From East To West with William Marshall | All Star Western Theatre (11-24-46)

Summary

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Old Time Radio Westerns - "From East to West" with William Marshall (All Star Western Theatre, 11/24/46)

Host: Andrew Rhynes
Date Released: September 15, 2025
Guest: William Marshall
Original Broadcast: November 24, 1946

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Episode Overview

This episode of Old Time Radio Westerns presents a digitally restored performance of "From East to West," a story from the All Star Western Theatre originally aired in 1946. The drama stars William Marshall as a privileged but reckless son of New York high society, forced to find himself on a Texas ranch. The episode blends western adventure, romance, and musical interludes, highlighting a journey of personal growth set against the backdrop of the American frontier.

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Key Discussion Points and Plot Highlights

Setting the Stage

• The show opens with a performance by the Riders of the Purple Sage and a reflection on the human side of the “fighting machines” who helped civilize the West, drawing a parallel to modern Thanksgiving as a time for family and gratitude.
  (04:41-07:40)

Meet Bill Van Lind: East Coast Playboy

• Bill Van Lind, a blue-blooded baritone with a reputation for wild antics, is introduced singing in a New York nightclub.
  • His father berates him for chasing publicity and acting irresponsibly, notably referencing a bull-riding stunt at Madison Square Garden and roughhousing on the polo team.
  • Bill’s father delivers an ultimatum: leave home and make something of himself, or never return.

  “You have the reputation of a worthless, squandering fool. And I’m embarrassed daily making apologies for your actions... I’m turning you from this house without money, without a cent. You’re not to return until you’ve made something of yourself. Is that clear?”
  (10:00-12:53)

Fresh Start on the Lazy D Ranch

• Bill takes his father’s challenge, traveling to Texas looking for honest work. He reconnects with Bud, an acquaintance from the rodeo. Bud offers him a job at the ranch despite Bill's inexperience.
  (15:33-16:57)
• Bill meets the crew, including Janie Hawkins (“the real boss”), Al, Jimmy, Johnny, and Art.
  (16:57-18:41)

Proving Himself - The Wild Horse Challenge

• The ranch hands tease Bill into trying to ride a notorious wild horse. He accepts the challenge, gets thrown, and suffers a mild injury, providing a humorous and humbling moment. Janie tends to him, sparking a bond.
  • Notable exchange:

    Bill (groggily): "Guess the horse won, huh?"
    Janie (teasing): "It was a photo finish. The horse fell, you jumped, and you landed on your head."
    (21:04-21:19)

Romantic Complications

• Mutual feelings develop between Bill and Janie. However, Al warns Bill that Janie and Bud have been “keeping mighty steady company,” prompting Bill to distance himself out of respect for Bud.

  “I like you very much. More than I ever liked any girl up until a short time ago... Things are different now. I’m going to try and keep it that way.”
  (24:04-24:18)

A Test of Loyalty and Courage

• After settling into ranch life, Bill proves his character during a dangerous rescue. Bud falls into a gorge with his horse; Bill risks his life to lower himself down and haul Bud to safety just before a rock slide.

  “That’s a chance I’ll have to take. Now, if I make it... Well, Bill, we’d better figure this out some other way. You’ll never make it.”
  (26:00-27:10)

Resolution – Gaining Self-Respect

• Recognizing he can’t remain on the ranch due to the unresolved romantic triangle, Bill decides to leave. He expresses gratitude and respect towards Bud and Janie. Janie is heartbroken, but Bud suggests she consider visiting New York in the future, implying Bill’s story (and feelings) aren’t truly over.

  "If he thinks I saved his life, it’d be a dirty trick asking for his girl to pay for it... There’s someone else I want to see back home anyway. Someone that’s important to me."
  (28:21-28:33)

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Musical Highlights

• Original songs and traditional western ballads are interspersed, evoking the era and setting:
  • “Sing Me a Song of the Prairie” (04:55-06:20)
  • “Nobody’s Darling But Mine” performed by the Riders of the Purple Sage (07:40-10:00)
  • “September Song” sung by William Marshall, showcasing Bill’s musical background (11:22-12:40)
  • Finale: “When It’s Twilight on the Trail” performed by William Marshall and the Riders of the Purple Sage (31:26-34:23)

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Notable Quotes & Memorable Moments

• Father’s Ultimatum:

  “You have the reputation of a worthless, squandering fool. And I’m embarrassed daily making apologies for your actions.” (12:00)

• Bill’s Self-Realization:

  “I was never able to get along with this someone before. I think I’ve learned how to do it right now.” (28:35)

• Janie’s Hope:

  “I hope you’ll be very happy with the one you love.” (29:22)

• Bud’s Wisdom:

  “You love him very much, didn’t you?... I think it’d be a right good idea for you to go to the Madison Square Garden rodeo with me next fall... You know, Bill really loves rodeos and horses.” (29:54-30:13)

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Episode Timeline / Timestamps

| Timestamp | Segment | |------------|------------------------------------------------------------------| | 04:41 | Show and cast introduction/subtle pitch for Weber’s Bread | | 07:40 | “Nobody’s Darling but Mine” performed live | | 10:00 | Bill Van Lind’s NYC nightclub scene and ensuing family conflict | | 16:57 | Bill arrives at Lazy D ranch, meets Janie and the crew | | 20:11 | Wild horse challenge, Bill gets thrown and tended by Janie | | 24:04 | Heart-to-heart with Janie about respect, friendship, and love | | 26:00 | Bud’s accident and rescue by Bill | | 28:12 | Bill’s departure, Janie and Bud’s final reflection | | 31:26 | Closing musical performance with William Marshall | | 34:23 | Show credits and sign-offs |

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Episode Tone & Legacy

“From East to West” is told with warmth, humor, and a touch of wistfulness, blending old-fashioned values with relatable romantic and ethical dilemmas. Musical interludes strengthen the setting, while the dialogue and performances deliver sincerity and occasional sly humor. The episode is clearly meant to evoke nostalgia for western radio drama’s golden age, celebrating both the music and storytelling of the American frontier.

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Summary Takeaways

• Growth and Redemption: Bill’s journey from reckless playboy to responsible, selfless man mirrors the classic American narrative of reinvention on the western frontier.
• Respect and Sacrifice: The story balances themes of friendship, unspoken love, and moral responsibility.
• Production Value: The restored audio, complete with lively performances and polished soundscapes, highlights why these mid-century radio dramas continue to appeal to new audiences.

If you missed the episode, this summary covers all major story beats, highlights poignant character moments, and preserves the original tone and charm of the broadcast.

Transcript

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[Narrator/Characters (Bill, Bud, Al, etc.)]

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[Janie Hawkins]

Foreign.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Welcome.

[Andrew Rines]

To the Old Time Radio Westerns. I'm your host Andrew Rines, and before we get into this episode, I wanted to remind you to check out our other Western podcasts released daily by going to otrwesterns.com or searching OTR Westerns in your podcast app of choice. I also wanted to invite you to check out our other podcast channel releasing non Western shows by going to otnetcast.com or by searching otnetcast in your podcast app of choice. Now let's get into this episode. This episode is going to be All Star Western Theater. Original air date is November 24, 1946 and the title is from east to west and we've got William Marshall in the lead role. Hope you enjoy.

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[Narrator/Characters (Bill, Bud, Al, etc.)]

The Bakers of Weber's Bread present your All Star Western Theater. From Hollywood comes your All Star Western Theater starring America's great Western singers, Boy Willing and the Riders with the Purple Fade. Our guest today is Republic Pictures Great News star William Marshall. This is Cottonseed Clark and here are the Riders of the Purple Sail. Sing me a song on the prairie Sing me a twilight on the trail Sing me a song of western skies the campfire star revale out on the open range under sky of blue riding roping in the saddle friends and crazy longhorn cattle singing the prairie Sing me a song of the early Give me a horse to ride Sing me a song around the time a holy by my side out on the open range under the sky of blue riding rope in the saddle grand and crazy longhorn cattle singing a prairie song as we hear and read some of the stories that have come down to us about the cowboys and gunfighters who helped civilize the west, it is hard to realize that these fighting machines had their human side too but they did. As a matter of fact, most of them were good family men, proud fathers and loving husbands. And just as it is today, Thanksgiving then was a family day given over to feasting and thanksgiving for the blessings of the year past. This coming week, when you are shopping in preparation for your family's Thanksgiving dinner, remember to buy Weber's Bread. The firm, even texture, golden brown crust and distinctive flavor of Weber's Bread will make your dinner more enjoyable as turkey dressing for turkey sandwiches. And when served sliced with other foods, Weber's Bread is really good. Here comes the Western heart ballad in all its glory. Friends and neighbors, and of course, the best in the west to make it so. The riders of the purple sage offer their simple but sincere rendition of Nobody's Darling But Mine. Come sit by my side, little darling. Come lay your cool hand on my brow. Promise me that you will never be nobody's darling but mine. You're as sweet as the flowers of springtime. You're as pure as the dew from the. I had rather be somebody, darling. Than a poor boy that nobody know. Goodbye, goodbye, little darling. I'm leaving you now. Now for one Promise me that you will never be nobody, darling but mine. It is with real Western pleasure that we welcome a return visit from one of Hollywood's great new screen stars today. Although not of the Western screen, he was quick to accept our invitation to keep company with you folks and a story of the west written especially for him. Entitled from east to West. We are proud to present Republic Pictures outstanding new star, William Marshall. Our story has its beginning in a New York jive and jam nightclub of a somewhat shady reputation. A brief intermission has just concluded. And as the orchestra moves back into the bandstand, the master of ceremonies approaches the microphone. Ladies and gentlemen, we have a very special treat in store for you tonight. Yes, sir, Bill. Vinyl in the second. Who? Blood is blue and the grass in Kentucky is flobing with us tonight. That's there. And he's agreed to sing a song for you. Let's bring him on with a great big hand. Hello, Freddy. How are you? Fine, Bill. What are you going to sing to delight our customers with tonight? Let's try the September song. September Song. All right, man, let's. Oh, it's a long, long while from May to December. And the days grow short when you reach September. When the autumn weather turns a leaf afl. And I haven't got time for the waiting game. All the days dwindle down to a precious few. September, November and these few precious days I'll spend with you these precious days I'll spend with you. Thanks a lot, bill. It was 12 of you. Glad to do it, Freddie. Anytime. Say, how about a picture, Bill? Sure, all you like. Start shooting. Come on, folks. Let's give Bill Van Lin a great big hand. Come on. William, come here. Look at that headline. Look at it. Society's Blue Blooded Baritone Bellows Ballad for Jive and Jam Papering. Not a very good picture of me, is it? Look. And you've carried your playboy antics just a little too far. You're disgraced in the name of Ann Lynn and you're just getting excited. Dad. Time to get excited. They're getting more cheap publicity for this family than I care to put up with. It was bad enough a few weeks ago when you made a public display of yourself trying to ride a bull in the Madden Madison Square Garden rodeo. What do you mean? Try rode him. And you lost your position on the polo team because of unnecessary roughness. Well, how can I help it if the rest of the team played like women? Look, I've taken all I'm gonna take, William. Meaning what, dad? This. Son, time and again I've pleaded with you to settle down. Forget this life you're leading and trying to make a man of yourself. You have the reputation of a worthless, squandering fool. And I'm embarrassed daily making apologies for your actions. But Dad, I. Don't you listen to me. I'm at my ropes end, son. For once, I'm gonna carry out what I threatened to do for a long time. I'm turning you from this house without money, without a sense. You're not to return until you've made something of yourself. Is that clear? Yes, dad, that's pretty clear. Hey, Johnny, how about grabbing your fiddle and Bud, get your accordion. Let's try that arrangement we've been working on. What do you say.

[Janie Hawkins]

Sam? Sa? Your boy should be on the radio instead of punching cows.

[Narrator/Characters (Bill, Bud, Al, etc.)]

The rest of you do as you please. But I'm going to string along with the cows myself. I ain't. You sure Radio's here to stay?

[Janie Hawkins]

Someone's at the door.

[Narrator/Characters (Bill, Bud, Al, etc.)]

I wonder who that could be this time of night. Oh, I'll get. It's more than likely old man Loudermilk wanting to borrow some more liver pills. He's eating so many of them pills you couldn't beat his liver to death with a stick. Yes, sir, what can I do for you? You remember me, Bud? No, I don't believe I do, friend. I mentioned Madison Square Garden rodeo. You said If I ever came to Texas to look you up. Well, I met a lot of people there. And, well, I'm the fellow that made the exhibition bull ride. You kind of gave me a couple of pointers. Say, you're the polo player. That's the side feller. Bill Van Lind. You know, I didn't recognize you in the dark. Come on in. Well, just a minute, Bud. First, I wanted to ask if you'd do something for me. Sure. Sure, Bill. Just name it. Well, I'm out on my own now, more or less. Kind of looking for a job, and I thought maybe. Well, then you've come to the right place. We need hands worse than anything right now. But what are you doing? Looking for work? It's a long story, Bud. I'll tell you about it later. Right now, I'm kind of anxious to keep my reputation behind me, if you know what I mean. Don't worry about it anymore. Come on in and leave everything to me. Thanks, Bud. We're holding a little thing and be among ourselves. Everybody, hold on a minute. Here's an old friend of mine I met in the garden. Oh, this is Bill. Bill Miller. How are you? Good. Bill, this is Ms. Janie Hawkins, the real boss around here.

[Janie Hawkins]

It's nice to see you, Mr. Miller.

[Narrator/Characters (Bill, Bud, Al, etc.)]

How do you do? This is Al Simmons. Hi. Hello, Al. Jimmy Mills. Hello, Bill. Johnny Harris. Hello there, Bill. And Art Lane. Nice to know you. Look, don't let me interrupt things here. You go right ahead with your scene. Well, I'm in favor of serenading that wild bronc we've been trying to ride all day himself and without success. Yeah, but tomorrow's another day. Say, maybe Bill would like a chance at him. Say, just how bad is his horse? What kind is he? Bad, all right. Why, he's just an ordinary looking old faint. I tell you what let's do. Let's tell him the story in song. Tell us why you say most high of all paint was the devil's clean his eyes were fiery red his men tried his heart to hide and all of them are dead now I won't, Frank But I rolled his mag till he's lunched against the water Then I hit the the ground and eight three clowns up to the old western storm Singing hi ho rid as high as down you go sun to the western soil hi ho Hopi ride him high and down you go, son to the western soil I swore by heck I'd break his neck for the jolie gave a prize Then I threw my noose on that Old Cayuse and once more took a ride he turned around and soon I found his head where his sail should be Then I says I perhaps he's shy or he just don't care for me. Hey, look, if you fellas have that horse in your corral, you better turn him back into the hills about. He's not far from it right now. Bill, suppose we head for the bunk out. We got a lot of talking to do. Anything to say, Bud? Let's go. Good night to you, Bill.

[Janie Hawkins]

See you tomorrow.

[Narrator/Characters (Bill, Bud, Al, etc.)]

I hope so. Oh, you'll be paying a lot to him from now on. I just gave him a job. Well, good for you. That's fine, Bill. It's good to have you. I just wasn't getting anywhere with the city life. So after dad and I had our little run in, I thought I'd come out west for a while. Well, Bill, believe me, it's good to have you. I don't know how long you'll keep thinking that. What do you mean? Well, I know plenty about horses, but I don't know anything about ranching for that bull riding event in the Garden. Well, it's, you know, just one of those things. Well, at any rate, you did a fine job. But how valuable does that make me around a ranch? We'll let that take care of itself. In the meantime, I'll cover up for you around the other boys until you get the hang of things. Well, I won't forget it, but I'll do my best for you. Well, if we don't have any luck riding this horse today, I'm in favor of selling him to rodeo stuff. Yeah. You'll never get me on that baby again. Here comes Bud with that new hand. Maybe he'll ride him. You mean try to ride him? I don't think there's anybody that good. We're waiting on you. Oh, no. Count me out. Hello there. I'd rather herd chief in Arkansas or dig wells in Montana and mount that baby.

[Janie Hawkins]

Still worried about riding that horse?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Oh, I ain't worried. I just ain't gonna get on him. Hey, how about, Bill, you want to give him a try? Well.

[Janie Hawkins]

Oh, I wouldn't try it, Bill. Don't let him, Bud.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Well, the rest of us did. Now, wait a minute. That's not a very nice way to break in a new hand or an old one. On second thought, Bud, I'd like to try to ride him. The saddle's on them, so commence to take a seat there. You sure you want to do it, Bill? Yeah, sure.

[Janie Hawkins]

But you may get hurt.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Well, that's a chance anybody takes when they get on him. All right, boys, I'm ready. You hold them for me. Well, let's get it going here. You can change your mind, Bill. Not this time. All right, men, turn him loose. Here he goes. Look out. Barely falling.

[Janie Hawkins]

Hello there.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Hello. What happened? What's going on?

[Janie Hawkins]

You went horseback riding, remember? And you're in bed.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Oh, I remember. I guess the horse won, huh?

[Janie Hawkins]

It was a photo finish. The horse fell and you jumped and you landed on your head.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Oh, then I can't be hurt very bad. Well, let me get out of this bed.

[Janie Hawkins]

Oh, no, you don't. You just take it easy. You've been out more than an hour now on this bench. I'm the doctor and the nurse.

[Narrator/Characters (Bill, Bud, Al, etc.)]

All right, doctor, if that's in order. But you got to promise me one thing.

[Janie Hawkins]

What's that?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Well, that either the doctor or the nurse will stay at my bedside every minute.

[Janie Hawkins]

Now, you've had quite a shock. You must find rest.

[Narrator/Characters (Bill, Bud, Al, etc.)]

If you're interested in my health, you better stay.

[Janie Hawkins]

If I don't, you get up, that is.

[Narrator/Characters (Bill, Bud, Al, etc.)]

That's it.

[Janie Hawkins]

Then. I'd better stay.

[Narrator/Characters (Bill, Bud, Al, etc.)]

You know, I'm gonna like it around here.

[Janie Hawkins]

Oh, I hope you will.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Why?

[Janie Hawkins]

Well, I. I just want you to like it here, that's all.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Would you have any objections if I like you too?

[Janie Hawkins]

You better try and do something.

[Narrator/Characters (Bill, Bud, Al, etc.)]

You haven't answered the question.

[Janie Hawkins]

Do I have to?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Don't you want to?

[Janie Hawkins]

Really, I have no expectations.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Yes, I really think I'm going to like it here. Hello, Al. Come on in. Hello, Bill. What you doing? Just lying here on the bunk reading some old letters. Bill, you've been here a week now and I've been noticing something. I thought I'd wise you up on a bit. What do you mean? It's about Jamie. Well, what about Jane? I don't think you know it. That's the reason I wanted to have a little talk with you. Well, let's get out of the suspense. What's it all about? Well, I can tell that you seemed right fond of her. And Bud's noticed it, too, I think. Well, what's wrong with that? Well, except that she and Bud have been keeping mighty steady company for a long time. And I don't think he'd appreciate it very much. You cut in on him. You mean that Jane? But. Yeah, that's it. Well, that puts a different light on things. I wouldn't do a trick like that to Bud for anything. Al, I'm glad you Told me. Well, I thought maybe you'd want to know. Everybody kind of likes you. And. Well, I. I understand. And, Al, thanks a lot.

[Janie Hawkins]

Hello there. Alone?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Hello, Janie. Yeah, I. I was just looking at the moon and thinking.

[Janie Hawkins]

About what?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Lots of things.

[Janie Hawkins]

Then maybe you thought of a good reason why you've avoided me these past few weeks. I'm beginning to think you don't like it here.

[Narrator/Characters (Bill, Bud, Al, etc.)]

If I didn't like it here so much, I'd left a long time ago.

[Janie Hawkins]

I don't understand.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Look, Janey, I've got a hard day's work tomorrow. I think we better say goodnight.

[Janie Hawkins]

Are you going to make me remind you that I'm your boss, lady? And if I tell you, sit here and talk with me, that you must.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Do it, you think that's kind of fair to Bud?

[Janie Hawkins]

Well, that's the reason.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Janie, I'm going to be honest with you. I like you very much. More than I ever liked any girl up until a short time ago. I always got what I wanted without letting anything or anyone stand in the way. Things are different now. I'm going to try and keep it that way.

[Janie Hawkins]

I'll go to Bud and tell him. He'll understand.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Yeah, he would. He's that kind of a guy. But if I let you do that, I couldn't live with myself. And believe me, Jenny, that's kind of important to me right now.

[Janie Hawkins]

And that's all you have to say?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Yeah, that's all, Jamie. Ordinarily, I guess a fella in this position would pack his things and leave. But if I did that, why, I'd be defeating the very thing I'm trying to accomplish. In the meantime, I. Well, I wish we could be friends.

[Janie Hawkins]

I'll try, Bill, but I still don't understand.

[Narrator/Characters (Bill, Bud, Al, etc.)]

I'm not so sure I do eat myself. Well, Bill, you're in a little early. Yeah. Rusty and I worked the herd out of east pasture and Bud now worked the north. They had more to do than we did. Well, they ought to be along most any time now, close to suppertime. Yeah. And believe me, Janie doesn't like it when anyone's late. Well, they'll show up in a little bit, I guess. You know, Jimmy, I was just thinking. I've been here on the lazy D3 months today, and how do you like it? But now. Oh, fine, fine. It's been a real education to me. What do you mean? Nothing.

[Janie Hawkins]

Jimmy, have the other boys come in yet?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Not yet. Oh, say, here comes Al now. He's riding the leather off that Horse. He's not in that big a hurry to eat. I hope.

[Janie Hawkins]

I wonder what. But if he'll get.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Quick. Quick. Jimmy, get the rope. You and Bill come with me. Bud's hurt. Hurt?

[Janie Hawkins]

What's wrong?

[Narrator/Characters (Bill, Bud, Al, etc.)]

I'll get the horses. Don't take time to saddle them. Just throw a bridle and hurry. Here. The edge of the gorge caved in with Bud and his horse and they went 100ft down over the side.

[Janie Hawkins]

Oh, is he all right?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Well, I can't tell Jenny. I think so, but he's out cold. The big danger's a rock slide. It'll bury him. Sure.

[Janie Hawkins]

I'll get my horse and follow him.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Here's the rope fell. We got to work fast. If dark comes on, he's a goner. Just don't sell the horses now. Here you are, Jimmy. Let's go. There he is. Down there at the left. Yeah. Now the least thing will start her outside. We got to take it easy. There's just one thing to do. I'll try letting myself down over the edge. You fellas take the end of this rope. That's too dangerous, Bill. One bad step, you'll start a slide and you'll both be killed. That's a chance I'll have to take. Now, if I make it. Al, tie this rope around the saddle horn of your horse and bring us up easy. Well, Bill, we'd better figure this out some other way. You'll never make it. Come on. Put that rope around my waist. There's no time to argue about it. All right, but you're taking a mighty big chance there. Now I'll try and guide myself against the wall of the gorge. Here. Let it down. Sl. You made it down. Is he all right, Bill?

[Janie Hawkins]

I think so. I'll tie that rope to your saddle horn.

[Narrator/Characters (Bill, Bud, Al, etc.)]

All right, Bill. With watch your footing. You're carrying a heavy load on your shoulders.

[Janie Hawkins]

I'm ready.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Bring us up slow. Easy, boy. Easy, boy. Come on, let's go. Bill, you made it. Take them quick, boys. This rope kind of cut my hands. Man alive. I feel like somebody hit me on the head with a wet crowbar. And you don't look much better. But thanks to Bill, you're still breathing. Where is he now? Oh, at the bunk house. Said he wanted to get some things ready. Ready for what? I don't know. He's such a strange fellow. You never know what he's up to.

[Janie Hawkins]

What do you mean you're leaving?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Just that, Janie, I guess. About time I left.

[Janie Hawkins]

You can't. I Won't let you.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Well, I have to, just the same.

[Janie Hawkins]

Well, I'll go to bed. You'll understand about us now.

[Narrator/Characters (Bill, Bud, Al, etc.)]

There's nothing to understand. Besides, if he thinks I saved his life, it'd be a dirty trick asking for his girl to pay for it. There's someone else I want to see back home anyway. Someone that's important to me.

[Janie Hawkins]

You didn't mean that.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Yeah, I meant it. Janie. I was never able to get along with this someone before. I think I've learned how to do it right now. Let's go see Bud. I want to tell him goodbye. But you can't get up and leave like this, Bill. I'm too indebted to you now. It's the other way around, Bud. I'm indebted to you more than you'll ever know.

[Janie Hawkins]

Before he goes, Bud, I'm going to tell you something. I am.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Don't say it, Janie. It's nothing. Fudge. Just a kind of crazy whim of Janie.

[Janie Hawkins]

Bill, you didn't mean that.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Yes, I. I did. Well, I. I won't forget you folks. You. You too, Janie. It meant a lot to me, Bud, having you here.

[Janie Hawkins]

I hope you'll be very happy with the one you love.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Thank you. Well, I guess that's about all. Goodbye. Goodbye. Well, Jamie, there he goes. You love him very much, didn't you? Then you knew? Yeah, all the time. I know Bill better than you think I do.

[Janie Hawkins]

What do you mean?

[Narrator/Characters (Bill, Bud, Al, etc.)]

You know, Janie, I think it'd be a right good idea for you to go to the Madison Square Garden rodeo with me next fall.

[Janie Hawkins]

Why do you say that?

[Narrator/Characters (Bill, Bud, Al, etc.)]

Well, you see, New York is Bill's home. And I've got a hunch you'll be at the Garden. You know, Bill really loves rodeos and horses.

[Janie Hawkins]

I hope that isn't all he loves.

[Narrator/Characters (Bill, Bud, Al, etc.)]

Thank you, William Marshall. Heard what our guests are today? Well, Cullen Gerald as Janie. Joe Forte is the father of Bill Corey Willing as Bud and Al Floy and Jimmy Dean. The early Americans who pushed the frontier borders ever westward were a self sufficient lot. They had to be. For often the nearest neighbor would be miles away. Little wonder that when the neighboring ranchers did gather for a holiday such as Thanksgiving, they made certain it was a gala event. Then, as now, King Turkey held the spotlight. As you prepare for the feasting at your house this coming Thursday. Remember that Weber's bread makes good turkey dressing. Weber's bread is well mixed and well baked. It has the right moisture content so that it's neither too dry nor too moist and its distinctive flavor will add to the success of your turkey dressing. Be sure to have plenty of Weber's Bread on hand for Thanksgiving, as dressing for the turkey and as a substantial part of dinner. And those turkey sandwiches is later on, Weber's Bread will be enjoyed by all. Buy Weber's Bread in the blue gingham wrapper. And now here's Foy Willing returning with our guest star, William Marshall. Well, it's been a real Western compliment having you return to the All Star Western Theater again this week. Thank you, Foy. I always enjoy doing these stories and meeting nice people. But right now, how about that little song we all cooked up here before the program? That's what we're waiting for. Bill Bill Marshall is going to join with the writers of the Purple Sage to bring you one of your all time Western favorites. When it's twilight on the trail when it's twilight on the trail and I joined the world is like a dream and the ripple of the stream is my song when it's twilight on the fair and I rest once more My ceiling is the sky and the grass on which I lie is my soul Never ever have an equal in my dream Never ever have a debt to pay Till I understand what real content must mean. Yes, I was born that way when it's twilight o the grave and my voice is still Please plant this heart of mine Underneath a lonesome pine on the hill. This program came to you from the studios of KNX Columbia Square KNX Los Angeles the voice of Hollywood. 28 seconds before 5pm B u l O V A Boulevard Watch time give him America's most distinguished timepiece. A 21 jewel Bulova Excellency watch. Highest achievement of the watchmakers. Art and skill.

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[Narrator/Characters (Bill, Bud, Al, etc.)]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com and send us an email podcast trwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Indeed Advertiser]

You just realized your business needed to hire someone yesterday. How can you find amazing candidates fast? Easy. Just use Indeed. Stop struggling to get your job post seen on other job sites With Indeed sponsored Jobs, your post jumps to the top of the page for your relevant candidates so you can reach the people you want faster. According to Indeed data, Sponsored jobs posted directly on indeed have 45% more applications than non sponsored jobs. Don't wait any longer. Speed up your hiring right now with Indeed and listeners of this show will get a $75 sponsored job credit. To get your jobs more visibility at indeed.comkidsandfamily just go to indeed.comkidsandfamily right now and support our show by saying you heard about Indeed on this podcast. Terms and conditions apply. Hiring Indeed is all you need.