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Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and let's get into this episode. This episode is going to be Grand Old Opry.
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Hope you enjoy it's Grand Old Opry Time. Another big folk music show starring Cowboy Koopas. When the water they looked proud of me or the sand clocks were filled with one regret Looking backward through the silence where he spent Happy hour Happy hour Making love to every pretty girl in there Went up step through the pool Favor with his bright eyes all the glow over said tag I looked at my gal's photograph and the fairies gathered round him Just to look upon her face Smiling face and he said I love the dark face Filipino She's a Filipino baby She's a savior and my pet loves and pen a teeth off rags and pretty and her hair is black as Jen oh, it's all sweet and honey and her heart is too know Yes, I know and he said I love my dark grace Philip be old. And the may he whispered Darling, I've come back from Carolina, South Carolina I've come back to claim the only girl I love and that night there was a wedding While the gift together drowned all around and he read his little Philippines baby He's a philosophy no, baby she's my savior and my pet love her teeth are bright and pretty and her hair is like his head oh, it's so sweet as honey and her heart is here I know Yes, I know Here it goes. And he said I love my dark face Philippine. Well, thanks. Thanks for watching the great Big Alley. To all our good friends and neighbors of the Grand Ole Opry. And from the looks of the crowd here at the Ryman in Nashville, Tennessee, I'd say the friends and neighbors were out in full force. Cowboy copa to see and hear you. Rob Brassfield, Minnie Pearl, the Old Hickory Singer, Stringbean and the entire Oscar gang. Yeah, and you can be pretty sure that there's a mighty big following from Polk County, Texas, here to say howdy to their favorite drum, Moon Monica. Well, Moon will be coming around the mountain in just a little while, friends. Just as soon as we've heard the latest from the gossip of Grinder Switch herself.
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Here she is, Cousin Minnie Podcast. I remember not long ago, there was a girl that grinded this witch. Her name is Bedelia Birchbuster, and she wanted to get a new foundation. She's built this like a house. I think that girl is really happy. Uncle Nabob says Virginia's one of them gals that's all Hills and no valleys. But Virginia got herself one of them foundation garments that's supposed to give an hourglass figure. She got it on, she said to her husband, she said, she, how do you like my hourglass figures? He says, well, if that's a hourglass figure, I never know time to drag.
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So
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I tell you, you grow up with nice figures. Now, if you want to catch a feller, it ain't no crime to figure on your figure. I say, use what Mother Nature give you before Father Time messes it up.
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Now, wait till. Now, wait just a minute, Cousin Minnie. There are other things besides the feminine figure that attract the men. The way a girl is dressed, for instance.
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Well, that just proves my point, Copus. The necklines are going down and the hemlines are coming up. Dr. Nabob says if the necklines get any further south and the hemlines get any further north, there's gotta be a new Mason Dixon line.
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Hey, Cousin Lenny, I saw your Uncle Nay Bob in town today.
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Well, how did he look? Where was he?
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Oh, he was awful polite, you know. He was in the cafe and I rushed in there for a quick cup of coffee. And you know what your uncle said?
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What did he say?
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Here, take my coffee. It's already saucered and blown.
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Isn't that coffee? It's a nice.
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Oh, he was all dressed up. Said he'd been to the photographer's to have his picture cut.
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Yes, that's so thoughty of Uncle Nabob. He's gonna get his picture cook and give it to Aunt Ambrosey fur Christmas present.
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Oh, Christmas present.
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Yes.
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Is it a surprise? It sure is. She's expecting a fur coat.
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But I tell you, I got some news here from Grindr Switch brother. My brother got him a new job last week, but he had to quit on account of illness. The boss got sick of him. This is your degeneration. Now, I'm telling you, even at Grinder Switch, these here young UN's, they're awful. Why, the other day, the teacher asked Jed Baker's little old young un, that youngest one. The teacher asked young Brindle Baker what legs was. And Brindle says, legs is something that if you ain't got two pretty good ones, you can't get the first base. And neither can your sister. Well, I don't know what I'm gonna do about my fellow Hesse. I told him the other night I was buying some lipstick that you can see in the dark. He said, don't waste your money. He said, don't you know that half the fun Is looking for it. We had an awful sad thing happen at Grinders Switch his sweet. Oh, it was awful. Old Pap Winkle, he went over to the rock quarry where they are over there blasting out some of the rock over there. Old Pep Winkles, he went in the little shanty they had there and he sat down on a keg and lit up his cob pipe. And a fellow run in there and yelled, hey Pap, you're setting on a keg of dynamite. Then old Pep says, well, I'll be blowed. And sure enough he was.
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A few weeks ago, Roy Acuff took his fine bunch of performers to Korea to entertain the troops over there. And as a sort of an extra special attraction, he took along the young fellow we've got here tonight as our extra special attraction. Here he is, neighbors, the piano playing a singlest man we know. Moo Mulligan.
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Yes sir,
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Glad to have you, Moo. But before you commence beating the fool out of that tall piano there, how about telling us a little bit about your trip to Korea? Kobe. It's a great big pleasure. We had a wonderful time over there with all the guys. We played with some possibly around a couple of hundred thousand boys while we was over in Korea. We had a wonderful time. I wouldn't take nothing for the experience. I'd like to urge all of our kind of folks, all the folk music field and anybody that hasn't been over there to say hello to them, to please go by and say hello to these guys. Well everybody, it sure was fine of you to go Moon. And I know that the boys appreciated it just a whole heap. But now that you're back and here with us tonight, what are you going to sing first, Moon? Let's do one of our old favorites called the Cherokee Boogie. Well, that couldn't be better. That's played and sung by moon Monitor. Well, with Polly Jackson doing the Simpson and Ernie Newton, Jerry Bird, Grady Martin, Nita Kerr and Randy Hughes helping out. Here's a good old fashioned choir dance for y'. Everybody is having a good time.
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Yes sir.
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That's cousin Nita Cordon in the background. Friends, so that's our signal to sing one of the fine old sacred songs. One requested by our good buddy Moon Mulligan. Here it is, titled I saw the Light. I wondered. No English. Life filled with sin I wouldn't let my dear savior in Then Jesus came like a stranger in the night Praise the Lord. I saw the light I saw the light I saw the light no more darkness, no more time Now I'm so happy no sorrow in FL I saw the light. Just like the fool I wandered Afraid is the gate and narrow the way Now I have prayed at the wrong for the right Praise the Lord I saw the light I saw the light I saw the light no more darkness, no more night Now I'm so happy no sorrow in black Praise the Lord I saw the light. The old Hickory Singers are up next and that means we're in for some mighty enjoyable old time harmony tonight. The boys are singing in a little red barn. In a little red barn On a farm down Indiana Let the name I'm back on attack on new morning. And my heart is fine through it too and my heart wants to take a more cheek where the war breaks me this day much more I'm pining for a yellow moon that's shining On a little red barn On a farm down Indiana way. Night with a fun. Street where the wall makes me display a small I'm pining for a yellow moon that's shiny On a little ring hard On a farm down in the air down in the way. Well, the noon bus from Hoyn Wall, Tennessee led its most important passenger out in front of the Ryman this afternoon. And so we're about to hear some pretty fancy tales from Rod Brassf.
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Thank you, man.
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Thank you for that fine music. Now that there was just that much of life. Hi, Ms. Copus. Hi. You're right, I'm glad to see you. Glad to see you. Hey Copus, it's warm in here tonight, ain't it? But you know it's going to turn cold. There's a cold spell on the way. Just yours, world. Cause I stopped over at the Clarkston Hotel last night. Is that right? Yeah. And the manager was putting alcohol in all the radiators. Yeah. Yeah. It was so cold when I got up this morning, my top coat was wearing my overcoat. Hey, Roger, how's your uncle Sipe and Aunt Seth? Oh, they're just fine, Copa. You know, that's a fine woman. That ain't SAP. Is a wonderful woman. That ain't sure is. Is a wonderful woman. You know Rod, I always wondered how did Siph come to get Aunt Seth? Well, Cope, he didn't come to get her. Her daddy come to.
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Well, I've got to go.
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I've got so many things to do. Copus, I've got to get back down to the farm. I fired that there hard hand I had that is doing the milking. Is that right? Fired him. From now on I'm just Gonna take things in my own hand. Well, I tell you. Before you go, Rod, I'd like to ask you a question. What is it, Lloyd? What is it? How can you tell a he cow from a she cow? Oh, that's easy. The she cow always carries a shopping bag.
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I've got to go.
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Culprit, you ain't seen my gal, Susie lately, have you? Well, no, haven't. I've got to go buy her a Christmas present. I don't know what to get. She's getting your dog on big and fat. I'm telling you, she's got to go on a diet. Yeah, she's telling me about that. She had to go on a diet. She said to me, says, rod, I used to eat lots of candy and sweets, but that's all behind me now. Yeah, I says, yeah, Susie, honey. So I noticed. Course, I love fat women. Oughtn't to be talking about her. I love fat women, Cope. But. Yes, sir. Well, they're so convenient. Well, why?
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Well, they keep you warm in the
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winter, and in the summer they stand in the shade. I love to see a fat woman laugh myself. Boy, you do, huh? So much, I'm happy at once. Yeah, now, you take hope, you take old Susie there. That gal is so fat, she has to wear automobile inner tubes for garters.
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Yeah, we went there last night for
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last and she had a blowout. I tell you, that gal is sure a good dancer. Little Copa, she is. Oh, that's one of the finest dancers. Susie is Shimmy. Oh, shimmy. I mean, she can shimmy. Is that right? Of course. She's big and fat. Hope. All she has to do is just walk right fast, stop that sudden and just let nature take its. Ah, thank you, Ron. Well, I guess I'm like everybody else where good entertainment is concerned. So I'm looking forward to another tune by our special guest, Moon Mulligan. How about that, neighbor? Thank you, Cook. What you got for us now? Moose Copeland is one of our old favorites for all of our friends. I hope they like it. A little tune that was good to me called I'll Sail My Ship Alone. Couldn't be better, buddy. Well, I sail my ship alone all the dreams are on Fishing out across the ocean blue I sail my ship alone so all the days it's on and if it starts to fade Then I We've been sweetheart Far too long but now you stay with me the love we car is just a memory I had built a ship of dreams and planned them all to you Now I guess what if you will be. But I sail my ship alone with all the dreams I own Fishing out across the old and groove oh I save my ship alone Till all the sails you tone and if it starts to think it I'll blame you. Now the five string banjos just don't know what it's been missing to us. It's been played by our man Sandy. Let her go. How when you live in the country Everybody is your neighbor on there's one thing you can rely they'll all come see you and never leave you Saying you'll come see us crying by Y' all come, y' all come, y' all come, y' all come oh y' all come see us when you can Y' all come, y' all come, y' all come oh y' all come see us when you can. All the kin folks are coming, they're coming by the dozen beats and everything. And here's what you hear them say Y' all come, y' all come, y' all come, y' all come y' all come see us when you can Y' all come, y' all come oh, y' all come see us when you can. Oh, grandma's wishing they'd all come to the kitchen and help do the dishes right away. But they all start leaving me. You know he is grieving. You can still hear grandma say Y' all come, y' all come, y' all come still when you can. Well, I'd kind of like to sing a ballad for you now, friends. One that recorded about three or four weeks ago and one that I hope you'll enjoy. This one's titled A Heartbreak Ago. Heartbreaking Daddy, they call me more seeds than I used to sow but no days have passed and I'm pain that was just a heartbreak ago
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A heartbreak
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ago the sun was so bright A heartbreak ago the moon shone at night how things have changed you never, never know that was just a heartbreak. Oh, why did I treat her like dirt? That's my. That's why I'm feeling so low Too late I have found I was wrong from the start that was just a heartbreak ago A heartbreak ago the sun was so bright A heartbreak ago the moon you don't at night how things have changed you never, never know that was just a heartbreak ago. Well, friends, I'm sorry we've just run off like this, but we'll come call and pray in the old buckboard a week from the at that time the man in the driver's seat will be the old Texan troubadour himself, Ernest Tubbs, along with Hank Thompson. Till then, this is Cowboy coast saying thanks for everything and we'll be seeing you next Saturday night at the Grand Old Offreach. This is the United States Armed Forces Radio Service. Sam. It.
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Old Time Radio Westerns
Episode: Cowboy Copas Dark-Faced Filipino | Grand Ole Opry (12-05-53)
Host: Andrew Rhynes
Air Date: March 5, 2026
This episode transports listeners to a classic 1953 broadcast from the Grand Ole Opry stage at the Ryman Auditorium in Nashville, Tennessee. The show is headlined by Cowboy Copas and features comedic storytelling, lively banter, and a vibrant selection of folk and country music from legends like Moon Mullican, Minnie Pearl, Rod Brasfield, and more. The episode combines nostalgia, humor, and heartwarming performances, enveloped in the crisp clarity of modern digital restoration.
This episode of Old Time Radio Westerns offers a masterfully restored trip to the vibrant heyday of the Grand Ole Opry. The listener is treated to a delightful mix of humor, storytelling, and classic Americana musical performances, all wrapped in a warm, communal Opry atmosphere. It’s a charming, nostalgia-laden listen for anyone fond of traditional country music, radio comedy, or the enduring spirit of rural America.