Distant Drummer | Gunsmoke (02-14-60)

Summary

Old Time Radio Westerns Podcast Summary

Episode: Distant Drummer | Gunsmoke (02-14-60)
Release Date: April 5, 2025
Host: Andrew Rhines

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Introduction

Andrew Rhines kicks off the episode by welcoming listeners to the Old Time Radio Westerns podcast. He highlights the podcast’s dedication to digitally restoring classic Western radio dramas, ensuring enhanced audio quality that brings timeless tales to life with exceptional clarity and richness.

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Episode Overview

The episode features a classic Gunsmoke story titled "Distant Drummer," originally aired on February 14, 1960. Set in the rugged landscape around Dodge City, the narrative centers on Matt Dillon, the steadfast U.S. Marshal, as he confronts the troubled character Raffy Blight.

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Plot Summary

Opening Conflict

• Matt Dillon (William Conrad) introduces himself as the primary lawman in Dodge City, dedicated yet somewhat solitary:

  “I'm that man, Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chance, a job, and it makes a man watchful and a little lonely.” (02:44)

Introduction of Miss Kitty and Raffy

• Miss Kitty attempts to mend Raffy’s torn trousers, revealing Raffy's sensitive nature despite his rough exterior:

  “I just hated to see you start the day with a hole in your britches.” (04:18)

Raffy’s Struggles

• Raffy Blight expresses his inner turmoil tied to his war experiences, symbolized by his cherished drum:

  “I always wear it proud. Folks give me misery.” (06:09)

  • Doc and Miss Kitty discuss Raffy's behavior, suggesting his war-induced trauma:

    “Maybe it's just too much war.” (08:30)
    “He can't tell about these things for sure, man. Maybe because the drum was the last thing he was ever proud of.” (08:42)

Rising Tensions

• Doc warns Matt Dillon about Raffy's potential for causing trouble, urging proactive measures:

  “He might turn mean and cause trouble.” (09:24)

  • Despite Doc's concerns, Matt believes in giving Raffy a chance, emphasizing understanding over punishment.

Incident Leading to Accusation

• Raffy is accused of killing Bull Ramsey. Doc informs Matt:

  “He’s killed Bull Ramsey, and Rafi did it.” (19:27)

  • A lynch mob is forming, intent on taking the law into their own hands.

Climactic Confrontation

• Matt intervenes to prevent the lynching, asserting the rule of law:

  “If he needs to be tried, he'll be tried. By a judge, not by you and that drum.” (20:44)

  • He detains Raffy, ensuring he is taken into custody the right way.

Resolution and Reflection

• Raffy denies having killed Bull Ramsey, citing memory loss due to his injury:

  “I don’t think I ever killed nobody, Marshall.” (22:13)

  • Matt vows to uncover the truth, maintaining faith in Raffy's innocence until proven otherwise.

Raffy's Departure

• Despite offers of help, Raffy chooses to leave town, feeling he doesn’t belong anywhere:

  “Maybe they will, Marshall, but it’s time I moved on anyway.” (28:37)

  • Matt reflects on Raffy's ongoing struggle, recognizing the deep-seated issues that drive him.

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Notable Quotes

• Matt Dillon on Law Enforcement:

  “If I catch you, any one of you deviling this boy again, falling out of a tree won't seem easy to you.” (14:23)

• Doc on Raffy's Condition:

  “He can't tell about these things for sure, man. Maybe because the drum was the last thing he was ever proud of.” (08:42)

• Raffy on Misunderstanding:

  “I ain't never hurt nobody. Ain't got no call to hurt me.” (17:10)

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Conclusion

The episode "Distant Drummer" delves deep into themes of justice, redemption, and the lingering scars of war. Through Matt Dillon's unwavering commitment to the law and his compassionate understanding of Raffy's plight, the story portrays the complexities of human behavior and the struggle for inner peace in the tumultuous Wild West.

Andrew Rhines wraps up the episode by encouraging listeners to engage with the podcast through ratings and social media, ensuring the legacy of these classic Western dramas continues to thrive.

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Additional Information

• Production Details:
  Gun Smoke produced and directed in Hollywood by Norman McDonald.
  Stars William Conrad as Matt Dillon, Harley Bear as Chester, Howard McNear as Doc, and Georgia Ellis as Kitty.

• Further Engagement:
  Listeners are invited to like, rate, and follow the podcast on various platforms, as well as join the "ranch hands" community for exclusive content.

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This summary encapsulates the key elements, character dynamics, and pivotal moments of the "Distant Drummer" episode, providing a comprehensive overview for both new listeners and long-time fans.

Transcript

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[Matt Dillon]

Foreign.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[William Conrad]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the Smell of Gun Smoke, starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man, Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chance, a job, and it makes a man watchful and a little lonely.

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[Miss Kitty]

Let's see now. All right, Sam, stand still.

[Raffy]

No, ain't Nothing worth your trouble, Miss Kitty.

[Miss Kitty]

Well, it will be if it gets any worse. Lean over.

[Raffy]

All right.

[Sam]

I'll thank you to have a sure hand with that needle.

[Miss Kitty]

Now, don't worry, Sam. I'm not much of a seamstress, but I ought to be able to catch up a rip and a pair of britches without doing much damage.

[Matt Dillon]

There.

[Miss Kitty]

That ought to hold it.

[Sam]

Thank you, Miss Kitty.

[Miss Kitty]

You're welcome, Sam. I just hated to see you start the day with a hole in your britches. With that trail herd. Doing town is going to be hard enough.

[Sam]

Yes, ma'am.

[Miss Kitty]

What in the world's that?

[Doc]

Hey, look at him go there. He's in for them swinging doors. Please drop in there. I gotta hide someplace. This kitty.

[Raffy]

I ain't hurting nobody.

[Dobie]

Now, look here, Ratty.

[Miss Kitty]

I'll handle this, Sam. All right, you two, settle down.

[Doc]

Why, old Ratty, Raffy's got a friend.

[Miss Kitty]

You two go along.

[Dobie]

She's hiding behind a galaxy. Play your drum for her, Raffy.

[Miss Kitty]

I said get along. Big strong man, aren't you? Picking on the likes of Raffy. Now, you get out of here and don't come back.

[Matt Dillon]

Well, what do you know about that?

[Miss Kitty]

It's all right now, Raffy. There's some.

[Raffy]

I. I wasn't doing nothing wrong, Miss Kitty.

[Miss Kitty]

No, of course you weren't. Come on over and sit down, huh?

[Doc]

You know.

[Raffy]

It'S a drum, Miss Kitty. They give me misery on count of the drum.

[Miss Kitty]

Yeah, I know that.

[Raffy]

Ain't nothing wrong about wearing the drum.

[Miss Kitty]

No, of course there isn't.

[Raffy]

He give it to me, that captain for Antietam. He told me you were proud. Always done that, Miss Kitty.

[Miss Kitty]

I know you have.

[Raffy]

AFY don't hardly play the drum calls no more. Don't see much need.

[Miss Kitty]

Well, no, with a war over and all.

[Raffy]

But I always wear it. Like the captain said, I wear it proud. Folks give me misery.

[Miss Kitty]

Well, I got no right to do it. You can always come in here when they do. Raffy. You don't have to be afraid.

[Raffy]

You're a true good lady, Miss Kitty.

[Miss Kitty]

I don't know about that.

[Raffy]

Yes, ma'am, you are. You're a true good lady.

[Miss Kitty]

Laughing Are you hungry?

[Raffy]

Well, I ain't weak with it, Miss Kitty, but it's a fact. I ain't ate yet.

[Miss Kitty]

Well, we better fix that wine.

[Raffy]

Taking no more handouts.

[Miss Kitty]

But if you're hungry, Rafa.

[Raffy]

I can work, Miss Kitty. If folks had just left me. If they'd just stop plaguing me and let me work, I could make out fine.

[Miss Kitty]

All right, then, Raffy. Sam.

[Doc]

Yes, Miss Kitty?

[Miss Kitty]

Come here a minute, will you?

[Dobie]

Sure thing.

[Miss Kitty]

Take Raffy out to the woodshed, will you, Sam? Set him to chop in that wood out there. He wants to work.

[Doc]

Why, sure.

[Dobie]

Come along, boy.

[Raffy]

I'm obliged to you, ma'am. Oh, Miss Kitty.

[Miss Kitty]

What is it, Raffy?

[Raffy]

You watch after the drum for me. I wouldn't want nothing to happen to it after. The captain trusted it to me like he did.

[Miss Kitty]

Sure, Raffy, sure. I'll watch after. No, it was enough to break your heart. As soon as it chopped the wood, it came back in. And I gave him his money. And he hung that drum around his neck again and left. Poor boy.

[Matt Dillon]

Yeah. You want some more gravy, Kitty?

[Miss Kitty]

No, thanks, man.

[Matt Dillon]

Doc?

[Doc]

No, not for me. It's better with this food. Not to cover it up while you're eating it.

[Matt Dillon]

You know where Rappy went, Kitty?

[Miss Kitty]

No. No, I don't. He just appears now and again, and he's always in trouble. Somebody's always plaguing him, as he says.

[Doc]

Ah, it's a shame.

[Miss Kitty]

What's the answer to it, Doc? What makes Raff hit? Well, what makes him the way he is?

[Doc]

It's hard to say, Kitty. Maybe it's just too much war.

[Miss Kitty]

He must have been very young during the fighting.

[Doc]

His mind hasn't grown any older.

[Matt Dillon]

Why would he hang on to the drum then, Doc? It reminds him of a bad time.

[Doc]

He can't tell about these things for sure, man. Maybe because the drum was the last thing he was ever proud of. Oh, Miss Kitty. Marshall.

[Miss Kitty]

Hello.

[Matt Dillon]

Hello.

[Doc]

I couldn't help overhearing your conversation. I was sitting right over there. You got good ears. Hey, you know, I think it's important to know what this fellow Raffi might do. The town has a right to know. Well, you can't tell for sure. He might go along just as he is for the rest of his life. Wearing that drum around his neck and being crucified for it. And then again, he might decide to turn on somebody someday.

[Miss Kitty]

Well, you couldn't blame him.

[Doc]

Well, then, Marshall, I say you ought to take steps.

[Matt Dillon]

How do you figure that, Dovey?

[Doc]

Well, either way, he isn't doing the town any good. He might turn mean and cause trouble. Even if he doesn't, he gets in the way of the town's normal citizens. Wandering around that way wearing that drum night and day.

[Matt Dillon]

Oh, come on now, Dobie. I can't arrest the boy for that.

[Doc]

Well, Doc just said he might cause trouble. It'd be better to act.

[Matt Dillon]

Now, you listen to me, Dobby. If he causes trouble, it'll be because he's been driven to it by normal citizens and I spent some time talking to him about it.

[Doc]

Dylan.

[Matt Dillon]

Right here, Chester.

[Miss Kitty]

Like somebody's been after Chester.

[Doc]

What's the trouble, Mr. Dylan, you better come right away. It's that rapid blight. I told you. Marshall.

[Matt Dillon]

What's he done, Chester?

[Doc]

He ain't done nothing. But some of the boys has got him Creed down there at the liver stable.

[Matt Dillon]

You better come with us, Doc.

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[William Conrad]

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[Matt Dillon]

No, please go ahead.

[Raffy]

Slow.

[Dobie]

Here's a rope. Another little pull. Swing the drum out there. Sure, Bo. If you want it rappy, you'll have to crawl out on that branch.

[Doc]

My drum.

[Dobie]

You give me my drum roll out, then.

[Raffy]

It's too far.

[Dobie]

Oh, you can do it.

[Doc]

Sure.

[Dobie]

He looks just like a monkey up there.

[Matt Dillon]

Don't he.

[Dobie]

Have to be up no tree look like a monkey? Swing the drum out more. Salute down the end of that limb there.

[Doc]

Well, it's getting kind of thin down there. Bull.

[Dobie]

I said swing that drum.

[Doc]

All right, bull. All right.

[Dobie]

Go ahead, kid. Let's see you get your full drum. Crawl out there. Go ahead, crawl.

[Raffy]

Please, mister.

[Dobie]

Oh, come on now. If you want it, go get it. It's too far. If you don't crawl out and get it, Rappy, I'm gonna shoot it full of holes like this. Please, please don't shoot it.

[Doc]

I'll get it.

[William Conrad]

Go on then.

[Dobie]

That's right.

[Doc]

Let me pull in the drum. Boy, he's gonna fall short.

[Matt Dillon]

Leave it. Whoa.

[Doc]

He's hurt himself.

[Dobie]

Oh, he's too simple to be hurt bad. Come on, slow bl. Let's get it.

[Matt Dillon]

All right, just a minute.

[Doc]

Oh, come on.

[Matt Dillon]

Take a look at the boy, Doc.

[Doc]

Sure, man.

[Matt Dillon]

All right, you men, you're in an awful hurry to get away all the way a sudden.

[Dobie]

Oh, Marshall, there ain't no reason to hang around.

[Matt Dillon]

The show's over, is that it?

[Dobie]

I know what you're talking about, Marshall. This boy just fell out in the trees.

[Matt Dillon]

You know what I'm talking about, all right. And so do the rest of you men. Voila, Marshall. A bunch of real life two legged coyotes. Now listen here, you listen to me. If I catch you, any one of you deviling this boy again, falling out of a tree won't seem easy to you. I go on and get out of here. Well, we was going anywhere. Just remember, you leave this boy alone. How is he, doc?

[Doc]

Well, can't tell yet, man. He's unconscious. I'll have to get him to the office.

[Matt Dillon]

All right, couple of you men give us a hand here. They get in the ducks.

[Raffy]

And there.

[Doc]

There you go, Rafi. That cool cloth ought to make you feel better.

[Raffy]

My head hurts pretty bad.

[Doc]

Hurts? Well, I expect it does.

[Matt Dillon]

You took quite a blow.

[Doc]

But it's gonna be all right, Rapha.

[Matt Dillon]

Nothing to worry. Does he come to, Doug?

[Doc]

Yes, Matt. He's conscious.

[Matt Dillon]

You gonna be all right?

[Doc]

I think so, Matt. Yeah, there's no signs of a fracture or.

[Matt Dillon]

Or concussion. Oh, that's good. Well, Rappy, you feeling better?

[Raffy]

My drum. You got my drum?

[Matt Dillon]

Yeah, I got it. It's down in my office.

[Raffy]

Won't nothing happen to it.

[Matt Dillon]

I think it's safe enough.

[Raffy]

That's good. I sure do thank you, Mar.

[Doc]

It's all right.

[Matt Dillon]

It's all right. You come get her when you're feeling better, huh?

[Raffy]

Yes, sir. I gotta do that. You know, it seems like folks don't like me to wear it. Why don't they, Marshall?

[Matt Dillon]

Well, maybe it's because they just don't know any better.

[Raffy]

I ain't never hurt nobody. Ain't got no call to hurt me.

[Matt Dillon]

That's right.

[Raffy]

Them folks who hurt me, they ought to learn different, Marshall.

[Matt Dillon]

Yeah, that's what I came to tell you. I'm gonna see that they do.

[Raffy]

I can see it real clear, Marshall. Real queer. Them folks need to learn it real good. Them folks that hurt me, they gotta be taught different.

[Doc]

Here's mail, Mr. Dylan.

[Matt Dillon]

Oh, thanks, trustee.

[Doc]

Well.

[Sam]

Well, Mr. Dylan.

[Matt Dillon]

What?

[Doc]

Well, seems to me you'd want to.

[Raffy]

Know what's in it.

[Doc]

Man should hard open up his meal when he gets it. Might even be government business.

[Matt Dillon]

Chester, what are you muttering about?

[Doc]

Well, I just can't understand, Miss Dillon. After I went and fetched it to you and all.

[Sam]

Why you don't open it up?

[Matt Dillon]

The.

[Doc]

The man.

[Matt Dillon]

All right. All right, Chester. I'll open it up. Expecting something special?

[Doc]

No, sir, I ain't. Tell you the truth, I could see there wasn't nothing there worth bothering about.

[Matt Dillon]

You put on a pretty good show of bothering.

[Doc]

Well, it just seems to me that a man should. Or open up his mail whether it's worth anything or not. Marshall, you were too bullheaded stubborn to listen.

[Matt Dillon]

What's on your mind, Dobby?

[Doc]

I told you last week, right there in the restaurant. I told you you ought to do something about it.

[Matt Dillon]

Oh, come on, Dobby. What are you sputtering about?

[Doc]

That. That boy, that Raffy blight. I told you he'd cause trouble.

[Matt Dillon]

What's happened?

[Doc]

It's worse than I even expected. And you could have prevented.

[Matt Dillon]

Dobie. Quit babbling and tell me what's happened.

[Doc]

He. He's killed him.

[Matt Dillon]

Who's been killed?

[Doc]

Bull Ramsey's been killed, and Rafi did it. They found a drumstick by the body. And now we got a lynching on our hands.

[Matt Dillon]

Where are they?

[Doc]

They're taking him to hang him, and it should never happen.

[Matt Dillon]

Toby, where are they?

[Doc]

They're taking him up west of town.

[Matt Dillon]

All right, come on, Chester. Bring.

[Doc]

There they are, Mr. Joan. In that clump of tree.

[Matt Dillon]

Yeah.

[Doc]

They got him up on a horse, but it don't look like they've got the rope on him yet.

[Matt Dillon]

They're lucky. All right, let him go.

[Doc]

We was just trying to help the law, Marshall.

[Matt Dillon]

I'll take care of the law. I said let him Go.

[Doc]

Sure, you can have him if you want to waste jail space on a murderer.

[Matt Dillon]

I gotta have a lot more than your say so on that slope.

[Doc]

Why, it's plain as plain. Everybody knows he had it in for Bull.

[Matt Dillon]

Never mind, Sloan. If he needs to be tried, he'll be tried. By a judge, not by you and that drum. I said never mind. Test him until I wrap his hands and take that gag out of his mouth.

[Raffy]

Yes, sir.

[Matt Dillon]

Then lead his horse over here.

[Doc]

That's my horse he's on. Marshall, you ain't gonna take it.

[Matt Dillon]

He's riding it back to town slow. Then I wouldn't argue about it it if I were you, I. I'm gonna have to keep you here for a little while, Rafi.

[Raffy]

It's all right, Marshall. You ain't one to plague me.

[Matt Dillon]

No, no. Nobody will plague you here. Now you can go on in.

[Raffy]

Thanks. Marshall. What they're saying about me killing that bull Ramsey.

[Matt Dillon]

Yeah?

[Raffy]

Well, I don't think I ever killed nobody, Marshall.

[Matt Dillon]

Well, I hope you're right about that, Rappy.

[Raffy]

I. I don't recollect too good about last night. My head was hurting real bad and I just don't recollect too good.

[Matt Dillon]

Well, don't worry about it. We'll find out.

[Raffy]

I know I was out there some. I was trying to cool my head in the night.

[Matt Dillon]

All right, Rafael. I'll see you later.

[Raffy]

Oh, Marshall.

[Matt Dillon]

Yeah? What's that?

[Raffy]

My drum. Marshall, have you got my drum?

[Matt Dillon]

Chester found it. We'll take care of it for you.

[Raffy]

I thank you for that. Oh, and here, Marshall, you might as well take care of these two, huh?

[Matt Dillon]

What have you got there?

[Raffy]

Well, my drumsticks, Marshall. I always keep them right here in my shirt. I only got one set, you know.

[Matt Dillon]

Are they both there?

[Raffy]

Sure, they're both here. You take care of them for me, Marshall?

[Matt Dillon]

Yeah, yeah, I'll do that.

[Dobie]

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[Sam]

There you are, mister. Here's your change. And here's your parcel. I'll be right with you, Marshall.

[Matt Dillon]

I know. Hurry.

[Miss Kitty]

Thank you, Mr. Jonas.

[Sam]

I should have that new bolt calico any day now.

[Miss Kitty]

Well, that's fine. I'll stop in again soon. Goodbye, Mr. Jonas.

[Sam]

Goodbye, Miss Curtin. Now, Dan Marshall. Something I can do for you?

[Matt Dillon]

I sure hope so. Tell me, Jonas, do you sell drums here?

[Sam]

Well, I. I had a couple a few years ago. I think stocked them recent. Marshall, Tell you truth, I. I don't get much call for drums in Dodge City.

[Matt Dillon]

I suppose. Suppose not. I guess you don't get a call for drumsticks either, huh?

[Sam]

Well, now, that beats all.

[Matt Dillon]

What do you mean?

[Sam]

You think we was getting ready for a parade or something?

[Matt Dillon]

How's that?

[Sam]

You're the second feller in two days come in here to ask him after drumsticks.

[Matt Dillon]

Oh. Well, who was the other one?

[Sam]

I don't rightly know his name, Marshall. Big thin fella. Used to steam around town with Bull Ramsey.

[Matt Dillon]

Yeah, but you didn't have any drumsticks, is that right?

[Sam]

Oh, I found a pair, Marshall, but I didn't really need it.

[Matt Dillon]

Oh, what do you mean?

[Sam]

Well, this fellow only wanted one. I made him buy the two, though. Now, what incarnation would a fellow want with just one drumstick?

[Matt Dillon]

Marco. I'll see you later, Jonas.

[Doc]

So the Marshall got there too fast.

[Matt Dillon]

For you, did he?

[Doc]

Slow. No sense to it. No sense to it at all.

[Raffy]

Oh, no.

[Doc]

Lynching ain't a very nice thing to do. I ain't gonna make no difference to that boy. No difference at all.

[Raffy]

I don't know why you can't tell.

[Doc]

Well, they're going to hang him one way or another. Sure is.

[Dobie]

Sure slow.

[Matt Dillon]

I want to talk to you.

[Doc]

I ain't hard to find.

[Matt Dillon]

Marshall, I want that other drumstick.

[Doc]

Drumstick? You're talking crazy, Marshall.

[Matt Dillon]

I want the drumstick you didn't leave by Bull's body.

[Doc]

Now listen here. That Raffy, he's the one with the drumstick.

[Matt Dillon]

That's right, Sloot. And he's still got two of them.

[Doc]

Now listen, Marshall, I've been listening.

[Matt Dillon]

I've been listening to Jonas.

[Doc]

Jonas?

[Matt Dillon]

Yeah, he sells drumsticks.

[Dobie]

Well, it wasn't me.

[Doc]

It was some other fell.

[Matt Dillon]

No, it wasn't slow. It was you. Trying to buy just one drumstick so you could kill Bull and blame Raffy.

[Doc]

You can't prove it.

[Matt Dillon]

I don't have to prove it because you're going to tell me about it, aren't you? Isn't that right, Slo?

[Raffy]

I mean, go you.

[Matt Dillon]

Isn't that right? Oh, yeah.

[Doc]

Yeah.

[Matt Dillon]

All right. Come on. I don't think Rafi will mind giving up his cell to. All right, Rafi, here's your drum.

[Raffy]

Thank you kindly, Marshall. I sure am proud to be wearing it again.

[Matt Dillon]

Yeah. Now, things ought to be better for you around here. Now, I don't think folks are going to bother you anymore.

[Raffy]

I'm right glad to hear that.

[Matt Dillon]

I'm pretty sure we can fix you up with some odd jobs. Jonas and Dobie already got some chores you can do.

[Raffy]

Thank you, Marshall, but I think it's time for me to be moving on.

[Matt Dillon]

I can't say I blame you after the way they treated you in Dodge. But things will be better now.

[Raffy]

Maybe they will, Marshall, but it's time I moved on anyway.

[Matt Dillon]

I don't know why.

[Raffy]

Well, I don't know why either, Marshall, but I don't rightly belong nowhere. I keep looking for a place. I never found it yet. I just gotta keep moving on.

[Matt Dillon]

That's up to you.

[Raffy]

Funny, ain't it, Marshal? For a drummer boy like me to be always out of step.

[Matt Dillon]

A lot of folks more out of step than you are, Ravi. I see him all the time.

[William Conrad]

Gun Smoke produced and directed in Hollywood by Norman McDonald. Stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Meston. Harley Bear is Chester, Howard McNear is Doc and Georgia Ellis is Kitty. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on Gun Smoke.

[Matt Dillon]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com Become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.