Johnny Red | Gunsmoke (09-13-59)

Summary

Old Time Radio Westerns: "Johnny Red" | Gunsmoke (09-13-59) Summary

Host: Andrew Rhynes
Release Date: January 18, 2025

---

Introduction

In the "Johnny Red" episode of the classic radio drama Gunsmoke, listeners are transported to the rugged terrains of Dodge City and its surrounding territories. Hosted by Andrew Rhynes, the Old Time Radio Westerns Podcast presents this meticulously restored episode, enhancing the auditory experience with enriched soundscapes that bring the Wild West to life.

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Plot Overview

The episode centers around Billy Crail, who returns to Dodge City after seventeen years of absence, seeking to reconnect with his aging mother, Ms. Crail, who has been managing their large ranch single-handedly since the death of Billy’s father three years prior. Unbeknownst to Billy, the local authorities have believed him dead, having received conflicting reports about his fate during the Civil War.

Upon his return, Billy approaches U.S. Marshal Matt Dillon with the intention of settling down and reclaiming his place at home. However, Matt Dillon, ever the vigilant marshal, is suspicious of Billy’s sudden reappearance, especially given his criminal history under the alias "Johnny Red." The tension escalates when Billy discovers that his mother is being mistreated and that her funds have been compromised, prompting him to take action against the corrupt elements threatening her livelihood.

As the narrative unfolds, Billy confronts former associates Nate Barger and Parker Fenley, leading to a dramatic showdown. The climax reveals the true identity of Billy Crail, dispelling doubts about his past and affirming his commitment to protect his family and restore peace to Dodge City.

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Character Highlights

• Matt Dillon (William Conrad): The steadfast U.S. Marshal, Matt embodies justice and moral integrity. His interactions with Billy showcase his protective nature and unwavering commitment to upholding the law.

  "I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet."
  [01:49]

• Billy Crail (Sam Edwards): A complex character torn between his troubled past and his desire for redemption. Billy’s return to Dodge City symbolizes his struggle to reconcile his identity and make amends.

  "I figured it wasn't safe for her to keep it here. So you. You still think a mother can't tell, huh?"
  [27:56]

• Ms. Crail (Helen Plebe MC): The resilient matriarch who has endured solitude and hardship. Her relationship with Billy highlights themes of familial bonds and forgiveness.

  "See, her son has come home. Could a mother ask for more?"
  [13:08]

• Kitty (Georgia Ellis): Provides emotional support and insight into Matt Dillon’s character, adding depth to the marshal’s personal life.

  "You ever get fed up with it, Matt?"
  [03:54]

• Doc (Howard McNear): Offers a pragmatic perspective, balancing the tension between law enforcement and community well-being.

  "Well, take charge of it, will you, Doc?"
  [19:36]

---

Key Themes and Discussions

• Identity and Redemption: Billy Crail’s return under the guise of "Johnny Red" underscores the struggle between past misdeeds and the pursuit of a legitimate life.

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  (Note: This is part of the advertisement and not related to the episode's content.)

• Family and Forgiveness: The dynamic between Billy and Ms. Crail emphasizes the enduring power of familial love and the possibility of reconciliation despite past conflicts.

  "You can't fool a man's own ma."
  [07:45]

• Justice and Vigilance: Matt Dillon’s role as marshal reflects the constant vigilance required to maintain law and order in the tumultuous environment of the Wild West.

  "Any way you look at it, Marshall."
  [14:53]

• Deception and Truth: The revelation of Billy’s true identity highlights the complexities of truth and deception, questioning the reliability of official reports and personal accounts.

  "Ms. Crayl keeps ever since she's got out there at the place because she doesn't trust Banks."
  [18:08]

---

Notable Quotes with Timestamps

1. Matt Dillon on His Role:

   "I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet."
   [01:49]

2. Billy Crail on His Return:

   "Well, if you'd have told her. I guess so. But she's going to find out anyway, sooner or later when he steals her blind and then runs out on her."
   [14:32]

3. Ms. Crail’s Recognition of Billy:

   "You can't fool Mother. She can always tell her own. Why, the second Billy walked up on that porch and said, how are you, Ma? I knew him just like that."
   [13:08]

4. Climactic Confrontation:

   "No, no. I just can't believe that man. If he's not Billy Crayle, then what's he up to, huh?"
   [17:59]

5. Billy’s Revelation:

   "Sure, Marshall. I've been called Johnny Red for years now, but my real name is Billy Crail. I wasn't. Wasn't lying about that. She was my mother."
   [27:56]

---

Conclusion

"Johnny Red" offers a compelling narrative that delves deep into themes of identity, redemption, and the enduring bonds of family. Through the nuanced performances of the cast and the richly enhanced audio production, listeners are immersed in a story that resonates with timeless Western motifs. Andrew Rhynes' dedication to digital restoration ensures that this episode of Gunsmoke not only preserves but revitalizes a beloved piece of radio history, making it accessible and engaging for new audiences.

For those who cherish the golden age of radio or are discovering it anew, "Johnny Red" serves as a testament to the power of storytelling and sound in capturing the essence of the Wild West.

---

Notable Cast:

• William Conrad as Matt Dillon
• Sam Edwards as Billy Crail
• Helen Plebe MC as Ms. Crail
• Howard McNear as Doc
• Georgia Ellis as Kitty
• Harley Bear as Chester

Credits: The story was specially written for Gunsmoke by Les Platfield with editorial supervision by John Method. George Wall invites listeners to tune in next week for another enthralling episode of Gunsmoke.

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This summary was crafted based on the transcript provided, ensuring that advertisements, intros, and outros were excluded to focus solely on the episode's content.

Transcript

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[Narrator]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gun Spoke, starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely.

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[Kitty]

Matt.

[Matt Dillon]

Huh?

[Kitty]

Over here, Matt.

[Matt Dillon]

Oh, hello, Kitty.

[Kitty]

Hello.

[Matt Dillon]

Where'd you get the crowd?

[Kitty]

Oh, some trail herd just came in Circle B, I think. Come on upstairs and have a drink with me. I gotta get it clear of here for a few minutes.

[Matt Dillon]

All right, let's go.

[Kitty]

You ever get fed up with it, Matt?

[Matt Dillon]

With what?

[Kitty]

Everything. Come on in. Make yourself down.

[Matt Dillon]

Thank you. What's bothering you, Kitty?

[Kitty]

Nothing special. Just the whim. Whams, I guess. Who has to drink huh?

[Matt Dillon]

Okay. You know, since you're so fed up, why don't you get out of it?

[Kitty]

Go back east and get married and settle down. Nice, quiet. Bank clerk, tub of wash, cook stove and kids. I like kids. Have that drink, huh?

[Matt Dillon]

There you are.

[Billy Crail]

Thanks.

[Kitty]

I'm not getting out and neither are you. So let's live while we still. Oh, if that's some drunken herders, help me. Yes.

[Billy Crail]

Well, let's sit downstairs. The marshal was up there.

[Kitty]

Come in, Matt.

[Matt Dillon]

What's on your mind?

[Billy Crail]

I thought maybe you could give me some information, Marshall. I'm looking for some folks named Crail, Mr. And Miss. John Crail. I understand they got a place around dodge somewhere.

[Matt Dillon]

Yeah, Ms. Crail does. John Crail died about three years ago.

[Billy Crail]

No.

[Matt Dillon]

Are you old friends of theirs?

[Billy Crail]

They're my folks. My ma and pa. What? I'm Billy Cray. Maybe they've mentioned me.

[Matt Dillon]

Yeah. Your mother's always said that she'd come home someday. She's never given up hoping.

[Billy Crail]

How is she, Marshall?

[Matt Dillon]

She's not too good. She's got a big ranch on her hands. Been trying to run it alone since your dad died. You think she'll recognize you?

[Billy Crail]

Well, she might not at first. It's been 17 years since I run away from home. But I'll convince her, all right.

[Matt Dillon]

Yeah, you probably will. Where you been all these years, Billy?

[Billy Crail]

Just drifting. Here. There. You know how it goes.

[Matt Dillon]

Yeah.

[Billy Crail]

How do I get out to the place? I'm anxious to see her.

[Matt Dillon]

It's about five miles east of town. Follow Don River. You can't miss it.

[Billy Crail]

Thanks a lot, Mark. I guess we'll see each other again since I'm going to settle down here.

[Matt Dillon]

Oh, sure. So long.

[Kitty]

All right, let's have it.

[Matt Dillon]

What do you mean, Kitty?

[Kitty]

Something was wrong there. What was it?

[Matt Dillon]

Just this kitty. A few years ago, Miss Crail asked me to try to trace her son. I did it, and I didn't have the heart to tell her.

[Kitty]

Tell her what?

[Matt Dillon]

I got a report back from the war office. Billy Crail had joined the Union army at the start of the war. He was killed in action at the Battle of Shiloh.

[Billy Crail]

Dog it all. Mr. Jones and I went through these cussed circlers lying blue in the face. There's cutthroats, cattle rustlers, horse thieves, bank robbers. Everything you can think of. Ain't nary one of them fits a description of that Crail fella.

[Matt Dillon]

Keep looking, Chester. It might be two or three years back, but I've seen that face of his somewhere. And it has to be in one of these circulars.

[Billy Crail]

I just don't understand how he figures to get away with it. You can't fool a man's own ma.

[Matt Dillon]

He might in this case. She hasn't seen him since he was a boy. She's pretty old now. Her eyesight's failing her. Her memory's not too good.

[Billy Crail]

Well, but with that ranch, all the money she's got put by, he sure Stan has to come out of her.

[Matt Dillon]

Wait a minute. Wait a minute.

[Billy Crail]

Chester. Find something, Ms. Dillon?

[Matt Dillon]

Uh huh. Yeah, I thought so.

[Billy Crail]

Well, in sure it doesn't look like Martin.

[Matt Dillon]

It is him. Chester. Three years ago. Height six one, weight 185. Sandy complexion.

[Billy Crail]

Sure fits him.

[Matt Dillon]

Wanted in Lubbock for questioning in connection with holdup of the Lone Star Bank. Previous arrests, Pecos Crossing for cattle theft. Acquitted for lack of evidence. Convicted San Antonio eight years ago, armed robbery. Served four years. Paroled. Known associates. Nate Barger, Parker city kid.

[Billy Crail]

Reward $1,000.

[Matt Dillon]

Calls himself Johnny Red. Well, Chester?

[Billy Crail]

Yes, sir.

[Matt Dillon]

Let's go get him.

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[Matt Dillon]

Blow that bird.

[Billy Crail]

I don't seem no words around.

[Matt Dillon]

Good. I was hoping I could talk to Miss Crail first.

[Billy Crail]

Reckon he'll put up a fight, Mr. Dun?

[Matt Dillon]

I don't know.

[Ms. Crail]

Who is it?

[Matt Dillon]

It's Marshall Dullen, ma'am.

[Ms. Crail]

Well, if this ain't a surprise. Now come on in. Set a spell, Marshall.

[Matt Dillon]

Thank you, Ms.

[Ms. Crail]

Grill. Good to see you, Marshall. And you too, Mr. Proudfoot, ain't it?

[Billy Crail]

Yes, ma'am.

[Ms. Crail]

I wasn't too sure. My eyes ain't quite. Come on in, gentlemen. Land sakes, I do like company. Seems like nobody ever comes out this way no more. Now set yourselves down there now.

[Matt Dillon]

Well, thank you.

[Ms. Crail]

Rest your feet. I'll get you a cup of coffee.

[Matt Dillon]

No, don't bother, Ms. Cray. We don't have much time.

[Ms. Crail]

No time. Won't take no time. Got it already made. Just fixing to have some myself. Can't do a little something for her company.

[Billy Crail]

She ain't fit to have none as mama.

[Matt Dillon]

Guess it does get pretty lonesome out here.

[Ms. Crail]

Well, did. I got a big surprise to tell you about Marshall.

[Matt Dillon]

You mean your son?

[Ms. Crail]

Shucks, the way gossip flies round Dart City. Body don't have a chance to get ahead of it. He's come home just like I always knew he would.

[Matt Dillon]

Has. Has he changed much, Ms. Griff?

[Ms. Crail]

Oh, good heaven, Jess. He was just a boy when he went away. Now he's a grown up man. Fine, strong.

[Matt Dillon]

But there's no doubt in your mind that this really is Billy.

[Ms. Crail]

Why, that's downright silly, Marshall. You can't fool Mother. She can always tell her own. Why, the second Billy walked up on that porch and said, how are you, Ma? I knew him just like that.

[Matt Dillon]

I see.

[Ms. Crail]

You know, I've been sort of going downhill since John passed on. Work was hard and seemed like I'd kind of lost my reason for living. I don't think I'd have lasted, Marshall.

[Matt Dillon]

Well, now I.

[Ms. Crail]

But it's different now. I'm happier than I've been in years.

[Matt Dillon]

You sure seem to be.

[Ms. Crail]

My son has come home. Could a mother ask for more?

[Matt Dillon]

No, ma'am. I guess not. I suppose that's all that matters.

[Ms. Crail]

That's all.

[Matt Dillon]

Well.

[Ms. Crail]

Oh, I'm sorry, Marshall. Here I've been talking a leg off of you and haven't even thought to ask. What brings you out this way?

[Matt Dillon]

Oh, nothing, Ms. Crail. As a matter of fact, we just rode out for a friendly little visit.

[Ms. Crail]

Well, I'm mighty glad you did, Marshall. You just stopped by. Anytime. You too, Mr. Proudfoot.

[Billy Crail]

Thank you, miss.

[Matt Dillon]

Bye bye, Miss Crail.

[Ms. Crail]

Goodbye.

[Billy Crail]

You couldn't have done nothing else, Mr. John. Way it broke her heart if you'd have told her.

[Matt Dillon]

I guess so. But she's going to find out anyway, sooner or later when he steals her blind and then runs out on her. That's a bad deal, Chester. Any way you look at it, Marshall.

[Billy Crail]

Kind of sets you a problem now, don't it?

[Matt Dillon]

Well, I may set a few problems for you before I'm done with you, Johnny.

[Billy Crail]

And break an old lady's heart? I don't think so, Marshall. And the name is Billy, by the way. Billy Crayle.

[Matt Dillon]

Not in Lubbock. Lubbock?

[Billy Crail]

Where's that?

[Matt Dillon]

Don't worry, Johnny. When I send you back, there'll be somebody along to show you the way.

[Billy Crail]

I don't know why you keep on calling me Johnny.

[Matt Dillon]

Because that's your name, Johnny Red. Bank robber, gunman, cattle thief. You fill out the list.

[Billy Crail]

Maybe you could get my mother to fill it out.

[Matt Dillon]

Ms. Krill's an old woman. She doesn't know that her son was killed at the Battle of Shiloh.

[Billy Crail]

That report was a mistake, Marshall, but I figured it was best to let it stand. I deserted two weeks before Shiloh.

[Matt Dillon]

Yeah, sure you did.

[Billy Crail]

I don't know where you got this crazy idea I'm somebody named Johnny Red. A man's own mother ought to know. And before you go off half cocked.

[Kitty]

I'd say it might be a good.

[Billy Crail]

Idea to check with the sheriff in Lubbock. Meanwhile, I figure it's like your friend there was saying. You wouldn't want to break an old woman's heart, now, would you? Afternoon, Matt.

[Matt Dillon]

Come on in, Doc. How are you?

[Billy Crail]

Oh, terrible. Turbanet lost another patient this afternoon.

[Matt Dillon]

Oh. Somebody die?

[Billy Crail]

No, no, no, no. You figure on that happening, but you don't count on them getting well on.

[Matt Dillon]

You, and they don't very often. Well, who was it that pulled this mean trick on you?

[Billy Crail]

Old Lady Crail.

[Matt Dillon]

Oh.

[Billy Crail]

Month ago, I wouldn't have figured. Here to live through the winter. Even thought she might leave me something in her will. But doggone it, she was jumping around out there this morning's chipper's young filly. Threw away all her medicine. Told me not to even bother coming out anymore.

[Matt Dillon]

She's a young mother now.

[Billy Crail]

It's no joke, Matt. That's exactly what it is. That boy of hers has been home three weeks now, and it's made a new woman out of her.

[Matt Dillon]

Yeah, only he's not really her boy, Doc.

[Billy Crail]

He's not really. What do you mean?

[Matt Dillon]

He's an ex convict from Texas. I had a reward circular on him from Lubbock.

[Billy Crail]

Oh, now, wait a minute, man. He might be able to fool other people, but his own mother.

[Matt Dillon]

I know, I know, Doc. A mother can always tell her own, and that's right. Well, maybe this is the exception that proves the rule.

[Billy Crail]

Well, if you. If you really think that. And if. And if he's wanted, well, then why don't you go out there and arrest him?

[Matt Dillon]

Because I got no charge against him. I wired Lubbock. It seems that he was wanted, but he's not anymore. They'd already picked him up. And then they turned him loose for lack of evidence.

[Billy Crail]

No. No. I just can't believe that man. If he's not Billy Crayle, then what's he up to, huh?

[Matt Dillon]

You know how much that ranch is worth, Doc? That Ms. Crayl keeps ever since she's got out there at the place because she doesn't trust Banks. Now, what more reason would a man like that need?

[Billy Crail]

You better come quick, Mr. Dillon.

[Matt Dillon]

What's wrong, Chester?

[Billy Crail]

Jake just brought Simmer on stage in. He got held up right outside of town. They shot the guard.

[Matt Dillon]

Let me get through here, please. Will you stand aside, please? Let Doc get in here, please.

[Billy Crail]

Well, Marshall, they finally got to me.

[Matt Dillon]

How'd it happen, Jake?

[Billy Crail]

Boldest thing I ever seen. About three miles out of town, they throwed some cottonwood limbs across the trail so I'd have to pull up, and that's when they jumped me.

[Matt Dillon]

How many of them?

[Billy Crail]

Just two. Couple I never seen before. Brassy as sin. Didn't even bother to wear masks. And they hauled off and shot Barney there without even giving them a chance.

[Matt Dillon]

What did they get?

[Billy Crail]

The cash box. I don't know how much was in it. Matt.

[Matt Dillon]

Yeah, Doc?

[Billy Crail]

There's nothing I can do for him, Matt. Two bullets right under the ribs. I doubt if he even knew what hit him.

[Matt Dillon]

Well, take charge of it, will you, Doc?

[Kitty]

Matt. Somebody said Barney got shot down his dad.

[Matt Dillon]

Kidding. Oh, Jake, Would you recognize either of those men?

[Billy Crail]

I sure would. One of them was a tall, skinny fella. The other one was kind of a kid. Tall one. Called him Ponka Ponka. Yeah. They were strangers, though. They ain't from around here.

[Kitty]

That sounds like a couple of fellas I saw on the long branch today talking to Billy Crail. Oh, Billy finally left, and they stayed another hour or so. Talking real serious together.

[Matt Dillon]

Those two gunmen, Jake, where did they head for when they left you?

[Billy Crail]

Well, it was a funny thing. I figured they'd make a run south, but instead they rode east down river. Now that trail don't lead nowheres.

[Matt Dillon]

That's right, Nowheres. Except for the Crail Ranch.

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[Billy Crail]

Not a sign of life, Mr. Dawn. Looks real quiet.

[Matt Dillon]

Yeah, too quiet maybe.

[Billy Crail]

Ain't no lights neither.

[Matt Dillon]

Let's walk from here.

[Billy Crail]

Thank you.

[Matt Dillon]

All right now watch yourself, Justin.

[Billy Crail]

That's right.

[Matt Dillon]

Now when I jerk this screen open, I'll go in fast.

[Billy Crail]

I'll keep you covered, Mr. Dylan.

[Matt Dillon]

All right, Chester, come on in. See if you can find a lamp.

[Billy Crail]

I think there was one over here on the table the other day. Yeah, there it is.

[Matt Dillon]

All right, light it and then Bring it over here.

[Billy Crail]

Here you are. Oh. Oh, my.

[Matt Dillon]

Hold the lamp down, Chester.

[Billy Crail]

Mr. Dillon.

[Matt Dillon]

Yeah? She's dead.

[Billy Crail]

She's been beat bad, too.

[Matt Dillon]

Yeah, well, let's not question anything he's wanted for now, that's murder rage.

[Billy Crail]

Oh, that's you, Marshal.

[Matt Dillon]

Who were you expecting, Johnny? Nate Barger and the Ponca City Kid?

[Billy Crail]

That's right. They're down there digging by the riverbank. But they'll be back. They won't find what they're looking for.

[Matt Dillon]

Well, who shot you?

[Billy Crail]

I don't know which one of them it was. It don't matter, though. I'll last till they get back. But not long enough for a murder charge. Marshall. Now, don't try for your gun, Marshall.

[Matt Dillon]

I'm not that much of a fool. Not with yours on my back.

[Billy Crail]

I wouldn't want to shoot you. I got nothing personal against you. But your way of handling this ain't the way I aim to put out that lamp. They coming back? They're out there. Now you stay where you are and stay quiet. I gotta get to a window.

[Matt Dillon]

All right, Chester, let's ease out the back way. Come on. Yes, she over here. Stay close to the house. They'll walk toward the porch. We'll have a chance to take him from the side.

[Billy Crail]

Yes, sir. If she's still alive, she sure won't.

[Matt Dillon]

Lie about it this time. A hot brand in iron myself. All right, hold it. You're covered. Over there at the quarter pocket.

[Narrator]

Y'all get him now.

[Matt Dillon]

Drop that gun, Barger. Drop it.

[Billy Crail]

All right, all right.

[Matt Dillon]

I did.

[Billy Crail]

I. I give up. Don't shoot.

[Matt Dillon]

Keep your hands up.

[Billy Crail]

That's right, Nate. Keep them up high. Johnny. Do say hello to Ponca for me, Johnny.

[Matt Dillon]

I. I had my hands up. You drop your gun, Johnny.

[Billy Crail]

Sure, Marshall. I'm through with it now.

[Matt Dillon]

He had his hands in the air. You had no call to shoot him.

[Billy Crail]

You'd have took him alive. He might have got out of it. This way works out better. More. Sure.

[Matt Dillon]

Johnny.

[Billy Crail]

Yeah, Marshall.

[Matt Dillon]

I guess you know how you stand. You don't have a chance.

[Billy Crail]

It don't matter. I lasted till it was finished.

[Matt Dillon]

What started it? An argument over the split?

[Billy Crail]

There was no split. I wasn't in with him. They followed me here from Texas. That's right, Marshall. I'm Johnny Red.

[Matt Dillon]

I never doubted it.

[Billy Crail]

They thought I was double crossing them. They laid for me out here at the ranch. They thought they'd killed me. And her. They beat a marshal trying to find out where she kept her money. But she wouldn't Tell. She lied to him. Said it was buried down by the riverbank.

[Matt Dillon]

Where is it buried?

[Billy Crail]

No place. I took it into the bank for last week.

[Matt Dillon]

You what?

[Billy Crail]

I figured it wasn't safe for her to keep it here. So you. You still think a mother can't tell, huh? Sure, Marshall. I've been called Johnny Red for years now, but my real name is Billy Crail. I wasn't. Wasn't lying about that. She was my mother. She. Oh, Mom.

[Matt Dillon]

Well, that's that.

[Billy Crail]

He was Billy Crail, after all.

[Matt Dillon]

Yeah. Oh.

[Billy Crail]

If he'd only just stayed away, hadn't come back home, she'd still be alive. It was her own son, you might say, that caused her death.

[Matt Dillon]

Doc says she wouldn't have lived through the winter anyway. And Billy made her happy. For one month at least. I don't know, Chester. I don't know.

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[Narrator]

Schools are only buildings, but they're much more to parents whose children attend them. When your children and mine are in those buildings, they take on personal importance. They influence the futures of our young people. Schools are only buildings, but to ignore them is to ignore those precious futures. We do the very minimum for our young when we take part in community efforts to build better schools. If we do less, we flagrantly shortchange our own. If your community is like many, the chances are there's a real and growing need for better schools. Better schoolrooms, higher teaching standards, new textbooks, and more room. This miracle won't come about without help from all of us. If you want to give that help but don't know how, write to better schools. 9 East 40th Street, New York 16, New York. That's better schools. 9 East 40th street, New York 16, New York. Gun smoke for Houston. Captured in Hollywood by Norman McDonald stars William Conrad as Matt Dillon U S Marshal. The story was specially written for Gunsmoke by Les Platfield with editorial supervision by John Method. Featured in the cast were Sam Edwards, Helen Plebe MC and Luke Rubling. Harley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. This is George Wall inviting you to join us again next week when CBS Radio presents another story on gun Smoke.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Advertiser]

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