Five Days To Yuma – Have Gun Will Travel (07-10-60)

Summary

Old Time Radio Westerns Podcast: "Five Days To Yuma – Have Gun Will Travel" Summary

Podcast Information

• Title: Old Time Radio Westerns
• Host: Andrew Rines
• Episode: Five Days To Yuma – Have Gun Will Travel (07-10-60)
• Release Date: April 23, 2025

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Introduction

In this episode of Old Time Radio Westerns, host Andrew Rines transports listeners back to the golden age of radio with "Five Days To Yuma," an original episode from the classic series Have Gun Will Travel. Airing initially on July 10, 1960, this episode showcases the meticulous digital restoration work that enhances the audio experience, bringing clarity and depth to the timeless tale set in the rugged landscapes of the Wild West.

Plot Overview

The story revolves around Paladin (played by John Dana), a man of principle and honor, who is tasked with delivering Jeremy Thompson to the state prison in Carson City, Nevada. Despite his reluctance, Paladin accepts the job for a fee of $2,000, aiming to uphold his end of the bargain while navigating the complexities of his quarry.

Key Events and Discussions

1. The Assignment and Initial Conflict
   Paladin meets Mr. Finlater, a lawyer representing the governor, who presents a document for Paladin to sign, committing to deliver Jeremy Thompson. Paladin expresses his hesitation, stating, "I am not a bounty hunter, nor am I a lawman. I don't transport prisoners." (04:50)
   Quote:
   Paladin: "I am not a bounty hunter, nor am I a lawman. I don't transport prisoners."
   Timestamp: [04:50]

2. Journey Begins
   As Paladin and Thompson embark on their journey, they encounter two other passengers: an elderly woman with a "staring eye" and a portly whiskey drummer. Tensions rise when the old woman mistakenly believes Thompson is Paladin's son, leading to moments of comic relief and underlying tension.
   Quote:
   Paladin: "Could swear I know that lady from somewhere."
   Timestamp: 07:00

3. Nightfall and Revelations
   Forced to spend the night due to a lame horse, Paladin makes camp alongside Thompson. In a vulnerable moment, Thompson opens up about his troubled past, revealing his connection to Jenny Birdwell and his motives for kidnapping the governor's daughter. This backstory adds depth to Thompson's character and sets the stage for future conflict.
   Quote:
   Jeremy Thompson: "She's me mother. Did you ever hear of Jenny Birdwell?"
   Timestamp: 13:20

4. Climactic Confrontation
   The tension culminates when Thompson's mother, Jenny Birdwell, confronts Paladin, leading to a dramatic showdown. As revelations unfold, Paladin grapples with his duty versus his growing empathy for Thompson, especially after understanding the complexities of Thompson's motivations.
   Quote:
   Paladin: "Somehow I believe you, Jeremy."
   Timestamp: 18:34

5. Resolution and Twist
   Upon delivering Thompson to the governor, Paladin is faced with an unexpected twist: Thompson is set to marry the governor's daughter, Brunhilde. Instead of accepting the fee, Paladin negotiates a new arrangement, refusing payment unless Thompson complies with the governor's true intentions. This ethical stand highlights Paladin's integrity and the nuanced moral landscape of the narrative.
   Quote:
   Paladin: "I brought this man in because I'd contracted to do so. But now there were certain circumstances which made me prefer not to bring the boy in."
   Timestamp: 19:34

Character Development

• Paladin: Portrayed as steadfast and morally upright, Paladin's internal conflict between duty and personal ethics drives the narrative. His interactions reveal a man who values honor over money, embodying the classic Western hero archetype.

• Jeremy Thompson: Initially presented as a mere prisoner, Thompson's backstory unveils a complex character driven by desperation and familial ties. His relationship with his mother adds emotional layers to his motives.

• Jenny Birdwell: Thompson's mother, Jenny, serves as a catalyst for revealing the deeper motivations behind Thompson's actions. Her character brings emotional depth and highlights themes of redemption and familial bonds.

Production and Performances

The episode features outstanding performances by:

• John Dana as Paladin
• Ben Wright as Hey Boy
• Virginia Gregg as Ms. Wong

Special guest appearances include William Redfield, Joseph Kearns, Parley Bear, Jack Mos, Tim Graham, and Peggy Weber. The production, directed by Frank Paris, captures the essence of 1960s radio dramas with rich soundscapes, enhancing the listening experience through meticulously restored audio quality.

Conclusion

"Five Days To Yuma" is a compelling episode that masterfully blends suspense, character exploration, and moral dilemmas, all set against the backdrop of the Wild West. Paladin's journey is not just a physical trek but also an ethical voyage, making listeners ponder the true meaning of justice and duty. Andrew Rines' presentation ensures that both longtime fans and new listeners can appreciate the depth and artistry of these classic Western radio dramas.

Notable Quotes

• Paladin: "I am not a bounty hunter, nor am I a lawman. I don't transport prisoners."
  Timestamp: [04:50]

• Jeremy Thompson: "She's me mother. Did you ever hear of Jenny Birdwell?"
  Timestamp: [13:20]

• Paladin: "Somehow I believe you, Jeremy."
  Timestamp: [18:34]

• Paladin: "I brought this man in because I'd contracted to do so. But now there were certain circumstances which made me prefer not to bring the boy in."
  Timestamp: [19:34]

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Timestamp Guide

• [00:00] – [01:28]: Introductory advertisements (Skipped)
• [01:28]: Host introduction
• [01:57]: Episode begins
• [04:50]: Paladin discusses reluctance
• [07:00]: Encounter with passengers
• [13:20]: Thompson reveals his connection to Jenny
• [18:34]: Climactic confrontation
• [19:34]: Resolution with the governor
• [26:16] – End: Outro and additional advertisements (Skipped)

Note: Advertisements and non-content segments have been excluded from the summary to focus solely on the narrative and key discussions of the episode.

Transcript

[Paladin]

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[Hey Boy]

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[Paladin]

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[Hey Boy]

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[Andrew Rines]

Welcome to the old time radio westerns. I'm your host, Andrew Rines. And let's get into this episode. This episode is going to be have Gun Will Travel Original air date is July 10, 1960 and the title is five days to Yuma. Hope you enjoy and again, thanks for listening.

[Paladin]

I agreed to deliver this man to your prison, but under the circumstances, I would prefer not to take pay for this particular job. Have Gun will travel starring Mr. John Dana as Paladin. San Francisco, 1875. The Carlton Hotel. Headquarters of a man called Paladin. Oh, misa Paladin not going to like this. Not even 11 o'clock yet. Don't worry about it, my boy. Just wake him up. He'll be glad you did. But you not understand. Mr. Paladin Sleep late in the morning when he's out gambling night before. Never you mind. Just do as I say. Mr. Paladin. Mr. Paladin go away. Hey boy, go away. Have gentleman to see you, Mr. Paladin. Then both of you go away. What'd I tell you? I've got to see him. When Mr. Paladin say, hey boy, go away. Hey boy go tell him I have $2,000 for him. Oh, that don't make any difference to Mr. Paladin. Tell him, Mr. Paladin, this man say has $2,000 for you.

[Jeremy Thompson]

See he caught asleep.

[Paladin]

All right, hey boy, what are you standing around in the hall with this gentleman for? Show him in. Mr. Paladin, you lose all your money last night? Never mind, never mind. Goodbye, hey boy.

[Hey Boy]

Goodbye.

[Paladin]

Now, you'll excuse my appearance. I spent the evening with a client. No matter, no matter. My name is finletter. I'm a lawyer. My client in nevada has a matter he'd like you to take care of for him. Who is your client, Mr. Finlater? All right. Here in this document. If you'll just read and sign it. Well, let me see first. I, Paladin, do hereby agree to deliver, post haste, the person of one jeremy thompson to the governor of the state of Nevada. The governor? Upon delivery at carson city, I will be paid $2,000. Well, Mr. Finlater, I am not a bounty hunter, nor am I a lawman. I don't transport prisoners. Paladin, I forgot to mention. There's a thousand dollars expense money payable immediately. And why doesn't the governor use his law enforcement officers to do this job? It's a somewhat delicate matter. Personal matter between the governor and this jeremy Thompson. I see. There's also the fact that no jail nor any officer has been able to hold Thompson for any reasonable length of time. Can he be so bad as all that? How much you judge for yourself, Wilson. Oh, Wilson. He sent along a pair of special handcuffs. Here's the key. Ah, yes. The governor does well to be cautious. He certainly is a vicious looking devil. Mr. Paladin. That's Wilson you're looking at. That's. Oh. Oh, I'm sorry. The other gentleman is Jeremy thompson.

[Jeremy Thompson]

Hello, Jack. It's me. All right.

[Paladin]

And the governor is willing to pay $2,000 for this boy. Now, if you'll just sign this paper, Mr. Hamilton. All right, but I feel like I'm stealing the governor's money. Glad you think so, sir. Unshackle him, Wilson. Oh, now, just a minute. I didn't know I would take charge of him now. I'm afraid he's your responsibility now, sir. Oh, and by the way, Mr. Thompson has an accomplice whom no one has seen. Mr. Paladin, you just might have your hands full. Good day, sir. Come along with. Yeah. Well, Thompson, I haven't even had my breakfast yet.

[Jeremy Thompson]

Well, neither is I, matey.

[Paladin]

Order.

[Jeremy Thompson]

Up for two, huh?

[Paladin]

Constipation is something people don't talk much about, but it can be a problem for anyone, even doctors. And when constipation occurs, it's interesting to see just what doctors consider important about a laxative they might use or recommend. Now, a majority of the doctors we heard from had this to say. A laxative should be effective, gentle, close to natural acting. A medicine that can be used with complete confidence. Well, pleasant tasting chocolated Ex lax is effective overnight. It helps you toward your normal regularity. Ex Lax is so gentle, so close to natural acting, there's no upset. That's why many doctors and millions of people use ex lax with complete confidence. Exlax the laxative that helps you toward your normal regularity. Gently overnight. Over breakfast, my cherub faced prisoner announced that he was certain that his partner would never allow me to get him as far as carson city. We took the inland stage, and by the time we reached Elk Grove, some 40 miles from San Francisco, the passengers had dwindled down to two people besides thompson and myself. One was a very old woman with a staring eye that was hard to ignore. The other was a portly whiskey drummer whose red face marked him as his own best customer. Hey, lady, Ain't I seen you somewhere before?

[Hey Boy]

This thing is what I call it. Handcuffing his own son.

[Paladin]

I said, ain't I seen you somewhere? San francisco or somewhere?

[Hey Boy]

When I was a girl, my father shook man used to handcuff his son.

[Jeremy Thompson]

Be gouger thinks I'm your son. Paladin.

[Paladin]

She must be blind as well as deaf. I could swear I know that lady from somewhere. Oh, officer. My name is purpo Paladin. Ah. Where are you taking your prisoner to, Mr. Paladin?

[Hey Boy]

Boy is handsomer than you are.

[Paladin]

He's a prisoner, ma'am. Not my son.

[Hey Boy]

Thought so. Has your eyes close? Set like?

[Jeremy Thompson]

Buy yourself out of that one, matey.

[Hey Boy]

Mother must have been fair. Gave him the look.

[Paladin]

Sorry I set the old girl off, Mr. Paladin. We really don't talk to ladies on these trips. Get them started. You can't shut them up. It's all right. I thought I'd seen her face somewhere, though.

[Hey Boy]

I go all the way to.

[Paladin]

There she goes again.

[Hey Boy]

Lillian be there to meet me. Lillian's my daughter. How's that? What do you say? Anyone catch that driver?

[Paladin]

What are we stopping there for? I just ain't nowhere at all. I don't know.

[Hey Boy]

Does anybody know why we're stopping?

[Paladin]

Driver, what's the matter? I got bad news. Folks have a horse that's running lame. We'll have to stop and rest him.

[Hey Boy]

What's he saying?

[Paladin]

A lame horseman.

[Hey Boy]

I knew it. I wanted lillian to marry a blacksmith once, but do you suppose she'd listen to me?

[Paladin]

Whoa. Whoa. It's hotter than the hinges of hades. Driver. Tried to get as close to that tree as I could. Now, you folks can all sit there till we're ready to go again. These dang things never break down in town.

[Hey Boy]

She going to help a lady down.

[Paladin]

Lady, I didn't bring you. Get yourself down.

[Jeremy Thompson]

I'll give you a hand. M. How do you know I didn't buy off the driver? Paladin? Maybe my partner's to meet us here.

[Paladin]

Out you go. Ths all right.

[Jeremy Thompson]

Maybe don't get your dander.

[Hey Boy]

Never gets nevada this way. Probably worried to death about me.

[Paladin]

We'll sit here, Thompson. Here, old girl. Take a swig of this. Things won't look so bad.

[Hey Boy]

It's mighty kind of you, but you'd.

[Jeremy Thompson]

Be apt to regret it. Mom in this evening.

[Paladin]

Oh, let her drink it. Let her drink it. Maybe she'll fall asleep the rest of the trip.

[Jeremy Thompson]

Well, it's only fair to warn her.

[Paladin]

Son, you ain't rid these stagecoaches with as many wind bags as I have. Whiskey usually shuts them up good and proper. Oh, there she goes again. Want to snore to this fountain? No, thanks, Mr. Purple. About you, sonny boy. Your tongue must be about to dry up and fly away.

[Jeremy Thompson]

No, thanks, mate. My old mother told me not to touch the stuff.

[Hey Boy]

Lillian had a strong mind for a long time. She came home with a buffalo hunter when she time any of you ever smelled a buffalo hunter.

[Jeremy Thompson]

Tell us, mother, what did he smell like?

[Hey Boy]

Yes, he certainly did.

[Paladin]

Folks, I can't push that horse anymore. We're going to have to spend the night here.

[Jeremy Thompson]

Oh, no.

[Paladin]

Driver, how soon are you going to unhitch your horses? Right away. Why? I thought I'd shackle my prisoner to one of your wheels. He'll be safe that way. All right with me.

[Hey Boy]

Little ensign saw the error of her ways. My good man, let me taste that whiskey.

[Paladin]

Go on, have a nice trip.

[Hey Boy]

Don't forget to phone.

[Paladin]

Wherever you go this summer, Keep in touch with home by long distance.

[Hey Boy]

Thank you. Operator.

[Paladin]

You calling your mother? Let me talk to her before you say goodbye.

[Hey Boy]

All right, I'm getting her now. Hello? Hello, mother?

[Paladin]

Yes?

[Hey Boy]

Oh, we're having a fine trip, and the weather's perfect. You getting along all right? Good. Now, if you need anything, be sure.

[Paladin]

To call barbara next door. When you're away this summer, put long distance to work for you, to keep in touch with the folks back home while you're away. You'll have a carefree trip knowing everything. And everyone at home is okay. Long distance rates are low. Why not call now? I watched the old lady tip the bottle to her lips. Then I looked at the boy's face. He was watching the woman agonizingly. In that moment, Jeremy told me more than he ever intended. I fastened him to the stagecoach wheel, then handcuff passing over the iron band so there was no chance of his getting away. When night fell, I made a bed for him in the road beside the wheel. I made my own bed nearby and laid down to sleep. But it was no use.

[Jeremy Thompson]

Can't sleep, eh?

[Paladin]

Those two.

[Jeremy Thompson]

She promised she'd never touched a drop of it again.

[Paladin]

Is she your partner, boy?

[Jeremy Thompson]

It's her.

[Paladin]

Who is she?

[Jeremy Thompson]

She's me mother.

[Paladin]

Your mother?

[Jeremy Thompson]

Did you ever hear of Jenny Birdwell?

[Paladin]

Jenny Birdwell?

[Jeremy Thompson]

The same. Oh, it doesn't make any difference now. But the governor rang me. She said she'd never touch it again.

[Paladin]

I saw Jenny Birdwell 20 years ago in Boston.

[Jeremy Thompson]

Our American cousin.

[Paladin]

She was wonderful. But 20 years couldn't do that to a woman.

[Jeremy Thompson]

20 years of drinking could do it.

[Paladin]

What a shame.

[Jeremy Thompson]

And I actually thought she was going to get me free. She said she had a way.

[Paladin]

But Jenny Birdwell was American.

[Jeremy Thompson]

My old man was English. He had a mind reading act. Came to this country in 43 when I was a little tot. Jenny's earrings started to go. She started to drink. So he left her and took me back to England.

[Paladin]

I see.

[Jeremy Thompson]

I was only four when the old man died. His sister had to raise me. When I thought I was grown enough, I came over here to look for Jenny.

[Paladin]

How did you happen to find her?

[Jeremy Thompson]

I spent three years looking. I found her all right, on the Barbary Coast.

[Paladin]

Barbary Coast?

[Jeremy Thompson]

It ain't no place for a lady. I convinced Jenny that we should go back to England. Start all over again. We needed money, so I decided to kidnap the governor's daughter.

[Paladin]

And that's your hanging offense?

[Jeremy Thompson]

$10,000. I'd figured to ask for her. That was before I'd seen how ugly she was. So I hid her out in a cave. There was a time I figured they'd never ransom her. And all the while she wanted to stay with me. Finally, I dropped it to 2000. They. They came through with the money.

[Hey Boy]

I'm sorry. The temptation. The temptation was too much.

[Paladin]

Easy now, Jimmy. Easy. You're not walking too well. You may fall.

[Hey Boy]

I tried, Jeremy. I tried like I promised you.

[Paladin]

Easy now. Easy.

[Hey Boy]

Done.

[Paladin]

You better get in the coach. Jenny. You'll have the whole seat to lie on. In you go.

[Jeremy Thompson]

Is she all right?

[Paladin]

Yes.

[Hey Boy]

Stay where you are, sir.

[Paladin]

What?

[Hey Boy]

I'll be forced to shoot. You tell the old girl sober. All right. Throw your gun on the ground. Do it now. I'll have the key to the handcuffs.

[Jeremy Thompson]

Jenny. I thought you was drunk.

[Hey Boy]

The key, Mr. Fellowman.

[Paladin]

Yes, ma'am.

[Jeremy Thompson]

Oh, Jenny girl, you're still the greatest actress in the world.

[Hey Boy]

Angie, I can't believe you papered this room. I did. Just followed one of those how to do it books. Fred didn't help you? Lately he's had nagging backache with sleepless nights and feels worn out. A person doesn't feel up to much with backache. Better tell him to try.

[Paladin]

Don't spills good advice. That's Doan's pills, an analgesic and mild diuretic to the kidneys. Nagging backache also headache, dizziness and muscular aches and pains May come on with overexertion, emotional upsets, or everyday stress and strain. Doan's pain relieving action is often the answer. And they also offer mild diuretic action through the kidneys. So if nagging backache is making you feel worn out, tired and miserable with restless, sleepless nights, don't wait. Try Don's pills, used successfully by millions for over 60 years. See if they don't bring you the same welcome relief. Get Doan's pills today to save money by Doan's big economy size. Jenny Birdwell stood like a fragile old bird, clutching the gun in her quivering hand. Her face mirrored great pride as she told her son she had only pretended to swallow the liquor. While she held the whiskey drummer and the driver at gunpoint. Jeremy handcuffed me to the wheel. Then he rounded up the two best horses and they rode off. The drummer found a pistol in his bag and shot the handcuffs free. I mounted a horse and rode in the direction they had gone. By morning. Their trail led towards an abandoned mountain shack. The two horses stood outside as I rode up, Jeremy and his men. Mother ran out. The old lady mounted her horse like the devil was after her. Hey, Jenny, wait. You might get hurt. Wait, Jenny.

[Jeremy Thompson]

Jack. Looks like you and me again.

[Paladin]

Get your hands up, Jeremy.

[Jeremy Thompson]

All right, but I ain't armed.

[Paladin]

Why didn't you run with her?

[Jeremy Thompson]

Ah, this way, at least Jenny goes free. Look at her. There's a lot of bounce in the old girl yet, huh?

[Paladin]

It certainly is.

[Jeremy Thompson]

Well, where to now, Paladin?

[Paladin]

Back to the stagecoach, then to Carson City.

[Jeremy Thompson]

You won't have to force me anymore. I'm tired of running.

[Paladin]

Somehow I believe you, Jeremy. Here you are, Ms. Paladin. $2,000. That isn't why I'm here, governor. But it's yours. It's part of the bargain. I got a new bargain for you, governor. New bargain? Mm. The $2,000 is yours if you don't hang Jeremy Thompson. Hang him? My good sir, bringing that boy back is a festive occasion. He's going to marry my daughter. Marry your dog? Well, then why is he in jail? Do you have daughters? No, I have no family. Then this may be rather hard for you to understand. You see, Brunhilde is the eldest of three daughters. The other two are married. Brunhilde is not. And she's almost 37. She and this Thompson boy spent some time together. And, well, Brunhilde is in love with Thompson. So that's why he was worth so much to you. You can see the money as well spent, Mr. Paladin. Take it. You've earned it. No, I can't, Governor. I brought this man in because I'd contracted to do so. But now there were certain circumstances which made me prefer not to bring the boy in. Do you understand? Not quite. Well, Governor, what happens if the boy refuses to marry your daughter? I'll give him a few weeks in jail to think about it. Then we'll hang him. I see. Even at that, I doubt if there'll be a wedding, sir. And under the circumstances, I would prefer not taking pay for this particular job. Yes, what is it?

[Hey Boy]

Excuse me, sir.

[Paladin]

Of course. Miss Henry. Come in.

[Hey Boy]

I didn't want to interrupt that we've had a stroke of luck.

[Paladin]

How's that?

[Hey Boy]

There's an old lady outside who wants the job as cook at the prison.

[Paladin]

Wonderful. That is good news, Miss Henry. Has she had any experience?

[Hey Boy]

Yes, sir, in several institutions back east, she says.

[Paladin]

Well, does she realize that she also has to serve the men in the prison, Take food into their cells?

[Hey Boy]

Yes, sir. I told her, and she said that she wasn't afraid.

[Paladin]

What do you think, Miss Henry?

[Hey Boy]

Oh, I think we should hire her. She's quite vigorous old lady. I think she would be more than capable.

[Paladin]

What's her name?

[Hey Boy]

Miss Birdwell.

[Paladin]

Birdwell. Do you know her, Paladin? No, no, no, sir. I don't think so. Very well, Miss Henry. Tell her she's hired. Start her right away.

[Hey Boy]

Yes, sir.

[Paladin]

Paladin, do you realize what a feather in my cap this is? And how's that? Why, how many women do you Know who would cook for 27 hardened criminals? Enough, Governor. What do you mean by that? Enough to cause me to change my mind. I'll take that $2,000, Miss Wong. Pardon me. Oh, Miss Wong.

[Hey Boy]

Oh, I say, Mr. Paladon. What do you want?

[Paladin]

That paper you're reading is mine, is it not?

[Hey Boy]

Oh, but Mr. Wong read about tong war. Terrible thing. And hey Boy.

[Paladin]

What about hey Boy?

[Hey Boy]

Oh, his name in paper, too. See.

[Paladin]

I don't understand why hey Boy doesn't stay out of these affairs.

[Hey Boy]

Oh, hey Boy. Important man in politics. Wong has to fight.

[Paladin]

Well, one of these days hey Boy is going to. Hey, what's this Carson City prison break? Oh, Listen to this, Ms. Wong. Last monthly at Carson City, Nevada, 27 desperate criminals made good their escape from the state prison. According to Governor Orson J. Bjorstad, they took with them as hostage an old woman who had recently been hired as a cook. Just as I expected.

[Hey Boy]

Mr. Parladon, what you got to say about hey Boy?

[Paladin]

Oh, just that one of these days, if hey Boy doesn't stay out of these tong wars, he's going to end up in jail.

[Hey Boy]

Ether. Maybe you better talk to him, Mr. Polygon.

[Paladin]

Well, if you think it'd do any good. And when you go downstairs, tell Habor to come up. But I want to talk to him.

[Hey Boy]

Oh, Etha. Thank you. Eat the pilot.

[Paladin]

Next time you refresh, enjoy a frosty, ice cold Pepsi Cola.

[Hey Boy]

Sociability, Charlie.

[Paladin]

All right, Kay, how's this? Pepsi is light. Refreshes without filling. You like to refresh? Have a Pepsi right now. We'll offer it to everybody, Charlie. I will enjoy Pepsi at the fountain. It's delicious at home, too. Have one at lunch or with a snack at the beach or at dinner. Wherever you go, wherever you're thirsty, Pepsi is there. It's here too, in our Be Sociable song.

[Hey Boy]

Be sociable, look smart, keep up to date with Pepsi. Drink light, refreshing Pepsi. Stay up and fair and dip an air. Be sociable.

[Paladin]

Have a Pepsi for the weekend. Have plenty of Pepsi around. Pick up an extra carton today. CK I'm sociable with Pepsi, everyone is. Have gun, Will Travel, created by Herb Meadow and Sam Ralph is produced and directed in Hollywood by Frank Paris and stars John Dana as Paladin with Ben Wright as Hey Boy and Virginia Greg as Ms. Wong. Tonight's story was specially written for have Gun, Will Travel by Tom Hanley. Featured in the cast were William Redfield, Joseph Kearns, Parley Bear, Jack Mos, Tim Graham and Peggy Weber. This is Hugh Douglas inviting you to join us again next week when CBS Radio presents have Gun Will Travel.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more free information, go to otrwesterns.com copyright have a great day and thanks for listening. If you're fascinated by the psychology behind your favorite movies, then you've got to check out Popcorn Psychology. Hosted by three licensed therapists, each episode breaks down blockbuster films through the lenses of individual, child and marriage and family therapy. They tackle everything from trauma and grief to anxiety and attachment, all through the stories of beloved movies. It's the perfect mix for mental health professionals and film enthusiasts, or anyone who's found themselves tearing up at a Pixar movie. Their latest season kicks off with a deep dive into Inside Out 2, exploring the complex emotions of adolescence with a blend of clinical insight, film analysis and just the right touch of humor and heart. Popcorn Psychology is not just another movie review podcast. Catch new episodes every other week on or wherever you get your podcasts. Join the conversation and binge past episodes to see movies like never before.