Hinka-Do | Gunsmoke (10-04-59)

Summary

Old Time Radio Westerns Podcast: Detailed Summary of "Hinka-Do | Gunsmoke (10-04-59)"

Episode Overview In the "Hinka-Do" episode of Gunsmoke, the Old Time Radio Westerns Podcast transports listeners to Dodge City, where U.S. Marshal Matt Dillon faces a new challenge with the arrival of Mamie, the enigmatic new owner of the Lady Gay Saloon. As tensions rise and secrets unfold, Matt must navigate deceit, rivalry, and unexpected alliances to maintain peace in the untamed frontier.

Plot Summary

Introduction to the Conflict The episode opens with Matt Dillon discussing the recent takeover of the Lady Gay Saloon by Mamie, a formidable woman from Kansas City. Matt expresses his skepticism about Mamie's sudden management and questions the disappearance of the previous owner, Herman Bleecker.

Key Interaction Between Characters At [03:19], Doc, Matt's trusted deputy, informs him that Mamie is the new manager. Matt confronts Mamie, who asserts her authority and lays down strict rules for her establishment. Their interaction reveals an underlying tension, hinting at possible motives behind Mamie's takeover.

Discovery of Herman Bleecker's Disappearance As the evening progresses, Matt and Doc investigate the unexplained absence of Herman Bleecker. At [15:35], they uncover Bleecker’s belongings, including his distinctive vest, suggesting foul play. This discovery deepens the mystery surrounding Mamie’s true intentions.

Confrontation and Revelation The climax unfolds when Matt decides to confront Mamie directly. At [21:03], Matt engages Mamie in a series of bets and challenges her credibility. Mamie's impressive sharpshooting skills intimidate Matt, but an unexpected twist reveals Mamie's true nature.

Resolution In a dramatic turn of events at [24:19], Mamie confesses to killing Herman Bleecker, explaining her motives rooted in personal vendetta. Doc attempts to intervene, but Mamie's actions seal her fate. Matt apprehends Mamie, restoring order to Dodge City and reaffirming his role as the steadfast marshal.

Character Insights

• Matt Dillon [01:09 – 26:58]: As the central figure, Matt exemplifies integrity and determination. His cautious approach to Mamie's takeover reflects his commitment to justice and community welfare. Matt's interactions reveal his leadership qualities and unwavering sense of duty.

  Notable Quote:
  Matt Dillon [07:15]: “I aim to get the squarest deal in town.”

• Doc [03:19 – 27:54]: Doc serves as Matt's reliable deputy, providing both support and comic relief. His skepticism about Mamie adds depth to the investigation, showcasing his role as a critical thinker and loyal companion.

  Notable Quote:
  Doc [11:38]: “You know, Mr. Dunning, she's an awful straight shooter.”

• Mamie [07:04 – 26:43]: Mamie emerges as a complex antagonist with a mysterious past. Her authoritative demeanor and hidden motives drive the central conflict, making her a pivotal character whose actions challenge Matt's authority.

  Notable Quote:
  Mamie [07:25]: “The minute you stick your foot inside that door, you're on my stomping ground.”

Key Moments with Notable Quotes

1. Mamie's Introduction [07:04 – 07:25]:

   • Mamie: “The minute you stick your foot inside that door, you're on my stomping ground. I'm the boss of the shoebang and don't ever forget it.”
     [07:25]

2. Discovery of Herman's Vest [15:35 – 16:14]:

   • Matt Dillon: “That's a boot. Now here's another one.”
     [15:35]
   • Doc: “Oh, yes, that's Herman's.”
     [16:09]

3. Mamie's Sharpshooting Challenge [21:03 – 22:19]:

   • Mamie: “I've got some rules I go by, Marshall. One of them's never to fire my last shot and leave my gun empty.”
     [22:21]
   • Matt Dillon: “I just guess you're not a gambler, Miss Mamie.”
     [22:36]

4. Revelation and Arrest [24:19 – 26:18]:

   • Mamie: “This little grub worm ran out on me in Cincinnati three years ago. I've been hunting him ever since. And last night I found him. I whaled the living daylights out of him.”
     [24:31]
   • Doc: “She pretty near murdered me, Marshall. I've been up there in bed all day, just too bruised and embarrassed to hobble downstairs.”
     [24:52]

Themes and Insights

• Justice and Vigilantism: The episode delves into the thin line between upholding the law and taking justice into one's own hands. Matt's pursuit of Mamie underscores the marshal's role in maintaining law and order.

• Power and Authority: Mamie's assertiveness in taking over the saloon challenges traditional gender roles and highlights the dynamics of power in a frontier town.

• Mystery and Suspense: The gradual unfolding of Herman Bleecker's disappearance keeps listeners engaged, blending suspense with Western drama.

Conclusion "Hinka-Do | Gunsmoke (10-04-59)" masterfully blends classic Western elements with a gripping narrative of deceit and justice. Through well-developed characters and a tightly woven plot, the episode reinforces Matt Dillon's enduring legacy as the principled U.S. Marshal. The confrontation with Mamie serves as a testament to the complexities of frontier life, where personal vendettas and the pursuit of truth intersect.

Noteworthy Quotes Summary

• Mamie: “The minute you stick your foot inside that door, you're on my stomping ground.”
  [07:25]

• Matt Dillon: “I aim to get the squarest deal in town.”
  [07:15]

• Doc: “You know, Mr. Dunning, she's an awful straight shooter.”
  [27:54]

Final Thoughts This episode exemplifies why Gunsmoke remains a beloved staple of radio Westerns. Its rich storytelling, memorable characters, and timeless themes continue to resonate with audiences, offering a vivid glimpse into the rugged spirit of the Wild West.

Transcript

[Narrator]

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[Matt Dillon]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with the U.S. marshal and the Smell of Gun Smoke Gun Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely. Choose an American Express card that can earn you rewards for your purchases. Explore benefits from green, Gold and Platinum cards. Put some cash back into your wallet from everyday purchases with Blue Cash every day and Blue Cash Preferred cards. When you're traveling again, bring back some bonus points or miles as a souvenir with our partner cards from Delta and Hilton. See if you pre qualify for an American Express card with no impact on your credit score. Learn [e-mail] check for offers. Your credit score may be impacted if you accept a card. Terms apply.

[Doc]

Hey Matt, wait a second.

[Matt Dillon]

Oh, hello, Doc.

[Doc]

I was on my way over to jail after you. You heard about the lady gay?

[Matt Dillon]

The lady gay? What about it?

[Doc]

You haven't heard or you wouldn't ask?

[Matt Dillon]

Heard what, Doc?

[Doc]

Well, I'll walk along with you if you're heading that way.

[Matt Dillon]

As a matter of fact, I was, but what's all that crowd out front?

[Doc]

In due time, Matt. In due time.

[Matt Dillon]

You know, Doc, there's only one thing that makes you Happier than having a secret. That's to collect your coroner's fee.

[Doc]

You might get a fee out of this too, before it's over.

[Matt Dillon]

Well, no wonder you're all worked up.

[Mamie]

Good morning, Mr. Dillon.

[Matt Dillon]

Chester.

[Doc]

You heard about the lady Gage?

[Matt Dillon]

No, Chester, I have not heard about the Lady Gage.

[Doc]

What? He's upset, Chester. He's the only man in Dodge who hasn't.

[Matt Dillon]

So help me, Doc, if this is one of your practical jokes.

[Doc]

No, no, no. I had nothing to do with it. You'll see.

[Matt Dillon]

Pardon me, please. Would you let me? Yes, thank you. Would you pardon me, please?

[Doc]

Well, Mr. Dillon. What do you think of it, Matt? Aside from the misspelled words?

[Matt Dillon]

The Lady Gay Saloon will open up at 8:00 tonight with new management and new policy. Everybody welcome. Signed, the new manager, Mamie. A woman lately of Kansas City, St. Louis and points East.

[Doc]

A woman can't run a saloon in Dodge? Oh, I don't know, Miss Kitty.

[Mamie]

Well, I. I've been doing pretty well at it.

[Doc]

Well, yes, ma'am, but what I meant was I.

[Matt Dillon]

You're not a woman, Kitty. You're an insane.

[Mamie]

That might be a compliment, Matt, but.

[Doc]

I'm not quite sure the reason you manage is because you got respectable patrons like me and Matt and Chest End.

[Mamie]

I'm not sure I'd call any one of you respectable.

[Doc]

Oh, now, Kitty.

[Mamie]

You three know anything about this Mamie person?

[Doc]

Nobody ain't even sorry, Miss Kitty. She must have come to town last night sometime.

[Mamie]

Probably some frilly little piece of Boston fluff.

[Matt Dillon]

You sound jealous, Kitty.

[Mamie]

Why should I be jealous? There's enough business in town for both of us. Well, satisfy your curiosity and then come.

[Doc]

On over the long branch for a decent drink. Well, now, Kitty, I'll have to wait until I get a look at her.

[Matt Dillon]

Yeah, and you just might lose our trade. You know, I kind of doubt that.

[Doc]

I'll see you boys later. Goodbye, Kitty. Say, Miche. It is. Mamie is the new manager. What went with Herman Bleecker?

[Matt Dillon]

I don't know. Maybe he sold the saloon tour. But he sure didn't say anything about it yesterday morning.

[Doc]

That's right. And I seen him over at the lyrics table yesterday afternoon showing off one of them fancy vests he's always ordering. He never said a word about it. Well, you know that little Papa Jay, he's flighty.

[Matt Dillon]

It probably happened suddenly too sudden, Doc, even for Herman.

[Doc]

Say, come to think of it, I ain't saw him all morning. And he's usually strutting up and down Front street greening himself like a powder pigeon. He's probably upstairs there sleeping in, getting ready for the opening night. We going to be here for opening night, Mr. Doan?

[Matt Dillon]

Yeah, Chester, I think maybe we better. Where's Mimi? Sorry, boy, she's upstairs.

[Doc]

Said she'd be down at 8 o'clock.

[Matt Dillon]

That's all I know about it. Now, if you want to order anything, let's hear it. If you don't shut up, my boys.

[Doc]

Is getting kind of rambunctious. Mr. Jones.

[Matt Dillon]

Yeah.

[Doc]

I was talking to the bartender earlier, Matt, asking what she looks like. He said if he told me, I wouldn't believe it.

[Matt Dillon]

That fella I'd like to talk to is Harmon Bleeker.

[Mamie]

Howdy, stranger. Welcome to the Lady Gay. I'm Mamie, the new owner.

[Doc]

Holy jumping the hot back.

[Matt Dillon]

190 pounds if she weighs an ounce.

[Doc]

That bargain was right, I wouldn't have believed it.

[Mamie]

Boys, looks like we're gonna be doing business together. So let's get things straight right in the beginning. Now, in the first place, the minute you stick your foot inside that door, you're on my stomping ground. I'm the boss of the shoebang and don't ever forget it. When I tell anybody to hop, he hops and they're clear. I aim to get the squarest deal in town. All the liquor here is going to be aged over 30 days and the dancing girls aged under 30 years.

[Doc]

Who cares how the liquor's straight?

[Mamie]

The girls are grateful. There's only four aces in every deck, and the cards only read from the front side. You'll get a fair shake for your money, but there ain't gonna be no fan dangle. And another thing. I know, mister, I'm talking.

[Matt Dillon]

So am I. Old Battle Axe.

[Mamie]

Excuse me, boy. He paid for his drink. Vinegar.

[Matt Dillon]

Yes, ma'am.

[Mamie]

All right, you warliker, throw his hat out after him. Now, as I was saying, boys, I just won't stand for no fantangle. Maybe some of you figured I was wearing a six shooter for decoration. Well, just cast your eyes on that ace of spades that got tacked up on the back wall. You ready? Now.

[Doc]

Did you see that draw, Mr. Miller?

[Matt Dillon]

Yeah, and she got the card, too.

[Mamie]

All right, boys, the first one's on the house and it's the last free one you'll get. The only credit I give is for funeral expenses. Belly on, boy.

[Matt Dillon]

Well, I'll be right back, Chester. I want to have a talk with her. Mimi.

[Mamie]

Oh, you're the Marshall, huh?

[Matt Dillon]

That's right. My name is Dylan.

[Mamie]

Proud to shake your hand.

[Matt Dillon]

Oh, thanks, Mimi. Welcome to Dodge.

[Mamie]

Mighty decent of you to express the sentiment, Marshall. I reckon you won't get much business around the Lady Gay. I'll take care of any trouble.

[Matt Dillon]

It'll be quite a change. The boys used to push Bleeker around every now and then.

[Mamie]

Ah, that rundy little prairie dog.

[Matt Dillon]

I. I didn't know that he was planning to sell. He must have made his mind up in a hurry, huh?

[Mamie]

Yeah, I made him an offer and he took it. Just like that.

[Matt Dillon]

Uhhuh. Found himself some new living quarters, I suppose.

[Mamie]

Oh, yeah, he. He moved out last night.

[Matt Dillon]

I see. There were a couple of things I want to talk to him about.

[Mamie]

Well, now, I'm afraid he left town, Marshall. I think he said something about taking the train to St. Louis.

[Matt Dillon]

Oh, that's too bad. I'd like to have seen him. Well, I'll probably be dropping in now and then, Ms. Mamie.

[Mamie]

Sure, anytime, Marshall.

[Doc]

Did you find out anything, mister? Doing.

[Matt Dillon]

Let's get out of here, Chester. You coming, Doc?

[Doc]

You sure? My gracious. Alive. I sure would hate to meet her in the dark. She's got a voice like a bull. Buffalo. Ain't it awful? Just ifes your ear something fierce. What she say about Herman?

[Matt Dillon]

She says she thinks he left town. Now, Chester, I want you to check all the rooming houses and the hotels along Front Street. I'm going to the railroad station and the stage lines, and I'll meet you back at the office, huh?

[Doc]

All right.

[Matt Dillon]

And Doc, I think Herman keeps a horse over at the livery stable. Would you look into that for me?

[Doc]

Sure.

[Matt Dillon]

I'm happy.

[Doc]

You know, Mr. Doane, she's an awful straight shot.

[Matt Dillon]

Yeah, Chester, I know.

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[Doc]

You here, Matt?

[Matt Dillon]

Yeah, Come on in, Doc.

[Doc]

Well, Bleak, his horse is still at the stable. Yeah, he didn't tell them anything about leaving.

[Matt Dillon]

He didn't leave, Doc. Mimi came in on the 9 o'clock train last night. Only one train out after that, around midnight, and he wasn't on it. And he didn't buy a ticket on the stage.

[Doc]

I tell you, Matt, that's something. Mr. Don Manuel wants to see you.

[Matt Dillon]

Oh. Oh, come on in, Manuel.

[Doc]

Gracias, senor.

[Matt Dillon]

Dylan. What's on your mind?

[Doc]

I was at the railroad depot when I hear you ask about Senor Bleecker.

[Matt Dillon]

Yeah, go on.

[Doc]

Senor, last night I see something which is strange.

[Matt Dillon]

Huh?

[Doc]

I come home very late. One hour, two hours before dawn. I was visiting Franny.

[Matt Dillon]

You understand? Yeah, I understand.

[Doc]

I. I woke home in much hurry, you know. It's very dark, senor. Well, all at once I see this lantern in the arroyo behind the Lady Ga Cantina. A lantern. I'm thinking to myself, what is this? So I wait, and this lantern keeps coming toward me. And when it's closed, this woman, who I have never seen no one like her. This made me. What a scare.

[Matt Dillon]

What was she doing in the arroyo?

[Doc]

Quien sale? But she carries something in her hand.

[Matt Dillon]

Well, what was it?

[Doc]

A shovel. Senor Matt. Finding anything?

[Matt Dillon]

Oh, there's something here, Doc, but I can't quite. Chester, hold the lantern over here, huh?

[Doc]

Yes, sir.

[Matt Dillon]

Found something here, but just get it loose.

[Doc]

Lantern. All right. Can you see it?

[Matt Dillon]

Yeah, that's fine, Chester. There, I got it. That's a boot. Now here's another one.

[Doc]

All that fancy stitching, Matt, those are his. I've seen them on him.

[Matt Dillon]

Yeah, so have I. Yesterday, in fact. Here, take them, Chester. There's a bundle of some kind here.

[Doc]

The body?

[Matt Dillon]

No, no, it's clothes, I think. Have a look. That's all there is, too. The hole doesn't go any deeper. There's hard pan on the bottom here. Hold a Leonard down, Chester. Let me get this unwrapped.

[Doc]

I'm not sure about that coat. We're doing bottom like that around town.

[Matt Dillon]

Yeah, I know. Take a look at this vest.

[Doc]

Oh, yes, yes, that's Herman's.

[Matt Dillon]

Yeah.

[Doc]

Nobody else in Dodge did. He'd wear a thing like that.

[Matt Dillon]

Yeah, and from the looks of it, he won't be wearing it again either. How you coming, Doc?

[Doc]

Now, don't. Don't rush me, man. I. I haven't made one of these blood tests in years. If you ask me, I don't see any use of making one now. But we'll see. Here. And pour the precipitants into here. Yes, Matt, what other kind of blood could it be except human?

[Matt Dillon]

Doc, I only want to be sure that's all right.

[Doc]

All right then. Let me see here. Five drops of the sulfate and. Yeah, you sure look uncomfortable, man.

[Matt Dillon]

How would you like to try arresting M. Doc?

[Doc]

It's not my job to arrest him.

[Matt Dillon]

You're lucky.

[Doc]

And now we'll shake this up and warm it a bit. Well, one thing, Mr. Dillon. Shooting at a mark, not the name's a gunfight. And maybe she won't resist.

[Matt Dillon]

You really believe that, Chester? Ok, well, there's still a chance we may be going off half cocked here. That blood could have got on Herman's vest a dozen different ways.

[Doc]

We'll soon see. Now then, a couple of drops of reagent and look for the color change. Turn up that lamp a little bit. Reaches it and.

[Matt Dillon]

Well, Doc.

[Doc]

Too bad, Matt. It's human blood.

[Narrator]

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[Doc]

Matt. I thought we were going over for Lady Gay and talked Mimi.

[Matt Dillon]

Yeah, so D. Chill, Keith. She's not going anywhere.

[Doc]

It looks cut and dried to me, Matt.

[Matt Dillon]

It might not if you were in my shoes. Come on in the office.

[Doc]

You know, Mr. John, I talked that barkeep Finnegan. He said when he showed up this morning to open the saloon, this woman was inside waiting for him. Told him to come back at 8:00 tonight. She never seen no sign of Herman Beaker. Well, there's another nail in your coffin, Matt.

[Matt Dillon]

Know, Doc, I ought to deputize you and take you along to help me.

[Doc]

I will not lift a hand in anger against a woman.

[Matt Dillon]

I just keep thinking that we can still be wrong.

[Doc]

Especially that woman.

[Matt Dillon]

Suppose Herman hurt himself some way.

[Doc]

How?

[Matt Dillon]

And he wanted to get away by himself and recuperate. And suppose he didn't want anybody to know about it.

[Doc]

Why?

[Matt Dillon]

So he decided to Stay with some friend and maybe. Oh, all right, all right. But it could have been something like that. Well, even if something had happened to him, Mamie may have not had anything to do with it.

[Doc]

But then how come she's running the lady Gay calling herself the new owner?

[Matt Dillon]

Oh, okay, Doc, you're probably right. Come on, Chester, let's get it over with. Well, there she is at the end of the bar.

[Doc]

What are you gonna do, Mr. Dillon?

[Matt Dillon]

Take her in, Jesse. Maybe she'll talk when she's arrested. But I've got to get that gun away from her somewhere.

[Doc]

By jing, it's not gonna be easy.

[Matt Dillon]

That's gotta be done. I've never drawn a gun on a woman yet. I'm gonna start now.

[Doc]

You got a plan?

[Matt Dillon]

Yeah. Come on.

[Mamie]

Well, Marshall, mighty glad you dropped back in.

[Matt Dillon]

Just wondering how you were getting along.

[Mamie]

Maybe like a kid with two tongues and an all day sucker. How did you find that little weasel, Herman Bleeker?

[Matt Dillon]

I. I thought you told me that he left town.

[Mamie]

Well, I was just guessing, Mr. Dillon. He said something about planning too. Step up and have a shot of poison.

[Matt Dillon]

No, thanks. As a matter of fact, I came back here for a particular purpose. You see, Chester and I have a bet on.

[Doc]

We do?

[Mamie]

What kind of bet, Marshall?

[Matt Dillon]

Well, it was that shooting trick of yours, hitting the center of that playing card. Chester figures it was nothing but luck, so he's betting me that you can't do it five times in a row.

[Mamie]

Well, now, we'll soon settle that. The card's still up there. Stand aside, boys. Mamie's gonna limber up a shooting iron. All right, there's one. A couple of them.

[Matt Dillon]

You're doing fine so far.

[Mamie]

How am I doing up there, boys?

[Doc]

All dead centers so far.

[Mamie]

Three down and two to go. That's far. And one more. Oh, yeah.

[Matt Dillon]

What's the matter? What are you stopping now for?

[Mamie]

I got some rules I go by, Marshall. One of them's never to fire my last shot and leave my gun empty.

[Matt Dillon]

I see. Well, that's a pretty good idea.

[Mamie]

Sorry to lose your bet for you, Marshall.

[Matt Dillon]

I just guess you're not a gambler, Miss Mamie.

[Mamie]

Who says so? I'll take a fair bet at even aunt any day of the week and twice in Philadelphia.

[Matt Dillon]

Oh, in that case, I'll make you one. I got a pretty fair gun here. Or at least I thought so until I saw yours in action.

[Mamie]

I'd say yours is every bit as good as mine.

[Matt Dillon]

Then how about a bet, huh? Your gun against mine. One cut for High card. Well, it's course all right with me if you'd rather back out.

[Mamie]

Who's backing out? You got yourself a bet. Marshall Finnegan.

[Doc]

Yes, ma'am.

[Mamie]

Shovel at the deck.

[Matt Dillon]

Yes, Miss Mamie.

[Mamie]

If it's a bat or a fight, Mamie never backs out.

[Matt Dillon]

Hey, honest Mamie.

[Doc]

Now, who goes first?

[Mamie]

Mr. Dillon.

[Matt Dillon]

Ladies always.

[Mamie]

All right, if your friend Lester will cut him for us once.

[Doc]

Chester.

[Mamie]

Never mind. Cut the card.

[Doc]

Yes, ma'am.

[Mamie]

Now, let's see what we've got.

[Matt Dillon]

Well, jack of spades. That's not bad.

[Mamie]

Pretty good, Marshall. Bloody good enough to beat anything.

[Matt Dillon]

King of diamonds.

[Mamie]

All right, I'm beat fair and square. You won yourself a gun.

[Matt Dillon]

Thanks. Here, Chester, will you take it now? The handcuffs.

[Mamie]

Hey, what's it.

[Matt Dillon]

Maybe you're under arrest.

[Mamie]

What? Alibara. A sidewind and double cross and backhanded.

[Matt Dillon]

Maybe you're going to stay fastened to me until I get you in a cell, so you might as well make the best of it.

[Mamie]

Why, you.

[Matt Dillon]

And as far as that's concerned, you'll be safer in jail than out of it. Once word gets around. People here in Dodge thought a lot of Herman Bleeker.

[Mamie]

Oh, that little sword of ground.

[Matt Dillon]

That's no excuse for killing him in cold blood.

[Mamie]

What?

[Doc]

You hear him, baby?

[Matt Dillon]

You killed me, Bleeker.

[Doc]

Oh, my, this is a big night of my whole life to hear somebody finally shut Mamie up and make her like it.

[Matt Dillon]

What's this all about, Herman?

[Mamie]

Well, I'll tell you what it's all about. This little grub worm ran out on me in Cincinnati three years ago. I've been hunting him ever since. And last night I found him. I whaled the living daylights out of him.

[Matt Dillon]

Yeah, he looks it. But why did you bury his clothes?

[Mamie]

Would you want to be married to a man that dressed like that?

[Doc]

She pretty near murdered me, Marshall. I've been up there in bed all day, just too bruised and embarrassed to hobble downstairs.

[Mamie]

Ah, we've had our ups and downs, Marshal, me and little Herman, but you know how it is.

[Matt Dillon]

Yeah. Chester, give me the keys to the handcuffs.

[Doc]

Yes, sir, I got them right here in the. Maybe they're in. No, I guess they're.

[Matt Dillon]

What's the matter, Chester?

[Doc]

Well, Mr. Jones, when we was digging out there, I, I, I guess I maybe lost them keys.

[Matt Dillon]

Chester, can't you file that thing any faster?

[Doc]

Not you like this. Well, relax, Mr. Dunning. Took me nearly an hour to get the other off of Ms. Mamie's wrist.

[Matt Dillon]

All right, but hurry it up.

[Doc]

Mamie. Sent this bottle of whiskey to make the waiting a little easier.

[Matt Dillon]

Oh fine. Just let that go for a minute and open up the bottle, huh?

[Doc]

Oh yes sir.

[Matt Dillon]

Can you imagine a Doc Little Herman Bleeker married for years to a woman like that?

[Doc]

I don't want to imagine. I get nightmares. Here you go, Mr. John.

[Matt Dillon]

Thanks, Judge.

[Doc]

And one for you, Doc. Thank you.

[Matt Dillon]

Well boys, here's to the weaker sex.

[Doc]

Whichever one that is.

[Narrator]

You just realized your business needed to hire someone yesterday. How can you find amazing candidates fast? Easy. Just use Indeed. Stop struggling to get your job posts seen on other job sites with Indeed sponsored Jobs. Your post jumps to the top of the page for your relevant candidates so you can reach the people you want faster. According to Indeed data, sponsored jobs posted directly on indeed have 45% more applications than non sponsored jobs. Don't wait any longer. Speed up your hiring right now with Indeed and listeners of this show will get a $75 sponsored job credit to get your jobs more visibility@ Indeed.com Arts. Just go to Indeed.com Arts right now and support our show by saying you heard about Indeed on this podcast. Terms and conditions apply. Hiring Indeed is all you need.

[Matt Dillon]

Gunsmoke, produced and directed in Hollywood by Norman Macdonald, stars William Conrad as Matt Dillon. U.S. marshal story was freshly written for Gun Smoke by Les Twetfield with editorial supervision by John Metson. Barley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. This is George Waltz inviting you to join us again next week when CBS Radio presents another story on Gun Smoke.

[Mamie]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com Become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-98-68739. This episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Narrator]

You just realized your business needed to hire someone yesterday. How can you find amazing candidates fast? Easy. Just use Indeed. Stop struggling to get your job posts seen on other job sites with Indeed sponsored Jobs, your post jumps to the top of the page for your relevant candidates so you can reach the people you want faster. According to Indeed data, sponsored jobs posted directly on indeed have 45% more applications than non sponsored jobs. Don't wait any longer. Speed up your hiring right now with Indeed and listeners of this show will get a $75 sponsored job credit. To get your jobs more visibility at Indeed.com Arts, just go to Indeed.com Arts right now and support our show by saying you heard about Indeed on this podcast. Terms and conditions apply. Hiring Indeed is all you need.