up, Brian?

[Doc / Kitty]

I'm coming.

[Matt Dillon]

Well, it's about time.

[Chester]

Cut out that cussed young man.

[Matt Dillon]

What's the matter? Come on over here and unlock this case. Jim. What? I've got a gun on you. Can't you see?

[Chester]

Where'd you get that gun?

[Matt Dillon]

Come over here, I say.

[Chester]

Well, the key ain't over there. They're hanging on the wall down here. I'll get it.

[Matt Dillon]

Well, don't you take your own sweet time about it. I've been in this chicken coop long enough. All right, drop it, Brian. Oh, my hate. You're not hurt. I hit the gun.

[Chester]

I got the keys, Mr. John. Oh, get his gun out of there.

[Matt Dillon]

All right, go ahead. Oh, my. Stand back, Brian. Would you like to bust my. Stand back, I said. You're lucky. Yeah, lucky you didn't kill me. I suppose you like to kill everybody. You shut up.

[Chester]

I got it, Mr. Don. Ain't no good anyway. Not now.

[Matt Dillon]

How'd you get this gun, Brent? I made it, Marshall.

[Chester]

Now, don't be smart.

[Matt Dillon]

Wait a minute. Joe Stanger brought it to you. He tossed it to you right through those bars on the window. I didn't even know Stanger was in town. Didn't you, Chester got some boards and nailed them over the window so nothing can get through. Oh, now, wait, Marshall. That's the only window in here. You can't board that up. You'll get enough air. Oh, no. When you get it fixed, Chester, we'll go to breakfast.

[Chester]

I declare, it's been some time since I've been out on the plaza this early in the morning, Mr. Dillon.

[Matt Dillon]

Weren't you up gambling all night last Saturday, Chelsea?

[Chester]

Oh, well, that's different. Things don't look the same when you've had a good night's sleep. Oh, you didn't have no more nightmares last night, did you?

[Matt Dillon]

No, I didn't sleep very well.

[Chester]

You ought to take some time off. Go out buffalo hunting or something, Mr. Dillon.

[Matt Dillon]

Maybe I ought to take a lot of time off. Now, wait a minute.

[Chester]

What?

[Matt Dillon]

That's Joe Stanger coming there.

[Chester]

Yeah, see? My God, it is. What's he doing up so early?

[Matt Dillon]

Maybe he wants to find out why Jack Brand hasn't shot his way out of jail yet.

[Chester]

Well, he won't be throwing br. No more guns. Not the way I got that place boarded up.

[Matt Dillon]

Chester, step out of the way, will you?

[Chester]

Yes, sir.

[Matt Dillon]

Good morning, Marshall. You're up kind of early, aren't you, Stanger? Train leaves for Abilene in about an hour. Oh, you gone to Abilene? I'll be back next week. Jack Brand will still be in jail. Yeah, I heard you caught him. He's a good friend of yours, isn't he? Sure, but I ain't part of his gang. I never was. Yeah, I know. Of course, there ain't much gang left now. No. You're a pretty rough man, Marshall. That's what I have to be. Don't it ever bother you, killing people the way you do? Look, Stanger, I shot a gun out of Jack Brand's hand this morning. You come by the office later and I'll give it back to you. Huh? What would I want if it smashed up six shoes? It's yours, isn't it? Wearing mine ought to throw you in jail, too. I wouldn't go to jail, Marshall. Not without a fight, I wouldn't. I ain't afraid of you. You want to try it? Go ahead. Go on. Go ahead, draw. No, but that's the matter, Marshall. I thought you liked killing men. What's holding you back? You're gonna have to fight me sooner or later. Get out of here, Stanger. Go get on your train. Wait till I tell everybody about Matt Dillon. Now he's lost his. Get out of here, I said. Well, I don't want to shoot down a man that won't draw. Not today, anyway. But I'll be back, Marshall, next week.

[Chester]

Why don't you shoot him, Mr. Dillon? You ain't nothing but a big bluff, Chester.

[Matt Dillon]

You go on to breakfast soon, huh? I'm going back to the office.

[Chester]

What? Well, you told me, didn't you? Yes, sir. Okay, Mr. Dillon. I brought you a little can full of coffee, Mr. Jones.

[Matt Dillon]

Oh, thanks, Jesse.

[Chester]

Oh, put it right here. What you doing, writing a letter?

[Matt Dillon]

That's a telegram. Here, take this down to the depot, will you? Sure. I want it to go out right away.

[Chester]

U.S. war Department.

[Matt Dillon]

That's my resignation, Chester. What? I'm quitting right now.

[Chester]

Well, you can't do that.

[Matt Dillon]

I've done it.

[Chester]

I don't believe it. You're fun in me.

[Matt Dillon]

A man can quit a job, Chester. I've quit jobs before.

[Chester]

Well, I know, but this is different.

[Matt Dillon]

No, what's different about it? The government doesn't own me.

[Chester]

Mr. Jones.

[Matt Dillon]

Yeah, what?

[Chester]

You ain't doing this because of. Because of what Joe Stanger said.

[Matt Dillon]

What, that I lost my nerve? He's wrong about that. And he's wrong about my liking to kill men, too.

[Chester]

Well, you never killed nobody unless you had to.

[Matt Dillon]

Now I don't have to. I'm through, Chester. I killed my last man.

[Chester]

Well, I got. I just don't know what to.

[Matt Dillon]

Let me tell you something, Chester. I've hated this job since the day I took it. I never did have a taste for Kellen, and now they can find somebody who has. And he'll make a boy better marshal than I ever was.

[Chester]

That ain't true.

[Matt Dillon]

Now go send a telegram. I'm going to be over at Del Monaco's having breakfast and with a good appetite for a change. There once was a lady named Mrs. White who burned the kitchen light all night. She was afraid, as folks all knows, that someone would steal the Cheerios.

[Narrator]

No need to be that careful, but Cheerios do have a way of disappearing. It's just the Cheerios taste so good. Cheerios aren't like other cereals. Cheerios are shaped like letter O's. That means they're toasted inside and out. So you get toasted oat flavor and golden crispness all the way through. Lots of nourishment, too. Because a breakfast of Cheerios gives you the power protein of toasted oat cereal. Power protein. That helps keep you feeling fit. Just try them once. Just once. Cheerios, the oat cereal. Ready to eat.

[Matt Dillon]

If you know your oats, you'll really go for delicious, nutritious Cheerios. Washington, as usual, was pretty slow answering my telegram. A week later, I still hadn't had an answer. But I didn't care. I'd quit, and that was that. I Even began to enjoy myself for a change. Like the day I finally took Kitty fishing.

[Chester]

Matt. Hey, Matt, look.

[Doc / Kitty]

I got another one.

[Matt Dillon]

Throw him back, Kitty. We got more than we can carry now.

[Doc / Kitty]

I will not throw him back Here.

[Matt Dillon]

Come on over here in the shade. You've done enough fishing.

[Doc / Kitty]

I'm a kid. Oh, look at him, Matt.

[Chester]

Isn't he a beauty?

[Matt Dillon]

Yeah, he is. He's bigger than any I caught. Why don't you throw him in the sack and then sit down here, huh?

[Doc / Kitty]

Say, you're right. I didn't know we'd caught that many.

[Matt Dillon]

Maybe we'll have a fish fry tonight, huh?

[Doc / Kitty]

Well, we can feed half a Dodge with all those.

[Matt Dillon]

I doubt that. Did you ever see Chester go through a mess of fish?

[Doc / Kitty]

Well, last time he starved himself a couple of days in advance. Maybe we can kind of sneak up on him.

[Matt Dillon]

No, no, no, no. He knows we're out here.

[Doc / Kitty]

Maybe you ought to go into the business, Matt.

[Matt Dillon]

What business?

[Doc / Kitty]

Fishing. You could do it for a living.

[Matt Dillon]

I'm going to have to find something to do for a living, I guess.

[Doc / Kitty]

You know something, Matt?

[Matt Dillon]

Now what?

[Doc / Kitty]

I think this is the first time I've ever seen you that you weren't wearing a gun.

[Matt Dillon]

Yeah, I guess it is. I'm enjoying that too.

[Doc / Kitty]

Matt, look. There's somebody coming on horseback.

[Matt Dillon]

There's Chester.

[Doc / Kitty]

Oh, yeah.

[Matt Dillon]

Looks like he's in a hurry too.

[Doc / Kitty]

Maybe he couldn't wait for that fish fry.

[Chester]

Mr. Dillon. Oh, hello, Miss Kitty.

[Doc / Kitty]

Oh, Chester.

[Chester]

Mr. Dillon, Joe Stanger's in town.

[Matt Dillon]

Oh, well, that doesn't matter to me, Chester.

[Chester]

But you don't understand.

[Matt Dillon]

Don't understand what?

[Chester]

What I come to tell you. Stanger's at the Long Branch. And a while ago we had word

[Narrator]

with one of the girls there.

[Chester]

And she slapped him and he. He pulled out his gun and he killed her. He what?

[Doc / Kitty]

Who was the girl, Chester?

[Chester]

Kate Hawkins. Oh, no, that's who it was, Miss Kitty. Then the bartender tried to stop him, and Stanger shot him too. And I hear he's gonna die. I grabbed a horse off the Hit Trail and come right out to tell you. You gotta stop him, Mr. Gillon.

[Matt Dillon]

Look, Chester, I'm not the marshal here anymore. I quit, remember?

[Chester]

You mean you're gonna let Joe Stanger walk around, Dodge and shoot everybody that gets in his way, including women?

[Matt Dillon]

I'm through killing. I told you that.

[Chester]

Well, who's gonna stop you then? You're the only man around here that'll go up again him, and you know it.

[Matt Dillon]

That may be true, but I'm still not gonna do it.

[Chester]

Wait, Mr. Joan, wait. Wait a minute. I've been thinking a lot about all this lately, and there's something you've been overlooking.

[Matt Dillon]

Huh?

[Chester]

Men like Stanger and Brand, they gotta be stopped. I'd do it if I could, but I can't. I just ain't good enough. Most men ain't. But you are. It's kindly too bad for you that you are. That's the way it is, Mr. Dillon. And there's nothing you can do about it. Not now. It's too late. It's way too late.

[Matt Dillon]

Give me your gun, Chester.

[Chester]

Yes, sir. You. You want the holster?

[Matt Dillon]

No, I'll carry it in my belt. Oh, Kelly, Chester will help you carry the fish back.

[Doc / Kitty]

Sure. Matt. Sam.

[Narrator]

Gunsmoke, produced and directed by norman macdonald. Stars william conrad as matt dillon, u.s. marshal. The story was specially written for gunsmoke by john meston. Featured in the cast were john dana and lawrence dobkin. Harley bear is chester, howard mcnair is doc and georgia ellis as kitty. Join us again next week for the fifth of the most popular gunsmoke shows. It is called kitty caught.

[Matt Dillon]

Stay tuned now for five minutes of

[Narrator]

cbs news on the cbs radio network.

[Doc / Kitty]

Sam.

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[Doc / Kitty]

Foreign.

[Old Time Radio Westerns Host (Andrew Rines)]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Liberty Mutual Spokesperson]

And Doug, there's nowhere I wouldn't go to help someone customize and save on car insurance with Liberty Mutual. Even if it means sitting front row at a comedy show.

[Liberty Mutual Companion]

Hey everyone, check out this guy and his bird. What is this, your first date?

[Liberty Mutual Spokesperson]

Oh, no. We help people customize and save on car insurance with Liberty Mutual together. We're married. Me to a human, him to a bird.

[Liberty Mutual Companion]

Yeah, the bird looks out of your league.

[Liberty Mutual Spokesperson]

Anyways, get a [e-mail] or with your local agent.

[Liberty Mutual Companion]

Liberty Liberty. Liberty Liberty.

[Old Time Radio Westerns Host (Andrew Rines)]

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