Homely Girl | Gunsmoke (06-19-60)

Summary

Old Time Radio Westerns Podcast Summary

Episode: Homely Girl | Gunsmoke (06-19-60)
Host: Andrew Rhynes
Release Date: June 7, 2025

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Introduction

In this episode of Old Time Radio Westerns, host Andrew Rhynes transports listeners to the rugged landscapes of Dodge City through the classic radio drama Gunsmoke, starring William Conrad as U.S. Marshal Matt Dillon. This particular episode, titled "Homely Girl," delves deep into the complex relationships and moral dilemmas faced by the inhabitants of the Wild West frontier.

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Plot Overview

The Struggles of a Troubled Frontier

The story begins with Matt Dillon, portrayed by William Conrad, reflecting on the harsh realities of maintaining law and order in Dodge City:

"[02:25] Marshall Dillon: Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke."

Dillon emphasizes the precarious nature of his role, highlighting the constant vigilance required to protect the town from outlaws.

Miss Kitty's Dilemma

Miss Kitty, the owner of the Long Branch Saloon, is introduced as a central figure dealing with personal turmoil. She interacts with Irma Crown, a woman battling alcoholism:

"[03:35] Miss Kitty: Look."
"[04:03] Miss Kitty: Yeah, I know. But with the load of whiskey you took on, your eyes won't be open long enough to see much. Go on home, Hook."

Miss Kitty attempts to comfort Irma, urging her to overcome her addiction and face her problems head-on. Their conversation reveals the emotional strains faced by those living on the frontier.

Doc's Struggles and Relationships

Doc, portrayed by Howard McNear, serves as a compassionate yet troubled character. He shares his frustrations and the burdens of his past:

"[06:00] Doc: The last time I got out of bed was yesterday morning. I sat the night by old man Hatch. He's near played out, ain't he, Doc?"

His interactions with Irma Crown hint at deeper emotional connections and unresolved tensions, setting the stage for impending conflicts.

A New Arrival: Irma Crown

Irma Crown arrives at the Long Branch, seeking companionship and support. Her introduction brings new dynamics to the existing relationships:

"[09:15] Irma Crown: Yeah?"
"[09:55] Doc: Oh, my goodness."

Her presence catalyzes pivotal changes, leading to her and Hook Mather's (another central character) involvement in the unfolding drama.

Marital Bonds and Betrayals

As the story progresses, Doc and Irma develop a romantic relationship, culminating in their decision to marry:

"[20:40] Doc: We're being married, Hook and me."
"[20:51] Irma Crown: Well, yes, indeed. A hearty congratulations."

However, their union is marred by past grievances and emotional scars, particularly concerning Matt Dillon.

Climactic Confrontation and Tragedy

Tensions reach a boiling point when Matt Dillon becomes a victim of violence orchestrated by Doc and Hook. The aftermath reveals the profound impact of their actions:

"[25:05] Doc: Hook had a reason. He used it all the time. She was pretty. Sarah was. You're ugly, he said ugly and old. You tell Kitty. Marshall, it wasn't the beatings. It was hearing that word over and over. Ugly. Ugly. That's why I killed him. Cause that word was killing me."
"[26:34] Irma Crown: Is she gone?"
"[26:37] Dr. Keller: Yeah, she's gone."

The episode concludes with the tragic death of Matt Dillon, a symbol of law and order, underscoring the fragility of morality in the untamed West.

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Character Analysis

• Matt Dillon (William Conrad): Represents the unwavering commitment to justice, embodying the challenges faced by lawmen in maintaining peace amidst chaos.

• Miss Kitty: A strong yet vulnerable woman managing her saloon and grappling with personal relationships, highlighting the emotional toll of frontier life.

• Doc (Howard McNear): A compassionate healer battling his inner demons, whose relationships with Irma and Hook reveal the complexities of human emotions.

• Irma Crown: A troubled woman seeking solace and connection, her interactions drive much of the episode's emotional depth.

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Key Themes

1. Moral Ambiguity: The episode delves into the blurred lines between right and wrong, especially in a lawless environment where personal grievances can lead to tragic outcomes.

2. Isolation and Community: Characters grapple with loneliness and the need for companionship, emphasizing the importance of community in survival.

3. Redemption and Forgiveness: The struggles of Irma and Doc reflect a yearning for redemption, showcasing the possibility of forgiveness even amidst deep-seated pain.

4. The Cost of Vigilantism: Matt Dillon's ultimate fate serves as a cautionary tale about the perils of taking justice into one's own hands.

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Notable Quotes

• Matt Dillon:
  "It's a chancy job and it makes a man watchful and a little lone."
  [00:00]

• Miss Kitty to Irma Crown:
  "Trouble is, you're the only one who can make things better for yourself."
  [04:46]

• Doc on His Fate:
  "Cause that word was killing me."
  [25:05]

• Irma Crown Reflecting on Matt Dillon:
  "He was a mess when you hauled him up to my place, man."
  [19:26]

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Conclusion

This episode of Gunsmoke masterfully weaves a tale of love, betrayal, and the harsh realities of frontier life. Through its richly developed characters and poignant dialogues, "Homely Girl" offers listeners a profound exploration of human emotions and the complexities of maintaining morality in an unforgiving environment. Andrew Rhynes' dedication to restoring and presenting these classic dramas ensures that the timeless stories of the Wild West continue to resonate with modern audiences.

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Join Us Again

Thank you for tuning into Old Time Radio Westerns. Be sure to like and rate this episode on your favorite podcast platform. Follow us on Facebook and subscribe to our YouTube channel for exclusive content. Become a ranch hand and support our mission to keep these classic stories alive.

Transcript

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[Dr. Keller]

Look.

[Miss Kitty]

Look.

[Doc]

All Right enough.

[Miss Kitty]

Now get out of here. Go on home. Go home and sleep it off.

[Irma Crown]

Too early for that, Miss Kitty. The sun hasn't gone down yet, and.

[Miss Kitty]

It'S not likely to for a spell. It just came up.

[Irma Crown]

No.

[Miss Kitty]

Yes. Now go on home.

[Irma Crown]

I hate to go home when the sun's up. It's too bright. Things don't look good in the bright of day, Miss Kitty. You can see them too clear.

[Miss Kitty]

Yeah, I know. But with the load of whiskey you took on, your eyes won't be open long enough to see much. Go on home, Hook.

[Irma Crown]

Please, Miss Kitty. Them chairs, they cost much.

[Miss Kitty]

Don't worry about the chairs. Just go home.

[Irma Crown]

Sometimes I gotta throw things or. Or hit something.

[Dr. Keller]

I just gotta.

[Miss Kitty]

I know, Hook. Come on. I'll walk you to the door.

[Irma Crown]

She was awful pretty, Miss Kitty.

[Miss Kitty]

Yeah, she was hooked.

[Irma Crown]

Everything about. Maybe if she hadn't been so pretty, I'd be making out better now. You think that?

[Miss Kitty]

I think this. You got to quit thinking of what's past and gone and look on yourself. And the way things are now, I.

[Irma Crown]

Don'T much want to do that.

[Miss Kitty]

I don't blame you. Not a pleasant sight. Trouble is, you're the only one who can make things better for yourself. The only one who can grab hold of those bootstraps of yours and pull yourself up even with the world again.

[Dr. Keller]

Yeah.

[Irma Crown]

Let's have a little drink on that. Get out now, Miss Kitty.

[Doc]

I said get out.

[Irma Crown]

Oh, I like to see a man happy at his work. Oh, you do, do you? What gives you the idea I'm so happy about sweeping out? Well, that humming, for one thing. Well, of course I'm calling it humming until I know better. You don't have to make light of my humming, doll. I don't make light of it. It could be mighty serious. Serious? I knew a fellow once sounded just like you. He had a bad case of catarrh. Doc, you ever get a notion to give up being a friendly, backwoodsy doctor? You could make quite a name for yourself with us. Or talk. Oh, no, no, no, Jess. I couldn't bear to leave you. Oh, yes, I know it's true. You keep me kind of stirred up. A man needs that, too, to keep all his juices flowing properly. You and your juices sure flowed out a bit on the wrong side this morning, I'd say. The last time I got out of bed was yesterday morning. I sat the night by old man Hatch. He's near played out, ain't he, Doc? Yes, pretty sure. It can't last much longer. And he's near 90. That's coming right close to living forever. Awful close, Chester, if you got no feeling for living anymore. And he's got none. You know, the thing that set me off was Hook Mather. I found Hook on the way back to town from the Hatch place. You found him? I did. He sprawled drunk and passed out in his own cornfield, his horse standing over him. Well, he's just bound to drink all they make, ain't he? If he wasn't so young and strong, he wouldn't have lasted this long. Good devil. Near a year since we buried Sarah. From the looks of that house, you think a woman never set foot in it. Now, there's a how de do. Old man Hatch trying his best to die at 90. And young Hook Mather trying for the same thing. A good 60 years younger. Yeah. I tell you this, Chester. They're both apt to make it the rate they're gone.

[Doc]

Excuse me, gentlemen.

[Irma Crown]

Yes, ma' am?

[Doc]

The stage driver said I should go to the Long Branch. Could you point it out to me?

[Irma Crown]

Why, yes, ma' am. It's just yonder down the street right there. If you'll excuse my pointing.

[Doc]

Oh, yes, I see it now. Well, much obliged, ma' am.

[Irma Crown]

The stage driver tell you it was a saloon?

[Doc]

Yes. Yes, he did. Thanks kindly.

[Irma Crown]

What do you reckon she wants at the Long Branch? Maybe she drinks. You sure can't tell by looking. You can tell one thing by looking, Doc. That there was one homely lady.

[Dr. Keller]

You know, I can't remember seeing you take a drink this early in the morning, Kitty.

[Miss Kitty]

This isn't today, Matt. This is still late. Yesterday.

[Dr. Keller]

Oh? How's that?

[Miss Kitty]

Well, you might say I was sitting up with a sick friend. Hook Mather spent the night at the bar again.

[Dr. Keller]

Why didn't you let Sam take care of him?

[Miss Kitty]

Last time I did that, it cost me two tables and five chairs. I settled for two chairs, and I kept him from busting until just after dawn.

[Dr. Keller]

You shouldn't try to handle Hook alone, Kitty. Next time he comes in to make a night of it, you send over for me, huh?

[Miss Kitty]

And you'll sit up with it.

[Dr. Keller]

I won't mother him, I'll tell you that.

[Miss Kitty]

I've been called a lot of things in my time, Matt, but Mother's hardly ever been one of them.

[Dr. Keller]

I'll see you later.

[Miss Kitty]

Sure. Drop in on old Mother Russell anytime.

[Doc]

Miss Kitty.

[Miss Kitty]

Yeah?

[Doc]

The stage driver said I should talk to you.

[Miss Kitty]

He did?

[Doc]

He said you were the most understanding woman in Dodge City.

[Miss Kitty]

Oh, the things that are happening to My reputation.

[Doc]

I'm afraid I don't understand.

[Miss Kitty]

That's what's wrong. Neither do I. I don't want to bother you.

[Doc]

I guess you're busy.

[Miss Kitty]

I'm not busy, honey. I'm dead on my feet.

[Doc]

Oh, I'm sorry. I really am.

[Miss Kitty]

You just got in on the stage just minutes ago.

[Doc]

Really?

[Miss Kitty]

What's your name?

[Doc]

Irma Crown. Miss irma Crown.

[Miss Kitty]

Well, Mr. McCrown, why don't you have supper with me this evening, huh?

[Doc]

Oh, my goodness.

[Miss Kitty]

And I'm supposed to be understanding about it. We'll both stand a better chance at some. All right.

[Doc]

What? Yes. Yes, all right.

[Miss Kitty]

Good.

[Doc]

I declare. My goodness. I don't know what I expected, but everything's so different out here.

[Miss Kitty]

Dodge City isn't something anyone expects. It just happens sooner or later. You get used to it.

[Doc]

I guess if you're from Harrisburg, you're not really ready to expect anything except Harrisburg. What's this place called?

[Miss Kitty]

Delmonico's. Sounds so fancy, Delmonico's, but it tastes plain. You must have had a reason for coming to Dodger, Ma.

[Doc]

Oh, yes, indeed. To get married.

[Miss Kitty]

Why, that's wonderful.

[Doc]

Well, I hope it is. That's why I came.

[Miss Kitty]

Well, if you're marrying someone from here, maybe I know him.

[Doc]

I suppose it'll be someone from here.

[Miss Kitty]

How's that?

[Doc]

I cut the clipping out of the newspaper. Back home, I got so many things in my purse here. Some reporter from the east came out west and wrote back about the crying need for women on the frontier. How men long for home and families. And with no women. Oh, it's in here somewhere.

[Miss Kitty]

Never mind the clipping.

[Doc]

Well, since you know the gist of the story. It is true, isn't it, Miss Kitty?

[Miss Kitty]

There are lots more men than women out here. That's true.

[Doc]

Well, I'm glad to hear that firsthand, you might say. Well, when I read it, I showed it to Mama and we both agreed I should come out and do my part.

[Miss Kitty]

You came as a sort of a patriotic gesture.

[Doc]

Mama said we Crown women never shirked our duty to country. Yet. Why, in the war, when they brought the wounded to the courthouse, Mama and me saw to them.

[Miss Kitty]

Have you ever been married?

[Doc]

No. Does that matter?

[Miss Kitty]

No, no, of course not. I was just wondering.

[Doc]

You mean, about my age? I'm not young anymore, but I thought if the need was so great, maybe it wouldn't matter out here.

[Miss Kitty]

What did you tell the stage driver? That he sent you to me.

[Doc]

That I'd run out of money. Oh, he said you had Girls at the Long Branch. Sort of hostesses, the way he described them. To greet the men and talk to them and make them feel at home.

[Miss Kitty]

And that's what he said, was it?

[Doc]

You do use girls, don't you?

[Miss Kitty]

I use girls.

[Doc]

He was a very pleasant man. He was so considerate, too.

[Miss Kitty]

I'll bet you're a good cook.

[Doc]

Well, I am. I know pride's not becoming to a woman, but I am prideful about my way with food.

[Miss Kitty]

And you so too, don't you?

[Doc]

Since I was born, seems like. Well, this traveling suit and the hat. Every stitch is mine. And I'm clean, Miss Kitty. About my person and my surroundings. I keep everything just like a parlor. But I wouldn't think these things are what you'd look for in a hostess.

[Miss Kitty]

They aren't, Herma.

[Doc]

And I don't understand.

[Miss Kitty]

I guess I'm saying a woman ought to do what she's best fitted for. The girls of the Long Branch, well up. Let's just say they're not much for cooking and sewing and redding up.

[Doc]

But they meet men, don't they?

[Miss Kitty]

They meet men.

[Doc]

It's not just my age you're holding against me, is it, Miss Kitty?

[Miss Kitty]

I'm not holding your age against you.

[Doc]

Don't fear for hurting my feelings. I live with it all the time. Mama says I'm plain. It pleases her to say it that way, but I know I'm a very homely woman.

[Miss Kitty]

You got a place to stay, Emma?

[Doc]

I told you, I've got no money.

[Miss Kitty]

Well, Ma Smolly's used to that. She's got a boarding house. Nice one. And no one who can sew and cook and clean up is gonna be without money very long in this town. I'll take you over to Mars.

[Doc]

I'm much obliged to you and Irma.

[Miss Kitty]

Being homely is one thing, but thinking you are for a woman, that's unforgivable.

[Dr. Keller]

McCrispy strips are now at McDonald's. I hope you're ready for the most dippable chicken in McDonald's history. Dip it in all the sauces. Dip it in that hot sauce in your bag. Dip it in your McFlurry. Your dip is your business. McCrispy strips at McDonald's.

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[Doc]

Oh, and look at that. My goodness.

[Dr. Keller]

What the devil?

[Doc]

Goodness, Marshall. Why, you gave me a fright.

[Dr. Keller]

What on earth are you doing to that stove, Irma?

[Doc]

Well, all I meant to do was set the apple dumplings down on it and go on my way. But when I saw the shape it was in.

[Dr. Keller]

What's the matter with it? Something broken?

[Doc]

Well, it seems to work all right, but it's as dirty a stove as I ever laid eyes on.

[Dr. Keller]

Oh, yeah, I guess it is.

[Doc]

It'd take lye water to do any real good. And the best part of a day, going at it.

[Dr. Keller]

Seems to me you've got enough work without looking for more.

[Doc]

Folks have been awful kind to me, Marshall. More than I deserve.

[Dr. Keller]

Not when you make apple dumplings like that.

[Doc]

There's three for you and Chester and Doc, if he comes by.

[Dr. Keller]

Well, I'll try to remember who they're for.

[Doc]

I made them up to sell to Delmonico's. And just tuck those extras in for you gentlemen.

[Dr. Keller]

Well, that's real nice of you, Ermine. You know, you're the most talked about lady in Dodge these days.

[Doc]

For my cooking, my sewing.

[Dr. Keller]

Well, that's not an insult, you know.

[Doc]

Oh, I know, and I'm grateful. I truly am. Well, I'll say good day to you, Marshall. You'll remember me to Chester and to Dodge.

[Dr. Keller]

I'll be glad to, Irma. And many thanks for the dumplings.

[Doc]

My pleasure. Marshall.

[Irma Crown]

It.

[Miss Kitty]

Stop it.

[Dr. Keller]

Stop it.

[Doc]

You'll kill him.

[Miss Kitty]

Leave him alone, Clay.

[Dr. Keller]

Finish him off. All right, that's enough, Clay. I'm sick of him, Marshall. Just sick of the sight. Stop it now. Use your head, Clay. Well, how about. How about him using his just once in a while? Look after Hook, Kelly.

[Miss Kitty]

I can see from here he's half dead.

[Dr. Keller]

All right, Clay, what started it? Him you sure? Sure. Him, he fell on me. Every time he went past my chair, he fell right on top of me. I got tired of shoving him off. And I can't blame you for that. But you got no right to start flailing away at him the way he is now. He's too drunk to stand at a sea. Kitty. Shouldn't have him around and muttering and crying around. Gives me the Willy Matt.

[Miss Kitty]

His awful hurt.

[Dr. Keller]

We better get him up to Doc's. Give me a hand, Clay, will you? All right, but don't get the idea I'm sorry I took him on. Somebody had to. We'll talk about that later. Come on. He's a dead weight. Sure. Marshall. Yeah?

[Doc]

Marshall. Kill him. What on earth?

[Dr. Keller]

Well, he's hurt her.

[Doc]

Oh, Mr. Hook. You carrying him to docs?

[Dr. Keller]

That's right.

[Doc]

Well, I'll just go along with you. Might be I could lend a hand.

[Irma Crown]

Well, I'll tell you this and open your eyes, but that woman's done out there at Hook's place.

[Miss Kitty]

I didn't know she'd gone out there to nurse him.

[Dr. Keller]

Yeah, Been there a good couple of weeks now, hasn't she, Duck?

[Irma Crown]

What's whole of that, Matt. And there's no doubt in my mind he owes his life to Irma. He was a mess when you hauled him up to my place, man.

[Dr. Keller]

Yeah, I know.

[Miss Kitty]

Well, I sure don't know who'd have cared for him the way she has. He gonna be all right, Doc?

[Irma Crown]

He's as good as well now, Kitty. And it's not just what she's done for him. His own Sarah never kept his house nicer.

[Miss Kitty]

I'll bet she's been spoon feeding him that cool, good cooking of hers, too.

[Dr. Keller]

Why do you think Doc's made so many calls out there at mealtime?

[Irma Crown]

Well, I'm not one to deny it. No, Siri.

[Dr. Keller]

Yeah, she's a good woman.

[Irma Crown]

Irma is one of the best, ma' am.

[Miss Kitty]

I just hope she doesn't get hurt by it.

[Irma Crown]

Hook's grateful enough to her, I'll tell you that.

[Dr. Keller]

Well, what's going to hurt her? Kitty?

[Miss Kitty]

Oh, she has her heart set on something more than gratitude. That'd hurt her bad.

[Dr. Keller]

I guess you'll pay her, all right.

[Miss Kitty]

Pay her?

[Irma Crown]

What's so insulting about that?

[Miss Kitty]

If a woman's got Marian on her mind, there's just one thing worse than a man's gratitude. And that's his money.

[Dr. Keller]

Now, Kitty, Irma Crown's not the Marian kind.

[Irma Crown]

No, you're not. She's just one of those good Souls bound to look out for other folks.

[Miss Kitty]

Yeah, well, suppose you tell her that. She and Hook just came in.

[Doc]

Well, if Chester were here, it'd be most everyone we want to see, wouldn't it, Hook?

[Irma Crown]

Yeah, I guess so.

[Dr. Keller]

Why don't you sit down, Irma? Hook.

[Irma Crown]

Here. I'll draw up another chair. We're not staying, thanks.

[Doc]

Oh, we've got to stop by Mar Smolley's and. Can I tell them, Hook?

[Irma Crown]

Well, you might as well.

[Dr. Keller]

We.

[Doc]

We're being married, Hook and me.

[Dr. Keller]

Yeah. Well, congratulations, Hook.

[Irma Crown]

Well, yes, indeed. A hearty congratulations.

[Dr. Keller]

Thanks.

[Miss Kitty]

You look wonderful, Irma. I know you must be happy.

[Doc]

You know better than anyone, Kitty. Remember what you said? A woman should do what she's best fitted for.

[Miss Kitty]

I remember.

[Doc]

Well, I am. I truly am.

[Miss Kitty]

I wish you every happiness, Irma.

[Dr. Keller]

Yeah. Good luck to you. Well, we better move along, Erma, I should say.

[Doc]

We had so much to do, and we're marrying on our way out of town. You come see us now, right Soon.

[Dr. Keller]

All right. Goodbye. You sure call the turn on that, Kitty.

[Miss Kitty]

Any woman could have called it.

[Irma Crown]

Hey, wait a minute. Not so quick. You were right about Irma, but you were wrong about Hook.

[Miss Kitty]

Well, what I said still goes. I just hope she doesn't get hurt.

[Dr. Keller]

McCrispy strips are now at McDonald's. I hope you're ready for the most dippable chicken in McDonald's history. Dip it in all the. Dip it in that hot sauce in your bag. Dip it in your McFlurry. Your dip is your business. McCrispy strips at McDonald's.

[Toyota Representative]

Hey, y' all. Life's journey is filled with change, growth and exciting new chapters. Whether you're welcoming a new family member, stepping into a new city, or chasing after your biggest dreams, you need a ride that's built with more space for the grand challenges ahead. The Toyota Grand Highlander is made for those who embrace every twist and turn with advanced safety features, innovative tech and a bold, sophisticated design. It's the SUV that adapts with you with room to spare. This spacious beauty seats up to 8, gives you up to 97.5 cubic feet of cargo space, and has a diverse engine lineup. Available in gas or hybrid options, including the powerful 362 horsepower Hybrid Max plus available all wheel drive. Means you'll have confidence no matter where life takes you. Ready to take on your dreams. The Grand Highlander is more than a vehicle. It's your partner in embracing all life throws at you. From daily routines to unexpected adventures. It's up for every grand challenge. Learn [e-mail] GrandHighlander Toyota. Let's go places.

[Irma Crown]

Mr. Jones. You think this is all right to do?

[Dr. Keller]

I'd drop in on Hook and Armor. It was your idea. What?

[Irma Crown]

Well, I know that was back up the road a piece. Now, getting here, I. I kindly wonder about it being so soon after the wedding and all.

[Dr. Keller]

Three weeks. That's not so soon.

[Irma Crown]

Well, maybe not.

[Dr. Keller]

Only, look, if you don't want some coffee and a piece of pie, you can stay right here or ride on under Dodge.

[Irma Crown]

Well, you. You right sure she'll have pies.

[Dr. Keller]

Well, she'll have something fresh baked. I'm sure of that.

[Irma Crown]

Well, I'll just keep you company there. Mr. John.

[Dr. Keller]

That's mighty obliging of you.

[Irma Crown]

Yes, it is. Ain't nobody stirring around outside, sure enough.

[Dr. Keller]

Hook's likely out in the field.

[Irma Crown]

I don't smell no baked goods, Mr. John.

[Dr. Keller]

You just stay out here and sniff if you want to.

[Miss Kitty]

No, no.

[Irma Crown]

I'm coming. I'm coming.

[Dr. Keller]

Armand. Hook. Anybody home? Take a look out back, won't you, Chester?

[Irma Crown]

Yes, you.

[Dr. Keller]

Irma. Irma. It's Marshal Dillon.

[Irma Crown]

Dylan, come here quick. Don't you know this is terrible? Look, he's dead. Just as dead.

[Dr. Keller]

Yeah, he's been dead. Justifies. Come on, Irma.

[Doc]

I heard you, Marshall, but I couldn't make you hear me.

[Irma Crown]

Well, you're all bruised and beat.

[Dr. Keller]

Irma, what happened here?

[Doc]

What had to be Marshall.

[Dr. Keller]

Who did it?

[Doc]

Hook and me.

[Miss Kitty]

We did it together.

[Dr. Keller]

Chester, get a cold cloth. You mean he beat you, Irma?

[Doc]

And I killed him, Marshall. It was no accident. I meant to kill him.

[Dr. Keller]

Olive. He abused you this way. You. You're hurt bad.

[Doc]

You know I'm dying. But it's all right. I don't mind dying.

[Irma Crown]

Here you are, Mr. Dillon.

[Dr. Keller]

Thanks, Jester. This'll feel something better.

[Doc]

It's cold. Cold?

[Dr. Keller]

Yeah. Did he just beat you without any reason?

[Doc]

Hook had a reason. He used it all the time. She was pretty. Sarah was. You're ugly, he said ugly and old. You tell Kitty. Marshall, it wasn't the beatings. It was hearing that word over and over. Ugly. Ugly. That's why I killed him. Cause that word was killing me.

[Dr. Keller]

Irma. Irma.

[Irma Crown]

Is she gone?

[Dr. Keller]

Yeah, she's gone.

[Irma Crown]

Look at her now. She looks peaceful. And she looks almost.

[Dr. Keller]

Almost pretty.

[Irma Crown]

Yes, sir. Almost pretty.

[Dr. Keller]

I wish she knew. I wish to the devil she knew. McCrispy strips are now at McDonald's. I hope you're ready for the most dippable chicken in McDonald's history. Dip it in all the sauces. Dip it in that hot sauce in your bag. Dip it in your McFlurry. Your dip is your business. McCrispy strips at McDonald's use of flavored tobacco by teens is a crisis. Tobacco companies use flavors like cotton candy, watermelon ice and cool mint to hook kids like me. They seem harmless, but they aren't. Addiction to nicotine sets us up for a lifetime of health problems. Oregon legislators can do something about it. Passing Senate Bill 702A will keep flavored tobacco away from kids. But there are just a few short weeks left for lawmakers to act. Take action to protect kids like me@ flavorshookorgankids.org paid for by the Campaign for Tobacco Free Kids Action Fund. Gun Smoke, produced and directed in Hollywood by Norman McDonald, stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Kathleen Height with editorial supervision by John Meston.

[Irma Crown]

Featured in the cast were Virginia Gregg and Vic Parron, Harley Bear is chester.

[Dr. Keller]

Howard, Howard McNear as Doc and Georgia Ellis is Kitty.

[Irma Crown]

This is George Walsh inviting you to.

[Dr. Keller]

Join us again next week on Gunsmoke. Gun Smoke has come to you through.

[Irma Crown]

The worldwide facilities of the United States.

[Dr. Keller]

Armed Forces Radio and television service. Sam It SA this has been a presentation of OTRWesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands Steve and Technogod who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739. This episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening. Nearly 90% of kids who vape say flavors are why they do it. A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, I tried this once. It won't be that much of a problem. But then eventually it becomes a problem. It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoregonkids.org paid for by the Campaign for Tobacco Free Kids Action Fund. Looking for a world class smile in just one day? Patients travel nationwide to see renowned implant specialist Dr. Keller at Smiles by Design in Seattle, Washington. Using advanced technology and techniques, Dr. Keller delivers permanent teeth with life changing results in just 24 hours. Our concierge team handles everything from scheduling to travel so you can focus on your transformation. Book a virtual consultation now@samedaysmile destinations.com packages by Expedia. You were made to be rechargeable. We were made to package flights, hotels and hammocks for less. Expedia Made to travel.