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Limu Emu and Doug.
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Here we have the Limu Emu in its natural habitat, helping people customize their car insurance and save hundreds with Liberty Mutual. Fascinating. It's accompanied by his natural ally, Doug.
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Limu is that guy with the binoculars watching us.
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Cut the camera. They see us. Only pay for what you need@libertymutual.com Liberty Liberty Liberty Liberty Savings. Very unwritten by Liberty Mutual Insurance company and affiliates. Excludes Massachusetts.
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Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and let's get into this episode. This episode is going to be All Star Western Theater. Original air date is March 16, 1947 and the title is Cripple Creek Feud.
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With stays under $250 a night. VRBO makes it easy to celebrate sweater weather. Book a cabin with leaf views or a home with a fire pit for nights with friends. With stays under $250 a night, find a home for your exact needs. Book now@vrbo.com if objects could Talk takes art and artifacts out of the Getty Museum's vaults.
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Oh my goodness. Can it be any brighter in here?
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And puts them in front of the microphone.
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A podcast. Oh, yeah.
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Hear from a fancy Egyptian cat, a satyr who's right at home in Malibu, dudes and many more. Listen to if Objects Could Talk. Wherever you get your podcasts and on Getty Edu podcasts.
A
Oh, the car from Carvana's here.
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Well, will you look at that. It's exactly what I ordered.
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Like, precisely. It would be crazy if there were any catches. But there aren't, right?
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Right. Because that's how car buying should be with Carvana. You get the car you want, choose delivery or pickup and a week to love it or return it.
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Buy your car today with Carvana Deliver.
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Your pickup fees may apply. Limitations and exclusions may apply. See our seven day return policy at Carvana.com. The Bakers of Weber's Bread present your all star Western theater. I'm Holly Hollywood. Comes your all star Western sailor starring America's great western singers, four willing and the riders of the Purple Sage with songs and a story of the West. My name is Cotton Sid Clark and here they come riding your way with a song of the west the riders of the purple sage Gliding roping in the blazing sun all day singing.
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And.
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I travel on my way Riding, rocking rope and grinding pedal all day long Singing and a swingin to a cowboy song Riding open in the blazing sun all day Riding in the saddle all day long Go along in losing cowboy song Riding through the permanent desert sand to the landing country where a man's a man and I'll go Riding rope in the blazing sun all day singing swinging as I travel on my way Riding, rocking over cattle all day long Singing and a swinging through a cowboy song Riding in the blazing. In the early days, the cowboy's work often took him away from the ranch headquarters for days at a time. And on those occasions he packed his own food and had to do his own cooking. Today, most men don't have to do their own cooking, and perhaps that's why they enjoy playing chef at a barbecue or picnic. Especially when the meal is made a substantial one by the addition of good Weber's bread. For Weber's bread is a firm, even textured loaf that adds enjoyment to any meal whether at home or on an outing. Be sure to include plenty of Weber's Bread on your shopping list. Family and friends alike will enjoy the longer lasting freshness and distinctive flavor of Weber's Bread. A Song that Will Never Grow Old is a favorite love ballad of yours that you folks have asked the writers of the purple stage to sing. You'll like it still more as you hear your favorite men of the musical west singing. Good night sweetheart. Good night sweetheart. Good night sweetheart Sleep will benefiting may make us prolong but with the dawn a new day O wild face to night sweetheart though I'm not beside you Turn thy sweet heart dear My love will guide you Lean them for you Anyone I hold you. And now let's go out west for this week's adventure with the riders of the Purple Sage. Boy Willing Al, Chloe and Jimmy Dean. Yeah, here they come, the riders of the Purple Slave down for almost any place. That means a month's pay in their genes and well then on again. Funny sort of fellas. Boy, Al and Jimmy always riding over into that section of the pasture where they really have no business at all. But leave it to them to find the grass a little greener and the business a shade rougher. That must be old Lamb Hogan place right over there. Well, I hope so. We've ridden far enough to get here twice. Well, all I'm hoping is he's got a job for us like the fell in Town City did. Rand Hogan was having enough trouble for a Dozen men? Yeah, mixed up into some kind of trouble. Now, if you ask me, we ought to be looking for something peaceful to do. We always wind up right in the middle of something that's none of a doggone business. Oh, you're still carrying on like some fuzzy old woman. Well, why shouldn't I? I want to live to a ripe old age. Well, here we are. Who's going to do the talking? I got more sense than you two guys. Let me do it. Yeah, well, then start thinking of what to say. Cause this must be old man Hogan coming here now. Oh, he looks madder than a brain or bull. You just ain't a kitten.
E
All right, you men.
B
What you doing on my property? Well, we thought maybe you could. If that nosy kind of woman sent you here, then you better start riding on. I ain't no mood for making deals. Now, look here, we just. You do the looking. I took as much nonsense from that old hen as I intend taking. I go back and tell her whatever she said to you, for the answer is no. Now, just hold your horses. If you'll stop letting off steam long enough to tell us what you're talking about, then we'll explain our business here. You mean no, Louella May Carter didn't send you here. We never heard of her. Well, then maybe I've been a little hasty. What was it you boys wanted? Well, we came out here looking for a job, but right now I've got my doubts as to whether we want to work here or not. A job? You bet you bottom down like a job's galore. I need men like a baby needs milk. Well, then, what's the pay? And when do we begin? 40 in pounds. What do you say, boys? Well, I reckon you can count on us till something better comes along. Well, good. Now, take your horses down the crowd. I'll have one of the boys show you to your bunk. After that, come into the house and I'll give you a line on your work. All right. Now, boys, your job is to ride my boundary line on the east from one end to the other, covered like a blanket all day until the night riders come to relieve you. What's wrong? You're having trouble with trespassers? Worse than that, the adjoining ranch is owned by an old battle axe named Louella May Carter and her silly daughter. They run the spread with the help of a half dozen gun flicks. Well, what does that got to do with our work? Plenty. You see, it's like this, son. I'm setting an old score with that Old Biddy. The only water in that section of both our ranches is Cripple Creek. And according to the survey, that creek is on my property. And I've exercised the right to protect my property by fencing her out. Well, ain't there enough water for both of you? Son, there's enough water on that creek to rush the stomachs of every cow this side of the Mississippi River. Well then why have you fenced her out? Well, sir, about two months ago she had her property line surveyed and it showed that my east pasture Barn was set 14 inches into her land. And you know that old, that old she cat did. What's that? Why she went to the law. Made me move my whole barn over that meaty little 14 inches. Why, if she'd been a man, I'd funnel around like a button on a barn door. And now you're getting even with.
E
Yeah, you bet.
B
You bought him dollar I am.
E
She's having to haul water five miles.
B
In order to water a stock and she's homing about it. I don't understand why she wanted you to move your barn over that little 1480. Ah, she's just meaning on with right now she's beat up building a seed barn plumb up against my barn and that's where I got her. Well, what do you mean? Well, I wouldn't tell my closest relative if I thought he'd drop dead any minute. In other words, you want us to line ride that fence and keep the Carter gang from using a pair of wire cutters on it. Exactly. Well, I don't think this is a job we was looking for. Now look, boys, I need you. Don't worry, Mr. Hogan, we'll take the job. Well, good for you. Say, do you know what you're getting us into? Oh, I know. Just keep your shirt on. Well, Mr. Hogan, the boys will be on the job the first thing tomorrow morning. Hey, what do you mean the boy? Well, you'll have to do without me a couple of days. I gotta get back in town and schedule some business for my family. Your family? What? Nutcat, hurry. Oh, something personal. Then I'll tell you guys about it. Well, you boys work it out among yourselves. That's fine, Mr. Hogan. I'll be back in two or three days and join Al and Jimmy. Right now, boys, let's head for the bunk house. What do you say? That's all this business about your family? Yeah, and what's more, I don't like the idea of being a target for a bunch of gun slicks. Now don't get yourselves in an uproar. I just got an idea. Yeah, you always getting ideas. Your ideas are always getting us into trouble. Well, what is this brainstorm you've got? I'm gonna ride over to old lady Carter's place and go to work for her for a day or two. Have you lost your crazy fool mind? Don't brag on them. D Now, look, there's a lot of unnecessary trouble going on between the Carters and old Hogan, and I aim to get to the bottom of it. Well, what business is it of yours? None in particular. Just got a hankering to find out what this is all about. Well, that don't beat all I ever heard. Then I'll put in with you right now. Let's get some rest. There's things to do tomorrow. Oh, what?
E
That's one move of getting off of that horse and it'll blow your head off with this double barrel.
B
Now, just a minute, ma'. Am.
E
You heard me. And don't talk back. Ride straight back from where you come from and tell old Lim Hogan I ain't after striking up no bargain.
B
Listen, I don't even know any old Lim Hogan.
E
Well, you rode in from that direction.
B
Well, that's the fault of the road. It runs that way.
E
What do you want?
B
Well, I'm looking for a job.
E
Well, why didn't you say so in the first place? Get down, stranger, and come in. Glad to see you always can use an extra hand or two. Just fixing to have breakfast. Come on in and join us.
B
Now, that's better. Don't mind if I do. Mount.
E
Oh, Sam, take this man's horse down the barn. He's gonna set a spell with us.
B
All right, mister.
E
Come right on in, son. My name's Carter. Luella made Carter.
B
Glad to know you, Ms. Carter. My name's Boy Willing.
E
Well, it's good to know you, Willing.
B
Right.
E
Now, how would half a dozen fried eggs and a pound of bacon stick to your ribs?
B
Now you're speaking my language.
E
Then follow me.
B
Good. Say, this is a nice looking mess you got here.
E
Best in these parts. Shame there ain't a lot of peace and contentment to go with it.
B
You mean you're having trouble?
E
Well, I didn't come at you with that shotgun to be funny. I'll tell you about that later. Right now, let's get some grub under your belt.
B
I'll go along with you on that.
E
Oh, Millie, sitting next to Plate, we got company for breakfast. All right, Mother. Just hang your hat on that cow horn. There, Willing. I'll fix the wash pan, get you a towel.
B
Thank you, ma'. Am.
E
Who is it, mister? Oh, hello. Hello, Willing. This is my daughter, Millie. Millie, this is Mr. Willing. Willing?
B
I sure am. I mean. Howdy, ma'. Am. Mr.
E
Willing is going to work for us. Honey. They're totally nice.
B
Yeah, sure is. That's what I was thinking. That was a mighty fine breakfast, Ms. Carter.
E
Well, glad you liked it, Willie. Now, about that job. I take it you're a stranger in these parts?
B
That's right, ma'. Am.
E
I think you'll like it here.
B
Oh, I'm beginning to think that too. Good.
E
Now the work I got for you ain't no picnic.
B
Well, I'm not used to easy work. But what do you like?
E
Well, first let me tell you, on the next ranch just west of it, there's a no good old school skin cleansing reprobate that's got to be taught a few tricks. Now, Mother, don't bring that up. Why, you'll scare him away.
B
I'm not very brave, Ms. Millie. But I fast made up my mind that nothing's going to scare me away from here.
E
I'm glad. Now look, you two, stop making cab's eyes at each other. That will get our business settled.
B
Well, excuse me, ma', am, I.
E
No need to apologize. I ain't blind. Now look, John, you look to me like you got brains. So I'm going to give you a chance to prove me wrong.
B
Yes, ma'. Am.
E
Well, the old feeble brain that runs the next ranch has got my water supply cut off. But there's some way to outsmart the old buzzard. I'm going to give you the lowdown in the whole thing and then you're on your own. It's like this old man Hogan has got his creek fenced off so my cattle can't get no.
B
Well. Looks like your mother's giving me a pretty tough job trying to figure a way to steal water from that creek without Hogan getting wise to it.
E
This feud between mother and Mr. Hogan worries me to death. It's been going on for years, but never so serious as it is now.
B
In other words, you don't approve of all this squabbling.
E
Well, I'd be a lot happier if you could figure a way to patch up their troubles instead of getting that water.
B
Well, that's exactly what I'm going to do.
E
And there I think you have an impossible job.
B
Not if you'll help.
E
I'll do anything.
B
Then I can't live. But first we gotta Figure out how to get that water after all your cattle have to drink.
E
I'm afraid I can't help you there.
B
Look, Miss Millie, how far is it from Cripple Creek to that big water tank of yours?
E
Hi. It's only about 300 yards.
B
Then I want you to ride into town this afternoon and have the well supply company to send out a thousand foot of one inch pipe.
E
I don't understand.
B
I'm gonna pipe that water from Cripple Creek through the wheat field into your storage tank. It'll give you an endless supply of water.
E
But Mr. Hogan has been riding up and down that creek bed night and day.
B
I know it. And Mr. Hogan's Day Men will help Mrs. Carter's Day Men lay that pipe.
E
Are you making fun?
B
Just leave it to me and don't ask me any questions.
E
Yes, I will. But how is this going to get us out of the feud between them?
B
Well, that'll come later. Will you help me?
E
You know I will. And this will be just between the two of us. Is that a bargain?
B
I'm willing. Why, the silliest thing I ever heard of. Old man Hogan would blast us out of the country if he knew about this. Oh, we'll take care of old Hogan later. Yeah, well, we more than get a job till you get us all involved in some kind of foolish work. Now don't get excited. I've got this thing all figured out. Come on, let's get busy laying that pipe. Well, Ms. Miller, it's all finished. That storage tank will fill from dry in two hours by U.S. just turning a handle.
E
I'm afraid it'll be a real war when Mr. Hogan finds out about it.
B
Oh, he won't find out. The pipe is too well concealed in that a wheat.
E
But it won't be long till we have to cut the weed.
B
You didn't have to think of that. Oh, anyway. Besides, by that time, Hogan and your mother will be billing and cooing.
E
Well, I hope you're right. But. But what's your next move?
B
Well, I'm going back to call on Mr. Hogan with a story about your mother that'll bring him to tear shedding. That I met her in town with her daughter. They did. And when she found out that I was working for you, well, she broke down and told me all those things. Well, and I just can't believe it. I can't believe that Lorella May Carter would admit that she was wrong. Well, she sure did. And in no uncertain terms that you would never forgive herself for treating you like she had. Well, I just have to admire anyone that would admit their mistakes. And about making you move that barn of yours over 14, 18. Yes. She almost cried when she told me how cruel she was about it. Well, son, I've done some pretty mean things to our main myself. I reckon that people lose their better judgment and senses when they start to infringe on one another. It looks to me as she's done more than her share of apologizing. Yeah, that's right. The least I can do is to meet her halfway. Tell you what I want you to do, Willen. You go to Mrs. Carter and tell her not to feel so badly. Tell her I forgive her every mean, low down thing she's ever done to me. Well, I'm sure she'll appreciate your liberal understanding, Mr. Hogan. I'll write over at once. Good. Old man Hogan is amazing, Mrs. Carter.
E
Well, I simply can't believe the old hypocrite would have met it. Isn't it wonderful that he did?
B
Sure is. I was just riding by on our side of the creek, of course, when I run into him and he really bends over backwards telling me how bad he'd been.
E
I think it's wonderful that this series come to an end after all these years. Well, just between us, when I was a spell younger, I was mighty fond of Liam Hogan. To think that he went to the trouble and expense of laying a pipeline from his creek to my water storage tank.
B
Well, it sure was nice of him.
E
All right, Mother, why don't you invite him over for supper tonight? Well, that's a wonderful idea. I'll send them a letter. Will you take it to him, Willie?
B
Be glad to, Ms. Carter.
E
Then I'll be back in a few minutes. I'll go right.
B
All right.
E
Oh, isn't it just as good to be true?
B
So far so good. Now the big problem is to keep them on a friendly basis after they find out we've framed them.
E
I just hope that will take care of itself.
B
I tell you what you do. Get your mother to spruce up and look her best.
E
Leave it to me. You'll bring Al and Jimmy back with you.
B
Why should I invite competition?
E
What do you mean?
B
Well, I've got you all to myself now. And where women are concerned, Al and Jimmy's friendship means nothing to me.
E
Is that nice?
B
Well, in a way, it's mighty nice for some time.
E
Here you are, son. Take this note to old lamb and tell them not to disappoint me. Well, I've got things to do.
B
Come, Millie.
E
You got to work on the supper. I must get my nice dress out and iron it.
B
Ah, Luella. Me. That dinner was wonderful. It sure is, Ms. Carter.
E
Well, I'm so glad you can enjoy it.
B
You know, this is so much better than all this fighting and quarreling we've been doing. Don't think so, Ms. Milly. Passing some of them. Peters.
E
Here you are, Jimmy. I. I just want you to know, lamb, that I've forgiven you for everything you've done.
B
You. You've forgiven me? Or she means she's sorry that this all happened? Oh, yes, yes. Yeah, well, the same goes for me, Lola. Me. I'm forgetting all the things you've done, too.
E
Have some gravy, Al.
B
I don't mind if I do, Miss Millie. It's sure nice for your old friends forgive each other. Yes. Yes, sure is.
E
Oh, here comes Sam, our handyman. What is it, Sam?
B
Miss, the water tank is overflowing and I can't find the handle that turns the cockeyed thing off. Well, pass the chicken quick. Water in your.
E
The handles next to the ground on the back leg the of the tank, Sam.
B
Thank you, Ms. Carter. But don't reckon it hurts the waste of that water. Now, since we got all of it we need, I'll tend to it right away. You know, for a minute I thought he said your tank was overflowing with water.
E
Now, lamb, you're just trying to be modest. The boys have already told me the wonderful thing you did, and I think you're mighty nice to do it.
B
I don't.
E
That is some crowd, Mr. Hogan.
B
Don't mind if I do. Millie over did like cr.
E
After all this happened between us, I think I should share a little of the sense of the water pipe.
B
What if. Say fast another piece of that bread.
E
I don't think.
B
Don't think I understand. Lolla, mate. I'd like to have some more harmony there, please.
E
Oh, now, lamb, you're being modest again.
B
More coffee, please. Allison. Allison, wait a minute. Let's not beat around the bush any longer. What's all this talk about water? And what did I have to do with it?
E
Do you mean that? Are you serious?
B
Never more serious in my whole life. You haven't by any chance run a pipeline from my creek to your water tank, have you? Louella Mae Carter?
E
I did not. You did. I did. I've been sick and I'm beginning to think I've been.
B
Now, we can explain this, Mr. Hogan. Plenty explaining to do. If this has been a trick to pull the wool over my eyes I make you pay. And pay and pay and pay. Llewella Mae Cotter. You. You old backlash.
E
Ah, you.
B
You too. Mr. Hogan. You're in Ms. Carter's home. Now. Quiet down. There's a way to settle this thing and carry on with the goodwill you had for each other a few minutes ago.
E
Oh, it's all us holds trying to bring you two together again.
B
But this water, I don't.
E
Well, I might have known it was too good to be too. Why, I. Mr. Hogan. Now both of you settle down.
B
All right. This was all I doing to bring you folks together and now you're both being pig headed. Now be honest. Wasn't it nice to be friends again? Well, yeah, I reckon. Yes, it was. Oh, I've been a pig headed old fool.
E
No, I've been the fool, lamb. And I'm going to let bygones be bygones.
B
Well, that's mighty decent of you, Lola May. I've carried my grudge too far. And to prove that I mean it, I'm. I'm gonna break down here and now and tell you of the eighth card I had up my sleeve.
E
Well, that's being a real man, lamb.
B
Remember when that surveyor said my barn was 14 inches on your property?
E
Yes, Lame. And I'm sorry we had trouble about that.
B
Then you built your food house plum up against my barn after I moved it.
E
That's right, Lynn. I'm sorry about all that.
B
Well, I just want to main make a clean breast of everything, so I'll tell you about it right now. When I moved my barn over, I moved it over 24 inches. And now your feed house is sitting.
E
10 inches over into my property. Oh, that's all right. About that, lamb.
B
I.
E
What was that I just said to Joe?
B
And the feud kept going on just as before. Heard with the writers of the Purple Sage in Today's story were Ms. Daphne Drake as Millie, Ms. Ruth Parrot as Luella May, and Joe Forte as Liam Hogan. Now here once again are the writers of the Purple Sage with an all time favorite of yours. Put on your old gray bonnet, boys. On the old farmhouse veranda there sat silence and Miranda, dreaming of the days gone, said she, dearie, don't be weary. You are always bright and cheery. But a tear, dear, dims your eyes. They're not tears of sadness, Silas, they are tears of gladness. Tis 50 years today since we were well. Then the old man with dim eyes brightened and his eternal heart that light has returned to her and said, put on your old gray Bonnet with a living donut While I hit your ride into the shade through the field of clover we'll drive up to Dover On a golden wedding day it was in the same old bonnet with the same blue ribbons on it in the old shade by your side that I drove you up to Dover through the same old field of clover to become my blushing bride the birds were sweetly singing and the same old bells were ringing as we passed the quaint old church where we were well and that night while stars were gleaming the old couple lay dreaming Dreaming of the worst he said put on your own gray bonnet with the rivers on it While I've been through the shade through the field of roller wheels I love to do golden wedding day. Ever since some rancher of long in the road decided that he'd better devise some method of identifying his cattle from that of his neighbor. Branding has been an important part of cattle raising. Brand identification is important in the bread baking business, too. But you don't need a brand to recognize Weber's Bread. You can tell it by its firm, even texture, golden brown crust, and distinctive flavor. Weber's Bread has been an outstanding favorite with Southern California families for many years because it's not only good bread, it's good all the time. And for newcomers who have not yet tried Weber's Bread, it does have an identifying mark. It's the familiar blue gingham wrapper. A brand as famous as the bread is good. So buy Weber's Bread when you go shopping. You'll like it. Back to our men of the west from out of the west with another song of the west that you've been waiting to hear them sing, the writers of the Purple Sage and one of the great Western classics of all time, Red River Valley. From this valley they say you are going we will miss your bright eyes and sweet miles for they say you are taking the sunshine that has brightened that pathway of wild Come and sit by my side if you love me do not hasten to bid me adieu but remember the Red River Valley and the one that has loved you so true as you go to your home by the ocean to may you never forget oh sweet our mother that we fed in the Red River Valley and love we exchanged the Come and sit by my side if you love me do not hasten to bid me adieu but remember the Red River Valley and the one that has loved you. Well, it's another week coming, going and it's been mighty nice being with you again. We'd feel mighty good having you drop in again next week. That goes for Al, Jimmy Dean and all of the Riders of the Purple Sage. This is four Willing saying so long and good luck to you all. From Hollywood, you've heard your All Star Western Set, a VM Bear production starring America's great Western singers, Boy Willing and the Riders of the Purple Sage. My name is Carton C. Clark inviting you all to be on hand next next week for your allstar Western Theater. This program came to you from Columbia State Square.
C
If you're paying more than $1 a month for any ED or hair medication, listen up at Joy and Blokes when you start TRT or in Clomiphene, you can add any ED or hair loss prescription for just $1 a month. $1 add ons with your hormone plan and right now all labs are 50% off. I'm Josh when founder of Joy and Blokes. I built this company because men are tired of paying for fragmented care without results. Every Joy and Blokes lab includes a visit with a licensed clinician who connects your symptoms to your biomarkers. You'll get a real plan that covers hormones, performance and confidence. If you're considering TRT or Enclomiphene, this is the most efficient way to do it. Get started@joyandblokes.com and use a promo code podcast new customers get 50% off their labs and for a limited time you can take advantage of our $1ed or hair loss add ons when you start TRT or Enclomiphene. Not available in all states. Compounded medications are not FDA approved. Learn more@joyandblooks.com.
A
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail. 707-986-8739. This episode is copyright under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.
B
Foreign.
C
If you're paying more than $1 a month for any ED or hair medication, listen up at Joy and Blokes when you start TRT or Enclomiphene, you can add any ED or hair loss prescription for just $1 a month $1 add ons with your hormone plan and right now all labs are 50 off. I'm Josh Whalen, founder of Joy and Blokes. I built this company because men are tired of paying for fragmented care without results. Every Joy and Blokes lab includes a visit with a licensed clinician who connects your symptoms to your biomarkers. You'll get a real plan that covers hormones, performance and confidence. If you're considering TRT or Enclomiphene, this is the most efficient way to do it. Get started@joyandblokes.com and use the promo code podcast new customers get 50 off their labs and for a limited time, you can take advantage of our $1 ed or hair loss add ons when you start TRT or Enclomiphene. Not available in all states. Compounded medications are not FDA approved. Learn more at joyandblokes. Com.
This episode of Old Time Radio Westerns brings listeners the classic "Cripple Creek Feud" from the All Star Western Theatre, featuring Boy Willing and the Riders of the Purple Sage. The story follows a lighthearted yet feisty feud between neighboring ranchers, Lim Hogan and Luella May Carter, with the Riders caught in the middle. Blending music, humor, and classic Western values, the episode captures the spirit of radio’s golden age, revived by modern digital restoration.
The Root of the Feud:
On Peace:
The Mediation:
The episode embodies a warm, humorous, and gently satirical take on small-town conflicts—mixing quick banter and comedic misunderstanding with the sincerity of neighbors finding ways to forgive. The Riders of the Purple Sage fill “Cripple Creek Feud” with lively, traditional Western music.
“Cripple Creek Feud” showcases the timeless appeal of Old Time Radio Westerns: neighborly squabbles, clever problem-solving, a touch of romance, and—above all—a sense of community that endures through mischief and misunderstandings. The digital restoration brings every twang and laugh to the fore, making this classic Western radio story as vivid as ever for modern ears.