Harriet | Gunsmoke (01-29-61)

Summary

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Podcast Summary: Gunsmoke – "Harriet"

Podcast: Old Time Radio Westerns
Host: Andrew Rhynes
Episode Title: Harriet | Gunsmoke (01-29-61)
Release Date: September 27, 2025

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Main Theme & Purpose

In this digitally restored classic episode of Gunsmoke from January 29, 1961, Marshal Matt Dillon confronts the dark realities of revenge, deception, and survival on the rough frontier. The tale centers around Harriet Horn, a determined young woman whose journey westward is upended by tragedy and her ensuing quest for justice. Through nuanced characterization and suspenseful plotting, "Harriet" explores the toll of frontier lawlessness and the lengths individuals will go for retribution.

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Key Discussion Points & Episode Breakdowns

1. The Tragedy on the Prairie

[05:22 - 08:04]

• Harriet Horn and her father are traveling to Pueblo, pausing for a rest and conversation about the hardships faced.
• Two outlaws approach under false pretenses, searching their wagon. The situation quickly escalates.
• Harriet's father is killed while Harriet hides in the brush, witnessing the murder and left utterly bereft and alone.

"You stay there no matter what. Don't argue. Now, hurry. And don't show yourself until I call for you. You promise me now?"
— Matt Dillon, as Harriet’s father, showing his protective nature ([06:13])

2. Arrival in Dodge City & Suspicion

[09:46 - 12:14]

• Harriet makes her way alone to Dodge City, exhausted from a 40-mile walk.
• Chester and Doc tend to her, with Chester charmed and protective; Marshall Dillon, however, is skeptical of her story.
• Dillon senses inconsistencies but Harriet avoids details, raising suspicions among the lawmen.

"Well, what do you think now, Mr. Dillon?"
— Chester, hopeful yet confused by Dillon’s skepticism ([11:47])

"That girl's a liar."
— Marshal Matt Dillon, highlighting his doubt and distrust ([11:51])

3. Harriet's Motives and Deceit

[13:02 - 17:10]

• Harriet seeks out Kitty at the Long Branch for a job, revealing she’s searching for her “husband”—a cover for her true aim.
• Harriet ingratiates herself with two unsavory characters, Dan Scorp and Webb Hogler, men who fit the description of her father’s murderers.
• Dillon confronts Harriet with his suspicions, extracting the truth: Harriet is plotting to have the outlaws kill each other in revenge.

"You're setting them up for a fight, aren't you? You want them to kill each other, if you can arrange it."
— Marshal Matt Dillon, confronting Harriet’s motives ([17:19])

"They're mine. They're gonna die because of me. I'll be their hangman, not you or anybody else."
— Harriet Horn, revealing her thirst for personal vengeance ([17:47])

4. The Kidnapping Plot Unfolds

[22:38 - 25:00]

• Harriet arranges to ride with Webb Hogler; Dan Scorp appears and the two men’s true intentions are revealed—they plan to kidnap Harriet and sell her to renegades.
• Dillon, shadowed by Chester, arrives in time to intervene.
• A tense standoff ensues; Dillon arrests the men for Harriet’s father's murder, as Harriet’s courage falters and she yields her revenge to the law.

"You’re not gonna kidnap me."
— Harriet Horn, as the plot against her surfaces ([24:09])

"You two killed a man on the prairie about a week ago. It was Harriet's father. She was hiding. She saw the whole thing."
— Matt Dillon, presenting the evidence and justice ([25:10])

5. Resolution and Emotional Closure

[25:50 - 26:42]

• Both Scorp and Hogler are killed in the ensuing confrontation, bringing some semblance of justice for Harriet and her father.
• Harriet expresses gratitude and humility to Chester, who had quietly protected her throughout.
• Marshal Dillon reminds Chester to see her safely to town, marking the end of her harrowing ordeal.

"Oh, Chester. Oh, I've been terrible, ignoring you like I did."
— Harriet Horn, finally recognizing Chester’s loyalty ([26:11])

"You up to the ride, Ms. Harriet?"
— Chester Landon, ever caring, ensuring Harriet's wellbeing ([26:26])

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Notable Quotes & Memorable Moments

• Protective Parent:
  "You get over on the brush there and hide."
  — Harriet’s father, minutes before his death ([06:06])

• Marshal’s Wisdom:
  "The first man they look for and the last they want to meet. It’s a chancy job and it makes a man watchful and a little lonely."
  — Matt Dillon’s iconic series introduction ([02:15])

• Harriet’s Determination:
  “I’m looking for a husband, Kitty.”
  — Harriet, masking her hunt for justice ([13:05])

• The Lawman’s Ultimatum:
  "If you don't get on that horse, I'll whip you good and tie you up and gump you up."
  — Dan Scorp threatening Harriet ([24:35])

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Timestamps for Key Segments

• Tragedy strikes: [05:22 - 08:04]
• Harriet’s arrival in Dodge: [09:46 - 12:14]
• Marshal Dillon suspects Harriet’s story: [11:47 - 13:02]
• Harriet schemes against the killers: [13:02 - 17:10]
• Showdown at the river — kidnapping attempt thwarted: [22:38 - 25:00]
• Justice served and emotional resolution: [25:50 - 26:42]

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Tone & Atmosphere

True to the tradition of Gunsmoke, the episode maintains a tense, dialogue-driven atmosphere, where every character’s motive is tinged with desperation or hardship. The language is plain-spoken, sometimes tinged with wryness or bitterness, especially from Matt Dillon and Harriet, reflecting the hard edges of frontier justice and personal vengeance.

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Summary

“Harriet” is a tightly woven Western drama about grief, survival, and the cost of personal vengeance versus the demands of law. As Harriet seeks retribution for her father’s murder, Marshal Dillon’s steadfast sense of justice ultimately prevails—though not without heartbreak and reminders of the loneliness the law can bring. The enhanced audio restoration not only preserves but enriches the experience, drawing listeners into every footstep, gunshot, and moment of desperate hope on the wild prairie.

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Transcript

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Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode absolutely free.

[Matt Dillon]

This.

[Andrew Rines]

This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[Matt Dillon]

Around Dodge City and in the territory on west, there's just one way to.

[Narrator/Announcer]

Handle the killers and the spoilers, and that's with a U.S. marshal.

[Matt Dillon]

And the smell of gun smoke. John Smoke. Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely.

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[Matt Dillon]

M that smells good. Irish stew.

[Harriet Horn]

Yes, but it won't be ready for half an hour. Why don't you go over to the wagon and take a rest?

[Matt Dillon]

Oh, now, don't you worry about me, Harriet. Taking out the horses doesn't tire a man out.

[Harriet Horn]

I know, but this trip has been hard on you.

[Matt Dillon]

You should have had a real plainsman for a father, not a withering, pallid school teacher.

[Harriet Horn]

I prefer a withering, pallid school teacher, if you don't mind. How far is it to dodge?

[Matt Dillon]

Oh, another 40 miles, I believe. I'll Be glad when we get to Pueblo. I feel a lot safer about you.

[Harriet Horn]

Father.

[Matt Dillon]

What?

[Harriet Horn]

Look. There are two men riding up out there.

[Matt Dillon]

Oh, yes, yes, I see them. All right, Harriet. Now, you hurry. You get over on the brush there and hide.

[Harriet Horn]

Do I have.

[Matt Dillon]

You stay there no matter what. Don't argue. Now, hurry. And don't show yourself until I call for you. You promise me now?

[Harriet Horn]

All right, I promise.

[Matt Dillon]

Well, hello, honey. You alone here? Yes, I. I'm alone. What's a man like you doing out here alone? Well, I'm a schoolteacher. I'm headed for Pueblo. School teacher? No. Ain't that son. What you got in that wagon, mister? Oh, I. Nothing. I mean, just my personal belongings, that's all. Take a look. We wouldn't want to miss nothing. Now, you keep away from there. You got no right to go through my things. You just keep quiet, mister. Oh, I'll not have this. You just stand still. I'll have to rough you up good. You've got no right. Looky here. Dresses. What? Well, now, you got a woman with you? Oh, no, They're. They're my wife. She died on the way. No. That's too bad. Just about the size I like. Hey, maybe he's lying. Maybe the woman's hiding somewhere. Let's take a look around. Oh, no, you don't. Good thing you shot him.

[Chester Landon]

He was trying to cut me.

[Matt Dillon]

Yeah. Coming. All right, we better clear out of here. Yeah. He ain't got nothing we want anyway.

[Harriet Horn]

Father. Father. Oh, no.

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[Chester Landon]

Oh, this way. You see her, Ms. Dung? She's not the prettiest lady I've ever saw.

[Matt Dillon]

I don't know why you dragged me along, Chester. There's nothing I can do for the girl.

[Chester Landon]

Well, I want you to see her. It ain't every day a lady walks in off the prairie and just ups and collapses in a body's arms. Oh, I sure am glad I was here in the Dodge House when she come in.

[Matt Dillon]

You say Doc's up there now, huh?

[Chester Landon]

Yes, sir. It's that room up the top of the stairs. But she was just war to a frazzle. And Ms. Dun, you know what? She ain't got no friends here at all.

[Matt Dillon]

With you working, you'll soon know everybody in town just see it. Oh, hello, Matt. Doc.

[Chester Landon]

How is she, Doc?

[Matt Dillon]

Well, there's nothing wrong, but about 24 hours rest won't cure.

[Chester Landon]

Ms. Harriet. I brung the marshal. This is him here.

[Harriet Horn]

How do you do, Marshall?

[Matt Dillon]

Hello.

[Chester Landon]

There'll be some vittles along soon. I told them over at El Monaco's and they're fixing you a big pot of soup.

[Harriet Horn]

I do appreciate all you've done, Chester Landon.

[Chester Landon]

It ain't nothing.

[Matt Dillon]

I hear you had a 40 mile walk, Harriet.

[Harriet Horn]

Yes.

[Matt Dillon]

You were driving a wagon. Chester says your horses ran off.

[Harriet Horn]

They got away during the night.

[Matt Dillon]

And you were traveling alone?

[Harriet Horn]

Yes, Marshall.

[Matt Dillon]

Where are you from, Harry?

[Harriet Horn]

I'm from St. Louis. I was coming to Dodge. I made it too. I had a little bad luck, that's all. It could happen to anybody.

[Matt Dillon]

Sure, but it's not often a young girl tries to make a trip like that alone.

[Harriet Horn]

I did, Marshall.

[Matt Dillon]

Harriet, those powders I gave you will put you to sleep soon. You'll be fine by tomorrow.

[Harriet Horn]

Thank you, Doc. And you too, Chester.

[Chester Landon]

Oh, well, anything you need or anything, you just send word.

[Harriet Horn]

Thank you.

[Matt Dillon]

Goodbye, Harriet.

[Harriet Horn]

Goodbye, Marshall. Doc.

[Chester Landon]

Well, what do you think now, Mr. Dillon?

[Matt Dillon]

Chester, I sure hate to disappoint you, but that girl's a liar. What? I'll ask Doc what he thinks.

[Chester Landon]

She wasn't lying about walking 40 miles.

[Matt Dillon]

But of the rest of it I.

[Chester Landon]

Have to agree with Matt. Well, now you're both wrong. Why she be lying? What are they to lie about anyway. Just cuz the poor girl's all alone and broke and everything. You have to call her a liar.

[Harriet Horn]

Dog on it it ain't. Hello. Hello. Are you Kitty Russell? Yes. They told me you were the owner of this place. That's right. My name's Harriet Horn. I'm looking for a job. Sit down. Thank you. I've heard about you. The Marshall and Chester are friends of mine. Oh, you look pretty good for a girl who arrived yesterday broke and on foot. I bought this dress this morning on credit.

[Chester Landon]

Well, I'd say you're a good risk.

[Harriet Horn]

But Harriet, the Long Branch is no place for a girl like you. You don't think I can handle it? There are other jobs. Maybe I can help you find one. Chester was talking about this place. He said that sooner or later every man in the west comes here. What's that got to do with it? I want the job, Kitty. I've got to have it. You're looking for somebody, is that it? Yes. Well, maybe I know him. I. I'm looking for a husband, Kitty. All right, Harriet, you can work here. Thank you. But you're gonna hate it. You're really gonna.

[Chester Landon]

Well, it's a doggone shame, Ms. Hurd. It purely is.

[Harriet Horn]

Now Chester, don't worry so about me. I get along fine here.

[Chester Landon]

No, you don't. An old lady like you.

[Harriet Horn]

Couldn't you tell Kitty that and she'll fire me.

[Chester Landon]

She should never let you come to work here in the first place. And I told her so too. Chester, what's the matter?

[Harriet Horn]

You know those men coming over to the bar?

[Chester Landon]

Them too?

[Matt Dillon]

Why, that's Dan Scorp and Web Hobler.

[Chester Landon]

And one's no better than the other neither. What do you care about them?

[Harriet Horn]

Why, I don't. But I better talk to them.

[Chester Landon]

Chester, what in the world for?

[Harriet Horn]

I'm supposed to be working here, you know.

[Chester Landon]

Well, I'm a customer too, Ada.

[Harriet Horn]

You're a Grandchester now. Please excuse me. Hello, gentlemen.

[Matt Dillon]

Here, come on, have a drink. Bary, bring us a glass here. Hey, you're.

[Narrator/Announcer]

You're new here, ain't you?

[Harriet Horn]

Yes. My name's Harriet. You should come in more often.

[Matt Dillon]

Well, never mind. Here. Very nice. I'm the one who asked you to have a drink.

[Harriet Horn]

I've only been here a couple of days. I hope you're not just riding through.

[Matt Dillon]

No, I will. We'll be here while we drift in and out. You know, good in and out.

[Harriet Horn]

This town needs some real men.

[Matt Dillon]

You're talking about me, ain't you? What do you mean.

[Harriet Horn]

I'm talking about both of you? Come on now, let's find a table. It's cozier.

[Matt Dillon]

Don't you think it could be without him?

[Harriet Horn]

I like both of you. Now, come on.

[Matt Dillon]

Okay. The Hogler here ain't got no manners at all, Harriet. And you can't stand him very long. I'll put money on how long she can stand me.

[Harriet Horn]

You men, you're always betting on everything.

[Chester Landon]

Ms. Dunn.

[Matt Dillon]

Chester, where you been?

[Chester Landon]

Oh, just dogging around town. I was at the long range for a little bit.

[Matt Dillon]

Things pretty quiet, are they, Mr. Dunn?

[Chester Landon]

How could a lady like Harriet Horn walk up to men like Dan Scorp and Webb Hogler and start acting real friendly with them?

[Matt Dillon]

Scorp and Hogler with the long brow? Yes, sir.

[Chester Landon]

I swear. I just don't really believe I heard it.

[Matt Dillon]

Well, just what was she telling them?

[Chester Landon]

Oh, I don't know. She played up the first one and then the other.

[Matt Dillon]

Is she still at the Long branch?

[Chester Landon]

No, that was over an hour ago. She's in her room now.

[Matt Dillon]

I'll see you later.

[Harriet Horn]

Who is it?

[Matt Dillon]

Marshall Dillon. Hello, Harriet.

[Harriet Horn]

What do you want?

[Matt Dillon]

Marshall, I want to talk to you.

[Harriet Horn]

Oh, all right.

[Matt Dillon]

Come in.

[Harriet Horn]

Sit down.

[Matt Dillon]

No, thank you. Won't take long. What I came here about is Dan Scorp and Web Hogwart.

[Harriet Horn]

What about them?

[Matt Dillon]

You're setting them up for a fight, aren't you?

[Harriet Horn]

What?

[Matt Dillon]

You want them to kill each other? If you can arrange it.

[Harriet Horn]

You're smart, Marshall.

[Matt Dillon]

Just smart enough not to have believed you right from the start. Who was traveling with you, Harriet?

[Harriet Horn]

My father. And they killed him.

[Matt Dillon]

Oh, I'm sorry.

[Harriet Horn]

I was hiding and I saw it all.

[Matt Dillon]

Well, I'll go find them.

[Harriet Horn]

No, Marshall. They're mine.

[Matt Dillon]

Harriet, I know how you feel, but those men will get a trial and probably hanged.

[Harriet Horn]

I won't testify. I won't give any evidence. I won't even tell you where it happened.

[Matt Dillon]

Now, look, Harriet.

[Harriet Horn]

No. They're mine. They're gonna die because of me. I'll be their hangman, not you or anybody else.

[Matt Dillon]

If I tell them, you know, maybe they'll confess.

[Harriet Horn]

Don't bluff me, Marshall. You know they won't confess. And if you tell them about me, they'll kill me. You can't put them in jail without my evidence, and you know it.

[Matt Dillon]

All right, Harriet. You come to me if you change your mind. In the meantime, remember, this isn't your kind of a game. You can get hurt bad.

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[Chester Landon]

Good evening, Mr. John.

[Matt Dillon]

What do you want to see me for, Marshall? I'm busy. It's a matter of Scorp. You're afraid your partner will move in on Harriet while you're to going, huh? How do you know so much? I can understand Hogler getting taken in by her. He hasn't had as much experience as you had. What are you talking about? Harriet's new here, Scorp. But she's smart. Right off she's getting a couple of men to fight over her. That'll set her up good, won't it? That'll make her talked about, important. Like I say, she's smart. What's your interest, Marshall? I don't like gun fighting, Scorp. Even among your kind. You put things mighty straight, don't you? You know I don't like either you or Hogler. I'm trying to stop a fight for the sake of the law, not to save either of you, boy. Golly, Marshall. Man just has to believe you. I'll let Hogler have her like you say. He's a younger man than I am. Yeah. Thanks. Yeah.

[Chester Landon]

What do you think, Mr. Dun?

[Matt Dillon]

Jester, you had a good sleep last night, didn't you?

[Chester Landon]

Yes, I did. And a little nap this morning, too.

[Matt Dillon]

Well, you hang around. Keep an eye on Harriet as best you can without anybody knowing it from now on. From now on?

[Chester Landon]

Till when?

[Matt Dillon]

I don't know, but you better get started.

[Harriet Horn]

Pretty out here, isn't it?

[Matt Dillon]

That's why I want you to come. River's just over, beyond their brush. Let's get down.

[Harriet Horn]

Oh. Oh, we can't stay. I promised Dan Scoffer. Have dinner with him at Delmonico's at 1:00'. Clock.

[Matt Dillon]

Well, it ain't hardly noon yet. We got plenty of time.

[Harriet Horn]

All right, but just for a few minutes.

[Matt Dillon]

Sure. Come on. Yeah. You want to walk over and look at the river?

[Harriet Horn]

No, I. I don't have that much time.

[Matt Dillon]

What's bothering you, Harry?

[Harriet Horn]

Nothing.

[Matt Dillon]

You worried Scarf might take it wrong if you're late?

[Harriet Horn]

Of course not. I told him we were going for a ride this morning.

[Matt Dillon]

Sure you did.

[Harriet Horn]

What do you mean by that?

[Matt Dillon]

Well, looks like we got company.

[Harriet Horn]

What? It's Dan Scorp.

[Matt Dillon]

It sure is.

[Harriet Horn]

Ken. What are you doing here? Harriet, you aren't jealous because I'm here with Webb, are you?

[Matt Dillon]

Oh, I ain't jealous. No reason I should be jealous, is there, Hoobler? None I know of. We've been partners a long time. No gal can bust us up. Not oddly. I sure don't like being used by a gal, do you? Anybody tries it ought to be taught a lesson.

[Harriet Horn]

What are you two talking about?

[Matt Dillon]

Mr. Garb, did you tell everybody we was leaving town? Everybody I run into. I told him you and me was headed for Wyoming territory. Good. And when Harriet turns up missing, they'll think she run off with us of her own free will. Makes sense. She sure put on a good show of liking us.

[Harriet Horn]

You. You're not gonna kidnap me.

[Matt Dillon]

You tell her, Hogler. Harriet, do you ever hear the Comanchero?

[Harriet Horn]

No.

[Matt Dillon]

They're renegades. We'll run into them when we get down into the panhandle country.

[Harriet Horn]

I'm not interested.

[Matt Dillon]

Oh, that don't matter. They'll take you. White woman Fetches a good price, especially a pretty one.

[Harriet Horn]

You're crazy, both of you.

[Matt Dillon]

You get mounted. Hurry up.

[Harriet Horn]

You are not angry Alone, both of you.

[Matt Dillon]

You ever been whipped by a rope, Harriet?

[Chester Landon]

Sure.

[Harriet Horn]

What?

[Matt Dillon]

If you don't get on that horse, I'll whip you good and tie you up and gump you up. All right, hold up there. Well, hello, Marshall. What's going on here, Scorp? Nothing, Marshall.

[Chester Landon]

What are you doing with that rope?

[Harriet Horn]

Kidnapping. They said they'd sell me to some renegades.

[Matt Dillon]

Harriet, you sure tickle me. You never know what she's gonna do next, do you?

[Harriet Horn]

Don't listen to the marshals.

[Matt Dillon]

You ready to play it my way, Harriet?

[Harriet Horn]

Yes. Yes, arrest them.

[Matt Dillon]

What are you talking about? You two killed a man on the prairie about a week ago. What? It was Harriet's father. She was hiding. She saw the whole thing. Get him over here. Don't try it. Hey, you. You killed him. He didn't even have a chance to draw. He was going for his gun. Now, you drop your gun to the ground, Scorpio. No. No. You ain't taking me in, Marshall.

[Chester Landon]

Is he dead, Mr. Dillon?

[Matt Dillon]

Yeah, they're both dead, Marshall.

[Harriet Horn]

It's true. They were going to sell me to some renegades down in Texas.

[Matt Dillon]

Well, they didn't, thanks to Chester here.

[Harriet Horn]

Why, what do you mean?

[Matt Dillon]

It was Chester who camped all night in the street outside your room. He saw you ride out with Hogler this morning.

[Harriet Horn]

Oh, Chester. Oh, I've been terrible, ignoring you like I did.

[Chester Landon]

Oh, well, I. I just didn't understand at first.

[Matt Dillon]

All right, take her back to town, Chester. I'll hang around here till you send somebody out with a wagon.

[Chester Landon]

You up to the ride, Ms. Harriet?

[Harriet Horn]

It'll be the best ride I ever had.

[Chester Landon]

Well, I'll hurry right back, Mr. Donan.

[Matt Dillon]

Now send somebody, Chester. We'll hire this job done, huh? Well, dog on.

[Chester Landon]

Yes, fear that. That's fine. Shall we get going, Ms. Harry?

[Harriet Horn]

Yes, thank you, Marshall.

[Dale, Framing Contractor]

I'm here on the job site with Dale, who's a framing contractor.

[Chester Landon]

Hey, good morning.

[Dale, Framing Contractor]

Dale traded up to Geico Commercial Auto Insurance for all his business vehicles. We're here where he needs us most.

[Matt Dillon]

Yep, they sure are.

[Dale, Framing Contractor]

We make it easy for him to save on all his insurance needs, all in one place with coverage that fits his business and bottom line. Oh, I shouldn't have looked down.

[Matt Dillon]

It's all right.

[Dale, Framing Contractor]

We're so far up here.

[Chester Landon]

Look at me. Take a deep breath.

[Dale, Framing Contractor]

I'm good. So good.

[Narrator/Announcer]

Get a commercial auto insurance quote [e-mail]. and see how much you could save. Get more with Geico.

[Matt Dillon]

Hi, this is Dennis James to make a point about reliable, effective Kellogg's All Brand. Repeat after me please. What do you want when you need brand? What do you want when you need brand? Reliability.

[Chester Landon]

Reliability.

[Matt Dillon]

Now what do you get in Kellogg's All Brand? What do you get in Kellogg's All Brand? Reliability, Right? You see, Kellogg's All Brand is the reliable brand that millions depend on for the effectiveness they want. It's the real Battle Creek formula that brings you more bran bulk in every serving. More of the vital brand bulk that helps you keep regular. Kellogg's All Brand is also low in calories and mighty pleasant tasting. You can trust Kellogg's for that. The crisp toasted shreds have the kind of good bran muffin flavor that most folks are partial to. So next time you are shopping, get Kellogg's All Brand and you'll get reliability.

[Harriet Horn]

That's what you get in kellogg's all brand.

[Matt Dillon]

Rel Gun Smoke produced and directed in Hollywood by Norman McDonald stars William Conrad as Matt Dillon. U.S. marshal story was specially written for Gunsmoke by John Meston and adapted for radio by Frank Harris. Featured in the cast were Eve McVeigh, John Dana, Ben Wright and Barney Phillips. Harley Bear as Chester. Howard McNear is Doc and Georgia Ellis's Kitty. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on Gun Smoke, have a Happy Habit Monday through Friday with Bing Crosby and Rosemary Clooney on the CBS Radio Network. Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com.

[Matt Dillon]

Become one.

[Andrew Rines]

Of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve and Ron W. Who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739. This episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Harriet Horn]

Sam.