
Original Air Date: June 28, 1959Host: Andrew RhynesShow: GunsmokePhone: (707) 98 OTRDW (6-8739) Stars:• William Conrad (Matt Dillion)• Parley Baer (Chester)• Georgia Ellis (Kitty)• Howard McNear (Doc) Special Guests:• Vic Perrin• Barbara Eiler• Sam Edw...
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode absolutely free. This episode is just one of over 80 episodes we release monthly. Now let's get into this episode.
Narrator
Around Dodge City and in the territory on West. There's just one way to handle the killers and the spoilers and that's with a U.S. marshal and the smell of guns. Smoke, smoke, gun smoke. Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.
Matt Dillon
I'm that man. Matt Dillon, United States Marshal the first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely.
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Dan Eberly
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Chester
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Matt Dillon
What do you need?
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Chester
Here's what you need.
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Chester
Mr. Dillon. Mr. Dylan. Mr. Mr. Dillon.
Matt Dillon
Take it easy, Chester.
Chester
But there's been a train robbery, Mr. Dillon. About five mile east. They held up the baggage clerk and got away with $50,000 in double eagles.
Matt Dillon
When did you hear about it?
Chester
Just now when number seven pulled into station. You gotta get over there right away.
Matt Dillon
And I guess they'll wait. City's the end of the line.
Chester
Well, yes, sir, I know.
Matt Dillon
Anybody say how many were in on it?
Chester
Three, according to the clerk. All wearing masks. They snuck aboard when the train stopped for water. Cottonwood tanks made them cut the rest of the train loose and go on with just the engine. And the baggage car had horses waiting down the track some worse. You ought to get over at the depot, Mr. Dillon. The baggage clerk shot pretty bad.
Matt Dillon
Now, why didn't you say something?
Chester
And another thing. They cut the wire so the train crew couldn't telegraph ahead. Same old story, Mr. Dillon. You think them bandits should figure out some new way.
Matt Dillon
Why this one usually works.
Chester
Compounded. I said to keep that mob out of this baggage car.
Matt Dillon
They're up. Shark, huh?
J.L. Crocker
Well, who are you?
Chester
Oh, I didn't know it was you, Max.
Matt Dillon
How is he?
Chester
He caught one through the lung. I wouldn't give you a plug nickel for that.
Matt Dillon
I want to find out where it happened.
J.L. Crocker
I can tell you exactly. Marshall, how about 100 yards east of milepost 314? It's on the curb where the line swings in toward the river bottom.
Matt Dillon
You're one of the passengers?
J.L. Crocker
I'm a legal agent for the railroad and for the bank that owns that money. My name is Crocker, J.L. crocker. And I want immediate action on this matter. I want that money back at once. And I want the guilty parties brought to justice.
Matt Dillon
Are you getting all this, Chester?
Chester
Yes, sir. I'm making mental notes.
J.L. Crocker
Well, now, Marshall, I don't believe you quite understand who I am.
Chester
Sure.
Matt Dillon
You're the legaled something or other for somebody. And you're bothering me now. Will you stand back, Doc? Is there any chance of talking to him?
Chester
Well, you can try.
Matt Dillon
All right. Mister, can you hear me?
Chester
Yeah, yeah.
Matt Dillon
Did you recognize any of them?
Chester
No. He wore masks. Only one said anything. Gave all the orders. He's the one shot me. Men about 50.
Matt Dillon
Is that all you can tell me?
Chester
I don't feel so good, Marshall. I think I.
J.L. Crocker
That's it.
Matt Dillon
Yeah. Chester, go get our horses saddled up. We'll ride out the milepost. 3:14. With luck, we can get there before dark, maybe pick up their trail somewhere.
J.L. Crocker
Aren't you, Marshall? In my opinion, you ought to form a posse and go after these criminals.
Matt Dillon
Mr. Crocker, I don't care about your opinions.
J.L. Crocker
I think I'll have a little talk with your superiors when I get back to civilization.
Matt Dillon
Good. Find out what's happened to my checks. I haven't been paid for two months.
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Narrator
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Dan Eberly
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Matt Dillon
Where you save does make a difference.
Dan Eberly
Where you save does make a difference.
Chester
Save more, have more, earn more.
Matt Dillon
That's savings and more.
J.L. Crocker
Yes.
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Matt Dillon
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Dan Eberly
Where you save does make a difference. Where you save does make a difference.
Chester
Save more, have more, earn more at saving the.
Matt Dillon
Chester. Pull up a second.
Chester
Chester. Reckon they've heard a shed.
Matt Dillon
They don't show it. Both of them are still working around the campfire, paying no attention, fixing supper. I guess a man and a young.
Chester
Boy must be homesteaders on the move. I never heard of bandits hightailing it in a covered wagon. Besides, there's only two of them. Three men held up the train.
Matt Dillon
Yeah, I know. Now, let's ride on down to the fire.
Chester
Well, howdy, strangers.
Matt Dillon
Evening.
Chester
Climb down and set, have some supper ready here in a spell such as this. Keep your eye on that coffee, Jerry. I'm watching it, Pa. You men pushing cattle?
Matt Dillon
No. Hunting killers what had a train robbery this morning. I'm a U.S. marshal out of Dodge. My name is Dylan.
Chester
Proud to know you, Marshal. Dylan. I'm Dan Eberly. This is my boy, Jerry. How are you, sir?
Matt Dillon
Jerry, how are you?
Chester
We're heading for Dodge ourselves. How far we got to go yet?
Matt Dillon
About nine miles. You find it? A homestead?
Chester
That's right. Had a place back at Newton, but it didn't do so good. So somebody robbed a train.
Matt Dillon
Three of them got away with $50,000 in gold. Have you met anybody today?
Chester
No. No nary soul. Now, Marshall, you just rest yourself there now. And we'll have some side meat and harmony in a few minutes.
Matt Dillon
Fine. Thanks.
Chester
This is it.
Matt Dillon
Chester. We found them.
Chester
These two. How do you figure?
Matt Dillon
They're horses. Saddle stock. Never meant to haul a wagon. And the third one's over to the right in a thicket covering us. Saw it, Clint. On his gun barrel.
Chester
What?
Matt Dillon
Will, you move fast. You roll to the left, draw and cover the tube of the fire. And I'll take the one in the brush. You got it?
Chester
Yes.
Matt Dillon
She all right, then. Now, don't move.
Chester
You, to your turret.
Matt Dillon
You there, on the brush. Come out with your hands up.
Chester
Now, wait, Marshall. Don't shoot.
Matt Dillon
All right, then. Tell him to get out here with his hands up.
Chester
They got us. There's no use fighting. Come out like he says.
Dan Eberly
Why didn't you let me fight, Paul? I could have shot them both.
Chester
It's a girl.
Matt Dillon
So it is.
Chester
My daughter, Janet. I told her to hide out there till we found out what she was.
Matt Dillon
I wanted to keep her out of this. So you and your two kids were the bandits, huh? You're quite a father, Mr. Everly.
Dan Eberly
You leave him alone. Pa knew what he was doing. He had a right to that money.
Matt Dillon
I see. How old are you, Janet?
Chester
18.
Dan Eberly
It's any of your business?
Chester
The young un's ain't to blame, Marshall. I brought him up to do like I told them.
Matt Dillon
They didn't know. Somebody ought to have known. Now, where's the money?
Dan Eberly
Don't tell him.
Chester
Be quiet, can you? Marshall, we buried that money. And I reckon I'm not going to tell you where it is.
Dan Eberly
It's ours and we got a right to it.
Matt Dillon
Yeah, you said that before.
Chester
I had a homestead outside of Newton. My wife died there. The young UN's and me fought the prairie for four years. Crop failures, hard times. Then last fall, I finally got a good stand of wheat, ripe for the harvest. You know what happened?
Matt Dillon
Now? What happened?
Chester
Sparks from a train set fire to the green field.
Matt Dillon
Burned us out.
Chester
Lost everything. I wrote letters to the railroad office in St. Louis. They said I'd have to come back There and prove my claim. Now. They knew I couldn't do that.
Matt Dillon
Well, does anybody ever tell you things were easy out here in the West, Mr. Everly? Chester, you and the boy hitch up that wagon and start loading it.
Chester
All right. You, come on, son. What are you.
Dan Eberly
What are you aiming to do with it?
Matt Dillon
Take him to D City. To jail?
J.L. Crocker
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Matt Dillon
Turtle Wax.
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J.L. Crocker
Turtle Wax gives a hard shell finish. Turtle Wax gives a hard shell finish. Turtle Wax.
Matt Dillon
All right, pull up, Everly.
Narrator
Oh, boy.
Matt Dillon
All of you get on.
Chester
I guess my reasons for robbing that train don't count for much, do they, Marshall?
Matt Dillon
Judging is not part of my job, Everly.
Chester
But not the young ones. It wasn't their fault.
Matt Dillon
You killed a man, Everly.
Chester
What do you expect, Marshall? I didn't aim to kill him. He went for his gun as we was leaving. But I didn't aim to kill him.
J.L. Crocker
Well, Marshall, I see you brought in the culprits.
Matt Dillon
Yeah, it looks that way, Mr. Crocker. Oh.
J.L. Crocker
Where's the money? I want to get it locked up in the bank right away.
Matt Dillon
They say they buried it.
J.L. Crocker
They've what?
Kitty
Matt.
Matt Dillon
Matt, are you all right?
Kitty
I heard of the balloon that you bought in the Bandits.
Matt Dillon
That's right.
Kitty
Is she one of them? A girl?
Matt Dillon
Yeah.
Kitty
Look, she's just a kid, Matt. You're not going to lock up a girl.
Matt Dillon
Kitty, I don't like the idea any better than you do.
Kitty
That jail wasn't built for women.
Matt Dillon
I know that, Matt.
Kitty
Let me take her.
Matt Dillon
What?
Kitty
She won't try to get away with the others in jail. She can stay in my room to a working. I'll take care of her, Matt.
Matt Dillon
Janet, you go with Kitty here.
Chester
Yes, sir.
Matt Dillon
Stay with her and do whatever she says.
Kitty
Thanks, Matt. Thanks a lot. Come on.
Matt Dillon
Just so you take these other two inside and lock them up, mister.
Chester
Come on, let's go.
J.L. Crocker
Now, Marshall, Pretty or Not that girl is a criminal. Why aren't you locking her up?
Matt Dillon
Well, we've got a different attitude toward women out here, Mr. Crocker. We never got around to building jails for him.
J.L. Crocker
Well, what about the money? $50,000 missing.
Matt Dillon
That's right, it is.
J.L. Crocker
It's a long ride into town, wasn't it, Marshall? Moonlight, pretty girl in a wagon. Chance to talk, maybe.
Matt Dillon
You there. Yes, sir. Drag him over there to the water trough and stick his head under the pump.
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Chester
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Chester
You can see the difference. Feel the difference with stainless Stewart.
Matt Dillon
How are you and Kitty getting along, Janet?
Dan Eberly
Oh, just fine. She's been wonderful.
Matt Dillon
The noise downstairs bother you? Keep you awake at night? No.
Dan Eberly
No, the only thing that keeps me awake is worrying about Pa and Jerry. What are you gonna do with this man?
Matt Dillon
I got no say about that. There's no proper court here. I'll probably get orders to send you up to Hays City for trial.
Dan Eberly
Oh, they won't understand. Maybe Pa was wrong. I guess he was. But he thought he was doing right.
Matt Dillon
Sure, we all think that.
Dan Eberly
He was doing it for us, for Jerry and me. And he didn't mean to kill that man, Marshall. Really, he didn't.
Matt Dillon
Well, I. I better be going now.
Chester
Sure.
Matt Dillon
Goodbye, Jonathan. Well, Max, she's quite taken with you, Kitty.
Kitty
Stories around town say you're a little taken with her, Max.
Matt Dillon
That's Mr. Crocker's doing. He's been shooting his mouth off for a week now.
Kitty
He's offered $1,000 reward for the return of that money. No questions asked. Yeah, I know, but how much do you know?
Matt Dillon
What do you mean?
Kitty
Well, people will know. You don't pay any attention, Matt, but some of these hangers on around the saloon wonder if you did make a deal for that money.
Matt Dillon
Who cares what they think?
Kitty
But it's bad. Matt Crocker keeps Prodding them. Some of them are beginning to say that Everlast might remember where the money is. They had ropes around their necks.
Matt Dillon
Lynch Marble. They're going to have to move fast. I got orders about an hour ago to send the three up to Hay City in the morning.
Kitty
Oh, that. Did she know about it?
Matt Dillon
No. I just didn't have the heart to tell her.
Chester
Mr. Dylan. Mr. Dylan.
Matt Dillon
What's the matter, Chester?
Chester
Ms. Kitty sent me to get you. That fellow Crocker's over at the Long Branch. He's got a bunch of the boys all liquored up. They're talking about crashing the jail.
Matt Dillon
Well, usually the best way to stop that kind of trouble is to break it up before it starts.
Chester
Well, that groove just upstairs, right over the head. Ms. Kelly.
Matt Dillon
Yeah, I know. They hadn't bothered her, had they, Justin?
Chester
Well, they hadn't when I left.
Matt Dillon
All right, you let me handle it. You stay clear and cover my back.
Chester
Yes, sir, I will.
Matt Dillon
All right. Come on.
Narrator
A man that holds a deal like.
Chester
That ought to be run out of town.
J.L. Crocker
And you're just the boys to do it. It's about time somebody took a star off of that tin horn marshal and shoved it down his throat. And as far as I'm concerned, I.
Matt Dillon
Go on, Mr. Crocker. You're doing real fine. There's quite a crew. You picked up all the bums, barflies, swindlers and bushwhackers in Dart City. Well, your friends don't seem to be as talkative as they were a couple of minutes ago, Mr. Crocker.
J.L. Crocker
Dylan, if I had you in St. Louis for one hour, you'd be in jail, not running.
Matt Dillon
All right, boys, the party's over. Now move on.
Narrator
Now.
J.L. Crocker
You got no right to order those men around, Dylan.
Matt Dillon
I don't hear any of them objecting. Matt. Matt.
Kitty
She's gone.
Matt Dillon
What?
Kitty
Janet's not in the room. She's gone.
Matt Dillon
Well, where would she go?
Chester
I can tell you, Matt, you had a jailbreak. That girl got her dad and brother out and they just left town on their.
J.L. Crocker
Car owners.
Narrator
Have you ever heard a K side smooth seal? Why, no. Why, no?
Matt Dillon
Is it new? What's it do?
Narrator
Well, this is off the record, just between us boys. Your automatic transmission, does that ever make a noise? You mean a little kind of grinding? Does that little chatter matter? I hear a very weird whir sometimes. It doesn't sound good, boys, but let's be sure. When you're sitting at the light and it goes to green, you put your foot down hard. Have you ever Felt a sort of a jerk, a kind of a jar or haven't helped you a real. Oh, I felt.
J.L. Crocker
Me, too.
Narrator
I've had it. Stranger.
Matt Dillon
What do we do?
Narrator
Well, don't buy a horse and don't trade your car. Just get yourself some new case, side, smooth seal. New case side, smooth seal. New case, side, smooth seal. New case side, smooth seal. How will that help? Why, it's made to soften those shrunken seals which are apt to leak when there's power on the wheels. It stops those thud, bumps, jerks and jars that are apt to creep into these modern cars. Why, this K site smooth seal in one application can pack them all off on a long vacation. And it's less than $2 at your service station. A little new K side smooth seal, boy.
Matt Dillon
Come on.
Narrator
I'll go. And if it doesn't work, you get double your money back.
Chester
We're getting pretty close to the place where they camp that night.
Matt Dillon
It's right ahead of us there, Chester.
Chester
Sure do hope that cotton storm holds off first. You know, they may not have came back here at all.
Matt Dillon
Then we'll backtrack the cottonwood tanks. They'll want that gold. It's got to be somewhere between here and the railroad.
Chester
Yonder's where the wagon was standing.
Matt Dillon
Yeah. All right. Pull up, Tessa. Let's take a look around.
Chester
Mister. Gentlemen. Look there. Hole dug in the ground. Right where they had their campfire that night.
Matt Dillon
Yeah, they buried the gold there, Chester. And built their fire right on top of it. Get out. It came from that thicket over there. I'm gonna fire and roll away, maybe draw a shot. You keep your eyes open.
Chester
Sure I will. He came from the left of that big tree off there.
Matt Dillon
Yeah, I saw it. You got him? Yeah. Come on, Chester. I believe now you're covered, Everly. One move and you're finished.
Chester
I'm finished anyway.
Matt Dillon
I'm sorry I had to do it.
Chester
No matter where the youngins to have a chance.
Matt Dillon
They rode on with the money, I suppose.
Chester
Let them go, Marshall. It's their money. I had a right.
Matt Dillon
Maybe. But you had no right to kill.
Chester
I didn't aim to, Marshal.
Matt Dillon
The law has to go by acts, Everly. Not intentionally.
Chester
Storm coming up.
Matt Dillon
Yeah, it looks that way.
Chester
I hope that young uns find shelter. Jerry caught Cole there in jail. Used to worry his mother when he coughed. She's dead now.
Matt Dillon
Died Back there.
Narrator
Back.
Chester
Back. Guess he paid for it, Mr. Dillon.
Matt Dillon
Yeah, he paid. Well, let's try to pick up the trail of the other two before that Storm.
Chester
What is it?
Matt Dillon
Horses. A couple of horses coming in fast. All right, hold it.
Chester
It's all right. Marshall.
Dan Eberly
Weed on Pa. Where is he? We heard the shooting and turned around and rode back.
Matt Dillon
You better get off your horses, both of you.
Dan Eberly
Tell me what happened to.
Matt Dillon
Oh, I'm sorry, Janet. I knew.
Dan Eberly
I knew when he made us right on ahead that we'd never see him again alive.
Matt Dillon
You kids carrying the money?
Chester
It's there in my saddlebags.
Matt Dillon
Get it, will you, Chester?
Chester
Yes, mister.
Dan Eberly
He thought he was doing the right thing. He thought he was doing it for us.
Matt Dillon
I know. But he was wrong. And now there's the two of you to decide about. Chester, count out $1,000.
Chester
Yes, sir.
Matt Dillon
You know, technically, I guess I ought to take you back to Dodge. But I figure everybody's got certain rights. It's my job to try to keep all those rights sorted out and evened up. All I can do is call them the way I see them. Chester, give him $1,000.
Chester
There you are.
Dan Eberly
But I don't understand.
Matt Dillon
Clocker offered $1,000 and no questions asked for the return of his money. Will you return it? Then there's the reward.
Dan Eberly
Yes, but.
Matt Dillon
Now, if you ride north and keep barren west, you'll eventually hit Wyoming. I hear it's fine country, plenty of rangeland, homesteads. The two of you ought to do all right. Jerry.
Chester
Yes, sir.
Matt Dillon
You take care of her.
Chester
Yes, Sir, I will.
Dan Eberly
Mr. Dillon, I understand what you're doing for and I.
Matt Dillon
Now go on, you two get out of here before I think it over and change my mind. Now go on. Right.
Chester
Thank you, Marshall.
Kitty
Thanks.
Matt Dillon
Go on.
Dan Eberly
Goodbye, Mr. Dillon.
Matt Dillon
Go on, get out of here.
Chester
You better get a move on, Mr. Dillon. It's starting to rain.
Matt Dillon
I hope they find shelter somewhere.
Chester
Ms. Dillon is starting to rain. Mr. D. We better get a move on. Mr. Dillon.
Matt Dillon
Service manager tell you about Guardian Maintenance? Well, sure, I'll be glad to. Guardian Maintenance is a kind of specialized service. Your General Motors car gets at a GM dealers like ours. Yeah, now it makes good sense, doesn't it, that our mechanics know your GM car best? You see, they specialize in one make a car. And what's more, they've got the right tools and factory approved parts too. Yes, sir, that holds true for every Chevy, Pontiac, Oldsmobile, Buick, Cadillac and GMC truck. It's the best kind of service for the best kind of cars. And all GM dealers are offering performance service specials right now. Uhhuh. Includes engine tuneup, tire rotation, a front end adjustment, a wheel check and a complete and I mean, complete lubrication makes for a worry free vacation, I'll tell you. Huh? Good, good. We'll be looking for you.
Narrator
Gun Smoke produced and directed by Norman Macdonald stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Les Crotchfield with editorial supervision by John Meston. Featured in the cast were Vic Perrin, Barbara Iler, Sam Edwards and Bart Robinson. Harley Baer is Chester, Howard McNear is Doc, and Georgia Ellis as Kitty. This is George Walsh inviting you to join us again next week for another story on Gun Smoke.
Matt Dillon
This is the CBS Radio Network.
Andrew Rines
This has been a presentation of OTR Western and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707986, 8739. This episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to OTR westerns.com copyright have a great day and thanks for listening.
Old Time Radio Westerns Podcast Summary: "Jailbait Janet | Gunsmoke (06-28-59)"
Host: Andrew Rines
Release Date: December 8, 2024
Introduction
In this gripping episode of Old Time Radio Westerns, host Andrew Rines transports listeners back to the rugged landscapes of the Wild West with the classic radio drama "Jailbait Janet" from Gunsmoke. Set against the backdrop of Dodge City, the story delves into themes of justice, family loyalty, and the moral complexities faced by U.S. Marshal Matt Dillon. Digitally restored for enhanced clarity, the episode brings to life the authentic sounds and intense performances that defined the golden age of radio Westerns.
Plot Overview
The episode opens with Matt Dillon, the steadfast U.S. Marshal of Dodge City, being briefed about a recent train robbery. Three masked bandits successfully hold up the baggage clerk, absconding with a hefty $50,000 in double eagles near milepost 314. As Dillon strategizes the pursuit, the drama unfolds with the introduction of Chester Eberly and his daughter, Janet.
Chester reveals that the robbery was driven by desperation. A series of misfortunes, including crop failures and a devastating fire caused by a train mishap, left the Eberly family in dire straits. With no support from the railroad company, Chester felt compelled to take drastic measures to secure his family's future. As the investigation progresses, it becomes evident that Chester and his young son, Jerry, were coerced into the criminal act, highlighting the blurred lines between right and wrong in desperate times.
Key Characters and Interactions
Matt Dillon (William Conrad):
The central figure of authority, Matt Dillon embodies the moral compass of Dodge City. His interactions are marked by a balance of firmness and empathy, especially when dealing with Chester and his family.
Chester Eberly (Harley Baer):
A father torn between survival and legality, Chester's desperation drives him to participate in the train robbery. His conversations with Dillon reveal his internal conflict and the lengths he is willing to go for his family.
Dan Eberly (Vic Perrin):
Chester's son, Dan is remorseful and conflicted about the family's actions. His struggles with guilt add depth to the narrative, showcasing the personal toll of the robbery.
Janet Eberly (Barbara Iler):
At 18, Janet represents the younger generation caught in the crossfire of her family's decisions. Her presence challenges Dillon's perceptions of justice and rehabilitation.
J.L. Crocker (Sam Edwards):
Representing the railroad and the bank's interests, Crocker's antagonistic role adds tension, pushing Dillon to navigate the complexities of law enforcement amidst external pressures.
Kitty (Georgia Ellis):
Kitty's compassionate stance towards Janet provides a counterbalance to the prevailing punitive attitudes, emphasizing themes of mercy and understanding.
Notable Scenes and Quotes
The Train Robbery Briefing [03:51 - 06:48]:
Chester informs Dillon about the robbery details, highlighting the cunning methods of the bandits.
Confrontation with Chester and Dan [14:43 - 18:37]:
Dillon captures Chester and Dan, leading to a heartfelt exchange about intentions versus actions.
Final Showdown and Resolution [24:01 - 27:56]:
The climax sees Dillon apprehending the culprits while grappling with the ethical implications of their actions.
Themes and Insights
Moral Ambiguity:
The episode skillfully portrays the gray areas of justice, questioning whether the ends justify the means when survival is at stake.
Family and Loyalty:
Chester's actions are driven by familial duty, illustrating the lengths a parent will go to protect their children.
Law vs. Compassion:
Matt Dillon's character embodies the struggle to uphold the law while recognizing the human elements behind criminal actions.
Redemption and Forgiveness:
Janet's role as a young woman seeking a second chance underscores the potential for redemption despite past transgressions.
Conclusion
"Jailbait Janet" offers a nuanced exploration of justice in the Wild West, blending action with deep emotional currents. Through stellar performances and a tightly woven narrative, the episode invites listeners to ponder the complexities of right and wrong. Andrew Rines' adept curation ensures that both longtime fans and newcomers can appreciate the timeless storytelling that Gunsmoke epitomizes. This episode not only revitalizes a classic tale but also underscores the enduring relevance of its themes in today's world.
Notable Quotes with Timestamps
Kenneth [04:14]:
Matt Dillon: "Anybody say how many were in on it?"
Emotional Plea [26:07]:
Dan Eberly: "Mr. Dillon, I understand what you're doing for and I..."
Final Words [24:37]:
Matt Dillon: "I'm sorry I had to do it."
Chester's Justification [12:09]:
Chester: "I had a homestead outside of Newton. My wife died there."
Final Thoughts
Old Time Radio Westerns brilliantly revives classic radio dramas, offering listeners a richly detailed and immersive experience. "Jailbait Janet | Gunsmoke (06-28-59)" stands as a testament to the enduring allure of Western tales, blending action, drama, and moral contemplation into a seamless auditory journey. Whether you're reliving the golden age or discovering it anew, this episode promises to captivate and resonate.