Carmen | Gunsmoke (06-21-59)

Summary

Podcast Summary: Old Time Radio Westerns – Episode: "Carmen | Gunsmoke (06-21-59)"

Introduction

In this episode of the Old Time Radio Westerns podcast, host Andrew Rhynes presents a digitally restored rendition of the classic Gunsmoke episode titled "Carmen," originally aired on June 21, 1959. This meticulously enhanced production breathes new life into the timeless tale, offering listeners an immersive experience into the tumultuous days of Dodge City through the seasoned voice of U.S. Marshal Matt Dillon, portrayed by William Conrad.

Setting the Scene

The story unfolds in the lawless environs of Dodge City, amidst escalating tensions between civilians and the military presence. Marshal Matt Dillon finds himself at the center of a conflict involving the recent murder of two U.S. Army soldiers who were transporting a secret government payroll. The delicate balance between maintaining law and order and addressing military grievances sets the stage for a gripping narrative.

Key Characters and Dynamics

• Matt Dillon (William Conrad): The steadfast U.S. Marshal determined to uphold peace in Dodge City. His interactions reveal a man burdened by duty, exhibiting both toughness and a sense of loneliness inherent to his role.

• Major Randall: A high-ranking military officer whose contentious relationship with Matt highlights the friction between civilian authorities and military oversight.

• Kitty: The proprietor of the local saloon, whose interactions with Matt provide both camaraderie and subtle tension, especially concerning the mysterious Connie Dell.

• Connie Dell: A spirited dance hall girl whose connections with Corporal Bowers become central to the unfolding mystery of the payroll robbery and subsequent murders.

Plot Development

The episode begins with Marshal Dillon addressing Major Randall's concerns over the recent theft and murders. The Major's frustration with Dillon's inability to swiftly resolve the case leads him to threaten martial law, escalating the stakes and adding pressure on Dillon to find the culprit.

As Dillon delves deeper, he uncovers that the payroll robbery was an inside job, with Corporal Bowers implicated due to his position and access. Kitty introduces the enigmatic Connie Dell, whose interactions with Bowers and knowledge about the payroll money suggest a deeper conspiracy.

Dillon's investigation takes him through a web of deceit, highlighting the challenges he faces in a town rife with distrust and corruption. His determination leads him to confront Kitty and Connie, unraveling connections that point directly to Bowers' involvement.

Notable Scenes and Quotes

1. Confrontation with Major Randall:

   • [02:44] Matt Dillon: "Marshall Dillon. Well, hello, Major Randall. Marshall. I want to talk to you about last Saturday's affair."
   • This exchange sets the tone for the conflict between civilian and military authorities, showcasing Dillon's unwavering stance on maintaining peace without direct military intervention.

2. Suspicion Falls on Corporal Bowers:

   • [12:21] Matt Dillon: "Come in at 7:00. Here you are."
   • Dillon's methodical approach to gathering information underscores his strategic mindset in solving the case.

3. Interaction with Connie Dell:

   • [22:34] Connie Dell: "I got off a little early. Shall we go now?"
   • [24:54] Connie Dell: "Big cottonwood up ahead on the left."
   • These moments reveal Connie's pivotal role in the narrative, bridging the gap between civilian life and the undercurrents of corruption.

4. Climactic Revelation:

   • [26:19] Matt Dillon: "I'm sorry I had to do it."
   • A poignant reflection of Dillon's inner conflict and the heavy toll of his duty, emphasizing the personal sacrifices made in the pursuit of justice.

Resolution

The episode culminates in Matt Dillon successfully exposing Corporal Bowers' involvement in the payroll robbery and the murder of Private Bone. Through strategic confrontation and unwavering determination, Dillon restores order, reaffirming his commitment to justice in Dodge City. The resolution not only resolves the immediate conflict but also reinforces the enduring legacy of Matt Dillon as the quintessential Western lawman.

Conclusion

"Carmen | Gunsmoke (06-21-59)" offers a compelling narrative of loyalty, betrayal, and the relentless pursuit of justice emblematic of the Gunsmoke series. The Old Time Radio Westerns podcast's digital restoration enhances the original audio, providing a richer and more vibrant listening experience. Through masterful storytelling and authentic performances, this episode captures the essence of the Wild West, inviting both longtime fans and new listeners to revisit the golden age of radio drama.

Notable Quotes Summary

• "Gun smoke. Starring William Conrad." – Matt Dillon sets the gritty tone of the episode. (00:43)

• "Prospecting is like mine to keep the peace, not to start trouble." – Matt Dillon emphasizing his role. (02:24)

• "I think Bone found out where the leak about that shipment of payroll money came from, and Bowers had to shut him up." – Dillon revealing key plot insight. (20:27)

• "Unless I made a bad mistake about you, I think you're gonna let me have a fair chance at him somehow." – Dillon confronting Connie. (23:57)

• "I'm sorry I had to do it." – Dillon's remorseful acknowledgment post-confrontation. (26:19)

Final Thoughts

This episode exemplifies the enduring allure of Gunsmoke, blending intricate plots with deep character development. The Old Time Radio Westerns podcast not only preserves these classic stories but elevates them, ensuring that the legends of the Wild West continue to resonate with contemporary audiences.

Transcript

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[Matt Dillon]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines and I'm excited to bring you another episode absolutely free. This episode is just one of over 80 episodes we release monthly. Now let's get into this episode. Around Dodge City and in the territory on west. There's just one way to handle the killers and the spoilers. And that's with a U.S. marshal. And the smell of gun smoke. Gun smoke. Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely.

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[Matt Dillon]

Marshall Dillon. Well, hello, Major Randall. Marshall. I want to talk to you about last Saturday's affair. Saturday was a pretty lively day around here, Major. Which affair do you mean? You surprised me, Marshal. Two United States army soldiers were murdered while driving a supply wagon from here to Fort Dodge. A government payroll was stolen. And you seem to have taken no interest in the matter. Oh, now, Major. Protecting the army isn't exactly my job. The army can protect itself. Well, if that's true, Major, how come there were only two soldiers carrying your payroll? You got plenty of men out there and plenty of guns. Where were they? On maneuvers. On maneuvers. In my command, Marshal, troops remain in garrison as little as possible. There were only five men left behind. This Time, then. You were asking for trouble, major, knowing that there was a payroll coming in. The arrival of the payroll was secret. Even the two men carrying it didn't know what it was. The word must have got out somehow. Obviously. What I want to know is what you intend doing about this crime. Nothing. Nothing? If I knew who did it, I'd make the arrest. But I don't, so there's nothing I can do. I see. Well, Marshall, I regard this crime as a demonstration of your inability to control these Dodge City ruffians. Therefore, I shall do it myself. How's that, major? If no arrests are made in this matter, I'll give these bad men of yours a taste of martial law. We'll see how they like that. I wouldn't try that if I were you. These streets will be patrolled 24 hours a day. Now, you listen to me, major. You don't know these men. Sure, there are some bad ones here, but most of them are just wild. Free and wild. But you run the army in here, and they'll all fight. Let them. You know, major, your job is like mine to keep the peace, not to start trouble. Save your advice, marshal. Then there'll be trouble, major. Bad trouble, nonetheless. The army will take over within the week or before if there are any more crimes committed against it. Good day, marshal. Come here. Yeah, what is it, Shiloh? There's talk of Dodge being run by the army, marshal. So? So I don't like it. I, and most of many here, got out. Back in 65, we had all army we want. I know that. Maybe things will work out, though. And if they don't work out, which side are you fighting on, Dylan? Where do you stand? I'm hard to keep the peace, Shiloh, not to answer fool questions. You calling me a fool? Well, say it. You're drunk, Shiloh. You're telling me I'm drunk, Marshall. I'll show you how drunk I am. Now, when he comes around, you tell him that I took his gun. He can get it back first thing in the morning. And if he objects to that, you tell him to look me up and I'll throw him in jail.

[Kitty]

Who is it?

[Matt Dillon]

It's Matt, Kate.

[Kitty]

Well, come in. Kitty must be out of town.

[Matt Dillon]

As a matter of fact, she is. Went back to St. Louis for the week. But why?

[Kitty]

It's the only time you come to visit me. Sit down, man. I'll fix you a toddy.

[Matt Dillon]

Oh, thanks.

[Kitty]

You could thank me best by buying a drink at the bar downstairs once in a while instead of spending all Your time at the Long Branch.

[Matt Dillon]

Why should I buy whiskey? I got better whiskey for free up here.

[Kitty]

Matt, you ought to get yourself a girl.

[Matt Dillon]

Oh, no, Kate. Don't start on Kitty with me. Oh, thank you.

[Kitty]

All right, then. Someone else. Someone like, say, Connie Dell.

[Matt Dillon]

Yeah.

[Kitty]

There's a real pretty girl. Spirited, too.

[Matt Dillon]

I'm not looking for a wife, Kate.

[Kitty]

Connie's been dancing here about two, three, four weeks. But every time you come in, I notice she keeps one eye on you. There's a lot of fire in that girl, Matt.

[Matt Dillon]

Sure, Kate, sure.

[Kitty]

I think she spends so much time with that corporal from the fort just to try to get a raise out of you.

[Matt Dillon]

You're sure a conniving old woman can. You're just no good at all.

[Kitty]

You're gonna say worse than that?

[Matt Dillon]

No. What do you mean?

[Kitty]

I told Connie she could come have a drink with us next time you showed.

[Matt Dillon]

Oh, well, all right, if it pleases you.

[Kitty]

It does. She's just down the hall. Connie.

[Matt Dillon]

Yes?

[Kitty]

There's fresh cigars in that box by your chair. Matt had them brought in by the railroad all the way from St. Louis. Evening, Ms. Case. Come on in, Connie. I've growled the marshal for you. Sit down and I'll fix you a drink.

[Matt Dillon]

Don't you let her talk bother you, Connie.

[Kitty]

I won't, Marcia. Yeah, Connie? Oh, thank you, Ms. Keith. Well, good luck.

[Matt Dillon]

Yeah, good luck to you.

[Kitty]

I guess a profession like yours means you've always got some kind of trouble, doesn't it?

[Matt Dillon]

Oh, most always. Yeah.

[Kitty]

Like this army business now.

[Matt Dillon]

Yeah.

[Kitty]

The civilians downstairs are in a pretty mean mood about it. Will it be bad, Marshall?

[Matt Dillon]

Well, that depends, Connie.

[Kitty]

On what?

[Matt Dillon]

If Major Randall finds out who killed and robbed those two soldiers, he might calm down a little bit.

[Kitty]

Are you going to help him?

[Matt Dillon]

How can I? Only a soldier could have passed the word about that payroll money coming in.

[Kitty]

I figure it this way, Matt. The major's in trouble, and he's trying to cover it up by threatening to take over. Dodge.

[Matt Dillon]

Any more difficulties and he'll do it, too.

[Kitty]

Hey, Connor. Your corporal been in? He left a while ago. What does he say? How do the soldiers feel about all this? Well, I don't think they want to mix it with all these buffalo hunters and the like. But, Ms. Case, he's not my corporal. He's just a lonely kid, all right. It seemed like he spends more time here than at the fort. How does he manage it? Well, they made him a clerk, sort of a bookkeeper. His time's pretty much his own. He's Lucky. It's a good, safe job, too. I suppose it is. Well, I'd better get back. Now that we've met, Marshall, you might stop and buy me a drink the next time you come in.

[Matt Dillon]

It'd be a pleasure, Miss Connie.

[Kitty]

Good night, Marshall. Thanks, Miss Kane.

[Matt Dillon]

Good night.

[Kitty]

Well, Matt.

[Matt Dillon]

Kate, what's the name of this corporal that's been sniffing around?

[Kitty]

It's a funny thing. I honestly don't know.

[Matt Dillon]

Well, then find out for me, will you?

[Kitty]

If you want me to. In the meantime, let me warm that toddy.

[Matt Dillon]

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[Matt Dillon]

Here. Mr. Dillon. Everything quiet, Chester? Yes, sir. But it's just like everybody's holding his juice for the army. If it comes quiet and mean, Mr. Dillon, that's what it is. Quiet and mean. Yeah, all Right. Chester, you go on to bed. I'll stay around for a while longer. All right? Sure. First thing in the morning, I want you to go to the telegraph office and send a message to the sheriff up in Hays City. For me, though? Yes. That'd be Mr. Hickok, wouldn't it? Yeah. You asked Bill to send me all the information he can about a dance hall girl called Connie Dell. She left there about a month ago. Connie Dell? Yes, sir. I'll do. You bring me the answer as soon as it comes, huh? We already have it.

[Ryan Seacrest]

By tomorrow evening.

[Matt Dillon]

Well, I hope so. Good night, chester.

[Kitty]

Good night, Mr. Dillon.

[Ryan Seacrest]

Well, I got it.

[Matt Dillon]

Come in at 7:00. Here you are. Oh, thanks, Chester. Well, what's it say? Don't you know already? No, I don't. Old Charlie wrote it out, sealed it up and never told me nothing, huh? Here's what it says. Connie Dell worked Golden Horn Bar here. Left about a month ago with a stranger called Billy Grounds. Nothing against girl, but believe Grounds a wild one. Hasn't anybody shot you yet? Rha Cards Hiccup. What's up? Well, I don't know, Chester. I don't quite know. Tell you what, you go over and ask Big Kate if she's heard anything about this Billy Grounds, huh? Come on, Chester. Right down there by the alley. Yeah, let me through here, will you? Stand back, please. Let me through here, will you? Are there any witnesses to this? I'll let anybody see it. I want to know who killed this man. Maybe nobody did see it, Marshall. Yeah, and maybe nobody cares much about it anyway. Just a soldier. All right, you men, I'm telling you this. If I don't find out who shot this man, the army will move in here for sure. Well, not the whole army, Marshal. They won't all move in. Why not? Boys, my Sharps rifle can kill bull buffalo 200 yards. I reckon it'll kill soldiers at three. Hello, Mac. Well, what have we got this time? Oh, uh. Oh, soldier. Yeah, he needs an autopsy just like anybody else. Where's the man that shot him? He hurt? Maybe. Take a look, Doc. He isn't even armed. This isn't a shooting. This is a murder. You're right. Oh, well, I'll get him up to my office. Here, will you give me a hand, somebody? Chester. Yes, sir. I'm riding out to Fort Dodge right now. Well, Marshall is back. What the major say? Marshall? Huh? I can see them soldiers now. All in a bunch, just like a stand of buffalo. They're not coming, Boaz. The major's gonna hold off for 48 hours. Now, Marshall, you ain't gonna spoil our fun. I heard Doc Adams was in here. Where is he? Down there, down in the bar. He made arrangements. Well, Doc.

[Kitty]

Oh.

[Matt Dillon]

Oh, hello, Matt.

[Kitty]

See, Matt, the boy's name was Bone, according to the letter I found in him.

[Matt Dillon]

Anything else? Yes. Dug a couple of slugs out of them. Funny thing, too.

[Kitty]

Man, I. I haven't happened on lead like this since 65.

[Matt Dillon]

What do you mean? I swear that boy was shot with a cavalry pistol. I'll see you later, Doc. Sure. Come in.

[Kitty]

Well, you're a dusty looking peacemaker, Matt. You want a drink?

[Matt Dillon]

No. No, Kate. I got work to do. Did Chester see you?

[Kitty]

He did. Well, Matt, I get my information through the girls. And they get it from the men that grow careless and loose tongued on whiskey. And some of it's true. And something is bound to be just taught.

[Matt Dillon]

I'll weed it out.

[Kitty]

Connie's been seen riding out at night toward the Arkansas, down by Brandy Bend.

[Matt Dillon]

Oh? What for?

[Kitty]

I don't know. Could be this feller Billy Grounds. Yeah, his name's never been mentioned around here. My guess is he's never been in town.

[Matt Dillon]

Anything else?

[Kitty]

One thing. Corporal Bowers and Connie went for a ride one night.

[Matt Dillon]

When?

[Kitty]

Night before that. Payroll was robbed.

[Matt Dillon]

Yeah, that figures. Where's Connie now?

[Kitty]

Well, Delmonico is eating a steak.

[Matt Dillon]

It's kind of late for dinner, isn't it?

[Kitty]

She works late, Matt.

[Matt Dillon]

Yeah.

[Kitty]

Next girl I steer you into, I'll pull her fangs first.

[Matt Dillon]

No, Kate. I like it better this. Good evening, Connie.

[Kitty]

Well, this is a surprise, Marshall.

[Matt Dillon]

Mind if I sit on?

[Kitty]

Of course.

[Matt Dillon]

You sure Corporal Bowers won't mind?

[Kitty]

Don't be silly. Anyways, at the fort, what time did he leave, Connie? I don't know. About 7, I think. Why?

[Matt Dillon]

Anybody with him?

[Kitty]

Some private called Bone. What is this, Marshall?

[Matt Dillon]

A Bone was shot before he got out of Dodge. And I think I know who did it.

[Kitty]

Oh, I heard about the shooting, but I didn't know it was Bone. Marshall, you think Bowers did it, don't you?

[Matt Dillon]

You know any reason why he should?

[Kitty]

Connie?

[Ryan Seacrest]

No.

[Kitty]

He and Bone were friends. Worked in the bookkeeping office together.

[Matt Dillon]

Tell me, Connie. Bowers say much about his job there, what he does and all?

[Kitty]

No, Marshall, he never talked about it.

[Matt Dillon]

Handle expenses for supplies and the like. Figured out the payroll?

[Kitty]

I don't know.

[Matt Dillon]

Bowers would be in a good spot to know when to expect payroll money in, wouldn't he? Even when it was kept secret.

[Kitty]

You'd have to Ask him. Marshall, I don't know anything about the Army. But this isn't why you found me here, is it?

[Matt Dillon]

No, of course not, Connie. I'm sorry. Ah. You look real pretty tonight.

[Kitty]

Why, thank you, Marshall. You really mean it?

[Matt Dillon]

Sure I do.

[Kitty]

I have to work late tonight, but I can get off tomorrow evening. Marshall, would you go for a ride with me? There'll be a moon.

[Matt Dillon]

Where would we ride to, Connie?

[Kitty]

I don't know. Anywhere. Maybe along the Arkansas. Let's ride down toward Brandy Bend.

[Matt Dillon]

All right, Connie, we'll ride down toward Brandy Bend.

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[Matt Dillon]

I. Just thinking, Mr. Dylan, you. You want me to follow you tonight? Thanks, Chester, but it wouldn't help. I'm riding into an ambush. It'll be over fast. Real fast. All right, that's where you want it? That's the way it's got to be. Soon as I leave with Connie Dell, I want you to ride out to Fort Dodge and see the Major.

[Kitty]

What about?

[Matt Dillon]

Tell him to arrest Corporal Bowers for the murder of Private Bone. I think Bone found out where the leak about that shipment of payroll money came from, and Bowers had to shut him up.

[Kitty]

Major won't like that, will he?

[Matt Dillon]

You tell him. I'll prove it. But anyway, I think Barrs will confess fast enough when the time comes. Well, when will that be? Mr. Dillon, when I get back to town with Billy Grounds, you better get started for the fort soon. Yeah, she. Evening, Marshall. Hello, Shiloh. I feel another drunk coming on, Marshall. Then check your guns back there with Chester. What if the army comes tonight? I'll need my gun. Then stay sober. But if the army don't come, I'll have stayed sober for nothing. Well, every man's got his problem, Shiloh. If I see you drunk and wearing your guns, you're going to wake up brokenhearted in jail tomorrow. Some night I'm going to get drunk enough to draw on you, Marshall. Huh? Then some night you're going to die. Shiloh.

[Kitty]

Marshall.

[Matt Dillon]

Oh, hello, Connie.

[Kitty]

I got off a little early. Shall we go now?

[Matt Dillon]

Anytime.

[Kitty]

I keep my horse at the National. I'll meet you at the edge of town.

[Matt Dillon]

Oh, you ashamed to be seen with me?

[Kitty]

No, Marshall, but you know how people talk.

[Matt Dillon]

Sure. All right. I'll wait for you. Just on the trail.

[Kitty]

I'll hurry.

[Matt Dillon]

Now. We've come pretty fast, Connor, you want to get on for a minute?

[Kitty]

All right.

[Matt Dillon]

We let the horses blow a little, and then we'll move on. There we go. You. You nervous, Connie?

[Kitty]

No. Why?

[Matt Dillon]

Is it something on your mind?

[Kitty]

No, of course not. Why should there be?

[Matt Dillon]

Well, I don't know. You tell me.

[Kitty]

It's nothing marshalled, really.

[Matt Dillon]

Let me ask you something, Connie. Did you ever see a man killed?

[Kitty]

Why'd you say that?

[Matt Dillon]

Well, did you?

[Kitty]

Yes, once. In a saloon.

[Matt Dillon]

Tell me, did he have a fair chance?

[Kitty]

Yes. He even drew first.

[Matt Dillon]

Then you never saw a man shot on the back or ambushed?

[Kitty]

What do you mean, Marshall?

[Matt Dillon]

Well, I just think it kind of goes against your grain, Connie. The idea of a man being killed without a fair chance. Marshall, down by the river near Brandy Bend, Billy Grounds is waiting to shoot me in the back.

[Kitty]

Then why did you come, Marshall?

[Matt Dillon]

That's my job.

[Kitty]

I don't know how, but I suppose you know about everything.

[Matt Dillon]

I think so.

[Kitty]

What are you gonna do, Connie?

[Matt Dillon]

Unless I made a bad mistake about you, I think you're gonna let me have a fair chance at him somehow.

[Kitty]

Why should I? What does it mean to me?

[Matt Dillon]

I don't know, Connie. But you think about it. You think about it all the way to Brandy Bend. Now, come on, let's ride. Make a nice camp down here. Plenty of wood. Get your water right out of the Arkansas. Don't you think, Connie? Man could hide out for a long time down here.

[Kitty]

Marshes.

[Matt Dillon]

He could be safe here. Even while the army was trying to move into Dodge. A lot of men Were being killed back there. Peaceful here. Quiet.

[Kitty]

Marshall, I can't do it.

[Matt Dillon]

All right, then tell me. Connie.

[Kitty]

Big cottonwood up ahead on the left.

[Matt Dillon]

Yeah, I see it. All right. Just keep moving. Now, when we get there, I'm going to ride fast. I'll hang onto the offside of my horse for cover. And when I start, you turn around and get back. Out of gunfire, huh? Yeah. Sure is pretty down here, Connie. Maybe someday we can come down and go fishing, huh? Rivers full of catfish. Did you ever eat a catfish dinner? It can be mighty good if they're small enough. Go on back, honey. Connie, he's dead. Connie. Take it easy now.

[Kitty]

I'm all right, Marsh.

[Matt Dillon]

I'm sorry about this, Connie. I'm sorry I had to do it.

[Kitty]

I'll show you where the money is. Then you can take me back to Dodge. To jail.

[Matt Dillon]

All right, Connie. But you won't be in jail for long. You have my word for that. Not for long.

[Kitty]

Let's go, Marshall.

[Ryan Seacrest]

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[Matt Dillon]

The story was specially written for Guns book by John Meston. Featured in the cast were Lynn Allen, Virginia Gregg, Jack Mo, Barney Phillips and Lawrence Godkin. Gun Smoke has come to you through the worldwide facilities of the United States Armed Forces Radio and Television.

[Kitty]

SA.

[Matt Dillon]

This has been a presentation of OTR Westerns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening. Step into the world of power, loyalty and luck.

[Ryan Seacrest]

I'm going to make him an offer he can't refuse with family.

[Matt Dillon]

Canolies and spins mean everything.

[Ryan Seacrest]

Now you want to get mixed up in the family business.

[Matt Dillon]

Introducing the [e-mail] test your luck in the shadowy world of the Godfather slot.

[Ryan Seacrest]

Someday I will call upon you to do a service for me.

[Matt Dillon]

Play the Godfather [e-mail] Welcome to the family.

[Ryan Seacrest]

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[Matt Dillon]

And forks with the appropriate cheeses.

[Ryan Seacrest]

And I plugged in the Partisan. Partisan. It's a home cocktail maker that makes over 60 premium cocktails, plus a whole lot of seasonal favorites too. I just got it for 50 off. So how about a Cosmopolitan or a Mistletoe margarita?

[Matt Dillon]

I'm thirsty. Watch. I just pop in a capsule, choose.

[Ryan Seacrest]

My strength and wow, it's beginning to feel more seasonal in here already.

[Matt Dillon]

If your holiday party doesn't have a bartender, then you become the bartender.

[Ryan Seacrest]

Unless you've got a Bartesian, because Bartesian crafts every cocktail perfectly in as little as 30 seconds. And I just got it for $50 off.

[Matt Dillon]

Tis the season to be jollier. Add some holiday flavor to every celebration with the sleek, sophisticated home cocktail maker Bartesian.

[Ryan Seacrest]

Pick up your phone and shake it.

[Matt Dillon]

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